Sentences with phrase «paint handling merging»
[30][31][32] The late 1960s saw painters turning to surface inflection, deep space depiction, and painterly touch and paint handling merging with the language of color.
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It is a tool to merge influences and disparate visual cues into a unique ocular exposition, creating what Michael Kimmelman calls, «vigorous pictures that convey the sheer pleasure in the handling of paint.»