Sentences with phrase «paint inside the lines»

Once your numbers are traced, use craft paint and a small paint brush to paint inside the lines.

Painting inside the lines may work in well - situated suburban communities, but it is an enormous hindrance in locales where leaders face a steep climb to aggressively boost teacher quality, tackle ineffective practices, find new efficiencies, or revamp outmoded routines.

Use masking tape to design a mountain range or geometric shapes, then paint inside the lines.

Not exact matches

fit a pastry bag fitted with a 1/8» or 1/4» round tip and use a paint brush to paint vertical lines of the food coloring inside of the pastry bag.

Once you are satisfied with the basic pattern, use a roller and / or brush to paint inside the tape lines with the second paint color.

I don't always paint inside drawers, it all depends on the state of the drawers, I also use fabric or paper to line drawers, but not on this project.

Shaft Height: 12» & Circumference: 12 1/2» Round toe Hand painted smooth leather Printed textile piecing Durable waxed cotton laces Leather pieced heel Inside zipper closure Soft printed textile lining Synthetic

Inside they find a clearly defined «ring» lined with tires and black walls tagged «STREETBEEFS» in gold spray paint.

«Dripped six to eight drops of liquid watercolor inside, closed the lid, and spun it — their arms demonstrating thrust to power the spinner, and the paper conveying drag lines visible as the paint was pulled.

The only evidence was paint scraped away on top of the hood, in line with the latch, and also inside, which might mean they used a tool to get to the latch.

Before I go inside, I have to pace around the car one last time and take in its graceful curves, its elegant lines, the way the sunlight glints off the paint just so.

S line gains LED headlights, 20 mm lower suspension, larger wheels and sports styling inside and out, while the Black Edition sees exterior chrome trim painted gloss black and includes 20 - inch wheels and a Bose stereo.

A stunning car inside and out, the exterior paint and body is outstanding with all body lines and gaps precise to factory spec.

Not necessarily in a straight line but «with artfully constructed zigzags that create an inside sense of the characters thoughts and feelings without telling or explaining what they are but instead showing us, painting the actual landscape of their hidden emotions.»

A crack of synesthetic thunder sounded inside me as I felt the cold, hard marble through my shoes, grasped the lightness of the canvas by comparison, and came to terms with an artist bypassing Serra's fearsome weight and brawny power; finding essences between painting and sculpture, perception and experience, I crossed a delicate line between something I'd never seen before and something I already feared I'd never see again.

What's on view: A log cabin, spray painted gold, encrusted on the inside walls with keyboards, shotgun shells, arrowheads (I think), tent stakes, phone lines, lightbulbs.

by Alan Feuer Boston Globe, Nov. 16, Intimacy of attention paid in close up by Sebastian Smee Brooklyn Daily Eagle, Nov. 16, «Visions of an American Dreamland:» New book and Brooklyn Museum exhibition highlight Coney Island by Peter Stamelman The New York Times, Nov. 15, Amusement for Everyone by Ken Johnson Boston Globe, Nov. 11, Andy Warhol and Robert Mapplethorpe Rocked the Boat by Mark Feeney Crave, Nov. 11, Exhibit Warhol & Mapplethorpe: Guise & Dolls by Miss Rosen Antiques and the Arts Weekly, Nov. 10, Q&A: Linda Roth WSFB / Better Connecticut, Nov. 9, Get Some Art History at this Local Stop by Kara Sundlun Take Magazine, November 2015, This MATRIX is Real by Janet Reynolds American Fine Art Magazine, November 2015, Radical Chick and Taylor Made by Jay Cantor Art New England, November 2015, Preview: Warhol & Mapplethorpe: Guise & Dolls by Susan Rand Brown The Hartford Courant, Oct. 16, Gender - Bending «Warhol & Mapplethorpe» Exhibit At Wadsworth by Susan Dunne The Wall Street Journal, Oct. 13, At the Wadsworth Atheneum, an Old Building Gets New Life by Lee Rosenbaum Hartford Courant, Oct. 2, Artist Pokes Fun At «Great Chain Of Being» With New Wadsworth Exhibit by Susan Dunne The Economist, Oct. 1, Temple of Delight by Miles Unger Hartford Courant, Oct. 1, Renewed Atheneum a Cultural Tourism Spark Op - Ed by William Hosley Art in America, October 2015, Coney Island Forever by Jonathan Weinberg The Boston Globe, Sept. 19, European marvels await in Hartford at refurbished Atheneum by Sebastian Smee The Hartford Courant, Sept. 19, Wadsworth Atheneum Reopens To Line Of Visitors Saturday by Kristin Stoller The Hartford Courant, Sept. 19, Editorial: Wadsworth Atheneum Makeover is a Triumph Hyperallergic, Sept. 18, A Worthy Renovation for the Wadsworth Atheneum's European Art Galleries by Benjamin Sutton The New York Times, Sept. 17, Review: Wadsworth Atheneum, a Masterpiece of Renovation by Roberta Smith WNPR, Sept. 17, Hartford's Wadsworth Atheneum Unveils Newly Renovated Galleries by Diane Orson The Art Newspaper, Sept. 16, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The Hartford Courant, Sept. 13, Wadsworth Atheneum Unveils Final Phase of Years - Long Renovation by Susan Dunne Fox CT, Sept. 11, The art of a reopening at the Wadsworth by Jim Altman Apollo Magazine, Sept. 5, J.P. Morgan: The Man Who Bought the World by Rachel Cohen The Art Newspaper, September 2015, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The New York Times, Aug. 31, The Wadsworth Atheneum in Hartford Puts Final Touches on a Comeback by Ted Loos The Independent, Aug. 28, Warhol and Mapplethorpe capture each other by Charlotte Cripps The Hartford Courant, Aug. 18, Three «Aspects of Portraiture» at Wadsworth by Susan Dunne The Hartford Courant, July 16, Vibrant Paintings of Modernist Peter Blume at Wadsworth by Susan Dunne The Boston Globe, June 30, Hank Willis Thomas's slick image masks a closed door by Sebastian Smee The Boston Globe, June 25, Bradford enters MATRIX at Wadsworth Atheneum by Sebastian Smee Hartford Courant, June 25, Artist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step Right Up!

Painting his friends, lovers, and relatives, Hockney's own presence inside his work is implied through the perspective lines.

Perl continues noting that «what makes «Impressionists on the Water» a success is the confidence with which the curators stay inside the story they're telling, keeping the plot line simple enough that the paintings emerge with their subtlety and complexity intact.»

Using what looks to be a very long ruler, Gene Davis set down a series of strictly drawn straight lines, and painted various vivid colors inside those lines.

Group Exhibitions 2018 Official Selection, Garden State Film Festival, Asbury Park, NJ 2017 Worm's Work, curated by Mild Climate, The Finishing School, Athens GA Unloaded, Marcia Wood Gallery, Atlanta GA Official Selection, 5th Annual Short Shorts, White Space Atlanta GA Official Selection, Best Shorts Competition (Award of Recognition), La Jolla, CA Official Selection, The World's Independent Film Festival, San Francisco, CA 2016 Acts of Sedition: A Group Exhibition, White Box, NYC, NY Transitions: States of Being, Zuckerman Museum of Art, Kennesaw GA Little Things Mean A Lot, Swan Coach House Gallery, Atlanta GA 2015 Drawing Experiment, Chastain Gallery, Atlanta GA Birdwatching, Gallery Walk at Terminus, Atlanta GA 2014 Exquisite Exhibit, curated by Joey Orr, Atlanta Contemporary Art Center, Atlanta GA Score: Artists in Overtime, MOCA GA, Atlanta GA 2013 Ant Linkage, Welch Gallery, Georgia State University, Atlanta GA Drawing Inside the Perimeter, High Museum of Art, Atlanta GA 2012 Paper Moon, Clayton Gallery, Kennesaw State University Museum and Galleries, Kennesaw GA Soltem Os Bichos, Atlelie397, Sao Paulo, SP, Brazil 2011 Watching Hands: Artists Respond to Staying Healthy, David J. Spencer Museum at the CDC, Atlanta GA Something Along The Lines of Rock «N» Roll, Solomon Projects, Atlanta GA New Media from the Permanent Collection, MOCA GA, Atlanta GA 2010 Hand to Hand, AthICA, Athens GA Limitless, Agnes Scott College, Dalton Gallery, Decatur GA Everything and the Space between Everything, Agnus Scott College, McCain Library, Round Wall Gallery, Decatur GA Hand to Hand, Chaffee Art Center, Rutledge VT 2009 More Mergers and Acquisitions, Atlanta Contemporary Art Center, Atlanta GA Accessing the Artist's Brain: Drawing as Metaphor, AVA Gallery, Chattanooga TN Three Small Deaths (film screening), DiverseWorks, Houston TX Everything and the Space between Everything, Jackson - Hartsfeild Airport, Atrium Gallery Atlanta and Agnes Scott College, McCain Library, Round Wall Gallery, Decatur GA Hand to Hand, Western Kentucky University Gallery, Bowling Green KY 2008 The World's Smallest Art Fair, Anna Kustera Gallery, NYC NY Hand to Hand, Spruill Gallery, Atlanta, GA 2007 Little Things Mean A Lot, Swan Coach House Gallery, Atlanta GA Tablet: Contemporary Southern Painting, Tanner Hill Gallery, Chattanooga TN Tenth Annual Arizona State University Art Museum Short Film and Video Festival, ASU Museum of Art, Tempe, AZ Exile From The Land Of Reason, Eyedrum, Atlanta GA The Petrified Man, Welch School of Art and Design Art Gallery, Georgia State University, Atlanta GA 2006 Flamingo Sculpture Garden, Scope Art Fair, Miami FL Run For Your Lives, DiverseWorks, Houston TX Hand to Hand, Ruby Green Gallery, Nashville TN 2005 Toy, Fe Gallery, Pittsburgh PA SouthXeast: Contemporary Southeastern Art, University Galleries, Florida Atlantic University, Boca Raton FL Gas, Food, Lodging: Imagining Escape, Welch School of Art and Design Art Gallery, Ga..

Another «trained professional» walking the line between outside intensity and inside visual intelligence, is the Danish - Israeli Tal R. Born in Israel but based in Copenhagen, his current show of mainly large - scale paintings and a small installation of recent prints at Victoria Miro's continues his fecund artistic journey.

They evoke space and suggest a bond between the inside and outside by extending the charcoal lines to the top edge of the canvas and presumably beyond, directly challenging the formalist orthodoxy that defined painting as a self - contained object or surface.

A large boxed - shaped room painted pink on the outside and mint green on the interior, Pope.L's «Claim (Whitney Version)» is defined by a precise grid of more than 2,700 slices of bologna lining the walls inside and out.

How art ages MARTa Herford Museum, Herford Royal Awards for Painting 2011 Royal Palace, Amsterdam ILLUMInations The 54th Venice Biennale, Venice (catalogue) Too late, too little, (and how) to fail gracefully Kunstfort Asperen, Langedijk (catalogue) Image to be projected until it vanishes Museion - Museum of modern and contemporary art, Bolzano (curated by Mihnea Mircan) Radical Autonomy Netwerk / centrum voor hedendaagse kunst, Aalst Inside Installations Collectietentoonstelling S.M.A.K (Stedelijk Museum voor Actuele Kunst), Ghent (catalogue) Falten, Searching for White, Rise above Reason Martin van Zomeren, Amsterdam 2010 Taking Place Stedelijk Museum, Amsterdam Invisible Shadows, Images of Uncertainty MARTa Herford Museum, Herford (catalogue) Benefit Exhibition Kunst Halle Sankt Gallen, St. Gallen Starter Arter, Istanbul (curated by Rene Block)(catalogue) History of Art David Roberts Art Foundation, London Performative Attitudes Kunsthaus Glarus, Glarus Up to You Stroom, The Hague 2009 The Knight's Tour De Hallen Museum, Haarlem (catalogue) Sculptural - Collection S.M.A.K (Stedelijk Museum voor Actuele Kunst), Ghent Broken English Seiler + Mosseri - Marlio Galerie, Zurich 2008 Modern Museum of Arnhem Portfolio 1 Plan B, Berlin (catalogue) Schilders DCR, The Hague Geoair residency in Georgia, Tbilisi Mariakapel, Hoorn 2007 Billy town Rijswijk INSIDEOUT Moira Gallery, Utrecht Voorstel voor DCR Project Space, The Hague Drawing the line somewhere duo, Ned.

An intimate and captivating Joseph Cornell, ca. 1955, depicting a mother - of - pearl bird encased inside a glitter - lined pocket watch will be displayed alongside a similarly scaled Arman of paint tubes suspended in resin.

The results were electric, resulting in an exhilarating blurring of the lines between painting and sculpture, inside and outside, and present and future tense.

Black lines on the gallery's left wall outline a cartoon thought bubble that houses almost 20 years worth of drawings; on the parallel wall of the narrow space, mural - scale paintings hang inside the hollow outlines of cartoon bunnies painted directly on the room's surface.

Born 1982, Auckland, New Zealand Education 2009 Meisterschule, Städelschule HFBK, Frankfurt am Main 2005 BFA, Elam School of Fine Arts, University of Auckland Solo exhibitions 2018 «Games of Decentralized Life» Galerie Buchholz, Cologne 2018 «The Founder's Paradox», MOCA Museum of Contemporary Art, Cleveland 2017 «The Founder's Paradox», Michael Lett, Auckland 2017 «The Founder's Paradox», Michael Lett, Auckland 2017 «Shenzhen Entrepreneurial Form», Fine Arts, Sydney 2017 «FaaS — Feedback as a Service: Reflecting on messaging, debate and criticality inside a parliamentary discussion on internet governance», Bozar, Brussels 2017 «Simon Denny: Real Mass Entrepreneurship», C2 Space, OCT - LOFT, OCAT Shenzhen 2017 «Hammer Projects: Simon Denny», Hammer Museum, Los Angeles 2016 «Secret Power», Museum of New Zealand Te Papa Tongarewa, Wellington 2016 «Blockchain Future States», Petzel Gallery, New York 2016 «Business Insider», WIELS, Brussels 2015 «Products for Organising», Serpentine Sackler Gallery, London 2015 «Secret Power», New Zealand Pavilion, 56th Venice Biennale 2015 «The Innovator's Dilemma», MoMA PS1, New York 2014 «The Personal Effects of Kim Dotcom», Adam Art Gallery, Victoria University, Wellington 2014 «New Management», Portikus, Frankfurt am Main 2014 «The Personal Effects of Kim Dotcom», Firstsite, Colchester 2014 «TEDxVaduz redux», T293, Rome 2014 «Disruptive Berlin», Galerie Buchholz, Berlin 2013 «The Personal Effects of Kim Dotcom», mumok, Wien 2013 «All You Need is Data — The DLD 2012 Conference REDUX rerun», Petzel Gallery, New York 2013 «All You Need is Data — The DLD 2012 Conference REDUX», Kunstverein München 2012 «Full Participation», Aspen Art Museum, Aspen 2012 «Envisaging Vocational Rehabilitation» (with Joanna Fadyl), Westfälischer Kunstverein, Münster 2011 «Corporate Video Decisions», Friedrich Petzel Gallery 2011 «Corporate Video Decisions», Michael Lett, Auckland 2011 «Cruise Line», NAK Neuer Aachener Kunstverein, Aachen 2011 «Chronic Expectation: CFS / ME Documentary Restoration», T293, Rome 2011 «7 Unreachable Elevators», IMO, Copenhagen 2010 «Negative Headroom: the broadcast signal intrusion incident», Contemporary Art Museum, St. Louis 2010 «Negative Headroom: the broadcast signal intrusion incident», Halle Für Kunst, Lüneburg 2010 «Remote Tutorial: hate poems for travelers», Landings Project Space, Vestfossen 2010 «Introductory logic tutorial video», Artspace, Sydney 2009 «Celebrities» houses at night: a projection», Standard Oslo, Oslo 2009 «Starting from behind», Michael Lett, Auckland 2009 «Deep Sea Vaudeo», Galerie Daniel Buchholz, Cologne 2009 «Watching Videos Dry», T293, Naples 2009 «7 Drunken Videos `, Luettgenmeijer, Berlin 2008 «Aquarium Paintings (with Nick Austin)», Center, Berlin 2008 «Ruined by Sheer Confidence», Caribic Residency, Frankfurt am Main 2008 «Alexandra Bircken / Simon Denny», Ursula Blickle Stiftung, Kraichtal 2008 «Recent Haircuts», Uplands Gallery, Melbourne 2008 «Recent Haircuts», Gambia Castle, Auckland 2007 «Compression Club», Michael Lett, Auckland 2007 «Monthly Cowards», Gambia Castle, Auckland 2007 «Paltry Motion», Dunedin Pubic Art Gallery, Dunedin 2006 «Old Entertainment System», Window, Auckland 2006 «Scape», Art & Industry Biennial, Christchurch 2006 «Old Things», Michael Lett, Auckland 2005» Arranging Sympathies», Volume Series, The Physics Room, Christchurch

Inside his studio, brightly colored pencil sketches and small pizza box - sized paintings line the walls.

JT: Yes, but then you deploy a number of moves in these new paintings that function almost to blur that dividing line between inside and outside.

Line the frame with a piece of bubble wrap and place your painting inside.

As far as alternative energy schemes go, this one almost sounds too good to be true: Industrial Nanotech has just unveiled its nanotech - based line of thermal insulating paint, Nansulate, which - when properly applied inside of a structure's walls -

Non-toxic line of products we used to stain, paint, and seal everything on the inside so no off - gasing is occurring from toxic building materials.

As far as alternative energy schemes go, this one almost sounds too good to be true: Industrial Nanotech has just unveiled its nanotech - based line of thermal insulating paint, Nansulate, which - when properly applied inside of a structure's walls - promises to effectively generate electricity.

Ownership: Fee Simple, Architecture: Ranch, Cooling: Refrigeration, Dining Area: GR, Dining Area: Formal, Childrens Play Area, No Interior Steps, Heating: Electric Heat, Disposal, Master Bathroom: Full Bth Master Bdrm, Other Rooms: Family Room, Parking: Electric Door Opener, Property Description: Cul - De-Sac Lot, Property Description: South Exposure, Sewer: Sewer - Public, Utilities: APS, Water: City Water, Spa: None, Source of SqFt: County Assessor, Laundry: Inside Laundry, Association Fee Incl: No Fees, Assoc Rules: None, Technology: 3 + Exist Tele Lines, Construction: Block, Const - Finish: Painted, Technology: HighSpd Intrnt Aval, Const - Finish: Veneer, Add» l Property Use: None, Laundry: Dry HookUp Only, Fencing: Block, 9 + Flat Ceilings, Fireplace: No Fireplace, Source Apx Lot SqFt: County Assessor, Granite Countertops, Cook Top Elec, Non-laminate Counter, Landscaping: Desert Front, Tax Municipality: Maricopa - COUNTY, Landscaping: Grass Back, Landscaping: Dirt Back, Landscaping: Stone Front, Exterior Stories: 1, Parking: Dir Entry frm Garage, New Financing: Cash, New Financing: VA, New Financing: FHA, New Financing: Conventional, High School: Horizon School, Dwelling Styles: Detached

Like deep violets or blue lavender, it is a wonderful 18th century colour used for painting the inside of furniture like a jacket lining.

A crisp green paint will bring a fresh finish inside, in line with spick - and - span thinking.

The hand painted designs on linen are fab and the inside is lined with canvas for extra sturdiness.

Using a small craft brush and white craft paint, I edged out the inside of the black lines and then filled it in by pouncing with a sponge.

Use a small brush and paint just inside the pencil line.

Paint over the lines -LCB- I painted along the inside of the line -RCB-.

Painting the inside of the drawers and side along with the cute lining... so dang cute.

If I trace it and paint just along the inside I will only get a single paint line.