Not exact matches
So traditionalism in
painting repeats the same old themes of portraiture, genre, seascape and
landscape in ever sleeker forms; it repeats; it does not move.
«As this site is
so unusual, we made the decision to carry out a laser - scan of the rock shelter and the surrounding
landscape, plus a white - light scan of the actual
paintings.
Sellers and buyers always need to spruce up a property with a
paint job or repairs or
landscaping,
so why not get the reputation for being the one who can hook them up with the very best?
Peter i do
landscaping &
painting both very physically demanding jobs and still very low carb only from green veggies i have lost alot of weight in 3 months from being in a ketogenic state but im also worried that not getting enough carbs from alot of physical activity
so should i up my calories in fat or add in some more carbs from say sweet potatoes and carrots on the days i work and remain high fat on my non work days
So far CitiFinancial volunteers have cleaned,
painted, and
landscaped.
She
painted a detailed
landscape so lush and dense making me feel I was thrust alive inside this horrific world.
Colossal quoted Laramee: «
So I carve
landscapes out of books and I
paint Romantic
landscapes.
In each of the seven large
paintings on view, Walker has distilled the major
landscape forms he knows
so well.
Before the 19th century,
landscape was
so low in the academic hierarchy that many artists
painted them only as backdrops to a story or moral tale.
,
so whether you
paint illustrious saturated
landscapes or take somber, monochromatic profile photos — you're sure to find a hub that fits your niche.
My intention involves blurring the lines between genres,
so that still lifes can read as
landscapes, portraits, history
painting, etc..
The mood of a
landscape is invariably created by the sky,
so if you're creating a mountain scene on a stormy day, a heavy thundery sky may well provide the ideal backdrop to your
painting.
His
paintings are usually about a particular moment — «The work of art — a stop of time», he wrote in a diary — a chance arrangement of things on the breakfast table, with a figure perhaps, or a
landscape as he saw it in the light of an instant, and
so they are usually
painted from a single drawing, or from more than one made in quick succession on the same occasion.
am a 70 some artist who rarely sold anything, despite years of being online... for one, I
paint with pen and ink, and do not put out anywhere enough for galleries to want to bother with, plus my work is realistic tho from my head... also, I work from themes, visualizing metaphoric ideas,
so they're not the usual still life or
landscapes..
So I started
painting sculptures in
landscapes.
And
so, when I say it's used in a lazy way, it means that, especially for the West, we use that word to pretty much mean a traditional pictorial representation that comes from European
landscape painting and / or American
landscape painting.
In her recent show with the Beijing satellite gallery of New York's Chambers Fine Art, she has concentrated on what she calls
landscape paintings, which don't present
landscapes so much as a kind of floating abstract world reminiscent of the work of the Chilean modernist, Roberto Matta, in their atmospheric effect.
Of course there is no shortage of amazing
landscape to
paint in Italy, but the opportunity to study alongside
so many other artists is what makes this program special.
My
landscape paintings, I wanted to find something is Chautauqua that I could be engaged with more than just the beautiful houses around me,
so I choose the roads and signs.
But he wasn't happy until he flipped the canvas 90 degrees: «I found that rotating it took all the
landscape out,
so it became a nonobjective
painting.
Still explains the «ascending verticality» and «aspirational thrust» of his canvases throughout his career as taking root in his early
landscape painting which he described as «records of air and light, yet always inevitably with the rising forms or the vertical necessity of life dominating the horizon... And
so was born and became intrinsic this elemental characteristic on my life and my work.»
Water reflections are one of the most sought - out themes in
landscape painting,
so we decided to dedicate a course to them!
Modest in scale and done in acrylic, which he applies in
so many ways, the
paintings include still - life,
landscapes, architecture and abstractions.
It also leaves perfectly decent
painting, including abstractions by William Bradley with Unix, schematic
landscapes by Tessa Perutz with Pablo's Birthday, string crossing an imaginary city by Kim Schoenstadt with Chimento, and jagged colors emerging from concrete by Troy Simmons with Jan Kossen — but decency can take one only
so far.
Innerst would explore subject matter as subject matter in his work, producing oil
paintings of
landscapes, still lifes, cityscapes, historical scenes, interiors, et al., yet
so deftly
painted that his works were prized as much for their beauty as their conceptual rigor.
Diebenkorn's
paintings, whether
landscape or abstract, nearly all refer to place in their titles,
so the headings for the gallery wall panels follow suit, tying the artist firmly to geographical location.
The British Artist David Hockney has been
so busy organising his
Landscapes exhibition, due to open early in January 2012, at the Royal Academy, that he has had to turn down a request to
paint the Queen.
In one of the rooms, two large - scale
paintings of the aforementioned type might vaguely allude to
landscapes, albeit ones
so distorted that they collapse into pure abstraction.
Yet it is also vaguely reminiscent of Chinese
landscape painting: a nonhierarchical rhizome, a «scene» of
so many possible, imaginary
landscapes, a «map» full of doors to immersion and contemplation.
It took guts to select a field of art such as
landscape painting and persist into a venture around which
so much else bustles with attitudes of antagonism towards the very art one cherishes.
In the last decade or
so, however, there has been a revitalization of
landscape painting by such contemporary artists as Malcolm Moreley, Rackstraw Downes and Jennifer Bartlett (MATRIX 73), who, like Christopher Brown, have discovered its rich metaphorical and expressive potential.
He returned to Vancouver in 1964 and soon began
painting spare, formal
landscapes that were
so successful he was soon able to earn his livelihood exclusively from his art.
So, as we pass through this collection of around 40 drawings and
paintings, we're supposed to look for clues and hints of the later brilliance and construct a narrative or timeline that leads to its blossoming (which, here, comes in the form of At the Edge of Town (1986 - 8), a
painting showing a figure emerging onto the kind of semiabstracted
landscape for which Doig is best known).
In the Garden can also refer to the
so - called mind
landscape paintings (produced by scholar - artists during the Mongol Yuan dynasty) in which the garden is an extension of the artist.
And the oils are not
so different from those in the Whitney show, enigmatic fragments of
landscape painted with exquisite skill and heavily framed by the artist in stagey black boxes that make the scenery bits of theater.
Nestled in amongst the permanent Turner Collection in the Tate Britain's Clore gallery under the same roof as the Late Turner exhibition, Eliasson's clinical circular works might seem a tad out of place amongst
so much history and the painterly brush strokes of cloud, water,
landscape and light in Turner's
paintings.
I am especially drawn to scenes of human activity,
so many of my
paintings involve figures in the context of a
landscape.
Also on display are Lichtenstein's artistic explorations depicting
landscapes, mirrors and
so - called «perfect» and «imperfect»
paintings, as well as works which highlight Lichtenstein's engagement with art history, revealing his lesser - known responses to Futurism, Surrealism and German Expressionism.
Rauschenberg's use of juxtapositioning various things out of a context, creating a whole new environment and context, always appealed to me more
so than making a
painting about something; about a
landscape, portrait, still life, or historical or classical event and
so forth; biblical thing.
In his work at the Leeds Art Gallery, Horizon (Leeds), he made a selection of a dozen or
so 19th and early 20th
landscape paintings from the extensive Leeds Art Gallery permanent collection, and hung them at different heights
so that a formed a single horizon, which cut across their (often ornate) picture frames.
Just as the figurative
paintings of Giorgio Morandi, whom he admires, are not about merely depicting vessels,
so Sean Scully's definitive abstract works have narrative structures when they evoke associations of figure and
landscape, of window and mirror, or of religious forms and themes such as altar or resurrection.
In doing
so he strove to elevate
landscape painting to an equal stature with history
painting.
You have captured
so eloquently how Rachelle brings wind, sun rays, electrical energy and pulse from the outside inside and onto our Gallery's walls in her abstract
landscape paintings.
The Atlanta artist has earned a reputation for
landscape paintings of an unnatural nature,
so to speak, which meld the sugary sweetness of Disney cartoons with the obvious artifice of
paint - by - numbers.
What are those stahlhelms — the steel helmet
so evocative of German militarism — doing in two
paintings from 2009, one upturned and seen in silhouette against a bleak
landscape, the other glinting in the sun with fertile fields in the background?
Indeed, as I slice my white perspective lines into the painstakingly crafted, illusionistic surface of the
painting, I hear the question that is asked of me
so often: «why do you have to ruin the
landscape, it's
so beautiful.»
Her animated series, Aloof Hills, addresses contemporary American «taboos» such as interracial relationships and drug and alcohol use, and does
so in a historic setting; Crombie's characters are Civil War - era paper dolls, and her
landscapes include
paintings and YouTube video clips.
«This is
so despite the fact... the forms do not extend all the way to the edge of the canvas;» they are not cropped by the frame the way the horizon is in conventional
landscape painting.
«All turns on ego,» says Bluemner, and
so «
landscape painting is semi-self portraiture» — «semi» because the «ego» is not the only subject.
Alongside the hundreds of portraits, still lifes, and
landscapes that make up his oeuvre
so far, this
painting at first seems anomalous.