Sentences with phrase «paint lean on»

NEVER paint lean on fat, as the lean will dry first and crack.

Gordon's paintings lean on the whimsical and somewhat grim, an expression of beauty met with

Gordon's paintings lean on the whimsical and somewhat grim, an expression of beauty met with the horrors of real world change and transformation.

Not exact matches

Somewhere on a red dirt road flanked by corrugated tin lean - tos painted blue / green like a sea that is nowhere to be found, by waxy green leaves of false banana trees and round huts the same color as the ground, miles every day she walks in rubber flip flops toward the well and back again, red kerchief over her braids, carrying a burden of water, dreaming a shared dream.

You may have also noticed by now that I spray painted my leaning ladder (found here) on this side of the room.

It is, however, breathtakingly lovely, visually composed like a painting, scored and sound designed by Toru Takemitsu with a spareness that leans on silence, and suffused in sadness, regret, and loss.

With its painterly sets of jutting beams, leaning walls and heavy black lines painted on flats and arranged to suggest both a skewed sense of depth and a forced perspective that flaunts its artificiality, the film dropped audiences into an aggressively unreal world and celebrated its theatrical artifice as a vision of madness and horror.

It may not be strictly speaking a horror film — it's not scary or particularly unsettling apart for a few exquisitely created images — but it is breathtakingly lovely, visually composed like a painting, scored and sound designed by Toru Takemitsu with a spareness that leans on silence, and suffused in sadness, regret, and loss.

Ms. Hall had a few rules which were strictly enforced, including «no profanity,» «no leaning on the paintings,» «no gum on the floor» and «please pass the mike» when being booed off the stage.

Available on the passion and prime coupes, the smart Sport Package comes with knockout black - painted 16» wheels, a leather - wrapped sport steering wheel, and stainless steel pedals with rubber studs, all of which makes it a lean, mean, sporty machine.

This figurine represents the self - proclaimed ruler Pagan Min, leaning confidently against an old brick wall with a tiger graffiti painted on it.

Kate Hoffman's Dream Home series, photographs taken from performative collage collaborations, has a malleable quality that emphasizes the viewer's own socio - political leanings; Samira Yamin's intricate patterns of Islamic sacred geometries cut into TIME Magazine photos of war oscillate between greater ambiguity and flirting with the didactic depending on the density of the cuttings; Sandra de la Loza's photographs of Stoner Spots underscore the politics of leisure through the exploration of pot - safe spaces, with a subtext of the not - quite - yet absorbed by development; Scott Short's «abstract» paintings replicate multiple generations of photocopying through the prism of Walter Benjamin; and Suzanne Wright will exhibit a deftly humorous Étant donnés-esque collage alongside mandala targets — each salves, in their respective forms, for our tumultuous zeitgeist.

The Incendiary Nocturne paintings lean heavily on earlier masterworks of this era, especially the Romanticist paintings of J.M.Turner (1775 - 1851) whose The Eruption of the Souffrier Mountains looks as though it was painted on an adjacent easel with the same palette of burnt umber and cadmium yellow.

Constantly evolving her method of application, Lonegan's current paintings are a marked shift from her previous series, The Mark on the Wall (2012) and the White Page Paintings (2011), which leaned toward dispersing gestures in blank, shallpaintings are a marked shift from her previous series, The Mark on the Wall (2012) and the White Page Paintings (2011), which leaned toward dispersing gestures in blank, shallPaintings (2011), which leaned toward dispersing gestures in blank, shallow space.

AT THE REAR OF RYAN LEE GALLERY in New York, a 1966 painting by Emma Amos casually sits on the floor leaning against the wall between works by other gallery artists.

In one photograph the mirror is oriented so the painted lines on a road continue in the reflection of the mirror and then again beyond it; in another, a mirror leans against a tree which borrows a reflected trunk to become whole.

Acrylic, bleach, enamel, latex, and paper collage on cut, draped, and sewn cloth and canvas; oil and spray paint on two leaning canvases; found objects.

Peter Lamb, «Ice leaning forwards», 2013, digital print on softimage 240, acrylic, powder and spray paint, 250 x 150 cm.

They have a consistent palette, leaning heavily on blue and gray, so that one is aware of the paint all the more.

Another lies intact on the floor, surrounding the base of two paintings that lean against a chair.

Hayley Tompkins» No Title — a real twig with buds, painted bright green, contrasts Kossoff's pale old leaning tree, propped up on stakes.

Scholar Michael Brenson observed that paintings from the period of Bergerie appear «keyed to a zone of conflict» — clusters of pigment seem to «lean on and support each other, but also to push and bristle» (M. Brenson, «Joan Mitchell: The Sixties,» New York Times, 26 April 1985, p. C23).

In the first room of Marian Goodman's new gallery, adjacent pairs of vast grey painted - glass panels are retwinned on opposite walls, so that the space contracts a little around a huge central sculpture, 7 Panes of Glass (House of Cards)(2013), that drolly invokes both Richard Serra's cliffs of leaning steel and Caspar David Friedrich's The Sea of Ice (1824).

Image: Molly Zuckerman - Hartung, Adulterate, 2013, acrylic, bleach, enamel, latex, and paper collage on cut, draped, and sewn cloth and canvas; oil and spray paint on two leaning canvases; found objects, 95 x 167 x 12 inches (hanging)

Molly Zuckerman - Hartung Adulterate 2013 acrylic, bleach, enamel, latex, and paper collage on cut, draped, and sewn cloth and canvas; oil and spray paint on two leaning canvases; found objects 95 x 167 x 12 inches (hanging)

In keeping with the theme of the exhibit, works, such as the Aurel Schmidt piece here, (including painting, drawings, poems) were «unfinished» and displayed on the floor or leaning against walls.

Only the drawings and one or two paintings show Pousette - Dart's looser crossed lines or curves rather than all this precision, and one would never know that he really did lean heavily on symmetry for the rest of his life.

Placed on a wide shelf, some of the smaller paintings lean in front of the larger ones.

The exhibition will include significant examples of the artist's objects, a self - coined category of work comprised of three - dimensional forms that hang or lean on a wall and seem to simultaneously occupy the realms of both painting and sculpture.

Painted on aluminum, wood or plastic, his work has its origin in snapshot photographs taken of his environment both domestically and when travelling — a door that is slightly ajar, a glass of water left on a bathroom sink, a broom leaning against a wall.

Painted on aluminum, wood, or plastic, his practice has its origin in photographs taken of his immediate environment, both domestically and whilst traveling — a door that is slightly ajar, a glass of water left on a bathroom sink, a broom leaning against a wall.

The paintings already show a gift for installation, each leaning against the wall while resting on two more turds.

Especially in paintings from 1967 and ’68 titled «Rignalla» and «On the Ledge» from 1976, she lines up the vases on a high horizon, giving them a personable lean and monumental scale reminiscent of Philip Guston's late workOn the Ledge» from 1976, she lines up the vases on a high horizon, giving them a personable lean and monumental scale reminiscent of Philip Guston's late workon a high horizon, giving them a personable lean and monumental scale reminiscent of Philip Guston's late works.

Implicit in his question is an acknowledgement that the absence of something nameable to lean on creates an even stronger burden on the artist — an imperative to put something else, something unknown but of equal value into the painting — a fullness must be maintained.

He happened on the theme in the late 1960's, when he leaned a small painting, its back facing forward, against a larger canvas whose surface had already been painted.

And then, a little off to the side, almost unassumingly so, there was a glitzily colourful painting of a black Virgin Mary, leaning against a wall, and supported on little globs of elephant dung, by a young artist called Chris Ofili.

A 36 - year - old Denver woman, apparently drunk, leaned against an iconic Clyfford Still painting worth more than $ 30 million last week, punched it, slid down it and urinated on herself, according to a criminal case against Carmen Lucette Tisch.

Lean smaller paintings against the wall and on top of a wood bureau.

A lump of dried, varnished elephant dung forms one bared breast, and the painting is displayed leaning against the gallery wall, supported by two other lumps of elephant dung, decorated with coloured pins: the pins on the left are arranged to spell out «Virgin» and the one on the right «Mary».

The absence of a human figure tasks the objects in the paintings with suggesting a narrative arc, imbuing them with a sense of mysterious drama — a door that is slightly ajar, a glass of water left on a bathroom sink, a broom leaning against a wall are the only evidence of the presence of a person, perhaps having moments before walked through the picture frame, or lingering just out of sight.

Similarly, Bratsch's giant paintings on paper encased in steel and glass frames leaned against the walls outside the show's entrance look like grossly enlarged book end - papers adorned with crenellated turrets of iridescent paint and colorful aigrette crowns gone mad.

Where Carolyn's circle sags a little against the wall in a gesture that suggests rest, you support your small paintings on top of nails, which are tacked into a horizontally level graphite line, and lean them against the wall.

Three smaller side - chapel - like galleries are devoted to a progression of artists with Minimalist leanings: the colored steles of Anne Truitt, the slathered process paintings of Ms. Heilmann and finally a series of big, stuttering black inkjet X's on white linen by Wade Guyton that pledge allegiance to painting while crossing their fingers behind their backs.

There were some paintings by Alex Katz, his wife Yvonne Jacquette, and a few others by their friends hanging on the main wall, a cheaply framed, crooked, unmatted de Kooning drawing on the floor casually leaning against the wall.

The works could be described as either painting or sculpture, yet few hang on the wall in the traditional rectangular form of painting; the laser - cut aluminum panels are connected like puzzle pieces, or as sheets of metal leaning against the walls.

By letting them lean against the wall, which reveals the gap between the two planes, I attempt to show the hidden three - dimensional qualities of painting and its relationship to the wall that it always relies on.

I met David Rhodes (b. 1955, Manchester, UK) in a Greenwich Village loft where his black and white paintings, both large and small, leaned against walls and were propped on all bookshelves and tabletops.

Instead of hanging on the walls, most of the large paintings lean against them, emphasizing the conjunction of painting and sculpture.

Nicole Gordon paints landscapes that lean on the whimsical and somewhat grim, an expression of beauty met with the horrors of real world change and transformation.

Lily van der Stokker has painted over graffiti painters, a Cady Noland leans on a Haring, a real Haring hangs on top of a photographed one.