Sentences with phrase «paint look like»

They have been crafted in such a way as to seem like canvases left in a damp basement for an extended period of time â $» flecks of paint look like tiny blotches of mold peppering the surface.

From thick to thin, impasto to glazes, you can make oil paint look like anything.

Splashes of paint and spray paint look like tags by the artist herself and call to mind McCarthy's affiliation with the San Francisco «Mission School» movement of the 1990s.

The homemade paint looks like loads of fun!

If you asked one person to do a painting of something and another to create a sculpture of it, you'll never ask, «Why doesn't the painting look like the sculpture?»

We added bead board and moldings to our entrance way doors and with new paint it looks like a french farmhouse kitchen now.

The kinetics glitter nail paint looks like a gel and stays on for 10 days Sparkle bright in your next party by just smearing a few coats on your nails and its sorted.

And, no, it's not bad to say the painting looks like sprinkles.

Both look really good to us but if we had to choose — the one with two - doors, window vents, and Inca Orange paint looks like a keeper.

Josh said is likely the worst car for the oldest paint shop because it's the car that everybody cares about what their paint looks like.

The paint looks like glass and was done at a GM dealership.

The paint looks like a matte black finish, which is highly suggestive of the performance potential lying in wait.

For Resnick, who first became famous during the Abstract Expressionist movement, the works were ways of making painting look like dirtied streets — they better reflected everyday life.

To do so allows for a more clear - eyed vision of the state of the art: focus is maintained on what a painting looks like and what it does.»

But Reinhardt's black paintings look like objects only if you don't look at them very hard.

The image surfaces according to the way the paint looks like it feels to touch.

«I like the whole idea of everything being made by hand,» Diaz said, «although my paintings look like machines made them.

The large - scale paintings look like oversized, close - ups of painting surfaces.

(One wonders what this early «academic» painting looked like considering the conservatism of those institutions, especially at that time.)

The paint looks like it was erased rather than applied, the erasing of an image of the artist perhaps, yet the brush strokes and the dimensions attesting to the artists presence, and body.

An iconoclast to the end, Mitchell defiantly pursued «visual» painting, holding firm against the rising tide of Pop, as if to declare: «This is what real painting looks like» (Ibid., p. 286).

At first glance the paintings looked like faithful reproductions of actual Persian rugs, but upon closer inspection they turned out to be historical mash - ups.

Her paintings look like surrealist aerial views of abstract table scenes, populated with slick round balls and pieces of geometrically printed fabric.

These paintings look like they could glow in the dark.

But rather than tell a specific story, I'd like to evoke feeling and stir up preconceived ideas about what a head like this might mean, or what figurative painting looks like.»

From far away, his paintings look like collage, which makes them all the more impressive when you walk up close and see the paint hardened and layered into and on top of one another.

The gray paintings look like ancient cave drawings inscribed in quicksand or murky fog, threatening to fade away before they can be fully grasped.

Quinn's recent work is full of deeply personal impressions of the people he's stored in his memory (it should also be noted that he's developed a virtuosic painting style to apply these images to canvas in which he matches oil to soft pastels to avoid the scattered images bleeding into one another, which is why the paintings look like collage from a distance).

On first glance, many of his paintings look like pictorial space populated by shapes resembling Sol LeWitt sculptures.

Other than that, the paintings look like they were made by someone who really likes swooshes, dots, and stripes, but doesn't know what to do with them.

Though Jake Messing's huge painting looks like a crazy ad for the Foot Locker, its scale is impressive, and it wraps around a corner.

The painting looks like an image forced through some kind of flattening or washing - out process; the figures appear lost somewhere between places, neither here nor fully there.

When you read these paintings in person and particularly at the time when people were first experiencing them, the metallic aspect of the paint, it's basically sparkly metal mixed in with a medium, looks very, very physical and makes the painting look like an object.

Never before has he presented work so bound to the pure idea: Here, the paintings looked like distilled representations of concepts.

The acrylic gel transfer registration process offered in Manny Prieres's paintings looks like the scraped digital ruins of magnetic striped credit.

In his foreword, Andrew Marr asks what should a painting look like in 2016, when «so much has already been done by so many extraordinary hands, fingers and brains.»

The rustic surfaces of Scully's paintings look like sawn timber.

Though they don't seem uninformed, many of his paintings look like they could have been made any time over the past hundred years.

Stubbs» earlier paintings look like cakes but also, in their deadpan way, seem to allude to the painterly abstraction of artists like Robert Ryman or Jasper Johns.

And the paintings look like it.

I love the way in this style of painting it looks like it's going horribly wrong and then just resolves itself into something beautiful - lovely to watch.

«A crate comes in, and some paintings look like they're part of the crate,» says Moore.

The artist says of this process, «I'm not trying to make paintings look like photos.

Reviewing her paintings at the Tibor de Nagy Gallery in 2015 for The New York Times, Holland Cotter called her «an expressive geometrician» who «makes painting look like fastidiously worked joy.»

A nice mixture of walls and paintings it looks like this...

When I was in art school in the late»70s, I saw it begin, but the young painters today, unlike my generation of painters, find it almost impossible to locate truly inspiring contemporary artists for whom painting's meaning can be derived from what a painting looks like.

I'm curious to see what these paintings look like up close.

What would a nude abstract painting look like?

The author reverses the common perception when the painting looks like photography and explains that his photographs look like paintings with the help of cameras.

These large paintings looked like two different wood grain patterns laid on top of each other in contrasting colors, creating a disorienting and somewhat psychedelic effect.