Do you have ambitions to
paint on a large scale again?
Other Photo - Text works continue the National City
paintings on a larger scale, while in A 1968 Painting (1966 - 68) Baldessari photographically appropriates a work of art, a painting by Frank Stella, and includes an eponymous and self - descriptive text below.
Painted on a large scale, these works present lively compositions of fall leaves and pine branches with less emphasis on exact detail and more interest in showing the artist's process and study of form.
There he began to experiment with
painting on a large scale.
This new series takes the Visual Candy paintings of the 1990s as a point of departure and embraces color and gestural
painting on a large scale.
It's a bigger space allowing him to
paint on a larger scale and «get more space in the paintings,» something he has been thinking about a lot, he says.
This new series is a development of the Visual Candy, a series Hirst made in 1993 - 1995, and embraces color and gestural
painting on a large scale.
The prevailing aesthetic among her predominantly male peers in Iowa was abstract, «pure»
painting on a large scale.
Not exact matches
The Street
Painting Festival is grand performance art
on a
large scale.
It is difficult to administer effectively and humanely
on a
large scale — we can not in good conscience do the equivalent of
painting crosses
on the doors of the stricken and leaving them to their fates.
January 5, 2006 Artist immortalizes atrium at University of Chicago Hospitals
On January 6, 2006, New York artist Audrey Ushenko, a member of the National Academy of Design and a professor at Indiana University - Purdue University, Ft. Wayne, IN, will put the finishing touches on her large - scale oil painting of the three - story atrium of the Duchossois Center for Advanced Medicine at the University of Chicago Hospitals and the staff, patients, and visitors who pass through i
On January 6, 2006, New York artist Audrey Ushenko, a member of the National Academy of Design and a professor at Indiana University - Purdue University, Ft. Wayne, IN, will put the finishing touches
on her large - scale oil painting of the three - story atrium of the Duchossois Center for Advanced Medicine at the University of Chicago Hospitals and the staff, patients, and visitors who pass through i
on her
large -
scale oil
painting of the three - story atrium of the Duchossois Center for Advanced Medicine at the University of Chicago Hospitals and the staff, patients, and visitors who pass through it.
On January 6, 2006, New York artist Audrey Ushenko, a member of the National Academy of Design and a professor at Indiana University - Purdue University, Ft. Wayne, IN, will put the finishing touches on her large - scale oil painting of the three - story atrium of the Duchossois Center for Advanced Medicine at the University of Chicago Hospitals and the staff, patients, and visitors who pass through i
On January 6, 2006, New York artist Audrey Ushenko, a member of the National Academy of Design and a professor at Indiana University - Purdue University, Ft. Wayne, IN, will put the finishing touches
on her large - scale oil painting of the three - story atrium of the Duchossois Center for Advanced Medicine at the University of Chicago Hospitals and the staff, patients, and visitors who pass through i
on her
large -
scale oil
painting of the three - story atrium of the Duchossois Center for Advanced Medicine at the University of Chicago Hospitals and the staff, patients, and visitors who pass through it.
All of my other courses focus mainly
on large -
scale, acrylic
painting in my Brave Intuitive Paintin
painting in my Brave Intuitive
PaintingPainting style.
I've seen it many times over — you like one color
on a
paint chip, but
on a
larger scale you end up hating it and going in a direction that you might never would have considered.
Open studio showing new works of three artists featuring
large scale abstract
paintings by local educator Mike Irwin, contemporary abstract still life
paintings by Jeanne Dentzel, and printmaking, assemblage and conceptual riddles in his numerous works
on paper by local educator and arts activist Dug Uyesaka.
Throughout Rosewood Sand Hill, a captivating collection of Northern Californian art graces the walls, including contemporary
paintings, works
on paper, fine art prints and photography with several
large -
scale, specially - commissioned pieces showcasing the region.
Come watch a featured professional artist create a
large scale 3D anamorphic perspective
painting, alongside local artists working
on paintings of their own invention.
SEO, a former master class student of Georg Baselitz (of whom original works are
on display at art» otel berlin mitte), has created bespoke
large -
scale paintings mainly consisting of coloured rice paper torn into strips, which she then used to create dramatic picturesque collages.
These are from his «surf
painting» series,
large scale paintings using bio-paint, salt water and beach sand
on paper.
Alongside these
large -
scale paintings will be new sculptures by the artist, as well as a table that has blocks of shea butter
on it.
«Using only palette knives, acrylic
paint and canvas, I started
on a journey of creating 10
large -
scale portraits using the authorized work of National Geographic photographers Cristina Mittermeier and Martin Schoeller, along with renowned environmental photographer Art Wolfe.»
Science Lesson (1982 — 83), a
large -
scale piece of acrylic, spray
paint, and photographs mounted
on four Masonite panels is estimated to sell for $ 400,000 to $ 600,000.
As winter settled in
on Yellow Springs, Hotaling has moved his work indoors but continues to add to the series by translating some of the pieces he
painted outdoors, which are often small due to the limited carrying capacity of the bicycle, into
larger -
scale works.
More than 20
large -
scale oil
paintings will be
on view alongside 50 never - before - exhibited works from the 1930s, which show the artist working in watercolor and gouache
on paper.
Rose Sharp writes that Goodman's oeuvre «is a little bit difficult to sum up, perhaps, because over the course of this long and productive career, her creative output has vacillated between
painting and drawing (with forays into three - dimensional constructions); smooth surfaces and chaotic buildup
on canvas; and intimate small -
scale works and jaw - dropping
large paintings that grab your eye from across the room.
Thus, an exhibition now
on view at Lori Bookstein Fine Art in New York that showcases a number of Müller's mature,
large -
scale paintings is a welcome, if short lived, opportunity to see his monumental Abstract Expressionist allegories.
I have recently started a series of
large scale rubbings
on shaped paper — circle, arch, ovals — they are strongly related to my recent
paintings, but are monochromatic — greys and blacks — and shift between being voids and objects.
On view until February 18, 2018, the work uses sculptural reliefs to enhance
large -
scale photographs of the artist standing in front of oil
paintings from the permanent collection of the Metropolitan Museum of Art: Otto Dix's The Businessman Max Roesberg, Dresden (1922) and Balthus's Girl at a Window (1957).
The exhibition will present six of these rooms as well as sculptures,
paintings, works
on paper, film excerpts, archival ephemera, and additional
large -
scale installations that span the early 1950s to the present day.
In his most recent exhibition Queens of the Undead at the Institute of International Visual Arts — Iniva, in London, Donkor presented four of these highly regarded heroic women: «Queen Njinga Mbandi who led her armies against the Portuguese empire in Angola; Harriet Tubman, the underground - railroad leader who freed 70 people from US slavery in the 1850s; Queen Nanny who led the Maroon guerillas in Jamaica that fought the British in the 1700s; and lastly in what is now Ghana, the 20th - century anti-colonial commander - in - chief, Yaa Asantewaa».1 In the second part of the show, three
large -
scale earlier
paintings were
on display in which his primary source of artistic creation were contemporary facts of violent confrontations.
And in one particularly splendid
painting made
on an old studio dropcloth that had been roughed up Arte Povera style, she floats the gentle face of Psyche rendered
on a
large scale after glimpsing a small terra cotta figurine at the Metropolitan Museum.
According to the Phillips Gallery in Washington, D.C., «His
large canvases, typical of his mature style, establish a one -
on - one correspondence with the viewer, giving human
scale to the experience of the
painting and intensifying the effects of color.
Argue's
large -
scale paintings begin with universally recognizable images and scenes of iconic artworks — Picasso's Demoiselles d'Avignon, for instance — but with a veil of abstracted letters superimposed
on top.
Many of the artists represented in
Painting in Space have collaborated with CCS Bard
on major projects, including Tunga's first U.S. survey presented at CCS Bard in 1997; Olafur Eliasson's
large -
scale installation, The parliament of reality, permanently installed
on the Bard campus; and Lawrence Weiner's floorscape, Bard Enter, installed
on the entrance walkway to the Hessel Museum.
Singling out the season's most tweet - worthy, opening night acolytes tracking our Black Art Matters moment orbited Lars Fisk's satirical softballs at Marlborough Chelsea, lined up outside Hauser Wirth for Rashid Johnson's black soap, shea butter and horticultural installations that comment obliquely
on cleansed grime and forced growth, and crowded into Jack Shainman's galleries for Meleko Mokgosi's
large -
scale, text - supported
paintings which illustrate the interrelationship between southern African liberation movements and communism, offset by «lerato», the Setswana word for love.
Contributed by Sharon Butler / Digital screens, halftone dot patterns, emoticons, and other typographic symbols comprise the imagery in Jacqueline Humphries's new series of
large -
scale paintings on view at Greene Naftali through June 20.
The mezzanine floor, overlooking the sanctuary, will have the preserved small studio in which Resnick made works
on paper after ill health made
large scale painting impossible for him.
Published
on the occasion of her first exhibition at David Zwirner in fall of 2010, this beautifully designed and produced catalogue — with a text by noted curator and art historian Joachim Pissarro — features Suzan Frecon's most recent
large -
scale oil
paintings, along with newly commissioned color photography of exhibition and studio installation views, as well as the artist's notebooks and sketches.
At the Pulitzer Arts Foundation in St. Louis, where the 28 - foot - tall Kelly work composed of two monochrome aluminum panels
painted blue and black is permanently installed, Mr. Ligon has free - associated
on the political, formal and poetic interplay of these two colors in a
large -
scale exhibition he has organized.
Renowned art curator, historian, and Artistic Director of the Serpentine Galleries, Hans Ulrich Obrist, will be in conversation with American artist Dan Colen
on «Sweet Liberty», Colen's first major solo show in London, which surveys the entirety of the artist's career to date and also features new
paintings and
large -
scale installations.
The first room of the exhibition takes
on a gloomy and philosophical feeling with Nara's popular
large -
scale paintings.
Under their influence, Kline began to move away from the figuration, exploring the new abstract gestural technique
on the
large scale paintings.
Highlights of the exhibition include a Katharina Fritsch sculpture of a bright orange octopus; two complex new abstract
paintings by Terry Winters completed this summer; a Robert Gober sculpture of a sink sprouting contorted children's legs; new portrait and landscape photographs from Paris and New York by Nan Goldin; a Martin Honert sculpture based
on his childhood drawings of toy soldiers; a
large -
scale painted white relief by Charles Ray of his two nephews; and a photograph of Germany's
largest soccer stadium by Andreas Gursky.
The show, organized by the ICA's senior curator, Jenelle Porter, consists of installations of
painted plaster sculptures, as well as cast porcelain and cast paper vessels, an array of
large -
scale works
on paper, and some mouth - blown crystal vessels.
This exhibition features a selection of
large -
scale works
on paper that combine collage,
painting, drawing, printmaking.
The Musée d'Art Moderne de la Ville de Paris is devoting a
large -
scale retrospective to the abstract painter Serge Poliakoff (1900 - 1969): in all, some 70
paintings and many works
on paper from the period 1936 - 1969.
Solo exhibitions of her
paintings are infrequent, and
large -
scale shows
on the East Coast are unheard of.
The format of Rythm Mastr, whether as an animated feature, graphic novel, or multi-panel sequence
on newsprint, may feel like a departure from Marshall's
painting practice, more tethered to pop culture than the high - brow arena where the artist's
large -
scale works fetch seven figures.
Today
on Maake, Brooklyn - based artist Yevgeniya Baras shares thoughts
on the importance of labor in her
paintings, translating a condensed moment to a
large scale, and balancing her studio, teaching, and curatorial work with the artist - run gallery, Regina Rex in NYC.
Continuing the Warholian reference,
on show will be a series of
large scale unique silkscreened portraits of the artist as Che Guevara, Joseph Beuys, Elvis Presley amongst others, as well as works based
on Warhol's urine oxidation
paintings, abstract works made by pissing
on copper metallic
painted canvas Turk takes a Gestalt approach to cliché and iconic imagery subverting our sense of what we think we are seeing.