Sentences with phrase «paint on canvas works»

These acrylic paint on canvas works investigate signals signage traffic movement tracks flags color juxtaposition rhythm patterns and the grid.

Not exact matches

Over the last few years, Adams has been working on a series of paintings that feature bold chevrons running across the canvas, or diagonal lines radiating out from a triangle anchored to the bottom of the canvas.
Speak, breathe, prophesy, preach, get behind a pulpit, mark exam papers, run a company or a non-profit, clean your kitchen, put paint on a canvas, organize, rabble - rouse, work the Love out and in and around you, however God has made you to do it, just do it.
You will need some «tourist tat» oil canvases you know the type almost like the paint by numbers you probably worked on as a child (oh my goodness how I loved my oil paint by numbers sets when I was young!)
At first I painted needlepoint canvases, then I fell in love with counted work on a study - trip in London.
At first I painted needlepoint canvases, then I fell in love with counted work on a study - trip in London.
I paint with oil colors on to canvas, and l feature photo - realism in my work.
Painting on a bigger canvas than his previous works, Wingard created an atmosphere that contains just the right amount of suspense, humor, and terror.
Painting on a bigger canvas than his previous works, Wingard create an atmosphere that contains just the right amount of suspense, humor, and terror.
When she's not busy working the front desk or assisting our medical staff, Logan enjoys playing with her rescue cat, «Sas,» painting on canvas, and biking along the lake.
Sunday 10.11.15 - > 5 - 8 pm — Seven Bar & Kitchen in the Funk Zone Santa Barbara — 20 + pieces, never before shown works in acrylic & spray paint on canvas, plexi and recycled materials (& there are 4 limited edition prints available as well).
Sara, recently returning to painting, from years as a fiber - artist, works with mixed media on canvas, in her Riviera studio.
«Using only palette knives, acrylic paint and canvas, I started on a journey of creating 10 large - scale portraits using the authorized work of National Geographic photographers Cristina Mittermeier and Martin Schoeller, along with renowned environmental photographer Art Wolfe.»
However, you can paint with them on a table or a drawing board, whereas the bounce of stretched canvas tend to require you to work upright on an easel.
Joffe has described the absorbing, as well as the highly physical experience of the work's making, the thickly applied pastel accumulating with a luminous purity that is markedly different from the act of painting and the ways in which oil behaves on canvas or board.
The unconscious aura of titillation that arises from a visual representation of an aspiring woman artist in the mid-19th century, Emily Mary Osborne's heartfelt painting, Nameless and Friendless, 1857, a canvas representing a poor but lovely and respectable young girl at a London art dealer, nervously awaiting the verdict of the pompous proprietor about the worth of her canvases while two ogling «art lovers» look on, is really not too different in its underlying assumptions from an overtly salacious work like Bompard's Debut of the Model.
Dempsey writes that, Cunningham, a graphic designer who abruptly refused to exhibit his paintings after a successful start to his painting career, «worked in the solitary atmosphere of his chapel studio in Battersea, where he would travel each day to work on his canvases.
He now works in mixed media on canvas, combining acrylics, inks, watercolours, oils and spray paint.
Using International Klein Blue paint, Wagenknecht had Roombas trace her nude body on canvases, creating images of the female form that recall Klein's «nude paintbrush» works.
We also offer two different canvas scrapers, which are ideal tools for working back the paint on canvas.
Working primarily in oil on canvas, my paintings are essentially abstract in form and are emotionally connected to the landscape that surrounds us.
I don't know what's «industry standard practice» for fine art galleries these days, regarding pricing works on paper vs. works on canvas, but my suspicion is that the reason for the * historical * difference between the two is that works on paper are perceived to be less «serious» (after all, watercolor started out as a quick way for oil painters to sketch out drafts), and less long - lasting (historically, a lot of watercolors were fugitive, and tended to fade with time, unlike varnished oil paintings).
In my case, if I were to pay to have a piece framed, my costs become much higher for a work on paper than for a canvas painting!
Cornish writes: «I like how dramatic the paintings are as images, and how this drama pushes and pulls (surges may be a better word) in two directions: the ruffs and ripples of canvas and colour work upwards towards the containing outline, whilst the outline imposes itself on the action it frames: cutting, nipping, tucking and cropping.»
Rose Sharp writes that Goodman's oeuvre «is a little bit difficult to sum up, perhaps, because over the course of this long and productive career, her creative output has vacillated between painting and drawing (with forays into three - dimensional constructions); smooth surfaces and chaotic buildup on canvas; and intimate small - scale works and jaw - dropping large paintings that grab your eye from across the room.
Their short length allows the reader to revisit the work in detail, focusing on sentences, phrases, or words as one might examine the painted passages or marks on a canvas.
Andrew Masullo works on small canvases with unmixed oil paint in high - keyed colors.
He infuses these works with a dense multi-layered mythology transforming paint on canvas or paper into living, breathing creatures from another dimension that continue to mutate.
Within a few years the materiality of oil paint takes on a more central role in his work when he begins to make paintings by depositing small amounts of liquid paint onto his canvases and tilting them this way and that to direct the paint toward the edges of some feint pencil markings.
Perfecting his computer - based technique into what he calls «frictionless drawing», blue monochromatic works on display demonstrate how these abstract and vector - like gestures are meticulously transposed onto canvas using acrylic, tape, UV ink and spray paint.
You can see more of Peeta's work, including his paintings on canvas and sculptural objects, on his website and Instagram.
The show also includes works on canvas from the 1989 exhibition Trip - Tics in which Gurrola made his own versions of Philip Guston paintings.
Featured among the large works in oil on canvas are the ravishing diptych «Heel, Sit, Stay» (1977) and the turbulent «La Grande Vallée XVI Pour Iva» (1983), painted in high contrasts of indigo, violet, lemon and lime.
Blue Mountain Gallery presents new abstract paintings by Janet Sawyer in a group of works on canvas and smaller works on paper.
In the 1980s, DeFeo returned to oil paint, while still continuing to mix and assemble materials in her work, creating large, glowing canvases and an expansive scope of works on paper.
Brodsky's style channels the heightened realism of 19th century landscape painters; whereas the historical paintings were created on enormous canvases that echoed the vast American landscape, Brodsky's contemporary take condenses the visual impact into a token - sized work that fits in the palm of a hand.
About 65 objects created from 2011 to the present will be featured including figurative works, text - based wall hangings, a significant selection of beaded punching bags, painted works on rawhide and canvas, and video.
Having left his paid work as an architect to focus on painting, Bluemner was living in poverty at the time and was unable to afford new canvases.
Williams works for the show were drawn on a computer and printed on canvas, then stretched, and often painted some more.
Cheim & Read is pleased to announce Joan Mitchell: Drawing into Painting, a survey of works on canvas and paper from 1958 through 1992, the year of the artist's death.
«I refer to the works on canvas as paintings even though they hold no paint.
Peter Hoffman is a New Orleans - based artist who primarily works with oil paint on canvas.
Painted on every conceivable kind of surface, from aluminum foil and corrugated cardboard boxes to cotton batting and artichoke leaves, these small works honor artists ranging from Alfred Jensen, who shares Martin's interest in numerology («Good Morning Alfred Jensen, Good Morning,» reads a 2005 - 07 painting whose rainbow of stripes frames, in Jensen-esque colors, a bikini - clad calendar model) to Dash Snow (a messy little canvas of 2006 - 07 titled Dash Snow Bombing, in which the late enfant terrible appears in a tiny blurry photo by Ryan McGinley, spray - painting a wall).
In addition to important paintings and works on paper, the Parrish collection includes an unusually large number of works in a less finished state, including some unstretched paintings on canvas and a large number of paintings on boards.
Angelina Gualdoni's works on canvas take patterns, interiors and abstraction as their main focus, locating the rhythm of the everyday sublime in the language of color field painting.
Tracing the evolution of Green's work from monochromatic canvases of the early 1970s to recent explorations of black and white, the exhibition includes 18 paintings and 52 works on paper, including works borrowed from the Solomon R. Guggenheim Museum and the Corcoran Gallery of Art in Washington, D.C. Resonating emphasizes Green's complex understanding of painting that is based on a combination of Aboriginal and Modern Western approaches.
Much of this relates to Richter's exploration of the relationships between painting and photography, and only a very small proportion of the work features brush on canvas.
Concurrently he worked on his Night Blooming series (1951), painting dark canvases with a mixture of pigment, gravel, and dirt.
When you decided to make works on 194 - centimeter square canvases, you started producing paintings that mostly have window or ladder - like forms.
«No Love Lost» was the first UK exhibition of Hirst's series of oil on canvas works collectively entitled the «Blue Paintings».
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