Sentences with phrase «paint onto»

Art as self expression: the need for originality A history of expressing ideas and emotions through art is a complex thread culminating in the image of Jackson Pollock wildly and energetically throwing paint onto his canvas to enter the new virgin territory of art as pure emotion.

By using a large syringe to drip acrylic paint onto aluminum and stainless steel panels, Davenport creates his celebrated studies of color with precision and elegance.

Grumpily he threw white paint onto wet black paint and painted outer space.

In the notes to «Jackson Pollock Jazz,» Pepe Karmel, adjunct assistant curator at MoMA, sees an affinity between Pollock's paintings and the music that made his house shake: «Dripping, pouring, and throwing paint onto a canvas, Pollock infused his paintings with an unprecedented sense of rhythmic improvisation.»

They were made by pouring paint onto unstretched canvases laid on the floor, or, in the case of Jules Olitski, by applying the paint with a spray gun.

Acrylic is probably the quickest and easiest to get started with as you only need water to mix with them and can paint onto any surface, paper, card, canvas etc..

Personally I wouldn't paint onto the white ground as it makes it a lot harder to judge the tones.

In these works, Whitten poured and pooled different layers of acrylic paint onto a canvas lying on a flat surface.

It allowed me to really compress that paint onto the canvas.

From the outset of her career, Mason understood the advantages of her interstitial space: she could take refuge from Abstract Expressionism's subjectivity as well as take advantage of the transcendent possibilities of color offered by Color Field (achieved by pouring thin layers of paint onto canvas).

This method of making abstract art involved dripping and smearing the paint onto the canvas in dramatic sweeping gestures.

Created by pouring household emulsion paint onto a rapidly rotating canvas, the spin paintings stand as one of the most iconic bodies of work within Hirst's oeuvre.

Helen Frankenthaler tips a can of paint onto a canvas on the floor.

Aware that the Surrealists favoured automatic brush strokes (see automatism in art), Motherwell began by tipping thinned paint onto the canvas.

The method wasn't very different from Pollock's own «drip» technique - he, too, had poured paint onto raw canvas - but what made it so radical in Frankenthaler's hands was that she managed to wrest from it a dazzling sense of color and light.

Pollock worked in a highly spontaneous improvisatory manner, famously dancing around the canvas pouring, throwing and dripping paint onto it.

Working on the floor, he pours a mixture of liquid rubber and oil paint onto a plastic sheet.

Her signature paint - thinning technique, in which she diluted the oil paint with turpentine, coupled with an entirely revolutionary method of staining (rather than dripping or brushing paint onto) the canvas undoubtedly changed the course of art history and influenced the likes of Kenneth Noland, Morris Louis and Jules Olitski.

Ideal pours, brushes, sweeps and smears paint onto a variety of supports: canvas, paper, panel and the floor.

Action painting, direct, instinctual, and highly dynamic kind of art that involves the spontaneous application of vigorous, sweeping brushstrokes and the chance effects of dripping and spilling paint onto the canvas.

The contingency of Damien Hirst's spin paintings point to the foundation of gestural abstraction, which places significance on techniques such as dripping, dabbing or flinging paint onto the surface of a canvas.

The act of paintings with the whole body — rather than with the wrist alone — is not simply a manner of expression for Eloyan: emotion and attitude burst through the canvas, through the physicality in which Eloyan puts the paint onto the canvases.

CAM Raleigh presents five of these signature works — all abstract — in which the artist layers oil paint onto a plate - glass or Plexiglas support before scraping off the accumulating «skins,» as he calls them, and collaging them onto a canvas, letting the thickened medium ripple, sag, and wrinkle, marvelously, across the cotton surface.

With no preconceived endpoint, Zinn begins by layering thinned oil paint onto aluminum panels.

Inventing the color - stain technique, in which she poured turpentine - thinned paint onto canvas, she is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting.

On display is Foulkes» signature rag technique; he carefully distributes paint onto the canvas with a rag, revealing complex textures.

Akin to the way a vase, chair or flowers might be arranged to compose a still life painting the artist cut these photos into stencils to collage and repeat in various combinations using paint onto the canvas.

Pollock was also one of the founders of action painting, which involves the artist splashing and dribbling paint onto the canvas, rather than using brushes.

While certainly from his famed period where he dripped and flung paint onto canvases in highly complex patterns, this is a work like no other.

He developed a method that was later dubbed the «drip technique» in which he dripped paint onto a canvas that was spread out on the floor.

In the early 1940's, a painter by the name of Jackson Pollock began developing a technique that allowed him to spontaneously drip enamel paint onto flat canvases, resulting in...

Each brightly coloured and monochromatic work features an irregular oval form produced by pouring gloss paint onto aluminium composite board.

Pollock's unconventional methods — dripping, flinging and throwing paint onto an unstretched canvas on the floor — symbolized the degree to which artists could feel free to deviate from traditional approaches.

His new way of pouring or dripping paint onto the canvas redefined the nature of painting.

Artist Christopher Shoemaker's (b. 1969) use of color and the extraordinary and unique manipulation of his paint brush and other techniques for applying paint onto a blank canvas, never...

Stephenson's work was characteristically made by splattering droplets of paint onto paper or canvas and repeating this with many different colours.

To produce the stratified surface of these paintings, Johnson drips layers of acrylic paint onto freezer paper and allows them to dry and form a skin — a flexible, plastic - like puck of pigments that she attaches to the paintings with glazing medium for added texture and embellishment.

The movement found its origins in America in the 1940s and «50s, a period during which Abstract Expressionism established itself as a popular art movement which conveyed a strong expressive and emotional content, represented famously by Jackson Pollock and his Action Painting, in which he spontaneously dripped paint onto a canvas.

In addition, he also experimented with a crude method of «action - painting» (popularized by Jackson Pollock), in which he dripped paint onto a canvas from a swinging can with holes in the sides.

Action painting or Gestural Abstraction (that made Pollock famous) is a style used in painting — a style that emphasizes the process of making art, often through a variety of techniques that include dripping, dabbing, smearing, and even flinging paint onto the surface of the canvas.

This was the year that saw Pollock put aside his colored paints and begin «drawing» (squirting, flicking, and dribbling, with uncanny control) thinned black enamel paint onto beige, unprimed, cotton duck canvases.

Further major series of paintings include 64 «Beside the Sea» canvases (1962 — 1968), in which Motherwell mirrored the spray of the sea by splashing oil paint onto rag paper with great force; and «Open» (1967 — 1972), his response to the colour - field painters of the 1960s, described by him as «a painted plane beautifully divided by minimal means, the essence of line drawing».

Beginning in the 1970s Poons began to work directly on his canvases, pouring, throwing and splashing the paint onto the surface.

When Pollock moved from easel painting to dripping or pouring paint onto a canvas spread on the floor, he was able to get long, continuous lines impossible to get by applying paint to a canvas with a brush.

Created by infrequently pouring extremely thin layers of paint onto a prepared surface over long periods of time, the small - scale gesso boards reveal radiant compositions that develop and deepen before the viewer's gaze.

Titled Love May Fail, But Courtesy Will Prevail, the show will feature a new series of paintings made with an entirely unique process that Dodge has developed; imagery is generated in 3D - rendering programs and stenciled with thick oil paint onto canvas.

Initially, going through a semi-abstract phase, as in his series of Map Paintings, 1967 - 1971, where the contours of different continents are stencilled on luscious colour fields, he soon shifted to new working methods of splashing, pouring and dripping paint onto the canvas.

After brushing more paint onto both canvases, Richter picks up a large squeegee and starts scraping it across both compositions, complicating their spaces and creating new blurry forms.

This revelation prompted the extensive «Waterfall» series of large - scale paintings, which she made by hurling washes of black and white paint onto the top portion of the canvas and letting them drip to the bottom to create the illusion of waterfalls.

In her pioneering work of the «50s, Frankenthaler had poured both linear tracks and spreading areas of thinned paint onto unprimed canvas.