Sentences with phrase «paint over everything»

A fresh coat of white paint over EVERYTHING really brightened things up and the new farmhouse style trim totally transformed the look of the entire room.

I'm sure it was easier to paint over everything than to do the hard work of recapturing the lustre and beauty of it's original finish.

If you are trying to get the whole fixture to be silver — you could just use a metallic spray paint over everything.

Then I color acrylic modeling paste for creating 3D foliage, and paint over everything with oil.

Then I painted over everything, so they were pretty firmly attached.

I painted over everything with Behr's knockoff of the Annie Sloan Chalk Paint (ASCP) color Country Grey.

Not exact matches

The venue hosted over 20,000 attendees and 1,200 exhibitors showcasing a range of ingredients, flavorings, colorings, sweeteners and everything in between, painting a broad portrait of the current state of the industry and pointing the way towards further developments and innovations that are only just beginning to emerge.

I had read every «new parent» book I could find and clocked in over 1000 hours in YouTube videos from everything to braiding hair and painting nails to theories on how to deal with common parental issues.»

Consumer Reports just finished testing 65 interior paints and found that 20 of our top picks — all self - priming — let you skip priming and paint directly over everything from old paint or wallpaper to new unpainted drywall or wood.

One more thing about furniture and decorations, do try to override the desire to paint everything pink, or to plaster pretty blue sailboats all over everything.

Over time the dark, menacing woods of fairy tales and Renaissance paintings came to define everything we see as uncivilized and wild.

Everything in this room has been painted in Chalk Paint ® over the years — from the ceiling and walls, to the furniture and fabrics.

To answer your questions: Working in small sections, I used the dark wax over everything (distressed and painted parts) and then wiped off the excess with a damp cloth.

I have linked up a week of inspiration, I am now heading over to look at that lovely recipe for chocolate mousse tart and also the chalk paint as it is now available locally here and I am chalk painting everything.

I parked myself in front of the TV, plugged in a Friends marathon and got to work refastening the seat cushions & rubbing in a coat of Annie Sloan's Clear Furniture Wax over the chalk paint to protect everything.

Alas, it is very much a Hollywood treatment, full of glossed - over characterizations and trumped - up conflicts (the other school educators are painted as the villains), and, at best, we are given everything we expect, delivered tidy and sterile like a formula film always tends to.

The matte paint job is over the top, the V12 engine is over the top, even the key is over the top — it's like a tiny smartphone with a touchscreen, but it's not that useful because everything you can do with this key you can do with an app.

These are earned for driving feats, which in Forza Horizon 3 means everything from drifts, near misses and clean racing, to trading paint with opponents, doing big jumps and knocking over bins.

I painted this watercolour painting project back in September 2012, but with everything that's been going on over the last 18 months I've only just had the chance to post it to my blog.

This was Post-War Britain, a pivotal period, a time of new beginnings with a sense that everything was possible, and where painting could be invented all over again.

In an homage to O'Hara and his poetry, Mitchell's painting borrows its title from his poem of the same name, which begins: «We shall have everything we want and there'll be no more dying / on the pretty plains or in the supper clubs / for our symbol we'll acknowledge vulgar materialistic laughter / over an insatiable sexual appetite / and the streets will be filled with racing forms /...»

2005 The Last Generation, curated by Max Henry, Apex Art, New York, NY, USA; traveling to Jousse Entreprise, Paris, France Superstars: From Warhol to Madonna, Kunstforum / Kunsthalle Wien, Vienna, Austria The Painted World, P.S. 1 Center for Contemporary Art, Long Island City, New York, USA The Disasters of War: From Goya to Golub, Ezra and Cecile Zilkha Gallery, Wesleyan University, Connecticut, USA Post No Bills, curated by Matthew Higgs, White Columns, New York, USA Helga's Art Collection, Museo Extremeno e Iberoamericano de Arte Contemporaneo, Badajoz, Spain The Art of Aggression: Iraqi Stories and Other Tales, curated by Jean Cruthchfield and Robert Hobbs, Reynolds Gallery, Richmond, Vancouver, Canada 2004 Editions Fawbush: A Selection, Sandra Gehring Gallery, New York, USA Last one on is a soft Jimmy, Paula Cooper Gallery, New York, USA Bill Adams, Wayne Gonzales, Cameron Martin: Paintings, KS Art, New York, NY Word of Mouth, A Selection: Part 1, Dinter Fine Art, New York, USA La Lettre Volée, F.R.A.C. Franche - Comté Musée des Beaux - Arts de Dole, France The Freedom Salon, Deitch Projects, New York, USA Bush League, Roebling Hall, Brooklyn, New York, USA Painting (Wayne Gonzales, Roger Metto, Jason Middlebrook, Cristian Rieloff), Galleri Charlotte Lund, Stockholm, Sweden 2003 Parallax Views: Art and The JFK Assassination (Ant Farm & T.R. Uthco, Wayne Gonzales, Eric M. Jensen), Hallwals Contemporary Arts Center, Buffalo, New York, USA 150 artists make 150 T - Shirts, Daniel Silverstein Gallery, New York, USA Cartoon, Riva Gallery, New York, USA Melvins, Anton Kern Gallery, New York, USA 2002 The Presidential Suite, Nassau County Museum of Art, Roslyn Harbor, New York, USA Gravity Over Time, curated by John Pilson, 1000 Eventi, Milan, Italy From the Observatory, Paula Cooper Gallery, New York, USA Subject Matters, curated by Norman Dubrow, Kravets / Wehby Gallery, New York; Conner Contemporary Art, Washington, USA 2001 How is everything?

LOCATION: Providence, Rhode Island SPECIALTIES: Literally everything from furniture design to landscape architecture to painting, with the most popular majors being illustration, industrial design, architecture, and graphic design TUITION: $ 42,622 TIME TO DEGREE: 1 — 3 years; most students finish in 2 NOTABLE FACULTY: Dike Blair, Naomi Fry, Dean Snyder, Patricia Treib, Henry Ferreira FAMOUS ALUMNI: Roni Horn, Andrea Zittel, Janine Antoni, Jenny Holzer, Kara Walker BIGGEST SELLING POINT: While many MFA programs offer a post-studio mix of critical theory and interdisciplinary experimentation, RISD's curriculum is firmly planted in the mastery of technical craft, with a curriculum that emphasizes traditional skill sets over conceptualism — in other words, this program is for those who like to get their hands dirty.

Its rambling, scattershot presentation skips over much of what Reinhardt painted and almost everything that he said.

Although the Japanise artist Yayoi Kusama creates in a diverse field that consists of everything from painting to sculpture, every single piece she ever produced has one same motif all over it — endless dots.

This is a transitional painting filled with struggle and conviction, the kind of work that leaps over everything else in its time to become timeless.»

The NYC - based artist has his hands in a little bit of everything these days; installation, painting, Instagram - projects, murals, parties, museum shows... he is all over the place with imaginative and conceptual fine art.

Already trained in architecture before arriving in Weimar, Schawinsky worked in everything over the course of his long career, from theater and music to photography, painting, and graphic design.

The Bob Rauschenberg Gallery, FSW and Los Angeles artist Dave Muller have commissioned THAT»S PAINTING Productions to paint over the 250 + ft. mural painted for «Dave Muller: Everything Sounds Good Right Now» in wall - colors that were developed by our Gallery namesake Bob Rauschenberg as the backdrop for numerous exhibitions of his own work.

For instance, what appears to be paintings are not done with paint at all but with various metals and metallic substances pummeled, poured, mixed, and boiled over a flame into something more akin to potions than Windsor Newton oils and from these Vulcan materials she explores everything from the power structures that silently govern our lives to the radiance of desire that emboldens us to a greater reality.

I can't paint as well as Vermeer - we have lost this beautiful culture, all the utopias are shattered, everything goes down the drain, the wonderful time of painting is over.»

And like everything else about painting, it seems to change and grow over time as I also evolve.»

Group exhibitions include: «Everything Must Go,» Casey Kaplan, New York, «Talk Show» and «Turning Over a New Leaf» at Edward Thorpe Gallery, New York, and «Contemporary Painting,» Colby College Museum of Art, Waterville, Maine (curated by Alex Katz).

2010 Order to see, Galerie Praz, Delavallade, Paris, France In the Company of Alice, Victoria Miro, London, Great Britain Whitney Biennial, New York / NY, USA 2009 We Are Sun - kissed and Snow - blind, Galerie Patrick Seguin invites Galerie Eva Presenhuber, Paris Artists of Conflcting Tales: Subjectivity (Quadrilogy, Part 1), Burger Collection, Berlin, Germany Cave Painting PSM Gallery, Berlin, Germany Mrs. MacGruder, Benson Keyes Arts, Hello, curated by Michele Maccarone, Southampton / NY, USA Cave Painting: Installment # 1, Gresham's Ghost, Curated by Bob Nickas and Ajay Kurian, New York / NY, USA 2008 Pretty Ugly, Gavin Brown's Enterprise, New York / NY, USA Blasted Allegories, Kunstmuseum Luzern, Works from the Ringier Collection, Luzern, Switzerland ESTRATOS, Contemporary Art Project, Murcia, Spain Future Tense: Reshaping the Landscape, Neuberger Museum of Art, Purchase, New York / NY, USA 2007 XXS (Extra Extra Small), Sommer Contemporary Art, Tel Aviv, Israel Painting as Fact - Fact as Fiction, de Pury & Luxembourg, curated by Bob Nickas, Zurich, Switzerland The Third Mind, Palais de Toyko, curated by Ugo Rondinone, Paris, France Jubilee Exhibition, House Eva Presenhuber, Vnà, Switzerland 2006 Panic Room, Deste Foundation, Athens, Greek Painting Codes, GC.AC, Galleria Comunale d'Arte Contemporanea di Monfalcone, Monfalcone, Italy 2005 Lyon Biennale, Lyon Translation, Palais de Tokyo, Paris Interested Painting, Gallery 400, University of Illionois, Chicago / IL, USA Down by Law, Whitney Museum of American Art, New York / NY, USA 2004 Huts, Douglas Hyde Gallery, Dublin, Ireland 2003 Utopia Station, Venice Biennal, Venice, Italy Breathing The Water, Galerie Hauser & Wirth & Presenhuber, Zurich, Switzerland Game Over, Grimm Rosenfeld, Munich, Germany Dirty Pictures, The Approach, London, Great Britain Dreams and Conflicts, Venice, Italy, 50th Venice Biennale, Venice, Italy 20th Anniversary - Welcome home, Gavin Brown's enterprise, New York / NY, USA 2002 Five Years, Jousse Enterprise, Paris, France From the Observatory, Paula Cooper Gallery, New York / NY, USA Urgent Painting, Musee d'Art Moderne de la Ville de Paris, Paris, France 2001 Best of the Season, The Aldrich Museum of Contemporary Art, Ridgefield / CT, USA Works on Paper from Acconci to Zittel, Victoria Miro Gallery, London, Great Britain Extended Painting, Monica de Cardenas, Milan, Italy Invisible Museum, Memphis / TN, USA Victoria Miro Gallery, London, Great Britain How is Everything?

With over 70 works showcasing everything from painting to film, photography, and installation, there is something for everyone to acquire!

In her memoirs, she recalls sometimes seeing the pattern in paintings spilling over the edges of the canvas to envelop her and everything around her, dissolving her inner self in the outside world.

Take the painting of mine shown here, done in sunlight, I'm trying to express my enjoyment of the colors and energy of the light that seemingly drips over everything.

Rendered on irregularly shaped canvases, large abstract paintings — one over 25 feet long — riff on everything from Paleolithic cave paintings to Italian frescoes.

With more than fifty painted objects created over 700 years, it is a radical new look at what happens when artists cast aside the colour spectrum and focus on the visual power of black, white, and everything in between.

As a final flourish, Cain painted an off - kilter grid of big, dark - gray polka dots over everything.

Dave Kinsey Joshua Liner Gallery is pleased to present Everything at Once, an exhibition of over thirty intense, high - energy paintings and works on paper by...

Last month, «Circles: Early + Late» at Yares Art joined the two «Circle» periods together in an exhibition that told us «everything he discovered over a half century of painting,» as Karen Wilkin writes in her catalogue essay.3

Everything is encased in a black, which has been painted over a blue so that it too has definition despite its darkness.

But the theoretical means used to characterize and essentialize painting over the previous several decades is all too well known; today it's uncontroversially understood that painting constitutes almost anything, if it does not already constitute everything.

You can discover all this of this at another Richter phenomenon, namely his website. www.gerhard-richter.com provides a superbly organised and fully illustrated overview of everything Richter considers part of his oeuvre: for example well over a thousand paintings; his vast Atlas archive of source material (maybe 8,000 newspaper clippings and photos), drawings, overpainted photographs, works on paper, watercolours, artist's books, works of glass, and sculptures.

Joshua Liner Gallery is pleased to present Everything at Once, an exhibition of over thirty intense, high - energy paintings and works on paper by Los Angeles - based artist Dave Kinsey.

I always destroy the work if anyone looks passive» — L. YIADOM - BOAKYE «I want the work to be pulled out of the air somehow, to play God and exploit that power of creation in paint» — L. YIADOM - BOAKYE «It's not a person, it's not a portrait; it's a painting, and everything that goes on within it qualifies the other elements» — L. YIADOM - BOAKYE The centrepiece of Lynette Yiadom - Boakye's major 2012 exhibition Extracts and Verses at Chisenhale Gallery and subsequently of her Turner Prize show in 2013, Bound Over to Keep the Faith is a monumental and compelling vision.

I got leaves all over everything, and I said, «I'll never paint outside again.»

I assume everything is porous enough so there won't be an issue with the oil bonding, but as stated above the first of these paintings are just a few years old, so no idea how they will hold up over time.

Maintenance Man — A + Maintenance & Remodeling — October 2011 — June 2014 • Provided a number of landscaping services for over 20 commercial clients, which included snow removal and tree trimming • Tested equipment after installation to guarantee it worked exactly as promised • Treated water supply after installing new pipes to make sure everything met safety guidelines • Painted over 100 buildings during course of employment, including siding and roofing • Installed a number of Energy Star products to make dozens of buildings in the Nashville area more energy efficient • Outsourced certain projects to other parties after running routine diagnostics to determine what needed to be repaired