Sentences with phrase «paint space while»

Braque thought the motif «universal», allowing him to paint space while respecting two - dimensional constraints.

Not exact matches

We know that reimagining an office space can take a while, and is a constantly - evolving process, but simple things like painting will wow employees, and let them know that you're serious about engagement.

The 22 - foot ceiling in the main dining room is highlighted by hand - painted cornice moldings and complemented with hardwood floors making the space ideal for cocktail receptions, while the White Room downstairs provides an intimate setting for exclusive tastes.

While these products may have some relevance in the extreme conditions of outer space, manufacturers of paints containing [insulating additives] are making claims that defy the laws of physics... when they claim they can save significant energy in buildings.»

Two walls painted blue delineate and enliven the space, while a new sheer fabric panel hides electronics cords and adds texture.

We see black occupying a great space at creative designer-less Dior up to painting the models» lips with black; at Zuhair Murad black lace and velvet are in abundance; black is the main color at Givenchy fall 2016 runway show as well with some brown and taupe in between and with a smattering of red to bring vibrancy around, while at Alexander McQueen black oversized coats are embellished with fuchsia embroidery for pretty contrast.

I have been considering the paint color scheme, since while the room is currently my office, I figure that in a few years, when my kids hit their tween years, they will no longer want to share a bedroom, and I will have to give up that space.

For my work space, I laid out a tarp on the lawn, and sat on a portable gardening stool while I painted.

Smooth lamps and painted furniture add a bit of a feminine touch while wooden furniture will add warmth to a space.

While it's true that giving your partner space is healthy in a relationship, instead of smothering him or her, if the space is permission to paint the town red and post it on social media in the arms of another, it's going to go down badly.

More automotive, paint and body manufacturers plan to exhibit at the SEMA Show for the first time, while many return exhibitors are committing to larger space for 2010.

While the Lane Keeping Assist uses a monocular camera (mounted on the upper portion of the windshield) to identify solid or dashed painted lane lines, Botts» dots and Cat Eye marker, the Road Departure Mitigation System can identify objects such as trees or parked cars which would indicate spaces beyond the side of the road.

The front and rear silver - painted bumper garnish adds a luxurious touch, and the roof rails look sporty while providing extra space to store your belongings.

We are still needing people to come out to foster and adopt becuase while we got a LOT of animals into temporary housing and adoptive homes yesterday, the animals will still be coming into the shelter while the painting is taking place, but rest assured, we are not euthanizing animals due to lack of space in the adoption rooms, we will find other housing in rooms that do not typically house animals, and will continue to work with rescue groups, and promote fostering and adoptions.

The unique location in Montseny makes this amazing hotel ideal for people looking for space and quietness, a place to relax while being in close contact with nature, and to practice sports such as horse riding (the hotel owns a stable), archery, 4x4 excursions, paint ball, mountain biking or trekking.

While both bedrooms are beautifully designed with a canopied four - poster king - sized bed, en - suite bathroom, walk - in shower, mini refrigerator, coffee maker, and a covered first floor veranda, furnished with chairs overlooking the Caribbean Sea, the suite offers extra space with a double vanity hand painted Mexican basin, and comfortable futon transforming into an extra bedding.

Ambrose writes:»... each artist tries to thread the needle of contemporary painting: Berryhill working diligently on top of the threads, while Nesbit works from behind in the spaces between them.»

Although firmly rooted in color - field abstraction, Jones» paintings consistently register as «pictures» - their spatial organization hints at a window space of varying depths even while the physicality of the paint asserts the surface.

While the Spot Paintings were originally conceived as an endless series, the Colour Space paintings are a finite body of work, commenced and completedPaintings were originally conceived as an endless series, the Colour Space paintings are a finite body of work, commenced and completedpaintings are a finite body of work, commenced and completed in 2016.

Around 1970, while in the John St. studio, Frances began working on large horizontal abstract paintings that were involved with ideas of gravity, slow painting time, indeterminate color, and trying to create a complex painting space that appeared geometric, but alternately shifted into a deeper space.

In the main gallery space Judy Ledgerwood has hung eight paintings, all 60» x 60», while in the north gallery she has completed a painting in tempera on three walls.

Shown alongside two equally expansive diptychs, the four paintings fill the space to demonstrate the potential of the chapel - like height, while also encouraging a comfortably intimate experience without overcrowding the space.

My goal was a sense of compression by hanging several paintings close together on one wall, while the rest of the gallery was relatively spaced out.

The large, partially obscured, mallet - like shape on the left is embedded in the paint, while the tiny ones appear eager to be swallowed up by the deep space of the dark wall they are rushing toward.

A case in point is the current exhibition of painting and installation by the artist Franklin Evans where a physical copy of Painting as Modelsits up front and center on the gallery floor while material unleashed from the book orbits about thpainting and installation by the artist Franklin Evans where a physical copy of Painting as Modelsits up front and center on the gallery floor while material unleashed from the book orbits about thPainting as Modelsits up front and center on the gallery floor while material unleashed from the book orbits about the space.

They will retain the special character of the over-100-year-old building, especially its soaring main Sanctuary, while making its spaces suitable for the exhibition of paintings, and bringing it into compliance with city and state regulations.

While each adjustment is undertaken to orchestrate and tighten the relation of each pictorial unit to every other pictorial unit, to secure formally the integrity of each painting as a whole, the overall effect of the process is also to enliven the space, to acknowledge its flatness while simultaneously allowing it visually to twist and warp and bend, to project and recede, to be positive and negative — and thus to explore and personalize what's become natural to pictorial space since Cezanne and Cubism radicalized it more than a centuryWhile each adjustment is undertaken to orchestrate and tighten the relation of each pictorial unit to every other pictorial unit, to secure formally the integrity of each painting as a whole, the overall effect of the process is also to enliven the space, to acknowledge its flatness while simultaneously allowing it visually to twist and warp and bend, to project and recede, to be positive and negative — and thus to explore and personalize what's become natural to pictorial space since Cezanne and Cubism radicalized it more than a centurywhile simultaneously allowing it visually to twist and warp and bend, to project and recede, to be positive and negative — and thus to explore and personalize what's become natural to pictorial space since Cezanne and Cubism radicalized it more than a century ago.

Painting from an intuitive and open mindset, Scully experiments with new combinations of colors and creating space and form while also challenging ideas about sight and perception.

By continually changing her working environment with lighting, mood, and orientation of the canvas while painting, Scully pushes the boundaries of not only her practice, but of physical and psychological space.

The 10 paintings at the National Gallery are a superabundance of riches, and the space feels rather like the dramatis personae list at the heading of a Shakespeare play, while the Phillips Collection paintings behave more like the cast of something by Chekhov.

The artist's early training as a sculptor, before he made the switch to painting, has clearly influenced his thinking around the space that painting can inhabit and, while these are not landscape paintings in the traditional sense, they nevertheless reference landscape and place.

The following year, with Mountains and Sea, 1952, she created another kind of painterly space by staining unprimed canvas with oil paint while allowing telltale signs of drawing to remain.

While peers in the loosely delineated movement of Light and Space in California from the 1960s onward abandoned painting in favor of more immaterial installation strategies, Norman Zammitt made a career of reasoned, deliberate canvases informed by floaty sensorial aspirations.

With the ballpoint pen, Gatti blurs the lines between painting and drawing, while renegotiating relationships between space, line, form and void.

While Stella calls his work painting even when the paint has vanished, Ru bins's airy, bulky constructions happily expand to the three - dimensional space available.

While other artists like Richard Tuttle and William T. Wiley were also experimenting with the unstreched canvas during the same period, Gilliam's sculptural approach was revolutionary in that it repositioned the viewer's relationship with the painting to include the object as well as the space around it, blurring the boundary between painting, sculpture, and architecture for the first time.

While drawing the viewer in, Rachel MacFarlane aims to create an illusion by emphasizing the physical attributes of the painting as an object in space.

Her large - scale canvases isolate various graffiti - laden structures or spaces, while some of her smaller works pinpoint the subtle imperfections of spray paint and abstraction.

In this overdue exhibition, Toroni has cunningly hung twenty - five square paintings from 1987, each one marked with fourteen orange strokes, at the height of the gallery's mezzanine: in the main space, the canvases are a tick below eye level, while in the upper space they're propped against the wall, as they rest on the floor.

While in the past, each of White's abstractions referred to a single patterned object (a quilt, a shirt, and so on), his new paintings suggest groupings of things in their relationships to each other, within the spaces they occupy.

As the artist explains,» The space will be filled with sinuous, large, sprawling structures on two opposing walls (units composed of weaving of metal grid and clear, iridescent,» edge glowing» Plexi glass), which transmit, reflect, and refract light while the painted dark walls of the gallery are enclosed with images that echo the shadows and reflections of the gleaming sculpture.

Across the show, the first at Almine Rech's New York space, Calder mobiles and Picasso portraits, among other rare and never - before - seen paintings and sculptures, reveal visual and emotional resonances between the two famous artists, while reminding us why their work was so revolutionary in the process.

Scenes from Western Culture (2015), comprised of nine «cinematic paintings» depicting idyllic visions of Western civilization, plus a series of new paintings made en plein air in the West Bank, are on view in the Chelsea space, while in Bushwick, he presents the four - channel video installation World Light - The Life and Death of an Artist (2015), the artist's interpretation of Icelandic writer Halldór Laxness's novel World Light (1937 — 40).

Laura Hunt's From a Photo While Painting installed on Robert Blumenthal's billboard space.

Dunham says the show, in the Xcel Energy Gallery, was arranged so that larger pieces were given more space so viewers could take them in from a greater distance, while smaller paintings were hung in the hall.

While Pistoletto has typically relied on the mirror's reflective surface to seamlessly integrate pictorial space with the physical space of the viewer, the Scaffali paintings appear to complicate this relationship.

Three artists, occupying roughly one room (of aircraft hangar dimensions) each, match the space's challenges while representing several strains in contemporary painting.

The lines at the edges of Olitski's paintings frame the airy voids of his sprays, while the welded metal of Caro's sculptures traces out shapes in space.

While the «Road» and «Trees» paintings veer toward his signature graphic style, Katz's «Grass» compositions are freely gestural, offering an engulfing sense of space.

Done on unbleached canvas, while leaving the bottom half of the painting untouched, «Abstraction» (2002 - 2015) hovers between being a brown cloth surface on which paint has been applied and a deep space terminating at a far wall.