Sentences with phrase «paint stick over»

Not exact matches

Every parent of a preschooler has a priceless collection of drawings, finger paintings, and macaroni collages taped to the wall above her desk or stuck all over the refrigerator.

Come around to our back porch, step over nubby sticks of sidewalk chalk and scattered bubble wands, and open up the ancient screen door (I think you'll find it slams behind you in the most satisfying of ways) where you'll find a door with peeling paint and original hardware: the entrance to my office.

We painted the fish head and tail with some left over watercolour paints before we started sticking the scales on.

Be it playdoh, finger painting, leafing through a quiet book or sticking stickers (usually all over the high chair), your kid will be able to spend more time in their high chair.

Instead of splashing paint on a canvas, Garriott built a paint box that allowed droplets of paint to form spheres that would float over and stick to the paper inside the box.

Then I brushed a couple of coats of black chalkboard paint over the rest of the stick, on both sides.

If you use an oil based primer and then a latex paint over it, the paint sticks easy peasy and doesn't get behind the paper so it doesn't lift off.

Though there's a nice variety of characters to choose from — over a dozen — most of the cast sticks to paint - by - numbers JRPG stereotypes.

Different mixed media painting techniques, using glue, string, card, wax, paper to manipulate and to create texture with acrylic paint Looking at famous artists like Jackson Pollock, Frank Auerbach, David Bomberg, John Hoyland and Howard Hodgkin Resources: Acrylic paint, Sponges, sticks, large and small paintbrushes, credit card, string, glue, Punchinella, kebab sticks batik wax, sand, tissue paper, scrap paper and glue guns, Creating a number of different textures with acrylic paint and see what other mixed media layering one can achieve with chalk and oil pastel as well to layer over the acrylic paint.

Moose sticks his mug out of his window, his slobber dripping all over the Fiat's orange paint, as we head back toward the highway.

His simple, wavy stick figures painted over metallic backgrounds, or wonky chevron patterns, are a figurative version of his older series of «DUMB AND EASY» text paintings exhibition at Tomorrow Gallery in 2011.

As ever, Kate Gilmore for Braverman in Tel Aviv maintains a sense of humor about sex roles and art, as she knocks over paint cans shot from above, like Jackson Pollock stuck on scaffolding.

Sarah Crowner, known over the last decade for stitching together cutout shapes of plain or painted canvas to form rectilinear abstract paintings, is sticking to first principles.

Over the years works have moved from visually dark collage and drawings using ink and charcoal to bold colorful paintings using chalk pastels and oil sticks.

Done with oil sticks pressed directly against the canvas, a method Mr. Goldberg chose some years ago over brushing with paint, they are energetic productions based on what he called a «quasi grid,» with patchy squares of color intersected at random by strong diagonals.

Pollock used to drip and pour paint all over it, moving to the beat of his own inner rhythm, occasionally using towels and sticks to help him complete the painting.

In the collection, Chéri Samba dissects the world with the 2016 painting J'aime la coleur de la vraie carte du monde (I love the color of the real map of the world); Ahmed Chiha paints vibrant patterns over bamboo sticks, grouping them over a pile of sand; Zbel Manifesto collective collected trash for a week, using it to create an installation that looks like a dining room with Maria Callas's voice singing in the background; and Soukaina Aziz Al Idrissi hangs sheets with different textures together to form a dangling collage.

At the heart of this exhibition are three new such series: a line of five pastels, treated like a kind of reverse sculpture, with fat sticks of chalky pigment ground back to dust and worked into thick pages of handmade paper; a sequence of 18 watercolours in which pairs of pigments are dissolved into each other, layer over layer, into veils of translucent light; and a series of ten tall, vertical sheets of waxed butcher's paper, carrying oil paint dissolved into skins of solid and liquid colour.

The paint — usually enamel, which he finds more pliable — is applied by dipping a small house brush or stick or trowel into the can and then, by rapid movements of the wrist, arm and body, quickly allowing it to fall in weaving rhythms over the surface.

The Abstract Expressionist, Jackson Pollock, is most well - known for his large - scale «all - over» paintings that he painted by laying raw canvases on the floor and pouring house paint directly from cans or dripping it from sticks while engaged in almost dance - like rhythmical movement around the canvas.

Stuck in the past, the old formalism of «all - over painting,» she thought about every inch of the rectangle.

Over the next seven years, working with the canvas laid on the floor and dripping or pouring paint, or using sticks, trowels or paint thickened with sand or crushed glass, Pollock produced some of the greatest Abstract Expressionism works ever made.

They flick, pour and drip paint from brushes and sticks and allow the paint to run over the paper.

What stuck once fetched well over a million dollars a painting; now it fetches half that.

Over the years, some nature motifs have occasionally appeared in your paintings — stones, sticks, fragments of the natural world.

I mess these projects up all the time, Chris rolls his eyes and wonders why he married such a paint - covered mess, my dad tells me that «that was a terrible solution to that problem» and «stop leading your readers down a bad path», I cry myself to sleep with my face stuck to my laptop keyboard in a pool of drool after going blind scrolling Pinterest... and then I do it all over again because I love it.

I used an oil based primer, Zinsser, which sticks to almost anything, and semi gloss latex paint over that.

Painted one wall a different color, put curly willow all over the mantle and stuck a few photos that I loved in between.

A decal would have stuck out a little and it would've been obvious that I painted over a «sticker».

The powder all over, the mixing, the bits that just won't mix, the bumpy paint, the completely unpredictable way it sticks to some areas and not others (even after using milk paint primer), the way its flaked up in random pieces larger than can be considered attractive «patina,» even after waxing, its short shelf life... The experience (disclaimer — I did not use the Miss Mustard Seed brand) really drove home how lucky I was that acrylics were invented!

Paint can totally transform a space, but if you're renting, stick with a light shade you can easily paint over when you move out.

Be sure to stick around at the end of the post, our fabulous friends over at Painted Fox have a fantastic giveaway you won't want to miss

If she sticks around awhile and we get tired of looking at her, we can choose another color combo and paint right over her!

The appliques can be stuck into place with any permanent strong glue and can be painted over with just about any type of paint.

Little would thrill him more... So... here I sit... GREEN with envy over your paint stick fantasticko!!!

You know, like painting your fireplace brick but couldn't because the one day you had to do it was the day sonny boy got into the cheese slices and stuck them all over the brick.

I stuck with stenciled walls because I knew I could always paint over them... until I found this from Hygge & West, designed by Rifle Paper Co:

We are sticking around celebrating birthdays, getting a few projects done around the house (details in our upstairs bathroom and hopefully sampling some paint for our laundry room) and having some friends over for dinner.

Over the weekend, we basically prepped the space for paint, removed the handles (except for two extremely stubborn handles that are still stuck in place - ugh!)

It will «stick» to the surface but no lasting bond can be made and you certainly can't paint over wax and hope for it to last in the way that ASCP can — actually ASCP is the ONLY paint I have found worldwide that will go over wax successfully.

Hi Sharon — I have never done it, but on the Annie Sloan Chalk Paint site, it mentions that you can paint right over the wax as the paint will stick to anything.

I'm obviously stuck and tend to really stress out over these decisions as my husband hates to paint twice and it always seems to me that we paint a room twice, lol.

Picture lights from Hogarth have a very thin wire, which you stick on to your wall and paint or paper over — useful if you need a light somewhere where there is no socket.