Sentences with phrase «paint straight lines»

I really admire anyone you can paint straight lines or do the designs that you do.
If it were I would not have had to widen the yellow stripe in front of our building because the last «painter» couldn't paint a straight line.
I love this tray makeover, which is so easy you can totally pull it off even if you can't paint a straight line!
I can't paint a straight line either... thank goodness for frog tape!
When it comes time to repaint a room, it is quite possible to spend forever trying to decide what paint colors to choose for woodwork and walls, how to fix less than perfect features, and then another eternity painting straight lines between woodwork and walls (not my favorite task).
4) I am a horrible painter and can not keep wall paint OFF the ceiling when I paint, so painting the ceiling makes a project SO much easier than trying to paint a straight line!)

Not exact matches

You'll need wooden circles, paint, a few dowels, and tape (to make straight lines while painting).
Thanks for being the best Mum, You taught me how to thread a needle, how paint and draw, how to sew in straight lines and how to make brooches out of old wooden curtain poles, you encouraged me to go to art school, fashion college and then St.Martins.
If you were painting the front of a flat purse I would use tape around the chalk outline to ensure you have straight line.
It's important to make sure that the tape is tightly hugging the surface of the jar to avoid any paint from dripping in — you want clean, straight lines.
How to roll a wall, paint a straight ceiling line, cut in like a pro, remove wallpaper using a steamer, patch holes in sheet rock, and fix an airless paint sprayer.
«The pressure of having to paint on screen, particularly the first scene where I had to paint with a straight line, that wasn't much fun but it's in the film and no one's complained.
Another favourite is the sniper rifle, here charging up before firing a spurt of paint across the map, hitting your target and coating everything in a straight line between the pair of you with paint.
The C63 is even more fun on the road, where the roguish exhaust, on - demand thrust, and capable chassis make it an attraction whether it's sitting at a stoplight, painting black stripes in a straight line, or tearing through a corner.
It's meant for straight - line cruising and getting attention, the latter helped by the bright yellow paint on our tester.
The body lines are straight, seats look new and the metallic paint shines.
Show quality 2 stage paint in Brilliant Blue with White accents shows off the sculptured body lines with excellent panel gaps and laser straight and rock solid body.
2002 CHEVROLET CORVETTE Z06 ELECTRON BLUE METALLIC POWERTRAIN / CHASSIS 5.7 L V8 SEQUENTIAL FUEL INJECTION 6 - SPEED MANUAL TRANSMISSION ACTIVE HANDLING TRACTION CONTROL SYSTEM 4 WHEEL INDEPENDENT SUSPENSION DISC BRAKES FRONT AND REAR POWER RACK AND PINION LIMITED SLIP REAR DIFFERENTIAL SAFETY / SECURITY DRIVER AND PASSENGER AIR BAGS 4 WHEEL ANTI LOCK BRAKES REMOTE KEYLESS ENTRY ANTI THEFT DETERRENT SYSTEM WITH ALARM EXTERIOR POWER HEATED MIRRORS RETRACTABLE HEADLAMPS DAYTIME RUNNING LAMPS INTERIOR BOSE STEREO DUAL ZONE CLIMATE CONTROL INSTRUMENT CLUSTER WITH DRIVER INFORMATION AND HEADS UP DISPLAY CRUISE CONTROL INTERMITTENT WIPERS BLACK LEATHER TILT LEATHER STEERING WHEEL POWER SEATS POWER DOOR LOCKS REAR WINDOW DEFROST REMOTE TRUNK LID APPEARANCE ADD ONS 600 WATT KICKER AMP AND 10» SUB WITH VARIABLE BASE 5 % WINDOW TINT CHROME Z06 WHEELS CUSTOM PAINTED FUEL RAIL COVERS AND ENGINE BAY STAINLESS EXHAUST ENHANCER PLATE WITH CORVETTE LOGO CUSTOM LLOYDS FLOOR MATS REAR PARTITION WITH Z06 LOGO SYLVANIA SILVERSTAR HEADLAMP BULBS PERFORMANCE MODS BLACKWING COLD AIR INTAKE CARBON FIBER AIR BRIDGE AND HIGH FLOW AIR COUPLER PORTED AND POLISHED THROTTLE BODY UNDERDRIVE CRANK PULLEY COMP CAMSHAFT 230/232 DURATION - 572/574 LIFT - 112LSA LS6 TIMING CHAIN HARDENED PUSH RODS COMP 918 VALVE SPRINGS WITH TITANIUM LOCKS AND RETAINERS 36 LB FUEL INJECTORS FLP STAINLESS LONG TUBE HEADERS THAT HAVE BEEN CERAMIC COATED FLP INTERMEDIATE PIPE WITH X-PIPE FLP MODULAR CATALYTIC CONVERTERS WITH STRAIGHT PIPE OPTION B&B CAT BACK EXHAUST CUSTOM TUNE WITH DYNO SHEET 433.18 HP AND 398.88 TORQUE TEXTRAILA X-GRIP CLUTCH BILLET FLYWHEEL WITH ARP BOLTS KIRBAN SHORT THROW SHIFTER SKIP SHIFT ELIMINATOR SUSPENSION AND BRAKES GM T1 RACING SWAY BARS WITH ADJUSTABLE END LINKS GM T1 RACING SHOCKS STAINLESS STEEL TUNNEL PLATE SLOTTED AND DRILLED ROTORS STEEL BRAIDED BRAKE LINES This car runs great and is a blast to drive.
Finished in a professional - quality red paint, all of the body and box panels are very straight and all panels and doors line up well.
Not necessarily in a straight line but «with artfully constructed zigzags that create an inside sense of the characters thoughts and feelings without telling or explaining what they are but instead showing us, painting the actual landscape of their hidden emotions.»
Taking clear design cues from the Samsung Galaxy S3 smartphone, think of the Note 2 as a kind of super-sized version of the flagship handset, swapping straight lines for sleeker curves and a white paint job «inspired by «nature», so the marketing blurb tells us.
How to roll a wall, paint a straight ceiling line, cut in like a pro, remove wallpaper using a steamer, patch holes in sheet rock, and fix an airless paint sprayer.
Trained as an architect, Herrera's regimentally straight lines assembled three - dimensional ideas for the paintings.
Her paintings, which deal with primary colors and mechanically straight lines, have only become more minimalistic over time.
He pencilled the straight line, then worked the paint very carefully.
I didn't notice that anything was wrong as I painted the loose early washes in the first few stages of project, but as soon as I needed to be more accurate in laying down the pigments, (e.g. painting the greys on the doorstep and needing to make a straight line) I realised just how bad the problem was.
An underlying grid is the foundation for layered networks of curvy and straight lines, gaudy organic forms, showers of dribbled paint and areas of furious scribbling.
While the paint is still thoroughly wet, a brush loaded with black oil paint is dragged horizontally in a straight line from the top left edge of the painting almost to its right edge.
Never let the belief that you «can't even draw a straight line» stop you from discovering the enjoyment that painting can bring.
Iglesias, F.Meisenberg, B.Ruais, K.Thorne, J.VanDyke / Abrons / 466 Grand / thru 12/20 Kaari Upson / Ramiken Crucible / 389 Grand / thru 12/14 Matt Connolly / Essex Flowers / 365 Grand / thru 1/4 Opening 11/21 Keumnin Lee / Shin / 322 Grand / thru 11/30 Ulf Puder; Bettina Blohm / Straus / 299 Grand / thru 12/12 Amy Lien & Enzo Camacho / 47 Canal / 291 Grand — floor 2 (new location) / thru 12/21 Bright Matter: LAb [au]; Numen / For Use; Joanie Lemercier; Nonotak; François Wunschel / Guepin / 83 Orchard / thru 1/11 Opening 11/21 Kiki Kogelnik / Subal / 131 Bowery / thru 12/19 Brad Troemel / Tomorrow / 106 Eldridge / thru 11/30 (extended) The Contract / Essex Street / 114 Eldridge / thru 1/11 Opening 11/21 Reception 11/22 Foster Mickley / Munch / 245 Broome / thru 12/21 Opening 11/21 Robin Kang; Duhirwe Rushemeza / Tabacaru / 250 Broome / thru 12/9 Michelle Lopez / Preston / 301 Broome / thru 12/21 Alexander Tovborg / Beauchene / 327 Broome / thru 12/21 Mary Ann Aitken; John Maggie; Jonathan Rajewski / Hanley / 327 Broome / thru 12/21 Guglielmo Achille Cavellini / Whitebox / 329 Broome / 11/1 thru 11/30 Yui Kugimiya / Marlborough / 331 Broome (third NYC location) / thru 12/21 Opening 11/20 Lily Ludlow / Canada / 333 Broome / thru 12/14 Ulrike Theusner; Paul Brainard / Lodge / 131 Chrystie / thru 12/14 Cristina Vergano / Woodward / 133 Eldridge / thru 12/21 Nayda Collazo - Llorens / LMAK / 139 Eldridge / thru 11/30 James Hoff / Callicoon / 49 Delancey / thru 12/21 Noam Rappaport / Fuentes / 55 Delancey / thru 12/21 XYZ collective / Brennan & Griffin / 55 Delancey / thru 12/21 Jana Winderen & Marc Fornes / Storefront for Art & Architecture / 97 Kenmare @ Centre / thru 11/21 Maya Bloch / Thierry Goldberg / 103 Norfolk / thru 12/21 Josh Faught / Cooley / 107 Norfolk / thru 12/21 Joseph Montgomery / Gitlen / 122 Norfolk / thru 12/21 My Big Fat Painting curated by Rick Briggs; Fred Gutzeit / Morris / 163 Chrystie / thru 11/23 (extended) Closing Reception 11/20 (7 - 9 PM) Mark Joshua Epstein / Morris project space / 163 Chrystie / thru 12/20 Opening 11/20 (7 - 9 PM) Addie Wagenknecht / Bitforms / 131 Allen (new location) / thru 12/7 David Mramor / James / 143b Orchard / thru 12/7 Angelo Volpe / Krause / 149 Orchard / thru 12/8 Beatrice Scaccia / Cuchifritos / 120 Essex (SE corner of market) / thru 11/30 Tommy Hartung / On Stellar Rays / 1 Rivington / thru 11/30 Valeska Soares / Eleven Rivington / 11 Rivington / thru 11/23 Bill Traylor / Cuningham / 15 Rivington (new location) / thru 12/6 Micki Pellerano / Envoy / 87 Rivington / thru 11/23 Do the Write Thing: Read Between the Lines / Berst / 95 Rivington / thru 12/20 Guglielmo Achille Cavellini / Lynch Tham / 175 Rivington / thru 12/21 Jessica Rankin / Salon 94 / 1 Freeman Alley / thru 12/21 Red, Yellow and Orange: Ford Crull; Debra Drexler; Peggy Cyphers / Van Der Plas / 156 Orchard / / thru 12/31 AS IF: Abigail Donovan; Troy Richards; Robert Straight; Peter Williams / Novella / 164 Orchard / thru 12/6 Raquel Rabinovich / Y / 165 Orchard / thru 12/23 Opening 11/21 Tai Ogawa / Matsumiya / 153 1/2 Stanton / thru 12/31 Magnolia Laurie / Frosch & Portmann / 53 Stanton / thru 11/23 Forces at Play: S.Crider; B.Gardner; M.Keller; J.Mellon; L.Rablin / Molly Krom / 53c Stanton / thru 11/30 Valeska Soares / Eleven Rivington / 195 Chrystie (second location) / thru 11/23 Sara Goldschmied; Eleonora Chiari / Lorello / 195 Chrystie — floor 6 / 11/19 thru 1/25 Reception 12/11 Kader Attia / Lehmann Maupin / 201 Chrystie / thru 12/13 George Horner thru 12/6, Henry Mandell thru 1/10 / Charles / 196 Bowery Lili Reynaud - Dewar thru 1/25; Chris Ofili thru 2/10; etc. / New Museum / 231 - 235 Bowery Takeshi Murata / Salon 94 / 243 Bowery / thru 12/21 Heinz Mack / Sperone Westwater / 257 Bowery / thru 12/13 Notes on Undoing / Garis & Hahn / 263 Bowery / thru 12/20 Opening 11/20 Charles Dunn / Rucker / 141 Attorney / thru 11/26 Serge Alain Nitegeka / Boesky East / 20 Clinton (new, third NYC location) / thru 12/21 Matthew Fischer / Junior Projects / 139 Norfolk / thru 12/21 Pierre St - Jacques / Station Independent / 164 Suffolk / thru 12/14 Aki Sasamoto / JTT / 170a Suffolk / thru 12/14 (Performances 12/12 @ 6 PM) Sara Greenberger Rafferty / Uffner / 170 Suffolk / thru 12/21 Matt Hoyt / Bureau / 178 Norfolk / thru 12/21 Stuart Shils / Harvey / 208 Forsyth / thru 12/21 Opening 11/19 Arianna Carossa / Rooster / 190 Orchard / thru 1/4 Opening 11/25 Greer Lankon / Participant / 253 E Houston / thru 12/21 Henry Flynt / Audio Visual Arts / 34 E 1st / thru 11/23 (extended) Joel Holmberg / American Contemporary / 4 E 2nd / thru 12/19 Early Man / The Hole / 312 Bowery / thru 12/28
Some of his archly titled paintings — most sharply, the vividly hued and calculatedly distorted Pointed Splat and the immaculately fractured Straight Lines canvases — suggest the ultimate futility of the human compulsion to impose logic and calm.
«There's a straight line from my post abstract paintings to the Pixel Scores... The Pixel Scores are not better because I do it this way — they're just different in that it's my way.
The finished paintings are pristine, but also carry evidence of the artist's hand — a subtle bloom of color along an otherwise flawlessly straight line, a slight whimsy in the corner of a square — always inviting the viewer to slow down and examine their nearly sculptural surfaces.
After making paintings of straight, repeated lines he moved to placing objects within the paintings themselves in an attempt to magnify their «objectness» to move away from flat fields of color.
Reeder says the painting's large size and elegant straight lines evoke one of his favorite works by the late Cy Twombly.
Next time you see one of his paintings, move beyond the simple paint markings on a canvas, but try to see a single note of sound unraveling in thick and thin, straight and curved, colorful and monochrome dripped lines.
Three bodies of work emerged around this time: the Step paintings, stacked rectangles and squares and irregular ladder - like structures; the horizontal Mobius Band compositions anchored by tiny squares of solid color; and the small - scale Heart Beat paintings, straight lines radiating from a half moon shape and pulsating with energy.
The Chunk series consists of three, six - foot - square acrylic paintings plus two smaller paintings where large portions of the canvas contain black or brown blocky figurative structures accompanied by explosions of straight lines of bright colors with soft round forms capping the ends.
The unpainted wood in particular, and the modulated primary colors give them a warm, human tone, and it was illuminating to go from the sinuous black lines of the paintings at Acquavella to the straight black wires of the Calder sculptures at Pace, which resembled planetary models.
Nearby in the painting, we find the artist's paint - clotted brush, placed neatly in a straight horizontal line, and a book, or perhaps newspaper, placed neatly in a vertical line.
My painting then was very linear, black and white straight lines, no brush marks.
Reinterpreting Malevič, Tatlin, El Lisitzky and other key exponents of these movements allowed Pardi to take the still vital elements of these artistic directions and become one of the most active and qualified representatives of the history of contemporary painting and sculpture.This extensive retrospective illustrates the development of Pardi's explorations at every phase, from the first depictions of architectural interiors and exteriors of the 1960s, such as the Environments and Hanging Gardens, to subsequent works from the 1970s, which he named Architectures.The series Diagonals are from the early 1980s and consist of straight lines whose tight rhythm oscillates between black and white to a search for new montages and movements.
Similarly in the works on paper, bold, straight, rigid lines sit on top of subtle, undulating underpaintings; paint seems to muffle whatever is beneath it.»
But though straight lines quickly gave away to rather slack rhythms and large, free forms, it was not till about August 1963 that he fully recovered his balance and felt able to achieve a «simple» painting again in which the colour was properly dictating the form, and the forms were not ranging themselves in depth because the colour was acting like tone (that is, as contrasts of dark and light).
This is the first ever painting in which Newman depicted the straight vertical line or «zip» that became his graphic signature.
Using what looks to be a very long ruler, Gene Davis set down a series of strictly drawn straight lines, and painted various vivid colors inside those lines.
He experimented with new shapes — chevrons, diamonds and straight lines flowing across canvases as wide as 24 feet — and expanded his color palette to include as many as 30 hues in a single painting.
Two smaller paintings depart from the usual combination of spheres and straight lines....
Their unity in that installation was based on three factors: their identical dimension; their unusual installation on two walls in one straight line; and finally the black lacquered wedge that spans eleven paintings on the right.
De Stijl clearly stood out for its innovative use of primary colors, straight lines, and right angles in abstract painting, sculpture, architecture, and design.
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