Sentences with phrase «paint stripes at»

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Once the red paint is dry, add a white stripe at both red edges as well as a black stripe around the center of the popsicle stick.

When I showed up in London at the end of August that year, I brought along earmuffs (because in the heat of a memory competition, there is no such thing as deaf enough), which I'd painted with Captain America stars and stripes; 14 decks of playing cards I would try to memorize in the hour cards event; and a Team USA T - shirt.

WOLFGANG JOOP grew up a little this season - reining in the multicoloured dots to vaguely more sensible checks, but there was still plenty of colour: black and white vertical stripes were roughly painted onto cotton coats and tights and then daubed with yellow and green and red squares at random.

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Tape off the right side of the jean, one stripe at a time, and paint on stripes with the red paint.

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Sources: Main Room Paint color — Benjamin Moore «Winds Breath», mixed at 75 % saturation Striped Rug - Dash and Albert Yacht Stripe (3 rugs sewn together to get the large square size) Lantern - Urban Electric Co, custom finish («seaside bronze» washed in a white to soften it up) Bedroom paint color — Benjamin Moore «Fanfare» Blue Quilt and Shams — Pottery Barn Sheets — Pottery Barn Seagrass Lamps — Arteriors Home

Prince Avalanche is a soft story that moves at the same pace as the characters move as they are painting the stripes on the road.

The C63 is even more fun on the road, where the roguish exhaust, on - demand thrust, and capable chassis make it an attraction whether it's sitting at a stoplight, painting black stripes in a straight line, or tearing through a corner.

[41] Externally, the key distinguishing feature of these limited editions is the new Sunrise Yellow metallic paint and black side stripes (bonnet, roof and bonnet stripes are available in the UK at no extra cost and standard in Italy).

An exterior look matters considerably at SEMA and with a new shade, Carlisle Blue exterior that's teamed with some rather discrete Pearl White racing stripes and some special silver painted alloys.

The Mustang is valued at $ 129,412 and features Tickford wheels, sports suspension, leather interior, upgraded drivetrain (exhaust and tuning), «Olivia» stripe kit, custom paint, blacked - out mirrors / badges and a rear deck - lid spoiler.

A two - colour paint finish with a sporty stripe hints at the CUB's high - performance potential, while the car's broad track gives it an imposing stance.

If you take a pass at the dealership and decide instead to have a paint stripe, compass or tissue holder added to your car through the local body shop, parts store or mass merchandiser, you could save a few dollars and add to the overall comfort and appearance of your machine.If you choose, however, to bypass the factory and the dealership in order to buy a set of anti-lock brakes, you may end up spending more money and could put the comfort and appearance of you and your vehicle in jeopardy.

It included «Road & Track» decal kit (number» 1» decal at front door and hood, decorative stripe in red / grey runs along the centre of the car), carbon fibre - style exterior mirror housings, front apron spoiler lip and rear spoiler; red - painted brake callipers, Styling Package Night (black window surrounds, black shoulderline trip strips), 18 - inch two - tone 5 - twin - spoke light - alloy wheels in matt black with red rim flange, Sport badge at front wings, illuminated door sill panels with Sport lettering, a leather sports steering wheel, sports pedals in brushed stainless steel, Sport floor mats Drive Kit Plus.

Zap cars were finished in Sunshine Yellow paint, and sported black stripes down the center and sides, with yellow, red, and orange chevrons at the front ends of the stripes.

Yet despite its aggressive air scoops on the hood, C - pillars, and rear quarters, this 1967 Shelby GT350 — soon to be up for grabs at Barrett - Jackson «s Palm Beach auction event — fits the bill, what with its deep, dreamy «Nightmist Blue» exterior paint with white Le Mans stripes.

Decked out in the guardsman blue paint with Wimbledon white racing stripes that graced so many of the Cobra roadsters built in the 1960s, the new car is a tribute to Carroll Shelby, who died in May at the age of 89.

Unless there will be a stripe painted down the middle of the conference, relegating the traditional industry to one side and the self - publishing industry to the other, the intention of the event is to empower anyone who has any involvement at all in the world of books to better understand the nature of the industry in its current climate.

It was at Princeton that Stella first encountered, among other pieces in his art history professor's collection, the paintings of Jasper Johns, which had a profound influence on his own early work (think stripes).

Bridget Riley: The Stripe Paintings 1961 — 2014, the current exhibition at David Zwirner Gallery in London, gathers together a considerable number of these paintings more than 10 years after the last retrospective of her work was held at the Tate ModernPaintings 1961 — 2014, the current exhibition at David Zwirner Gallery in London, gathers together a considerable number of these paintings more than 10 years after the last retrospective of her work was held at the Tate Modernpaintings more than 10 years after the last retrospective of her work was held at the Tate Modern in 2003.

In 2006 Noland's Stripe Paintings were exhibited at the Tate in London.

Gilliam has a first of his own, a breakthrough at least as important, if lesser - known — it came in 1967, a few years after the stripe paintings, and the way he describes it, it was almost an accident.

Bridget Riley: The Stripe Paintings 1961 — 2014 continues at David Zwirner Gallery (24 Grafton Street, London) through July 25.

Contemporary painters like Sean Scully, whose black - stripe paintings from 1975 to 1980 are at LeLong, and John Zurier, whose wispy abstract paintings are at Peter Blum, uphold their medium as a vehicle of timeless poetics.

Look at the painting in terms of individual colors,» said the Washington painter of vertical stripes, Gene Davis (1920 - 1985).

That first stripe painting, considered at the time a maverick work, was approximately 12 by 8 inches, with straight yellow, pink and violet stripes, of uneven width, but alternating with regularity.

In 1972 Davis created Franklin's Footpath, which was at the time the world's largest artwork, by painting colorful stripes on the street in front of the Philadelphia Museum of Art, and the world's largest painting, Niagara (43,680 square feet), in a parking lot in Lewiston, NY.

At an opposite extreme would be Happy Friday, a «stripe» painting from the following year, in which the almost straight, vertical bands of colour occupy a central position, touching but never mixing, producing an effect that is different in tone from anything else of the period.

Published on the occasion of the major exhibition at David Zwirner in London, this fully illustrated catalogue offers intimate explorations of paintings and works on paper produced by the legendary British artist over the past 50 years, focusing specifically on her recurrent use of the stripe motif.

(Although another equally powerful line of endeavor developed at the same time, in 1992 - 93: the riotously bright paintings on awning canvas, printed with stripes or flowers, which were first shown as a group only last winter at the Skarstedt Gallery on the Upper East Side.)

Even critics otherwise sympathetic to advanced painting in the 1950s were made apoplectic by Newman's huge, minimally inflected canvases — fields of monochromatic paint with a vertical stripe or two — and they have provoked vandalism from the time of his first solo show at the Betty Parsons Gallery in 1950.

I n 1967, its members voiced their intolerance for gestural abstraction by painting ultra-minimal canvases at a Paris salon — in Mr. Parmentier's case, horizontal stripes exactly 38 centimeters wide, done with spray paint — and then quickly withdrawing them from view.

Published on the occasion of Bridget Riley's major exhibition at David Zwirner in London in the summer of 2014, this fully illustrated catalogue offers intimate explorations of paintings and works on paper produced by the legendary British artist over the past fifty years, focusing specifically on her recurrent use of the stripe motif.

A strip of wood, painted in diagonal stripes like a barrier at a construction site, serves as a warning, but of what?

Number 4 - 32 belongs to a particular subset of Stripe paintings in which Louis employed a long painting stick wrapped with cheesecloth to apply the acrylic paints at the top edge of the canvas, which he allowed to cascade down the painting's surface canvas.

The logic of materials requires him to paint the stripes by hand, with breathing space for canvas and, at times, pencil between the stripes.

His Black Stripe Paintings (1959), comprised of a regulated sequence of stripes painted in enamel with the broad strokes of a house painters brush, debuted in the Sixteen Americans exhibition at Museum of Modern Art in the same year.

By PETER PLAGENS «Look at the painting in terms of individual colors,» said the Washington painter of vertical stripes, Gene Davis (1920 - 1985).

Hadley Holliday: One with the Sun, New Paintings at Carl Solway Gallery, by Karen Chambers, Aeqai, February 2013 XYZ The Geometric Impulse in Abstract Art, exhibition catalog, Torrance Art Museum, 2012... might be good, Issue # 199, Technicolor from Coast to Coast, by Emily Ng Art on Paper 2012, exhibition catalog, Weatherspoon Art Museum, 2012 Hadley Holliday Sets New Sights at Taylor de Cordoba, Huffington Post, March 2012 Hadley Holliday Wows with Striking Abstractions, by Angelica Martin, Societe Perrier, March 2012 Get Lost in a Patterned Wonderland, by Lilian Min, Refinery 29, February 2012 Rainbow Connection, by Sierra Feldner - Shaw, Style Section LA, March 2010 Hadley Holliday: Paintings at Solway Jones, by George Melrod, Art Ltd., November 2009 Artist of a Totally Different Stripe, by Holly Myers, Los Angeles Times, September 18, 2009, p. D23 West Coast Painters, Korea Times, June 23, 2009 Gravity and Transformation at Kristi Engle Gallery, ArtWeek, Sept 2008 Notes from the Overpass, by Adam Schwartz, Open Studio Magazine, April 2008 Supersonic: One Wind Tunnel, Eight Schools, 120 Artists, exhibition catalog, Art Center College of Design, Pasadena, CA, 2004

The acrylic disk, 53 inches across, sports one stripe that is translucent at either end and spray painted with a dark lacquer in the center.

Although throughout Riley's career she has used a variety of forms within her paintings, the exhibition at David Zwirner focuses purely on the Stripe Ppaintings, the exhibition at David Zwirner focuses purely on the Stripe PaintingsPaintings.

Bridget Riley: The Stripe Paintings 1961 — 2014 is on at David Zwirner until 25th July, for more information go to – davidzwirner.com/exhibition/bridget - riley

To mark its own 65th anniversary, and to coincide with a show of Bridget Riley's Stripe paintings at David Zwirner, London, ArtReview has delved into the archives to retrace Riley's career, through a selection of reviews and interviews published in the magazine between 1962 — the year of her first solo show — and 2010.

You see it in an ink drawing at the start of the show, «Study for Sanctuary» (1941 - 42), which presents three black rectangles that are pushed in and then out by the concentric lines radiating around them, which also suggest stairs and elaborate doorframes.Frank Stella's black - stripe paintings or the early reliefs of Donald Judd come to mind.

Megan Luke: Some of the paint, if you look at it in a raking light, you see quite clearly that every other stripe is sort of soaked into the canvas, and the alternating stripes are shiny and glossy.

But the picture is structured by a series of stripes that make it a cousin once removed to a contemporary stripe painting by Kenneth Noland, a painter whose work dominated art criticism at the time but which now seems much less substantial than Thiebaud's.

The show offers a comprehensive look at Bridget Riley's practice, presenting works from all periods of her career, from 1961 to 2014, including her first stripe paintings in colour.

Nevertheless, Stella has obliterated that form with this repetitive motion of these stripes, and this is quite a daring painting when we compare it to other works that he's exploring at this time, precisely because of its monochromatic color palette, this overwhelming impression that we get of him working with a single color, and trying to make a painting out of that single color.