Sentences with phrase «paint the scene before»

It appears to be an amalgam of two Velízquez paintings: the Rokeby Venus, one of the most seductive nude female backs in the history of art, and his masterpiece Las Meninas, in which the artist is shown as he paints the scene before us.

Not exact matches

Embattled NYCHA Chairwoman Shola Olatoye returned to the scene of the crime Tuesday, appearing before the same City Council members she'd misinformed about lead paint inspections during a prior hearing under oath.

This scene, painted a few years before the publication of On the Origin of Species, was initially received as the aftermath of a battle between two heroic combatants (contrasted by the cowardly fox).

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He also endows Before I Go to Sleep with visual style, painting every scene in the emotionally dark hues of early winter.

While not reaching the depths of the Harvey Weinstein accusations, which included violent rape, the Times article painted Franco as a decidedly scummy guy who used his position of authority to coerce women into sex acts, cast acting students in myriad topless roles, and on one occasion remove a plastic guard from atop an actress's genitals before simulating oral sex on her for a scene.

In describing his own unique painting style, David reveals his desire to paint scenes the viewer has never seen before.

Where once pirate ships used to drop anchor, Marigot Bay is now known as a yacht haven, welcoming spectacular vessels up to 160 ft.. This exquisite collage of activity and beauty reaches its pinnacle at sunset, when the entire scene is backlit with the sun's fiery colours, making their last attempt to paint the land before they disappear behind the ocean's edge.

Titled «King's Quest — A Hand Painted Game,» this video takes you behind the scenes with Art Director Evan Cagle and Producer Lindsey Rostal, of The Odd Gentlemen, to see how the artwork of King's Quest is born on the page, before coming to life on screen.

Renoir's vision for painting was as complex as the scene before him.

The painting is literally dark, in that it is a night - time scene, and metaphorically dark — it shows a group of people moments before they are shot.

Often categorized as a New York Pop artist, Thiebaud does not identify himself as such, having begun his paintings of quotidian American scenes in the mid 1950's well before the explosion of Pop art.

He took us behind the scenes as he finalised the hang just before it opened, and showed us his private collection of photographs that provide the starting point for his mesmerising paintings.

Before arriving at a final print, I construct iconic architecture creating rural scenes out of clay and wood then paint or draw their backdrops.

American art had been drawing from Sunday newspaper funnies in various ways long before Roy Lichtenstein's painted comic books panels Popped onto the gallery scene.

After drawing this freehand sketch of the church, Saenredam perfected his design and perspective system with a ruler and compass in a large construction drawing, which enabled him to transfer the scene to a wood panel before painting it.

It also examines the underdrawings artists made on their panel and canvas supports before painting their scenes.

He has always been a contrary figure, emerging in the New York scene of the 1950s at the zenith of Abstract Expressionism determined to make figurative paintings, then continuing to follow his own, more painterly path while Pop Art swept all before it in the 1960s.

Posed before a violent tableaux (a picture within the picture that pays homage to the sweeping compositions of classical history painting), the scene appears as a suspended moment in a mysterious narrative.

Indeed, Richter had originally painted a full version of this scene — photographed alongside other works in the artist's studio in 1965 — before bisecting his canvas at the base of the windows, leaving only the upper portion of the figure intact.

Before he arrived on the scene, people were sure that it was all over for painting.

In contradiction to linguistic grammar, which operates as a system of rules hidden behind the scenes, the painterly grammar of Yerushalmi is active, and operates before our very eyes; it is the painting itself.

From there, Leslie would experiment radically, making silkscreen boxes years before Andy Warhol's emergence and painting hyper - realistic figurative scenes that would show alongside Chuck Close and Philip Pearlstein.

The show not only meant the reencounter of Dávila with the Chilean art scene but also the reencounter of the Chilean art scene with painting as never before so many works of Dávila had been exhibited in Chile.

More than the arch of the waves and the wind in the sails, Cánovas became concentrated on small sections of colour within the canvas, particularly the blinding luminosity of cloud formations and skyscapes — not the painting as a whole but a small snapshot of the full scene before him.

The Architecture of Frank Gehry [catalogue unavailable] Jon Kessler [catalogue unavailable] Mel Kendrick: Recent Sculpture [catalogue unavailable] The Window in Twentieth - Century Art [catalogue unavailable] Susan Whyne: Recent Paintings Heroic Stance: The Sculpture of John McCracken 1965 — 1986 [catalogue unavailable] Warhol / Beuys / Polke [catalogue unavailable] The Armoury of the 1984 Miss General Idea Pavillion [catalogue unavailable] Sue Coe: Police State [catalogue unavailable] Bruce nauman: Drawings 1965 — 1986 [catalogue unavailable] Eric Fischl: Scenes Before the Eye: The Evolution of Year of the Drowned Dog and Floating Islands [catalogue unavailable]

Moreover, he hit the scene as a conceptual artist, just before the art world began to turn its attention back to painting.

Yet Bellows makes us appreciate that long before the Abstract Expressionists burst onto the scene, American painting had come into its own.

Most history paintings are not of scenes from history, especially paintings from before about 1850.

These paintings often have a seen - before familiarity; their themes include Depositions, bacchanals, Nativity scenes, Last Judgments and numerous Greek myths, portrayed in compositions drawn from Poussin, Piero, Goya and Titian.

«An artist who is trying to make paint do things it hasn't done before» — that's the way Roberta Smith described Suzanne McClelland when she burst onto the New York scene 20 years ago.

The Robert Gober installation - a simulated basement with walls painted a Neil Welliver - like forest scene in paint - by - number style - is for me the high point among not - seen - here - before recent acquisitions.

LG: A number of your paintings show scenes just before dark or perhaps sunrise.

I also wondered if Saul, who has previously made of fun of critics (Clement Greenberg) and artists (Frank Stella) before, isn't also doing so in «Birth of Venus» (2015), which is his riff on Cabanel, but also perhaps a sly spoof of Bill Jensen's Transgressions paintings in which he simplified and abstracted an exhaustive scene from Michelangelo's «The Last Judgment» (Sistine Chapel, 1536 — 41), shown in the front room of his last show at Cheim and Read earlier this year.

History is conveniently glossed over: people wrote and thought and painted and created for millennia before copyright laws came on the scene.