Not exact matches
«V (planchette)» (2014), whose smooth aluminum surface is
painted a chalky black, swerves from wide at its base to slight at its middle and swells
again at its top, resembling an hourglass
shape when seen from a certain angle, whereas «X» (2013), is just that, in mirrored and polished stainless steel, with its thin, shiny strips arched upwards, criss - crossing parallel to the surface of the ground, each bending under like strange feet or paws to support itself.
It had been only three years since he had begun
painting again after his long postgraduate hiatus, and he'd initiated his return to the medium with nonrepresentational works: the «Carat» series, 2005, in which crystalline diamond
shapes float on black backgrounds like oversize stars in a darkened sky.
Through
painting it over and over
again, she steps further out from the cell phone and its meaning is recontextualized as
shape and object.
Fort Greene, Curated by Adrianne Rubenstein, Venus Over LA, Los Angeles, CA
Shapes, Halsey McKay Gallery, NY Summer Flats, Shrine Projects, NY Make
Painting Great
Again, CANADA, NY Sexting, Kate Werble Gallery, NY Looking Back / The 10th White Columns
And then my eye rests on the odd little cluster of triangular
shapes towards the top centre of the
painting which could be a
painting all of its own, a
painting within the
painting perhaps, and then the upper pointing triangle takes me up and around the whole
again.
Newman appears
again in Twice Hammered (2011), where one finds the reproduction of Diao's earlier Barnett Newman: The
Paintings (1990; for which Diao presents all of Newman's paintings at small scale and reduced to the shapes of their canvases) next to that work's accompanying catalogue entry from a May 2005 Christie's Hong Kong 20th Century Chinese and Asian Contemporary
Paintings (1990; for which Diao presents all of Newman's
paintings at small scale and reduced to the shapes of their canvases) next to that work's accompanying catalogue entry from a May 2005 Christie's Hong Kong 20th Century Chinese and Asian Contemporary
paintings at small scale and reduced to the
shapes of their canvases) next to that work's accompanying catalogue entry from a May 2005 Christie's Hong Kong 20th Century Chinese and Asian Contemporary Art sale.
He
painted those
shapes over and over
again, turning them this way and that, trying to find all of the interesting ways to arrange them on the canvas.
From 1993 onwards Smith also returned to
painting onto regular canvas supports, where the sense of internal
shape was once
again determined through the application of colour.
Stella may be inspired by the exotic
shapes and forms of the Polish synagogue but he is using this as a jumping off point to build his own kind of
painting once
again unapologetically in his terms, his own bold spirit.
Again, associated with
painting or just modernism overall, the geometric 1920s international avant - garde use of basic
shapes — was that at all on your mind?
Murray, who had once
again embraced oil
paint, concerned herself with the most elemental components of a composition: line,
shape, color, and surface.
These provide instant, ready - made abstract compositions; their geometric
shapes and rainbow palette
again aesthetically reference the 60s in the form of Bridget Riley «s colourful Op Art canvases or, more recently, Gerhard Richter's painstakingly uniform «colour swatch»
paintings.
Elsewhere there are antagonisms and sparrings between
shapes whose true nature is left unstated, and sudden lashing of caked or viscous pigment whose inspiration is
again no longer in nature but in something in the nature of
paint, or of the feeling that takes hold of a painter when he attacks it.
«The Bay» is another example of one of her monumental
paintings,
again based on her love of landscape, that conveys a sense of luminosity and spontaneity, while also emphasizing the formal elements of color and
shape.
A recurring and parallel «character» in this journal is a hat
shape — an abstract form that Guérin
paints over and over
again.
«To make the five
shaped panels, Murray shot double exposures of ten of those sites, once in the summer, and
again in the winter, then
painted atop the negatives.
Typically, Blom creates modular units of mark,
shape and form in
paint, printmaking and assemblage, which are configured, photographed, reconfigured and photographed
again.
And now the two
paintings, Krasner's rectangular composition on pressed wood consisting of white glyphs
painted in boxes of muted colors, and Lewis» black, white and brightly colored
shapes and lines set against a blue background, are together
again in a new exhibit at the museum.
Sometimes the windows were framed with lighter
paint colors such as this 2005 home,
again with different window
shapes.