Sentences with phrase «paint the walls above»

Complete the look with a faux blackboard on high, created by painting the wall above a shelf in chalkboard paint

Be careful not to damage the painted walls above.

Painting the wall above the kitchen cabinets is a nice way to add a pop of color for cheap.

I also want to paint the walls above the 70's tile (that I really so love) the same soft white.

«Create a sense of drama by painting the walls above white wainscotting a bold hue.

I had the idea to paint the walls above the wainscoting an emerald green to make the place pub - like, but now we use it as a rec room and its all a bit too much.

Not exact matches

The painting, on the wall above the altar, was completed in 1541.

Distressed murals inspired by the underground graffiti scene — created and painted by local artist Crystal Solis — line the walls while enchanting Japanese signage hangs from above.

The television follows a winged Mexican through Mexico's jungles, over rivers and mountains, to the ancient cities and into the mighty pyramids, where (as pictured above) the ancient peoples of Mexico can be found, along with their occupiers, artfully disporting themselves in front of wall paintings.

Above you can see Necklace Rainbow Magic Candy is making me gooseberry soup, while matching the colors of the walls we're painting with her clothing.

Every parent of a preschooler has a priceless collection of drawings, finger paintings, and macaroni collages taped to the wall above her desk or stuck all over the refrigerator.

I want to paint the 2 walls in the picture above in the same coal colour as in my bedroom.

Bespoke pieces like the Jen Ramos painting above the sofa seem right at home with more readily attainable objects from stores like West Elm and Crate and Barrel, and carefully edited gallery walls fill the space with personality and character.

Pendant lights by Tom Dixon hang above the marble - top kitchen island in Tamara Mellon's Hamptons house, the cabinetry is custom made, the oven and stove are by Wolf, and the walls are painted in Benjamin Moore's Decorators White.

The bright colored painting sitting above the fireplace catches the eye compared to the neutral walls.

As you can see in the image above, there is a shadow on the paint swatches for our new kitchen that is created by the adjacent wall.

In a mid-century home in Morocco, a vintage Danish pendant light hangs above a dining table by Habitat, the 1950s chairs are by Ico Parisi, the painting is by Robert Schmid, and a wall is sheathed in Popham Design's Scarab tiles.

The wall art above her bed I created by taking a Grapevine branch (from Hobby Lobby) and spray painting it grey.

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Shared boy's nautical bathroom is equipped with two large black vintage wall sconces mounted on gray walls over porthole mirrors fixed above a white dual vanity adorning oil rubbed bronze hardware and a gray stone countertop flanked by anchor towels and complementing a stunning paddle boat painting.

Alyssa Rosenheck - Chad James Group - Nautical themed cottage boys» bathroom is lit by a Small Hicks Pendant complementing Restoration Hardware Vintage Barn Sconces mounted to a wall painted in Sherwin Williams White Duck above Noir Porthole Mirrors.

Exquisite gray master bathroom boasts gray walls clad in Benjamin Moore Smoke Embers paint and a long frameless vanity mirror mounted above a long white vanity topped with a light gray quartz countertop fitted with rectangular vessel sinks paired with wall mounted polished nickel faucets lit by nickel and glass wall sconces.

As with the last apartment, I continued making my own wall art by using tear sheets from magazines and painting my own art to hang above the sofa.

A frameless vanity mirror lit by bronze sconces is fixed to a white wall painted in Benjamin Moore Chantilly Lace above a gray wood washstand.

A personal favorite of mine is the ten - foot rule, which I learned about when I asked why school walls frequently seemed to be painted only to a certain height; above that line and on the ceilings, the paint was often peeling.

When Rachel Kushner sat down to write her second novel, she had three images taped to the wall above her desk: A pretty young blonde woman, face painted for war, with an X of tape across her lips, which eventually became the cover image; a well - heeled engineer standing with his creation, a 1971 Ducati motorcycle; and two men racing by in a primitive cycle and sidecar, circa World War I.The...

Each side street offers a photo opportunity with the colourfully painted walls of houses and flower laced balconies above providing the suitable foreground for its Iglesia dominant skyline.

Four giant paintings run from one inch above the gallery floor to within one inch of the top of the 14 - foot walls.

The Constellations are mounted higher on the wall than paintings, hovering above us, seemingly defying gravity.

Frank Stella's large abstract painting dominated the side wall, while the frame of Dorothea Rockburne's folded paper collage gathered nicotine above the bar and Forrest (Frosty) Myers» laser beam ran from the front window to a mirror on the juke box and then across the entire restaurant to the back room.

Although there was a no censorship policy, Neel's painting, above, was deemed inappropriate at the inaugural exhibition and was turned toward the wall when a nearby Church complained.

, (1987), a black ink painting showing a lone surfer cutting his line across the face of a towering wall of water; above this scene floats the artist's seemingly rhetorical question.

Above: Juan Usle (on dark wall), the classic Lynda Benglis dildo photograph and one of the artist's sculptures; Hans Hartung painting

The entire series of these paintings will be exhibited at NSU Art Museum, creating an almost continuous frieze on the second floor, starting on a long curved wall and ending high above the atrium.

Con Te Partiro (Time to Say Goodbye), 2006, for example, presents a cluttered studio — paint encrusted palette, paint splattered floor, photographs and paintings covering the walls, a tripod - mounted camera in the center of the room — seen from above.

A friend of mine had a six - foot - wide abstract painting on the wall above her dinner table for 20 years without realizing it was a huge nude.

Introduced by vividly colored paintings of tarred - over pavement cracks, the centerpiece of Ingrid Calame's inventive and absorbing show «Tracks» at James Cohan Gallery is a four - wall multicolored wrap - around drawing of tire tracks from the Indianapolis Motor Speedway — the legendary «Brickyard» where the Indy 500 is run every Memorial Day (installation image above).

The Horizontalists distinguish themselves as a group from the «Bellport School», which pours, paints, drips, scrapes, and abrades pigments on horizontal surfaces as they bear down from above onto floors or tables rather than on easels or walls.

They floated along the wall, above painting and photography.

Over in the corner, or above our desks, images (often paint - smeared) are haphazardly taped to the wall as both reference for visitors and technical reminders to ourselves.

It's a large - scale painting, part of a big east - facing wall (the one above Bill Miller Bar - B - Q), and next to the Frost Bank parking garage.

American furniture on platforms along some walls, with painting hard to see above, makes an uneasy cross between galleries and period rooms.

One should remember, though, whose advent in this tale has broken through the walls — or who in the cosmos might share the painting's strange point of view from above.

Each object is painted onto the walls of the former factory, but with arrangement, they seem to float in mid-air above the empty space.

On the other two walls of the main gallery, which are painted a customary white, there is an oil painting of blue balls on a white field, «Bloobs» (2014) by Mathew Cerletty; a loopy, oddly affecting drawing, «Untitled (shit)» (2011) by David Shrigley, of concentric circles emanating from the word «shit»; Vern Blosum's «Off The Hook» (2015), a larger - than - life - size graphite drawing of a vintage payphone with its receiver dangling, appropriately, off the hook; and Emily Mae Smith's «The Studio (Science Fiction)» (2015), which depicts the split halves of an eggshell hovering above a flying saucer / fried egg, the edge of its white perimeter forming the words «THE STUDIO» against the starry blackness of outer space.

On his wall above his mantel hangs a figurative painting that is described as «pseudo Flemish» of a view of Carcassonne.

Whilst Grosse's painting finds expression above all on walls, on the facades of buildings, in living spaces, on earth, materials, balloons, polystyrene objects and canvases, she here chooses paper as the playing field for her painting.

A temporary pavilion was constructed on the grounds of the monastery to house the exhibit, consisting of a square room painted black with one source of illumination — a thin, continuous line of light set into all four walls of the room at the viewers eye - level, serving as a horizontal division between above and below.

In Cell Project Space's main gallery space artist Ian Giles has painted the back wall in faded olive green and there are small ceramic bulb - like bowls with aromatherapy oils burning inside them producing tiny streams that float above the first bench in the show.

Although individual images of her paintings aren't available, Michaela Eichwald presented two dark abstractions (one can be seen on the back wall above) and an anxious, small - scale portrait (hung above eye level) that seemed unsure, edgy, and heartfelt.