Sentences with phrase «paint thinned by»

Not exact matches

First synthesized more than a century ago, DMSO is a natural by - product of wood - pulp manufacture and has been used for decades as an industrial solvent, paint thinner and additive in a number of chemical products.

THE WATERCOLOR EFFECT In this illusion by Italian vision scientist Baingio Pinna, a thin, orange contour adjacent to a darker purple contour casts an orange tint over long distances — as though a watery paint was filling in the gaps between the orange lines [see «Illusory Color and the Brain,» by John S. Werner, Baingio Pinna and Lothar Spillmann; SCIENTIFIC AMERICAN, March 2007].

So pass on the paint thinner and protect yourself and your family by understanding the six primary ways that companies commit greenwashing.

Make them pop by using an angled brush dipped in a gel formula to paint a thin stroke along your upper lash lines.

You can create these personalized Easter eggs (and easy place card alternatives) by using a small paintbrush to fleck tan acrylic paint (thinned with a bit of water) on undyed farm eggs.

A cheap foam one is best because the Polyurethane can ruin it if you don't have paint thinner standing by (which I didn't).

They are solid tempura paint sticks that glide easily on paper and they've recently added to their collection by making markers, and Thin Stix!

By adding some water - it allows the paint to be a little thinner and smoother and it will glide on easier and you will use less paint.

The animation technique is an innovative mix of claymation and traditional cel animation, utilizing a thin layer of oil - based clay that is painted / altered by hand to create the illusion of movement.

Not fearless enough to nose the camera in the dramatic mire, like a soldier to the cause in a personal guerrilla war, Diego Luna «s film beckons a paint - by - numbers summary of the man's greatest achievements, the spark notes of a six - plus year period that glosses all with thin coats, rarely taking the opportunity to remain in the moment and settle in with the hard - won emotional beats of the characters.

A high, thin whisper of impending doom slowly took over at the base of my skull, painting lurid scenes of our bleached bones being strewn across the arid expanses of West Texas, New Mexico, and Arizona by coyotes.

The last Ferrari road car approved by Enzo Ferrari himself, Ferrari engineers were so concerned about weight - saving that the paint on the car is incredibly thin, making it possible to see the carbon fiber beneath it under certain light.

The exquisite watercolor paintings are each framed with a thin black line and set apart from the text by the use of white space.

For much of the game you'll run around quasi-familiar locations with a paintbrush that can shoot either paint or thinner, allowing you to alter the landscape by either adding something that wasn't previously there or by removing something entirely.

And while it sorta is, I was surprised by my strong compulsions to use either paint or thinner in certain situations.

The walls of Regina Rex have been taken over by four large, brightly - colored paintings, with luscious layers of thick and thin paint and most with elements of pure black.

This part of the exhibition is thin and is unfortunately also typical of how contemporary abstract painting has been treated by The Whitney since 1973.

Hammons made off - the - cuff pieces in the East Third Street house, like a series of so - called invisible paintings by tracing the frames of artworks that were already hanging on Cannon's walls, then removing those works from the walls altogether, leaving behind only thin outlines, or, more recently, having Cannon read a poem into an empty beer bottle and then sealing it up and placing it in the freezer.

The sculpture is paired with another painting by Bove, a tall thin grey panel depicting a netted pattern of chains.

Back in the sixties, Morris Louis developed an innovative method of painting by «staining» his unprimed canvases with thinned washes of acrylic pigments, and was one of the... read more... «Morris Louis unveiled»

This new aesthetic found expression in a series of new paintings, the Black Paintings (59) in which regular bands of black paint were separated by very thin pinstripes of unpaintepaintings, the Black Paintings (59) in which regular bands of black paint were separated by very thin pinstripes of unpaintePaintings (59) in which regular bands of black paint were separated by very thin pinstripes of unpainted canvas.

Emerging in mid-1950s Paris as a gestural abstractionist, Barré went against the grain by working with thin paint.

The thin unpainted bands abetted by the scraped magenta form protruding into the blue rectangle from the painting's right border, shatter the calm promised by the geometry.

A gorgeous case in point is «Little Rouge» (1969), a painting roughly 4 by 9 feet, topped by four narrow stripes (one simply a thin red line) over a broad expanse of mustardy sand color.

By the late 1940's, Newman had established his two main painting motifs: thin vertical lines, also known as zips, which were used to create focal points, and the range of bright colors that these lines organized.

In these paintings regular bands of black paint were separated by very thin pinstripes of unpainted canvas, contrasted the emotional canvases of Abstract Expressionism.

There are provocative and startling contrasts between passages of thin, transparent paint and thick impasto, filled with striatures left by the palette knife.»

Rather, the space is lit by diffused natural light, which intensifies the intimacy of looking at Martin's painting: the subtle variations of the pencil lines, the thin washes and layers of paint that seem to sit on the surfaces of stretched canvas.

In 1959, Stella created his «Black Paintings,» series, in which bands of black paint are separated by thin, precise stripes of bare canvas.

He painted in thin, layered washes of color that seemed to glow from within, and his large - scale canvases were intended to be seen at close range, to that the viewer would feel engulfed by them.

Frankenthaler began her departure from Pollock by thinning her oil paint with turpentine and then pouring it directly on to the bare canvas.

On the Greenberg side, Frank Stella — whose 1959 painting Marriage of Reason and Squalor, a stark black canvas broken by his characteristic thin white strips of unpainted canvas is included in «Action / Abstraction» — took Greenberg's formal purity to the extreme.

He soon moved away to champion a new group of artists who were emerging in the nation's capital, the Washington Color Field painters — a group including Kenneth Noland, Helen Frankenthaler, and Morris Louis who achieved what the critic considered highly admirable flatness by pouring thin paint directly into the weave of their canvases.

Relying on the thinner quality of acrylic paint compared to oil, Nara creates each painting by adding and removing pigment until he reaches his desired effect: a canvas made up of suspended hues that allows the figure to emerge through layers of color, inviting the viewer to stand still and enter a moment of contemplation.

He then paints a thin, rich, oily black veneer over the primed panel, slowly and systematically developing his images by removing some of the black paint with a cloth.

One piece that especially stood out — a large work made up of twenty white paper squares divided by a thin wooden frame on which much smaller squares and rectangles painted in oil had been arbitrarily placed — is a visual testimony to the love of music and poetry that informs the creative work of this painter.

This work of art is created by applying paint with a palette knife onto thin wooden...

She tends to place her subject matter upon the figure and narrative, and employs a unique painting technique by pushing acrylic paint through a thin wire mesh to make rich, fiber - like surfaces.

More often, she sets out concentric rectangular arches, pierced by thin strips of the actual mirror behind them that seem to collect light from the painting itself.

As works of culture, the paintings in New Image Painting are a little thin — perhaps not as thin as the «zombie abstraction» works by Murillo or Ito, but hardly complex or ambitious in any cultural sense.

She has never stopped painting, always abstracting from fruit stands or saints or museum masterpieces, trying out thin washes, sweeping brushstrokes, expressive drawing masked by repetitive drips.

Kuwayama soon developed his own distinctive reductive style, typified by vivid fields of paint juxtaposed in horizontal and vertical compositions, as well as monochromatic canvases bisected by thin strips of chrome.

A painting by Alberto Giacometti, its thin figure trapped in an Existential interior, or an abstraction by Fernand Léger seems designed to prove its antiquity.

The gallery devoted to 19th century American still life and trompe - l'oeil painting, one of the de Young's unique areas of depth, contains a famous multiple by Jasper Johns, «Bread» (1969): a thin lead sheet that appears to hold a slice of ever - fresh white bread.

Momentarily abandoning the stupefying rhetoric of immediacy that characterized his earlier photographic appropriations, he is now reinscribing his work in the well - lit field of modern paradigms: by referencing the monochrome as he did in his previous «joke» paintings, by reintroducing collage and silk - screen superimpositions, and above all by coating some of his appropriations with a thin layer of white paint that is simultaneously on top of and underneath the imagery.

Mid-century modern, abstract still life painting on linen with thin frame 38 x 32 inches, oil on canvas This vertical painting was created by Lionel Gilbert c. 1965.

This work of art is created by applying paint with a palette knife onto thin wooden bo...

Color Field painting, which emerged in the United States in the 1950s, is characterized by pouring, staining, spraying or painting thinned paint onto raw canvas to create vast chromatic expanses.

Doomsday Boogie by Keltie Ferris includes two large - scale paintings in dialogue with a series of thin vertical paintings — physical realizations of the zips whose form originated in Barnett Newman's The Wild (1950).

Kenneth Noland, Following Sea, 1974 Acrylic on canvas, 98 x 98 inches February 29 — May 26, 2008 Color field painting, which emerged in the United States in the 1950s, is characterized by pouring, staining, or spraying thinned paint onto raw canvas, creating vast chromatic expanses.