Sentences with phrase «paint thinner over»

Panicked as he hears his master approaching, he accidentally spills paint and paint thinner over the model world, and flees after hastily cleaning up.

Not exact matches

Whisk equal amounts of them together until a thin paste forms and then paint it over the entire inside of the pan.

THE WATERCOLOR EFFECT In this illusion by Italian vision scientist Baingio Pinna, a thin, orange contour adjacent to a darker purple contour casts an orange tint over long distances — as though a watery paint was filling in the gaps between the orange lines [see «Illusory Color and the Brain,» by John S. Werner, Baingio Pinna and Lothar Spillmann; SCIENTIFIC AMERICAN, March 2007].

The bimorph is built using atomic layer deposition — chemically «painting» atomically thin layers of silicon dioxide onto aluminum over a cover slip — then wet - transferring a single atomic layer of graphene on top of the stack.

To achieve Annie's signature look, apply a thin coat of wax over your painted surface with a small Chalk Paint ® Wax Brush.

I'm wearing two thin coats of Skating in the Snow over tips painted with Sally Hansen's Hard to Get, topped with Ciate's Speed Coat Pro top coat and Hard Candy's Mattely in Love matte top coat.

After the paint dried, I used a clean rag and applied a thin layer of clear wax over the paint and let it dry overnight.

Started a project using white milk paint over a very dark piece (bleed thru is not the problem), it's just a much different chemical composition (thinner coverage, even when mixing - in less water) and doesn't cover well, requiring a minimum of 4 coats (great for some projects, but not this one).

I had a dark grayish blue mirror and I used white latex plaster of Paris recipe and at first it was so thick so then I added more water and then it got dinner but then you got chunkier so then I added some fresh paint some gray paint to it and it came out to the thin thinner consistency so I painted it white and the gray over it it just doesn't look right what can I do

Thin your paint with a little water if you feel it makes it easier to apply over the base color of Honfleur.

I used Miss Mustard Seed's clear wax over the dried paint, I wiped a thin coat over the entire painted surface.

A thin, barely - visible tightrope hovers over two different yet equally - treacherous perils: on one side, you risk missing the point of the original and creating a follow - up whose character, plot, and theme barely resembles its source; on the other, you simply retread the familiar beats of the previous work, applying a fresh coat of paint to the old structure.

A high, thin whisper of impending doom slowly took over at the base of my skull, painting lurid scenes of our bleached bones being strewn across the arid expanses of West Texas, New Mexico, and Arizona by coyotes.

We say naked - ish because the carbon weave texture is visible, but there's a thin high - gloss paint finish over the top.

My figures are painted in the method of the old masters, where I build up thin layers of paint over an extended period of time.

The walls of Regina Rex have been taken over by four large, brightly - colored paintings, with luscious layers of thick and thin paint and most with elements of pure black.

These deft brushstrokes do not simply deposit paint; the stiff bristles cut through the thinned paint, combing it over and into the still - wet pigment beneath.

In his current show, Whitney extends his gamut, going from thin, crackled surfaces, to washy, translucent layers exposing painted over shapes, to solid planes of color.

A gorgeous case in point is «Little Rouge» (1969), a painting roughly 4 by 9 feet, topped by four narrow stripes (one simply a thin red line) over a broad expanse of mustardy sand color.

Jerzy Kubins, for one, paints in broad, thin streaks over wrapping tape.

The paintings» wax - like surfaces — built up over weeks and months in thin translucent layers — have a luminous warmth and spatial depth.

He then paints a thin, rich, oily black veneer over the primed panel, slowly and systematically developing his images by removing some of the black paint with a cloth.

Moving to Washington, D.C., in 1962, the artist loosened his painterly approach over the course of the decade as he began creating works with thinned acrylic paint.

Like much of the color, those thin patches may make one think of flower petals as much as marble chips, and that labor over a painting's ground may have something in common with tending soil.

On these paintings he was using thinner zips, not paying attention to the paint that spanned over the margins, testing the idea of spatial boundaries.

So large that she used mops, large sponges and decorators» brushes to push and float her paint and thinners over canvases laid on the floor.

Frankenthaler first began staining thin, luminous paint into raw canvas in the early 1950s, adopting Jackson Pollock's technique of all - over poured pigment but without the gestural drawing marks.

Thin papers are glued over magazine and / or painted papers and show transparency.

He paints slowly, over the course of months if not years, building up thin layers of paint to capture the arrangement and any weathering — of subject matter or medium — that occurs with time.

That year, they visited New York and saw Helen Frankenthaler's «Mountains and Sea,» in which she had poured thin washes of paint over an untreated canvas.

However, for Hofmann, the possibilities of painting always encompassed divergent approaches; the geometric and the curvilinear, the thickly impasted and the thinned surface were all concurrently viable throughout his career, although there were periods when one set of problems seemed to take precedence over another, such as in his 1941 - 1943 landscape studies.

Wrought in thin skeins of loosely flowing white paint, these late works have an immediacy and sense of mastery culminating in over 50 years of painting

Barnett Newman, the minimalist before his time, whose paintings strike you with their spectacular simplicity, is presented here as a seeker after sublime religious effects whose art looms over you like a clerestory window and bathes you in thin zips of celestial light.

Inspired by the fine detail and luminous colors of the Flemish masters, she has sought out information on their techniques and has cobbled together a personal approach to painting with thin glazes of color over a grisaille.

Created by infrequently pouring extremely thin layers of paint onto a prepared surface over long periods of time, the small - scale gesso boards reveal radiant compositions that develop and deepen before the viewer's gaze.

The centre of the image is worked over with paint thinner using circling motions.

Some passages, painted with thin fluid paint, differ from those painted with a pastose application of paint, and the paint appears to have been scraped off in some areas so that the lighter tones of the undercoat are visible; light and dark dashes of paint appear all over the canvas.

The works in this series are all paintings on canvas, comprising multiple thin «glazes» of paint that have been layered over one another and evenly applied across the whole support.

A beautiful painting dedicated to the artist Alan Shields (1944 - 2005) is a little ocean of cresting waves with a thin, multicolor necklace of paint, of a sort Shields might have used to adorn his cloth sculptures, floating over it.

«Each painting is slowly and gradually built up from many thin, translucent layers of paint over a number of months.

He applied very thin layers of paint over each other, which allowed the colour to radiate through, giving a sense of drama and light.

A large swath of plum purple paint floats Rothko - style over thin gestural bands of lime green and peachy stains of dripping paint, creating a palimpsest of Modernist strategies.

It's the canvas surface painted all over, thick and thin paint distributed up from under, floating, brushing pats of colour stacked up on the surface painted wet into wet, nimbly describing the surface, tight as a drum.

For Louis, the Veil paintings represented a complete artistic breakthrough; fluid waves of pigment wash over the canvas surface, as Greenberg describes how, «Louis spills his paint on unsized and unprimed cotton duck canvas, leaving the pigment almost everywhere thin enough, no matter how many different veils of it are superimposed, for the eye to sense the threadedness and wovenness of the fabric underneath.

«The first works we see are rather beautiful, surreal watercolours from the 1950s, which occasionally echo Klee and Miró,» wrote Mark Hudson in a review of the exhibition at Tate Modern for The Telegraph; in the Infinity Net paintings, Hudson continues, «endlessly repeated semicircular brushstrokes are covered in veils of thinner paint, creating a weblike effect which extends Pollock's idea of the «all over» composition, with the sense that we are seeing just a fragment of a potentially endless work.»

One question — can I do a background using thinned acrylics and let it dry overnight and then paint over it when it's dry with quicker - drying ones?

They resemble chunks of a John Chamberlain sculpture, painted over with white enamel and shrunk down to the proportion of a human head, decorated with delicate flourishes of a thin blue wire («el wire» as it's known in the computer and technology trade).

I just painted over pine paneling as pictured in the original post, as well as some cheap thin wood paneling.

It's easy to get the look, because cement can be painted as a thin layer over most wall surfaces.

If a stain appears, simply apply a thin coat of Annie Sloan Lacquer directly over the entire surface to be painted before painting and lacquering again.