Sentences with phrase «paint thinner which»

She should use only water - based paints and stay away from paint thinners which are only used for paint brush cleaning with oil - based paints.»

Not exact matches

Which is lucky for the realtors, since their case was thinner than a pre-sale coat of paint.

If you want to spray some paint that hasn't been thinned, you will easily be able to do so with this product because it features a ProX Stainless Steel Piston Pump, which is capable of spraying at high pressures.

The findings, which have been reported in Nature Communications, reveal that the h - BN layers form the strongest thin insulator available globally and the unique qualities of the material could be used to create flexible and almost unbreakable smart devices, as well as scratch - proof paint for cars.

The map shows the intensity of infrared light, and traces magnetic field lines within filaments of warm dust grains and hot gas, which appear here as thin lines reminiscent of brush strokes in a painting.

The dwarf date palm is one of the most effective palms for removing indoor air pollution, especially xylene, which is found in solvents and paint thinner.

As the finishing step, I painted the door with a thin lacquer coat which protects the wood from stains and dirt.

If you still have a little bit of wood showing through here and there (which will happen more if you paint a light color on a dark piece or vice versa), pour a little chalk paint into a plastic cup and mix in a bit of water to thin it out.

A cheap foam one is best because the Polyurethane can ruin it if you don't have paint thinner standing by (which I didn't).

The bad includes a front speaker rattle which Volkswagen can not fix after three attempts, and hard surfaces especially on the door, cheap thin paint.

It had once held the five gallons of joint compound with which he'd repaired the walls of Belle's garage — before their final parting, before she returned his rehearsal space to a repository for paint thinner and plant poisons and spare tires.

Acids, alkalis, oils, paint thinner, and gasoline are just some examples of products for which it would not be safe to induce vomiting.

Other similar products which can be dangerous to your pets include paint remover, varnishes, and mineral spirits or paint thinner.

All cleaning solutions and other chemicals, like bleach and paint thinner, which are poisonous to humans, are poisonous to animals as well.

Miró pioneered the technique of staining; creating blurry, multi-colored cloudy backgrounds in thinned oil paint throughout the 1920s and 1930s; on top of which he added his calligraphy, characters and abundant lexicon of words, and imagery.

It wasn't until the mid-1980s that Mueller emerged with a distinctive style in which thinned - out acrylic paint is used to create soft, glowing, loosely geometric stained grounds (reminiscent of Rothko's «multiform» paintings) that Mueller then defaces with pigment - thick gestural forms that have a Baroque grotesquerie about them.

Later, many of his paintings would be on plastic — whether thick or thin, ridged or smooth — which contributed to the eerie clarity of their layering and made them seem two - sided, even when hanging on the wall.

Present in each of his figure paintings is the thin red outline of a looming, seemingly sinister spirit - like figure called the «seeker,» which the artist includes to suggest the seeping of the outside world into the intimate, interior world.

The show begins with three abstractions from around 1960, in which thin touches of geometry frame a texture of metal, paint, and sand.

In his recent exhibition, Standard Deviation, at the Green on Red Gallery (May 30 — July 6, 2013), the aluminum sheets that make up the surfaces of his paintings are covered with thin layers of translucent colors; puddles, slashes and spills; scraped, sanded and scarred areas; built up grooves and ellipses, none of which add up to an overall image or dissipate into randomness and chaos.

This new aesthetic found expression in a series of new paintings, the Black Paintings (59) in which regular bands of black paint were separated by very thin pinstripes of unpaintepaintings, the Black Paintings (59) in which regular bands of black paint were separated by very thin pinstripes of unpaintePaintings (59) in which regular bands of black paint were separated by very thin pinstripes of unpainted canvas.

He was particularly interested in the effect of the soft, malleable qualities of the lead that became visible through the thin layers of paint which he applied to the surface.

By the late 1940's, Newman had established his two main painting motifs: thin vertical lines, also known as zips, which were used to create focal points, and the range of bright colors that these lines organized.

I use an artistic process that often consists of layering thin, transparent paper upon which I subsequently paint and draw.

They are executed in a precarious manner with a delicate touch and thin paint which often results in an evocation or essence of an object rather than an outright depiction.

Rather, the space is lit by diffused natural light, which intensifies the intimacy of looking at Martin's painting: the subtle variations of the pencil lines, the thin washes and layers of paint that seem to sit on the surfaces of stretched canvas.

In 1959, Stella created his «Black Paintings,» series, in which bands of black paint are separated by thin, precise stripes of bare canvas.

One can see his hand on video, applying thick daubs of paint — which just happen not to match the thin layers of color and peeling paper on canvas.

During this period, she developed her influential «soak - stain» technique, in which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor.

The monochromatic paintings began as vigorously gestural works and then evolved into thin surfaces, from which much of the paint had been scraped away, and ultimately to highly textured accumulations of dense, encrusted acrylic.

One piece that especially stood out — a large work made up of twenty white paper squares divided by a thin wooden frame on which much smaller squares and rectangles painted in oil had been arbitrarily placed — is a visual testimony to the love of music and poetry that informs the creative work of this painter.

Rendered in a loosely naturalistic style with thin, drippy oil paint, these are reminiscent of Hurd's previous riffs on the art world, which have included hand - painted reproductions of art magazine covers

Coming on Avery's heels, Frankenthaler developed her «soak - stain» technique, in which paint thinned with turpentine is poured directly onto an unprimed canvas.

Rendered in a loosely naturalistic style with thin, drippy oil paint, these are reminiscent of Hurd's previous riffs on the art world, which have included hand - painted reproductions of art magazine covers and reviews of his shows as they appeared in print except stained and littered with malt liquor empties.

They carve space out of the featureless expanse on which they rest, interact playfully with the colors they abut, and, when Pibal has painted the edges of the thin aluminum panels on which she works, appear from certain

Coming on Avery's heels, Frankenthaler developed her «soak - stain» technique, in which paint thinned with turpentine is

Humidity plays havoc with oil paints which sink faster into the canvas, but he seems to have shrugged and let them go their way, appearing thinner and even patchy on the surface of some canvases, often leaving the weave visible and occasional gaps between blocks of colour.

But then Frankenthaler, though she never departed from what was soon to become her trademark staining technique, in which she poured thinned paint, initially oils, then acrylic, onto raw canvas, leaving the paint, blooming and thinning at the edges, to sink into the weave but remain luminous, wasn't an artist who often repeated herself.

He also discovered the Maroger method, which enables the artist to use thin layers of paint and techniques similar to those of the Old Masters.

They are large, quiet canvases of clean, clear stripes, which cling to the edges, leaving the centre of the composition empty, but for a dappled field of thin paint.

In her wall works, many of which play, sleight - of - hand - style, with the shifts between two - to three - dimensionality — inviting the viewer to enter their world while at the same time sealing themselves off from engagement — Rafferty prints photographic imagery on thin, clear film, often mixed with paint and solvents, and attaches these to irregularly rectangular clear acrylic sheets.

Bruce Helander (The Art Economist) writes, «Jill Krutick's gentle and gracious works add enchanting, soulful excitement every day for life... Krutick's unique formula that she follows in her distinctive paintings is to experiment with a variety of gestural brushstrokes, which seem to be in perfect harmony, like a complicated orchestra where a variety of musical components emit a certain collective sound, or in the case of Krutick, create a uniquely complicated gathering of disparate forms with a subliminal ambulatory feeling that makes them seem to skip off the canvas and into thin air.»

Gorky's paintings of 1946, such as «Charred Beloved I» and «Nude,» tend to be based primarily on free - wheeling thin black lines, which are interspersed with areas of fluid color.

Using a variety of techniques, such as thick and thin painting, removing portions of canvas from his work, and multi-media assemblage, Aldrich has developed an artistic style that turns away from the canonical understanding of art historically, in favor of exploring new conceptual processes through which to view the contemporary world as he sees it.

Color Field painting, which emerged in the United States in the 1950s, is characterized by pouring, staining, spraying or painting thinned paint onto raw canvas to create vast chromatic expanses.

Roughly half are painted on natural linen in which Hedges» approach is a little different than on canvas, revealing the linen support and numerous areas where the pigment is applied in thin brushy strokes to expose the weave and texture.

Kenneth Noland, Following Sea, 1974 Acrylic on canvas, 98 x 98 inches February 29 — May 26, 2008 Color field painting, which emerged in the United States in the 1950s, is characterized by pouring, staining, or spraying thinned paint onto raw canvas, creating vast chromatic expanses.

The rapidly changing technology of acrylic permitted large expanses of color to be both intense and very thin, which allowed the Color Field painters to experiment with extremes of economy and clarity in their paint handling.

Mullican developed a meditative painting technique that he called «striation,» which involved the application of textured lines of paint to the canvas using the thin edge of a printer's knife.

Zucker paired a sandboxlike container, into which he poured paint of a solid color, with a box of a slightly smaller size that he had sectioned with thin dowels to suggest the shape of a sailboat on water.