Sentences with phrase «paint your skin blue»

Pacific Garbage Patch Zombie Use non-toxic body and face paint to paint your skin blue or green and wear soiled and torn clothes — perhaps adding some seaweed for added effect — and attach dirty plastic bags around your body.

Not exact matches

Blonde hair, blue eyes, chubby, white skin with a few freckles on my cheeks, 161 cm tall or short lol I'm a writer and animator, currently studying animation, love to draw, sketch, paint, love swimming and the beach.

And although the Marvel Cinematic Universe's version of Proxima does have some blue war paint on her face, it's very much a minor detail rather than her natural skin tone.

You are free to alter your protagonist's name, gender, appearance and voice, with faces selected from an admittedly low number of presets and hair - styles, though there's a decent amount of tattoos, face paint and colours to differentiate your character from the typical JRPG dough - eyed hero or heroine, including abnormal skin tones like blue and green or freaky looking white eyes.

It features around 20 figures in several painting styles, with skin colors ranging from ghost white to bright blue to various browns, and a variety of sexual preferences regarding dress, identity and partner.

The title of Byron Kim's gorgeous painting «Innocence Over Blue,» along with its image, comes from a poem by the St. Louis writer Carl Phillips describing the color and texture of a bruise on a lover's skin.

Deborah Grant, «In the Land of the Blind the Blue Eye Man is King,» from the series By the Skin of Our Teeth, 2007 (oil, archival ink, paper, Flashe paint, and enamel on five birch panels).

In Lynette Yiadom - Boakye's painting of a dark - skinned woman wearing an open - backed sapphire - colored dress, blue, black and brown subtly interact.

Mason's skin is painted an unusual grayish color, which, against the blue ground, gives the figure a flat, cardboard - cutout quality.

County Floaters 2015 red «Uline» barrel, trash can dolly, screws, «Ohio Bobcats» rain poncho, fake banana tree, fake foliage, leggings, rope, bungee, plastic, foam, epoxy, synthetic hair, baseball cap, birdseed cone in plastic netting, cigarette butt, wood, screws, spray paint, «Dragon Skin» platinum silicone, nuts, bolts, washers, casters, tin pig, burl section, towel, acrylic paint, dog toy, safety glasses case, panty hose, press - on nails, safety cone, saw dust, rope, clamps, hats, t - shirt, run - off barrier, ceramic potter, beaded stickers, ceramic cat, glow in the dark pigment, pigments, decorative paper flowers, decorative fishing net, earrings, wire, blue tape, key chains, key rings, wood chips, needles, scrunchie, fabric measuring tape, star fish, toddler shoes, children's skirt, children's jacket, sock, bandana, decorative balls, wicker lantern, over-the-door hooks, gaff tape, eyelashes Overall dimensions: H 81» x W 39» x D 95» (206 cm x 99 cm x 241 cm) ARG # FLTR2015 - 002

Skin Set Painting: Blue People Are My New God Replacing Chartreuse People My Old God 2012 - 2013 Water - based oil, acrylic, metal clips on paper 84 by 60 in.

Installation view: From left, «In the Land of the Blind the Blue Eye Man is King,» 2007, from the series By the Skin of Our Teeth (oil, archival ink, paper, Flashe paint, and enamel on five birch panels) by DEBORAH GRANT; «High Life,» 2013 (enamel and charcoal on paper) by GARY SIMMONS; (with work by DARIO ROBLETO in the foreground).

They represent several male artists that paint faceless female nudes with blue skin that look like something you might see in the morgue.

In Blue Embrace (2016), her depiction of close - up images and active use of foreground space emphasize the freckles and wrinkles of her own flesh, suggesting skin as both evidence and metaphor for age, but also as a decorative patterned surface which firmly situates the object as painting.

Tightly focused on the Mutu's nose and mouth — her skin is dusted with flecks of gold and her top lip is bright blue, while gold paint covers her teeth and flows over her bottom lip.

«Richter has taken to flaying the painted skin of his canvases with a spatula in broad strokes or long, wavering stripes leaving behind abraded, shimmering surfaces that at their sheerest and most luminous look like the Aurora Borealis suspended above various red, orange, yellow, green, blue or violet planets.»

2011 Nine Faces, Anton Kern Gallery, New York, NY Three to Five Faces, Shane Campbell, Chicago, IL Human Nature: Contemporary Art from the Collection, Los Angeles County Museum of Art, Los Angeles, CA Malevich and the American Legacy, Gagosian Gallery, New York, NY California Dreamin: Myths and Legends of Los Angeles, Galerie Almine Rech, Paris, France 2010 Kaikai Kiki Gallery, Tokyo, Japan Portland Art Museum, Portland, OR Seven Faces, Blum & Poe, Los Angeles, CA The Artist's Museum: Los Angeles Artists 1980 — 2010, Museum of Contemporary Art, Los Angeles, CA Group Show 2010, Galerie Emmanuel Perrotin, Paris, France Benches and Binoculars, Walker Art Center, Minneapolis, MN At Home / Not at Home: Works from the Collection of Martin and Rebecca Eisenberg, Hessel Museum of Art, Bard College, Annandale - on - Hudson, NY (curated by Matthew Higgs) Mark Grotjahn, Jonathan Lasker, Sol LeWitt, Allan McCollum, James Siena, James Welling, Bravin Lee Programs, New York, NY Skin Fruit: Selections from the Dakis Joannou Collection, New Museum, New York, NY (curated by Jeff Koons) Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY 2009 Gagosian Gallery, London, UK 2008 Dancing Black Butterflies, Gagosian Gallery, New York, NY 2007 Kunstmuseum Thun, Thun, Switzerland Blue Paintings Light to Dark One through Ten, Anton Kern Gallery, New York, NY 2006 Whitney Museum of American Art, New York, NY 2005 Blum & Poe, Los Angeles, CA Stephen Friedman Gallery, London, UK Mark Grotjahn: Drawings, Hammer Museum, Los Angeles, CA 2003 Anton Kern Gallery, New York, NY 2002 Mark Grotjahn: el gran burrito, Boom, Chicago, IL Blum & Poe, Santa Monica, CA 2000 Blum & Poe, Santa Monica, CA 1998 Blum & Poe, Santa Monica, CA Flowers in the Office, Brent Petersen Gallery, Los Angeles, CA

A group of these paintings where featured recently in an exhibition at the Brooklyn Museum entitled: «Vishnu: Hinduism's Blue - Skinned Savior».