Sentences with phrase «painted death of mother»

In 1951 Alice Neel painted Death of Mother Bloor, which shows the public funeral in Harlem of Ella Reeve «Mother» Bloor, the revered American Communist organizer and suffragist, who died in the midst of McCarthy's witch hunts.

Not exact matches

This fact needs to be continually reiterated to decision makers as otherwise manufacturers of breast milk substitutes will capitalise on HIV infection as a reason for promoting free samples of their formula.10 It is extraordinary that the Wall Street Journal painted the baby food manufacturers as heroes poised to save African children from certain death because of their offer to donate free formula to HIV infected mothers.11 The WHO recommends avoidance of breast feeding by HIV infected mothers only if replacement feeding is feasible, safe, sustainable, and affordable — otherwise exclusive breast feeding is recommended during the first six months of life.12 Non-infected women must be given access to credible information, quality care, and support, in order to empower them to make informed decisions regarding feeding of their infant.13

Although the 2012 retrospective at Tate Modern was rapturously received, bringing with it a renewed reminder of the power of early works such as The Physical Impossibility of Death in the Mind of Someone Living and Mother and Child, Divided, recent exhibitions have been panned — Schizophrenogenesis was condemned for coasting on past glory, while 2012's painting - focused Two Weeks, One Summer received scathing one - star reviews — and there is a nagging sense that these days his art can resemble a factory production line, with endless copies of his popular «spot» paintings churned out in the name of brand recognition.

Few of these works were seen by others — they were gathered by Wróblewski's mother after his death — and they never came to the single - mindedness of either the large works in blue or the dutiful socialist - realist paintings that Wróblewski also had to make.

Until his death in 1999, with the exception of occasional trips to New York with his mother to see exhibitions and keep up his contacts with his New York circle, Martin Wong was now to live in the parental home where he continued to work, for example on the cactus paintings or a depiction of Patty Hearst in the painting «Did I ever have a Chance», which is, according to reports, one of Martin Wong's last paintings and is supposed to have been his proposal for an AIDS Memorial.

[18]-RRB- The artist has stated that she approached the painting from the perspective of a mother and partly based it on the verbal account of Till's mother about seeing her son after his death.

On the death of his father in 1932, Lowry assumed full responsibility for his bedridden and demanding mother, caring for her willingly and waiting to paint until she was asleep.

Selected Group Exhibitions 2008 Calvert22, London 2007 An Archeology, 176 Gallery, Camden, London 2006 The Triumph of Painting - Part 6, The Saatchi Gallery, London 2005 Dolore curated by Klarita Pandolfi and Harry Pye, Sartorial Contemporary Art, London 2005 404 Arte Contemporanea, Naples 2004 Mothers curated by Harry Pye, The Ragged School 2004 New Blood, Saatchi Gallery, London 2004 Girl on Girl, Transition Gallery, London 2003 New Displays, Saatchi Gallery, London 2002 It's only words, Ausgang curated by Liz Neal, Studio Voltaire, London 2000 RCA Secret, Royal College of Art, London Reviews Erotic Review, feature, May 2004 Tom Morton, Arena, June 2004 William Packer, Financial Times, 23 March 2004 Waldermar Janusceck, Sunday Times, 21 March 2004 Hephzibah Anderson, «Busy Lizzie», Evening Standard Metro, 19 - 25 March 2004 Jen Ogilvie, «Liz Neal at One in the Other», Time Out, 8 October 2003 unauthored review, «Liz Neal», Kultureflash issue 59, October 2003 Hannah Lack / Cath Clark, «Eyespy», Dazed and Confused, September 2003 Helen Sumpter, «Exhibitions and Exhibitionists», Big Issue, 12 August 2002 Francis Summers, «Kill Them All» Sleaze Nation, June 2002 William Packer, «Posers playing at being painters», Financial Times, 28 April 2001 Mark Wilsher, «Death to the Fascist Insect», What's On in London, 25 April 2001 Sarah Kent, «Death to the Fascist Insect» Time Out, 25 April 2001 Tanis Taylor, «Death to the Fascist Insect» Metro, 9 April 2001 Gemma de Cruz, «Maloney's Magnificent Seven», Art Review, April 2001 Magnus Brooke, «Death to the Fascist Insect».

In 2005, after the sudden death of her mother, Bell picked up her camera after a twenty year hiatus from painting and began photographing nature.

The Spot Paintings were perhaps the most iconic images which populated most of Hirst's ground breaking exhibitions of this period from Freeze in 1989 when he was painting directly onto the walls, to his much celebrated installation at the Saatchi Gallery in 1992 which included the iconic works The Physical Impossibility of Death in the Mind of Someone Living and A Thousand Years, to his exhibition of the Mother and Child Divided at the Venice Biennale in 1993, which announced his presence on the global scene, and his nomination for the Turner prize in 1994, the year the present work was executed.

The centerpiece of the seven - painting show at the Yale Center will be the somewhat ghostly «My Sisters in Mourning,» painted after the death of the artist's mother in 2015.

Following the sudden deaths of both his father (in 1917) and his elder brother James Laughlin Phillips (in 1918), he and his mother founded The Phillips Memorial Gallery, based around the modest family collection of paintings, augmented by new purchases of mainly late - 19th century and early - 20th century paintings.

From 1984, the major body of work came after my mother's death and the first war painting.