Sentences with phrase «painted times square»

She has painted Times Square peepshows, carnivals, burlesques, and recession - era casinos, revealing a sense of bleakness and alienation underneath such glitzy spectacles.

In June, Rosenquist marries textile designer Mary Lou Adams, whom he had met while painting Times Square billboards.

Not exact matches

Performers wearing body paint share tips from tourists on Aug. 18, 2015, in Times Square.

The New York City Council is taking the first legislative steps to regulate the proliferation of topless painted women, costumed characters and others who hustle for tips in Times Square's pedestrian plazas.

NYC Mayor Bill de Blasio promised his administration would «aggressively» crack down on the «desnudas» — a group of topless women in body paint who have set up shop in Times Square to solicit money from tourists in exchange for photos.

An animated sort of order came to Times Square yesterday, penning costumed characters and other tip seekers to painted zones within its plazas.

The NYC is taking the first legislative steps to regulate the proliferation of topless painted women, costumed characters and other peddlers who hustle for tips in Times Square's pedestrian plazas.

The New York City Council voted to allow the Transportation Department to create new rules for pedestrian plazas that could restrict the costumed characters and painted topless women to designated zones in Times Square.

The women, who have been covering their breasts only with body paint and posing for photos in exchange for tips, have become a major talking point in the city after the Daily News has repeatedly condemned their presence in Times Square — while repeatedly featured photographs of the scantily clad women on the cover of the paper.

Mayor de Blasio has convened a task force to come up with ideas to deal with Times Square troubles — including the bare - breasted painted ladies and costumed Elmos and Spider - Men who waylay tourists for pictures and tips.

The tabloids: The appearance of all - but - nude body - painted babes in sanitized Times Square — once home to strictly family friendly characters like anti-Semitic Elmos and cop - punching Spider - Men — gave editors of the city's scandal sheets the opportunity to plaster their pages with sexy pics and indignant headlines, engaging in what one Observer contributor described as the unbeatable paper - selling combo of «simultaneous shaming and titillating.»

The socially conservative Democrat and ordained minister argued that Mayor Bill de Blasio's proposal to rip out Times Square's pedestrian plazas to tamp down on the titillating business of body - painted half - naked women charging tourists for photos would only cause them to migrate.

A body painted woman poses with a tourist in Times Square (Photo: Spencer Platt for Getty Images)(Photo: Spencer Platt for Getty Images)

So, after many months of contemplating whether to paint the cabinets (after 11 years it was time to address the wear and tear), researching how to paint them, choosing paint colors, painting the back splash, sanding every square inch, priming every square inch, and painting the cabinets, I am thrilled to share our «brighter» kitchen.

Rather, they put serious time in, stretching out, like Obama - iconographer Shepard Fairey, across the floor of a Kinko's with elaborate cutouts, or painting, square by square, pixilated space invaders to be glued onto innocent facades.

At any time of the year there's an infinite list of festivals, concerts, and activities to check out, but famous landmarks like the Golden Gate, Painted Ladies, Lombard Street and Ghirardelli Square are timeless sights that can only be enjoyed in SF.

The photographs of Roy Lichtenstein span several decades and document the artist in his studio with his paintings and completing his iconic murals, such as: the fleeting 1963 «Greene Street Mural,» the permanent 1989 «Tel Aviv Museum of Art Mural,» and the collage for «Times Square Mural».

Text 2018 Ted Stamm Woosters, essay by Alex Bacon, Lisson Gallery, ISBN 978 -0-947830-67-0 2018 From Stasis to Kinesis: The Woosters of Ted Stamm by Robert C. Morgan, Art Critical, April 2018 2018 New York: Ted Stamm at Lisson Gallery by E. Macdonald, Art Observer, April 2018 2017 Ted Stamm: DRM 1980, The Estate of Ted Stamm and Karma, New York, ISBN 978 -1-942607-66-3 2013 Ted Stamm: Marianne Boesky by Robert Pincus - Witten, Artforum, Summer 2013 2013 Ted Stamm: Paintings at Marianne Boesky by Will Heinrich, Observer Culture, April 2013 2013 Revisions: Another Alan Uglow and Ted Stamm's Minimalisms by Saul Ostrow, Art Experience: New York City, 2013 2012 Times Square Show Revisited by Robert Pincus - Witten, Artforum, December 2012, pp 274-275 1997 Painting Advance Stamm 1990 (1989) by Robert C. Morgan, Between Modernism and Conceptual Art, 1997 Published by McFarland & Company, Inc., 1997, ISBN 0 -7864-0332-2 1990 Painting Speed by Tiffany Bell, Art In America, November 1986, pp 140-143 1990 Reconstructivism: Neo Modern Abstraction in the US by Peter Frank, Artspace, March / April 1990 1990 Rekonstructivisims: Neo Moderne Abstraktion in der Vereinigen Staaten by Peter Frank, Kunstforum, January 1990 1986 Ted Stamm Painting Advance 1990, essay by Tiffany Bell, Hillwood Art Gallery, C.W. Post College, curated by Per Haubro Jensen 1985 Constructures: New Perimetries in Abstract Painting by Peter Frank, essay for exhibition Nohra Haime Gallery 1984 Can Small Works Carry It Off by William Zimmer, essay for small works exhibit, Muhlenberg College, pp. 9 - 10.

Keltie Ferris: For quite a long time I made paintings that were 80 inches squared and 80 inches is exactly the height of me and my vertical reach.

Selected Group Exhibitions 2017 Ted Stamm / Gerrit Rietveld, OV Project, Brussels, Belgium 2017 Painting on the Edge: A Historical Survey, Stephen Friedman Gallery, London 2012 Times Square Show Revisited, Hunter College Art Galleries, New York, NY 2010 Black & White, Galleri Weinberger, Copenghagen, Denmark 1987 Recent Acquisitions, Guggenheim Museum, Brooklyn, NY 1987 Recent Acquisitions, Brooklyn Museum, New York, NY 1985 Art Heritage at Hofstra, Emily Lowe Gallery, Hofstra University, Hempstead, NY 1985 Constructures: New Perimetries in Abstract Painting, Nohra Haime Gallery, New York, NY 1984 Fourth Annual Anniversary Show, John Davis Gallery, Akron, OH 1984 Fifteen Abstract New York Painters, Susan Montezinos Gallery, Philadeiphia, PA 1984 Small Works, Muhlenberg College, Allentown, PA 1984 Mail Art, Franklin Furnace, New York, NY 1984 Artists Call, Judson Memorial Church, New York, NY 1984 Process Black, LIU South Hampton, New York, NY 1984 A Decade of Art, Artists Space 105 Hudson, New York, NY 1984 Offset: A Survey of Artists Books, New England Foundation for the Arts, Wakefield, RI 1983 David Reed, Sean Scully, Ted Stamm; Zenith Gallery, Pittsburgh, PA 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; 1708 East Main Street, Richmond, VA 1983 Abstraction Two Views: Davis and Stamm, The Contemporary Arts Center, Cincinnati, OH 1983 Second Anniversary Exhibition, Harm Bouckaert Gallery, New York, NY 1983 Hundreds of Drawings, Artists Space, New York, NY 1983 A More Store, Jack Tilton Gallery, New York, NY 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; Condeso / Lawler Gallery, New York, NY 1983 Artists for Nuclear Disarmament, Colburn Gallery, Burlington, VT 1982 A Look Back: A Look Forward, Aldrich Museum, Ridgefield, CT 1982 Pair Group, Art Galaxy, New York, NY; travelled to Jersey City Art Museum, Jersey City, NJ 1982 Destroyed Prints, Pratt Manhattan Center, New York, NY 1982 Annual Holiday Invitational, A.I.A. Gallery, New York, NY 1982 Group Exhibition, Roy Boyd Gallery Chicago, Merwin Gallery, Illinois Wesleyan University, Bloomington, IL 1982 Pair Group II, Jersey City Museum, Jersey City, NJ 1982 Black and White, Freeport Mc Mo Ran, New York, NY 1982 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post, Greenvale, NY 1981 Drawings, Roy Boyd Gallery, Chicago, IL 1981 Abstract Painting: New York, Hofstra University, Hempstead, NY 1981 Arabia Felix, Art Galaxy, New York, NY 1981 Words and Images: Contemporary Artist's Books, Southern Alleghenies Museum of Art, Loreto, PA 1981 Love: Hate: Fear and Suicide, University of Brussels, Brussels, Belgium 1981 New Directions, Commodities Corp..

Revisiting manifestations of the black square and tracing its evolution over time to a more layered and frayed entity are a new suite of paintings by Ellen Gallagher riffing off of Kazimir Malevich's Black Square on a White Ground (1915), mixed media works by Turiya Magadlela, a bound fabric wall sculpture by Laura Lima, and Jonathas de Andrade's photographic iterations of the black square, which use plastic tarp to reference the movement of land occupation and the square form as a historic reference to capitsquare and tracing its evolution over time to a more layered and frayed entity are a new suite of paintings by Ellen Gallagher riffing off of Kazimir Malevich's Black Square on a White Ground (1915), mixed media works by Turiya Magadlela, a bound fabric wall sculpture by Laura Lima, and Jonathas de Andrade's photographic iterations of the black square, which use plastic tarp to reference the movement of land occupation and the square form as a historic reference to capitSquare on a White Ground (1915), mixed media works by Turiya Magadlela, a bound fabric wall sculpture by Laura Lima, and Jonathas de Andrade's photographic iterations of the black square, which use plastic tarp to reference the movement of land occupation and the square form as a historic reference to capitsquare, which use plastic tarp to reference the movement of land occupation and the square form as a historic reference to capitsquare form as a historic reference to capitalism.

Art Basel Miami Beach, with GAVLAK Los Angeles / Palm Beach, Miami, FL (catalogue) Ten Year Anniversary Show, Gavlak, Palm Beach, FL and Los Angeles, CA Re (a) d, curated by Ryan Steadman, Nathalie Karg Gallery, New York, NY The Valentine's Day Cardiovascular, Geoffrey Young Gallery, Great Barrington, MA Puente, KINMAN, London, UK 2014 The Go Between: Selections from the Ernesto Esposito Collection, Museo di Capodimonte, Naples, Italy Art Basel Miami Beach, Gavlak booth, Miami Beach, FL 100 Painters of Tomorrow: New York Exhibition, One Art Space, New York, NY Inaugural Exhibition, Gavlak, Los Angeles, CA The Armory Show, Gavlak Booth, Pier 94, New York NY Painting: A Love Story, Contemporary Arts Museum Houston, Houston, TX (catalogue) 2013 Art Basel Miami Beach, Gavlak Booth, Miami Beach, FL (catalogue) This is the Story of America, Brand New Gallery, Milan, Italy Rema Hort Mann Foundation LA Arts Initiative Auction, Hannah Hoffman Gallery, Los Angeles, CA Acid Summer, Curated by Matthew Craven, DCKT Contemporary, New York, NY All Fucking Summer, Gavlak, Palm Beach, FL Whitney Museum Art Party Benefit Auction, Whitney Museum of American Art, New York, NY MiArt2013, Gavlak Booth, Milan, Italy The Armory Show, Focus: USA, Gavlak Booth # 908, New York, NY (catalogue) Art Rotterdam, Office Baroque Gallery, Rotterdam, Netherlands My Echo, My Shadow, Gavlak, Palm Beach, FL 39 Great Jones, Galerie Eva Presenhuber, Zurich (catalogue) 239 Days, School of Visual Arts MFA Alumni Show, Allegra LaViola Gallery, New York, NY 2012 News From Chicago and New York City, Curated by Henning Strassburger, Fiebach Minninger, Cologne, Germany Time, After Time, Curated by ARTNESIA, Ronchini Gallery, London, UK (catalogue) SUNY New Paltz Alumni Show, Dosky Projects, Long Island City, NY What's the Point, Jen Bekman Gallery, New York, NY It's a Small, Small World, Curated by Marilyn Minter and Organized by Hennessy Youngman, Family Business, New York, NY The Virgins Show, Curated by Marilyn Minter, Family Business, New York, NY Just the Tip, SVA MFA Fine Arts Thesis Exhibition, Organized in Collaboration with Mike Egan, Visual Arts Gallery, New York, NY (catalogue) 2011 MFA Fine Arts Fall Open Studios, School of Visual Arts, New York, NY Sentimental Education, Gavlak, Palm Beach, FL Things Fall Apart, Curated by Asya Geisberg, Visual Arts Gallery, New York, NY Abstract Means, Curated by Richard Brooks, Visual Arts Gallery, New York, NY MFA Fine Arts Spring Open Studios, School of Visual Arts, New York, NY Celebrating 15 Years: Young Artists at Heckscher, Heckscher Museum of Art, Huntington, NY College Art Association New York MFA Exhibition, Hunter College / Times Square Gallery, New York, NY Vuu Collective W / S 2011 Show, K&K Gallery, Brooklyn, NY 2010 MFA Fine Arts Winter Open Studios, School of Visual Arts, New York, NY Emerge to be Seen, Westside Gallery, New York, NY Marks That Matter, Juried by Gillian Jagger, Muroff Kotler Visual Arts Gallery, SUNY Ulster, Stone Ridge, NY The New, Art (That Matters), Oyster Bay, NY New York Art & Culture Exhibition Series, Albany International Airport, Albany, NY 2009 No Girls Allowed: BFA Thesis Exhibition, Samuel Dorsky Museum of Art, SUNY New Paltz, New Paltz, NY Best of Show: 2009 Best of SUNY Exhibition, State University Plaza, Albany, NY 2008 Crit 3: Work from Students and Alumni of SUNY New Paltz, Curated by Kathy Goodell, Spencertown Art Gallery, Spencertown, NY Somewhere I Have Never Traveled, Smiley Art Gallery, New Paltz, NY Three, Smiley Art Gallery, New Paltz, NY SPECIAL PROJECTS 2013 Shinola x Andrew Brischler, Installation & Capsule Collection, Tribeca Flagship Store, New York, NY Converse Footwear for Publicolor, organized by Grey Area COLLECTIONS Norton Museum of Art, West Palm Beach, FL AWARDS AND HONORS 2015 Painting Fellowship, New York Foundation for the Arts

Good time painting with Project SF Crew, Dana Woulfe, Josh Falk, Fish McGill, Mister Never, Ryan Lombardi, and Square for Bodega's new Nike collaboration sneaker release... Here are some photos posted on Curated Mag

Painting as Action, Moderna Museet, Stockholm, Sweden Mexico: Expected / Unexpected, Katzen Arts Centre, Washington D.C., USA Sammen / Together, Trondheim Kunstmuseum, Trondheim, Norway Marking Time, The Museum of Contemporary Art, Sydney, Australia (catalogue) Notations: The Cage Effect Today, The Hunter College Art, New York, USA The Spiral and the Square.

In 1972 Davis created Franklin's Footpath, which was at the time the world's largest artwork, by painting colorful stripes on the street in front of the Philadelphia Museum of Art, and the world's largest painting, Niagara (43,680 square feet), in a parking lot in Lewiston, NY.

Gallery Chronicle: On «Visual Sensations: The Paintings of Robert Swain, 1967 — 2010» at the Hunter College Times Square Gallery, by James Panero, Supreme Fiction, November 17, 2010

Moreover, they came like that exactly when he painted them, before Times Square turned to smut and then to Disney.

An Alfredo Jaar work returns to Times Square, AFC rounds up tributes to Harun Farocki, @TheRealHennessy inspires silkscreen paintings,...

Studio Visitors 2014 Christopher Allen, Founder, Director of UnionDocs Alexander Benenson, Independent Curator Heather Darcy Bhandari, Director, Mixed Greens Gallery Jennifer Blessing, Senior Curator of Photography, Guggenheim Museum Sherry Dobbin, Director of Public Art, Times Square Alliance Taraneh Fazeli, Education Associate, New Museum of Contemporary Art Elizabeth Ferrer, Director of Contemporary Art, BRIC Arts Media Gabriel Florenz, Chief Operations Officer, Pioneer Works Larissa Harris, Curator, Queens Museum Paddy Johnson, Editor, Art Fag City Naima Keith, Assistant Curator, Studio Museum Emily Liebert, Curatorial Assistant, Department of Painting and Sculpture, MoMA Barbara London, Independent Curator / Writer, Former longtime Curator of Media and Performance, MoMA Jennifer McGregor, Director of Arts and Senior Curator, Wave Hill Julie McKim, Director, Kunsthalle Galapagos Magdalena Sawon, Owner / Director, Postmasters Gallery Manon Slome, President and Chief Curator, No Longer Empty Cara Starke, Director of Exhibitions, Creative Time Lumi Tan, Associate Curator, The Kitchen Gregory Volk, Writer, Art in America

Events are also taking place internationally, with an image of a large Mandela painting by South African artist Paul Blomkamp featured in New York's Times Square.

Juxtaposing installation photographs, catalog essays, and contemporary press accounts, this book documents and analyzes twenty - five exhibitions from 1962 through 2002: Dylaby, New Realists, Primary Structures, Arte Povera + Azioni Povere, January 5 - 31, 1969, When Attitudes Become Form, 557,087, Information, Sonsbeek 71, Documenta 5, The Bulldozer Exhibition, The Times Square Show, A New Spirit in Painting, Les Immatériaux, Chambres d'Amis, Second Havana Biennial, Freeze, China / Avant - Garde, Magiciens de la Terre, Places with a Past, 1993 Whitney Biennial, Traffic, Cities on the Move, 24th Sao Paulo Biennial, and Documenta 11.

Having painted the giant Times Square billboards in New York for three years, he knew how to produce an immersive environment and heighten viewers» awareness.

Edward Hopper made dozens of sketches for a painting, right down to architectural details of a Times Square movie house.

Two of the square paintings are being lent — one from Belfast, the other from Fort Worth in Texas — and a gloriously vibrant watercolour of Bamburgh Castle in Northumberland, a work which spent much of its life owned by the US Vanderbilt family, is being shown in a museum for the first time.

She has created outdoor site - specific paintings throughout New York City, including Brooklyn rooftops to the pedestrian plazas in Time Square.

Baffled Victorian critics thought JMW Turner had genuinely lost his marbles with much of his later works, particularly nine controversial square paintings, which Tate Britain is to celebrate by hanging them together for the first time.

A format in which Turner had never worked before his sixties, these square paintings are displayed together within this exhibition for the first time, thanks to important loans from the Kimbell Art Museum, USA and the Ulster Museum, Belfast.

3/3/17: 2017 Whitney Houston Biennial: Greatest Love of All 2/22/17: Chashama at SPRING / BREAK Art Show 2017 2/16 / 17: Trigger Spray Pop Up Shop 2/15/17: Carole A. Feuerman at 55 Broadway 1/24/17: Art On The Windows of Chashama 1351 12/28 / 16: The Graceful Light of Justin Eastman 12/28/16: #NoDAPL: Water Is Life 12/2/2016: Art Brings Awareness to a Toxic Waste Scandal 12/1/2016: Abstract Paintings of the Inner World 11/21/16: The Body Through a Storefront Window 11/15/2016: «Special Red» at 325 W. Broadway 11/14/2016: A Transnational Dance Dialogue Comes to Times Square 10/26/2016: New chashama Presentation Space Opens 10/11/2016: Garment District Open Studios 9/15/2016: Open Studios at the Brooklyn Army Terminal 9/7/2016: (Contained) chaNorth Residency Exhibition 6/21/2016: Post 2016 Gala Recap: Highlights 6/14/2016: An Artist, a Real Estate Broker, and a Philanthropist Meet on Broadway 6/8/2016: 2016 chashama Gala 9/9/2015: Brooklyn Open Studios 2015 8/19 / 2015: Harlem Closing Announcement and Closing Reception 5/7/2015: chashama Celebrates 20 Years this June while launching Artist Housing Initiative 4/22 / 2015: chashama Partners with Bank of America to Present Sculptures Made from Recyclables 9/18 / 2014: Brookyln Open Studios 2014

The collage - like paintings from the 1960s, which clearly reflect Rosenquist's background as a painter of enormous billboards on Times Square, will be shown along with biographically motivated paintings from the 1970s and interpretations of cosmic phenomena in his later large - scale paintings.

Her current immersive painting encloses the viewer in a night scene of Times Square.

With contributions from over 40 artists of the more than 100 originally participating, Times Square Show Revisited reflects the spirit of the original with a mix of extant sculpture, painting, and video — most of which has not been on public view since 1980.

Three bodies of work emerged around this time: the Step paintings, stacked rectangles and squares and irregular ladder - like structures; the horizontal Mobius Band compositions anchored by tiny squares of solid color; and the small - scale Heart Beat paintings, straight lines radiating from a half moon shape and pulsating with energy.

What appears to be a uniform black canvas is of course a nine - squared very painterly and subtle representation of a spectrum of colors that are always changing depending on the time of day, the light, and your position in the room in relation to any one painting.

The «black square» that opens the show is actually Kazimir Malevich's Black Quadrilateral (undated), borrowed from the Greek State Museum of Contemporary Art, and painted around the same time as Malevich's Black Square (1915), making this a centennial survey of geometric abstrasquare» that opens the show is actually Kazimir Malevich's Black Quadrilateral (undated), borrowed from the Greek State Museum of Contemporary Art, and painted around the same time as Malevich's Black Square (1915), making this a centennial survey of geometric abstraSquare (1915), making this a centennial survey of geometric abstraction.

Earlier this year, she participated in «Art Takes Times Square,» an international competition in which one of her paintings was selected for the Times Square Billboard's premier event in New York City.

In addition to paintings, Applebroog has also created sculptures; artist's books; several films (including a collaboration with her daughter, the artist Beth B); and animated shorts that appeared on the side of a moving truck and on a giant screen in Times Square.

Produced to accompany the exhibition Visual Sensations: The Paintings of Robert Swain: 1967 — 2010 at Hunter College / Times Square Gallery in New York, NY, from October 7 — November 13, 2010.

Her painting Cool Water, Hot Island was selected as the surface treatment for the five block 50,000 sq. ft. pedestrian plazas on Broadway in Times Square.

It is a series of reliefs and engravings which Josef Albers began creating around the same time as Homage to the Square, and like the series of paintings had not stopped creating until his death.

PRESS Robert Swain: Hunter College Times Square Gallery & MINUS SPACE, by Stephen Maine, Art in America, February 2011 Robert Swain at Hunter College and MINUS SPACE, The Kalm Report, December 6, 2010 Gallery Chronicle: On «Visual Sensations: The Paintings of Robert Swain, 1967 — 2010» at the Hunter College Times Square Gallery, by James Panero, The New Criterion, November 2010