Sentences with phrase «painted by this article»

Not exact matches

Other articles that have been blasted across Chinese outlets in recent days paint a picture of a blameless China, which enjoys the support of most impartial observers since it is being bullied by its neighbors — who are in turn acting in the interest of a power - hungry U.S. that has divided a once - peaceful region in order to make the «next Caribbean.»

That being said, I think this is a fantastic article if only just to force marketers to stop pretending that this is a game of paint by numbers.

PONDERING PORN Melinda Wenner Moyer's article «The Sunny Side of Smut» [Perspectives] misleads readers by painting a «sunny» and innocuous picture of pornography.

So pleased to have read this article, just painted my stair case with chalk paint and whitewashed over the top with chalk paint was going to use wax as recommended by the shop who sold me the paint, did talk to the sales person at great length about wear and tear and not wanting to have to do touch ups but he still highly recommended the wax.

The Internet's largest gallery of painted miniatures, with a large repository of how - to articles on miniature painting Delicious Recipes and Food Photography by Ashley Rodriguez.

And the impression painted by the Times article is that online education companies like K12 have every reason to sign up as many parents as possible — poor, rich, whatever — regardless of how prepared they are to tackle the challenge of home - based instruction.

The early years of Wolseley — How the company developed up to the First World War by Norman Painting / Homage to a Morris 8 — D.H. Smith relates his memories of a 1937 Morris 8 named «Cleopatra» / Amilcar anniversary — Brian Heath visited the Auvergne in company with other Amilcar enthusiasts on the occasion of the car's 75th anniversary / The Citroen 2CV phenomenon — The story of this unconventional classic is told by Chris Bowes / Honeymoon trip in a Riley — Malcolm Bates tells us about a young couple's trip to remember in a 1929/30 Riley Monaco / Memories of Woolf Barnato and W.O. Bentley — Rivers Fletcher relates his personal reminiscences of Woolf Barnato and W.O. Bentley in the 1920s and 30s / 1933 Alvis Speed Twenty — This month The Editor gives us his impressions of this traditional — but tecnically advanced — British sporting car / Sunbeam Talbot Darracq rally — A report on the STD register's national rally by Nick Baldwin / Vulcan history part two — Michael Worthington - Williams continues his article on this comparitively little known manufacturer.

New 2017 Viper Snakeskin Edition ACR Color was inspired by the original 2010 Snakeskin ACR Features new Snakeskin Green exterior with a custom snakeskin - patterned SRT stripe, ACR Package, Extreme Aero Package, carbon ceramic brakes, ACR interior, serialized instrument panel Snakeskin badge and a custom car cover that matches the exterior paint scheme and showcases the customer name above the driver's side door As many as 31 units of this new special - edition configuration will be produced for 2017 Looking back in Viper history: 31 units of the original Snakeskin Viper ACR were built in 2010 View full article

Thanks to publications such as Collision Repair, which did an article on a paint line by AkzoNobel and Dave Kindig that will be unveiled at the 2017 SEMA Show, the autobody industry becomes aware of new products coming out.

Whether it's writing an article like this one, reading a book, learning to paint, play a sport or ANYTHING — you will never get good at it by having scattered and broken focus.

James Montier, author of the essay Painting By Numbers: An Ode To Quant, which I use as the justification for simple quantitative investing, authored an article in -LSB-...]

James Montier, author of the essay Painting By Numbers: An Ode To Quant, which I use as the justification for simple quantitative investing, authored an article in September 2008 specifically dealing with net nets as a global investment strategy: Graham» s net - nets: outdated or outstanding?

I paint my dogs and just feel so inspired by what you do... You are so talented and capture such strong emotion and I cried just reading the articles and looking at your work.

Robert Storr recently wrote an article on the interesting paintings of Rick Briggs where he commented that paintings should initiate a viewer's interaction by creating the question: «What's that?»

Below are selections from these works, along with the complete version of «Death paints a picture,» a poem by Ashbery and Kenneth Koch that first appeared in the September 1958 issue of ARTnews and is loosely based on this magazine's «Paints a Picture» artpaints a picture,» a poem by Ashbery and Kenneth Koch that first appeared in the September 1958 issue of ARTnews and is loosely based on this magazine's «Paints a Picture» artPaints a Picture» articles.

Then I thought that this might make the good basis for a step - by - step painting article!

I have been selling by word of mouth locally my paintings, however after reading your article I am interested in finding out how I can use it for myself.

Alice Neel: Painted Truths was considered by Anne Wagner the best exhibition of 2010 in an article in the December 2010 issue of Artforum and one of the top ten exhibitions of the year by Laura Cumming in the Observer (London).

The history of this invisibility in the US right after the war has been thoroughly examined by Serge Guilbaut in a fascinating article published in French on the occasion of the artist's 1989 retrospective at the Centre Georges Pompidou in Paris, entitled Bram van Velde in America: the invisible painting.

In a provocative article titled «The Curious Case of Contemporary Ink Painting» (Art Journal, Fall 2010), art historian Joan Kee has recently suggested that despite being chosen to represent South Korea in international biennials in the 1960s, Suh and other Mungnimhoe painters were marginalized in their own country by being classed as «ink painters» rather than as contemporary artists.

In The Studio: Process of a Painting with Dyani White Hawk, work featured on New American Paintings blog To read article: «In the Process of a Painting, White Hawk walks us through her step - by - step process...»

Compiled and edited by exhibition curator Jason Andrew, the catalogue also features an essay by the curator; two unpublished interviews with Tworkov and Irving Sandler; a reprint of the 1953 Art News article Tworkov Paints a Picture with essay by Fairfield Porter and photographs by Rudolph Burckhardt; historic photographs and unpublished contact sheets by Robert Rauschenberg of Tworkov at Black Mountain College 1952; as well as illustrated artist chronology.

The term action painting was coined by critic Harold Rosenberg in a groundbreaking 1952 article entitled «The American Action Painters «[2] that described a style of painting in which the physical act of painting was central to the work and the painting was not preplanned.

Pat Passlof: Paintings from the 1950's at the Elizabeth Harris Gallery, New York By Paul Behnke, AbCrit, Nov. 30, 2014 Read the full article, Click here.

Characterized by mathematically complex compositions of color, shape and dizzying pattern, the term «Op Art,» was first used by artist Donald Judd in his review of Julian Stanczak's «Optical Paintings,» and was later popularized by a 1964 Time magazine article, catapulted the term into main - stream use.

In 1965 Donald Judd published «Specific Objects,» an article that explained «the new three - dimensional work» then being produced by a cohort of like - minded artists.1 Unlike conventional painting and sculpture, which Judd proclaimed to have served the purpose of a «container,» the new work was about the object itself.

Article by Lucia Love, Photos by Jen Trahan / / Friday, Jan. 17, 2014 Within Brock's studio the trappings of an intensive painting process are immediately evident.

«Rhapsody was absolutely groundbreaking and new, incorporating the space itself by wrapping paint around walls and corners,» Klaus Ottmann is quoted as stating in a New York Times article on Bartlett and «Jennifer Bartlett: History of the Universe - Works 1970 - 2011)».

Article and Studio Visit photos by Katy Diamond Hamer in Berlin / / Apr. 08, 2013 Historically, painting has a very long lineage ranging from early cave drawings to Abstract Expressionism and Magic Realism.

According to a 2002 article by Giovanna Dunmail, Schloss painted pictures that incorporated stillife imagery with vistas of the Mediteranean and wrote reviews, both for Tom Hess's Art News and, for nearly twenty years, the International Herald Tribune.

An image of the painting appeared in the society pages of The New York Times, with, as Perreault described it in a 2000 article for NY Arts, the crotch «artfully blocked by the silhouette of one of Neel's sons.»

The cover of the February 2012 issue of Art in America featured a painting by David Hammons, a lead - in to «To Rest Lightly on the Earth,» Raphael Rubinstein's sequel to his influential 2009 article «Provisional Paintingpainting by David Hammons, a lead - in to «To Rest Lightly on the Earth,» Raphael Rubinstein's sequel to his influential 2009 article «Provisional PaintingPainting.»

A 1974 Artforum article by the critic Robert Pincus - Witten (who coined the term «Post-Minimalism»), employed Benglis» own notion of «The Frozen Gesture» to conceptualise her sculptures, particularly pieces included in the Hepworth show like Baby Contraband (1969) and Rumpled Painting (Caterpillar)(1968).

These include paintings, portraits and text - based works inspired by the Palm Island Riot and the stunning 3D installation of competition surfboards, adorned with traditional combat shield designs from North Cairns on the face and excerpts from a James Baldwin's article («Unnameable Objects, Unspeakable Crimes», 1966) on the obverse, through to two extraordinary and enormous drawings «Lynching I» and «Lynching II» which, placed either side of the large picture window, eloquently emphasise the dark side of Sydney's pre-eminence as the starting point of colonisation in this country.

An article in the Gallery Guide on Friday about art galleries on the Upper East Side of Manhattan, including the Craig F. Starr Gallery, where an exhibition of paintings by John Baldessari is on view, misstated the city in California depicted in some of his artworks.

Silicate, a series of paintings of substantial size inspired by an article in the Frankfurter Allgemeine Zeitung came in 2003.

Inspired by the landscapes of the nineteenth - century Hudson River School of painting, yet entirely modern and full of contemporary resonance, Hannock's rich surfaces are built up of layers of modeling paste, pigments, and coats of resin, burnished to a sheen and often concealing hidden layers of meaning; writing, notes, magazine articles and other texts in the undercoat.

Gallery group exhibition «Site / Displace,» in Two Coats of Paint by Sharon Butler's article, «Quick Study: Greg Allen's @theRealHennessy tweet paintings, MESS, working conditions, more,» July 28, 2014 http://www.twocoatsofpaint.com/2014/07/quick-study-gregorgs-therealhennessy.html

In an article on the show by Benjamin Sutton for Blouin Artinfo, the artist explained, «This is really setting a movie scene, the way you have to think about the framing in here, like framing a painting.

You can see the rest of the article by clicking on this link: Painting Gets a Broader Brush by Christopher Knight

BURNAWAY is thrilled to present a public talk on October 13 and a performance on October 14 by New York - based critic and poet Raphael Rubinstein, author of the influential articles «Provisional Painting» and «A Quiet Crisis,» among others.

While Bacon has been vividly discussed during his lifetime, after his death the uncovering of drawings by the artist, a rediscovery of paintings previously lost or presumed destroyed, and the reconstruction of his studio in Dublin have prompted a growing number of new studies, articles and exhibitions.

«Review: Hayal Pozanti's paintings will leave you wanting more» Los Angeles Times Written by David Pagel, November 27, 2013 Full article here

Although the article's title is slightly obscured by black paint, «German Reds Rebuff» is legible.

Additional articles include Konrad Bitterli viewing Hubbard / Birchler's latest film trilogy and the paintings of Markus Döbeli (97); Nuria Enguita Mayo on drawings and paintings by Anna Boghiguian; and Julieta González provides an overview of Mexico City's arts institutions (96).

All the work exhibited in the three gallery spaces will have been made over the past year, and the pièce de résistance will be Smith's 11 - metre long painting called This Artist Is Deeply Dangerous, based on an article written by the Guardian's sports correspondent Steve Bierley about an exhibition he saw of the art of Louise Bourgeois.

Because of an editing error, a picture caption with an article last Sunday about Maria Balshaw, the new director of Tate, misstated the title of a 1973 painting by Emma Amos.

The Pollock, Lot 19, «Number 17, 1949,» shown at the top of this article, is an enamel and aluminum paint on paper mounted on fiberboard, 22 1/2 by 28 1/2 inches.

In an article that will appear in the Fall 2005 issue of BOMB Magazine, Bartlett is interviewed by long - time friend and colleague, Elizabeth Murray, and she describes, for the first time in her own words, the derivation of her steel plate paintings and the conception of Rhapsody (1976), as well as her recent series of diptychs.

Each canvas is accompanied by a newspaper article that reveals the place the canvas was painted.