Sentences with phrase «painted ceramic pieces»

Although known primarily for the undulating, disk - like, painted ceramic pieces she has been making for the past few years, Robins started her art - making life as a painter.

A perfect example of the decorative and accessible aspect of the work can be seen in Three Fish in Relief or Fish on a Sheet of Newsprint (both 1957), where the titles refer to the elements in the modest sized hand painted ceramic pieces with green, yellow, and blue accents.

Little wooden hand - made dolls from the town of Salzburg came home with me for Molly and my dad and I picked out the perfect hand painted ceramic pieces for Colorado.

Not exact matches

Forty items from the Holy See's collection of Chinese bronzes, ceramics and paintings will tour four cities including Beijing and Shanghai in March next year, in return for 40 pieces being lent to the Vatican's museums.

Everyone paints their own ceramic piece from a display of choices.

Each hand painted piece features a white ceramic basic and a beautiful blue hue.

The kitchen's open shelving, painted green, reveals ceramics and serving pieces — many reflecting the colors in paint finishes and fabrics throughout the house.

Each piece bears the beautiful appearance of hand - painted and glazed Italian country ceramics, but is completely unbreakable.

hydraulic self leveling system, Tilt and Telescopic steering wheel, cruise control, rear camera, power / heated mirrors, full body paint, dual fans mounted over one piece windshield, ceramic tile flooring, tinted windows with day and night pleated shades, roof mounted dish satellite system with dish receiver included, TV upgraded with 30 inch flat screen in living area and 28 inch smart tv in bedroom.

Visit the pottery and art studio (Studio de Vliet) located on the farm, where owner Karen Kieviet creates timeless ceramic pieces as well as beautiful impressionistic paintings.

Inside, the tables and chairs are made of regional mahogany, and Belizean artists contributed the delicate ceramic decorative pieces and colorful contemporary paintings.

This large - scale survey presents Chaimowicz's work in painting, drawing, collage, sculpture, installation, furniture, lighting, ceramics, textiles, and wallpaper made between 1978 and 2018, including never before exhibited pieces and three new commissions.

The exhibition will feature 170 works of art, including more than 60 paintings, sculptures, and ceramics by Picasso alongside more than 20 works of African and Oceanic art that were part of his personal collection — pieces that he collected, lived with and kept with him in his studios, many of them featured for the first time in the Americas.

The pieces picked for this showcase are aiming to present this connection from obvious examples in which Kusaka's ceramics are portrayed in Wood's paintings, to more subtle use of his patterns as textures on her pottery.

In response to the art fair experience, Powhida has fabricated pieces he considers emblematic of art world tropes that are seen over and over again on the international art fair circuit: Post-minimalist sculptures, large - scale decorative abstractions, shiny object sculptures, ceramics in vitrines, celebrity paintings, etc..

By contrast, materiality rules the day in the central gallery with large - scale abstract painting, fiber pieces, ceramics and woodworking.

As if painting is just another piece of material that is used in her sculpture; medium: wood, ceramics, painting.

Nicole Cherubini presentation on contemporary ceramics where paint acts as the union between disparate mediums presents painting as a verb, creating some of the most successful pieces in the exhibition, Cherubini follows suit with Apfelbaum, merging the disciplines of sculpture and painting.

Whether you're drawn here by painting, sculpture, ceramics, fiber, glass, or pieces that defy easy description, you know you're seeing — and buying — work that isn't like anything else, perhaps not even other works by the very same artist.

This career survey includes selections from her wax paintings, latex \ «pours \», folded and fanned metal works, ceramics, and recent cast bronze and urethane pieces.

A versatile artist, well known and loved for his rebellious spirit and anarchic humour, McLean's work traverses the mediums from paintings and ceramics to innovative film and performance pieces.

Today the historic collection includes watercolours, drawings, prints and maps of local views; Victorian paintings and drawings; 16th to 19th century prints; 20th century prints; lithographs by Honoré Daumier (1808 - 1879); 20th century works acquired through the Contemporary Art Society, including a Walter Sickert oil painting; a small collection of sculpture from the late 19th century to the present; ceramics, including pieces of Martinware pottery; 17th and 18th century textiles; and coins and medals.

She once again returns to the use and representation of vessels in her hybrid painting - sculpture ceramic pieces.

First creating large - scale pieces like Mason and his peers, Takemoto decorated his surfaces with painted or incised calligraphic patterns influenced by Abstract Expressionist painting as well as Picasso's ceramic designs and traditional Asian ceramics, as in his 1959 work First Kumu, a bulbous stoneware vase adorned with swirling motifs.

With sterling examples of Impressionist, Post-Impressionist, Modern and American paintings, as well as pieces of English and European furniture, Asian works of art, European ceramics and Chinese export porcelain, silver, and American decorative arts and furniture, the Rockefeller cache not only features a roster of future record - setters but also reads as a guide to what the American elite considered good taste in the 20th century.

He captures the delicacy and glaze of precious ceramics or a humble bird - made nest sitting within — here the roughness of the twig or shine of an errant piece of plastic is reminiscent of classical oil paintings.

For the Turner Prize she presents pieces that include painting on the Guardian newspaper in order to draw attention to and reinterpret found texts, painting on found ceramics, as well as a mise en scene and a painting on canvas.

The exhibition introduces Ramirez» first foray into ceramics as a medium, accompanying acrylic paintings and silkscreened installations that invite the collector to actively engage in the pieces.

In her pieced - fabric paintings and ceramic - tiled floors, the New York - based artist Sarah Crowner turns little scraps of design history into contemporary geometric abstractions.

These works include her richly layered wax paintings and poured latex and polyurethane foam sculptures of the late 1960s and early»70s; innovative videos, installations, and «knots» from the 1970s; metalized, pleated wall pieces of the 1980s and»90s; and pieces in a variety of other mediums, such as glass, ceramics, photography, or cast polyurethane, as in the case of the monumental The Graces (2003 — 05).

A collection of drawings, mixed - media paintings and ceramic pieces that explored the theme of water, through metaphor, visual poetics and myth and how it relates to social and environmental issues.

Recycled pieces of fabric, drapery, scraps of wood, wire, cut cardboard and paper, other photos, painted motifs, yarn, cord, ceramics, and stickers come and go, speaking not of Michelangelo but of a latter - day tween - on - a-budget twist on Giacometti's emaciated sickly figures — suburban sprawl and craft - store spree meet creeping apocalyptic bleakness on the one hand, and tenderness with a sweet attention to detail on the other.

Some, like the massive Ultrasuede Wave, were pieces of cushy upholstered furniture crushed by lumpen ceramic boulders; others, like Third Eye, were abstract paintings that veered off into Rauschenbergian assemblage with folding chairs attached to their stretcher bars.

Common materials and pieces of furniture, ceramics and paintings are reassembled in a personal way, reflecting on universal themes.

One of the most original sculptors, Robert Arneson (1930 — 1992) reinvented American figurative ceramics through the integration of sculpture and painting in his large - scale, often satirical, and even iconoclastic pieces.

All camera formats utilized, and include digital images, 35 mm slides, 4x5 transparencies and portfolio prints of collections including: paintings, works on paper, artist's books, sculpture, installation and performance pieces, furniture, ceramics, jewelry and crafts, architecture, period interiors, decorative fine art, objects, rare books, manuscripts etc. as well as period gardens and landscapes.

This year's exhibition prominently features Asian galleries and artists by shining the spotlight on their evocative art pieces, which run the gamut from paintings to ceramic sculptures.

Siler's graduate work at the University of California focused on painting, but while he was there he took ceramics courses with Peter Voulkos, who encouraged him to paint his clay pieces.

Still primarily working in ceramics at this point, Price started to experiment in his painting style, moving away from glazes towards applying paint directly to the dried piece.

The exhibit, which will run through Jan. 3 and was co-curated by grad student Sequoia Miller, is all about artists» relationships, experimentation and juxtaposition — shapely ceramic art pieces backed by modern art's paintings, drawings and even welded - steel sculptures of abstract expressionism.

Untitled Floor Piece, 2014 glazed porcelain, glazed and painted ceramic, latex house paint, MDF, acrylic paint 3.5» x 62» x 26»

Pieces are displayed in a variety of media from painting to ceramics, sculpture to prints and artists who have exhibited here include Peter Cole, Jim Jacobs, Earl Jones and Teresa Jordan.

Two main exhibition galleries were filled with monumental altar pieces, life - size portraits, some of the earliest still - life paintings in Europe, full - length carved and painted wooden sculptures of Spanish saints and more than 50 pieces of Spanish glass and ceramics.

There are paintings and drawings, quilts, ceramics, handmade books, pieces of elaborately decorated furniture, duck decoys and weather vanes dating from the mid-18th to the early - 21st centuries, all produced by people from many different walks of life who had no formal training in art.

Instead, each share contains artworks with unique embellishments or variations on a theme, and one of a kind works range from prints to poetry to hand crocheted head pieces to ceramic sculptures and small paintings.

Similarly, Jewel & Peg Leg are an Item features a colorful, wooden piece in the shape of a diamond or a gem, topped with a blue, glazed ceramic design while right beside it is another painted wooden piece balancing on a pink pad of clay on one side and a peg leg on the other with a dark pink triangular flap rising to the surface.

The majority of the art can be purchased for less than $ 400 per piece, and the exhibition includes photography, painting, printmaking, jewelry, fibers, sculpture, artist books, ceramics and illustration.

An American guitarist who splits his time between New York and Rio de Janeiro, the performer has a sound piece in the comprehensive exhibition, which features paintings and drawings, floral and garden studies, costume designs, jewelry, ceramics and a 90 - foot - long abstract tapestry by Mr. Burle Marx, a 20th century Renaissance man.

Modern European paintings and sculpture (including examples by Henry Moore, John Davies, Alberto Giacometti and Francis Bacon) sit alongside pieces from around the globe, sculpture from the ancient world and studio ceramics.

The majority of the pieces selected this year are from New York galleries: Brie Ruais» stunning 2017 ceramic wall work, «Broken Ground Red,» from Albertz Benda; «Condition,» a small 2018 sculpture by Matthew Ronay from Casey Kaplan seems to embrace both science and art; Shara Hughes» 2018 painting, «Gusto,» is from Rachel Uffner Gallery.