This clean, well - installed exhibition included her wildly patinated bronzes, from small figures to giant heads, with references ranging from
painted classical sculpture to Donatello (especially his Mary Magdalen), from the Art Deco designer Erté to Jean - Léon Gérôme.
Not exact matches
Unlimited, curated by Gianni Jetzer, is Art Basel's exhibition platform for projects that transcend the
classical art - show stand, including massive
sculpture and
paintings, video projections, large - scale installations, and live performances.
Working in Paris, Feitelson no doubt was aware that Picasso had already moved in this
classical direction, creating beautifully outlined figures inspired by
classical sculpture and Renaissance
painting.
The Hall of
Sculpture Balcony bears a hefty selection of Nicole Eisenman's
paintings and plaster
sculptures amongst the museum's figurative marble statues, though the artist's brand of
classical and art historical absurdities seem tame in comparison to the strangeness of satirical and metaphorical works by Iranian artist Rokni Haerizadeh installed in an adjacent space.
He received his training at the Rhode Island School of Design where he studied
classical drawing,
painting,
sculpture and anatomy.
Curated by New York - based curator Gianni Jetzer, Unlimited is Art Basel's pioneering exhibition platform for projects that transcend the
classical art - show stand, including massive
sculpture and
paintings, video projections, large - scale installations, and live performances.
Paolini's belief that a work of art is not just reflective of the «here and now» but is also resonant of earlier traditions, has led him to investigate art's relation to the past, creating intriguing installations deeply rooted in art history from the Renaissance to today - from plaster casts of
classical sculptures shattered on the ground, to photographs of iconic
paintings by Northern Italian Renaissance painter, Lorenzo Lotto, or inquiries into the construction of the image.
From «Mother» (2017 — 2018), three new large - scale oil
paintings, which borrow their imagery from Disney films, are shown in conjunction with a
painted steel
sculpture of a female nude in a
classical twisted pose.
Rather than being drawn to a specific style of the past (he has utilized reproductions of
paintings by Lorenzo Lotto, Nicolas Poussin as well as
Classical sculpture), Paolini is «attracted to the myth of the why, why one makes art.»
Both Ms. Cox and Ms. Peters exploit
classical techniques, mastery of craft, and motifs from the canon to address contemporary concerns in
painting and
sculpture.
Moyer fuses
painted canvas and reclaimed fragments of granite, marble, and limestone — stones used in capacities ranging from
classical sculpture to kitchen design — into color field abstractions that address ideas of labor, luxury, and beauty.
Best Use of In Situ
Classical Statuary by a Contemporary Artist: Nicole Eisenman's Carnegie Prize - winning installation at this year's Carnegie International for her show within a show interspersing her own
paintings and plaster
sculptures among marble figures in the museum's permanent collection
Presented across eight sectors, the ocean - front located event allows visitors to explore some of the world's best
sculpture, film, art publications,
paintings and
classical photography, as well as site - specific works which take advantage of the iconic Miami Beach setting.
With the aim of drawing attention to the lack of racial diversity through the history of
painting, Awol Erizku creates photographs,
paintings,
sculpture, and video installations that evoke
classical artworks whose subjects are replaced with models of color.
Sculpture,
Painting, and Video Influenced by
Classical Korean Artistic Traditions Explores the Spatial Rhythm Between Object and Viewer
At the Carnegie, there were
paintings around a balcony and her
sculptures were one top of a sort of balustrade where they blended in with other
classical sculptures.
Whether through
painting, drawing,
sculpture, video, or other media, contemporary artists have drawn on the centuries - old tradition to create works of conceptual vivacity, beauty, and emotional poignancy in the present time.Structured according to the
classical categories of the still - life tradition — Flora, Food, House and Home, Fauna, and Death, each chapter in Michael Petry's book explores how the timeless symbolic resonance of the memento mori, has been rediscovered for a new millennium.
Art Basel's pioneering exhibition platform for projects that transcend the
classical art show stand, include large - scale
sculpture and
paintings, video projections, installations, and live performances.
Several of Zefeldt's
paintings incorporate «portraits» of
classical sculpture heads repeated one by one on the canvas, aligning them in a circle as well as placing more of them within the circle where eyes, a nose and a mouth would be — ultimately forming a face.
From 1976, Twombly again produced
sculptures, lightly
painted in white, suggestive of
Classical forms.
The media of the show is diverse, ranging from
classical modes like
painting and
sculpture, to experimental video and animation, and using the tropes of science fiction including dystopia, cosmology, and fantasy to restructure narratives and create alternate realities.
Morton reviews works from Gérôme's entire career - the early «Néo - Grec»
paintings with references to
classical antiquity, historical scenes, Orientalist genre
paintings, and his late focus on
sculpture - to make the case for his spectacular art.
Rooted in the craft of
sculpture and
paint, it rises from intertwining everyday objects in all possible and surprising ways, but still with a formal reference to the history and tradition of
classical art.
The exhibition includes all the media, i.e.:
classical media like
painting and
sculpture, as well as computer - assisted media installations and sound art.»
She began playing cultural catch - up, devouring not only modern and contemporary art (including Joseph Beuys and Frank Stella) but also centuries» worth of
classical European
paintings and
sculptures that she'd missed at home.
Galleria Borghese Rome The Borghese Villa gallery holds a significant part of the Borghese collection of
Classical Antiquities,
paintings, and
sculptures, founded by Cardinal Scipione Borghese, the nephew of Pope Paul V (1605 — 1621).
Museum of Western and Oriental Art, Kiev Also known as the Bogdan and Varvara Khanenko Museum of Art, and formerly ranked the third most important museum in the Soviet Union after the Hermitage in St Petersburg and the Pushkin Museum of Fine Arts in Moscow, the museum's permanent collection (begun 1919) includes Egyptian and
Classical antiquities, Byzantine art and icons, Italian Maiolica pottery, Meissen porcelain, Persian Ceramics and Bronze
sculpture, Chinese
paintings and Chinese pottery, as well as European
paintings,
sculptures, and etchings.
Entitled Versus, the new exhibition from the Spanish duo features
paintings, drawings, and
sculptures that form a cohesive body of work showcasing their signature combination of
classical art and elements of graffiti culture.
Several galleries are offering two - and three - person booths, with Luis De Jesus Los Angeles presenting expressive, figurative
paintings and
sculptures by Erik Olson and and process oriented abstractions by Andre Hemer; New York's Albertz Benda featuring dynamic abstract ceramics by Brie Ruais and John Mason; NYC's Magenta Plains displaying mythically minded canvases by Bill Saylor and Zach Bruder; and Nathalie Karg Gallery, another New York venue, presenting minimalist
paintings by Nathlie Provosty and Nancy Haynes and
classical realism with a twist by Jesse Mockrin.
In fact, Katz, whose parents were of Russian origin, and who grew up in Queen's, emerged in 1950 from art school where he had produced detailed drawings of
classical sculpture and
painted from life, into a hysterical New York where the new heroes of abstract expression, Jackson Pollock and Barnet Newman, were throwing everything up in the air and riding a wave of popularity.
He references nature, literature,
classical history and mythology through poetic, gestural
painting and abstracted
sculptures.
These works will be juxtaposed by important European
classical paintings, prints and
sculptures dating from the 15th through the early 19th centuries, including works by Il Cerano, Lucas Cranach, the Elder, Jacques Louis David, Cornelis Dusart, Jean Frederic Schall, Hieronymus Bosch, and Pieter Brueghel, the Elder.
Home - works 1 and Home - works 2 consist of reproductions of
classical sculptures placed on brightly coloured
painted brick plinths.
In recent years, Urs Fischer has been exploring the genres of
classical art history (still lifes, portraits, nudes, landscapes, and interiors) at the intersection with everyday life in cast
sculptures and assemblages,
paintings, digital montages, spatial installations, mutating or kinetic objects, and texts.
In his latest work, Shonibare removes the fabric altogether, employing instead the batik designs in new modes such as mural
painting, bronze
sculpture, screen prints on canvas and
classical sculpture.
Extending across the entirety of the museum, the exhibition allows for free association between artists and the themes they address: at once playful and dynamic, works from Ryan Gander, Institute for New Feeling, Liu Wa, and Yangzi invite audiences to explore a wealth of possibilities through combinations of meditation and wry humor;
classical mediums of
sculpture and
painting are reinvented by Yngve Holen and Austin Lee; insidious implications of our hi - tech society are skewered by Lawrence Abu Hamdan and aaajiao; the powers of synthetic materials over human desire are brought to the fore by Sean Raspet and Pamela Rosenkranz; and products of Internet culture are given to refined study with Gillian Wearing and Amalia Ulman.
Objects range from
classical Greek and Roman artefacts to contemporary
painting,
sculpture, video and photography.
His
sculptures use natural colored marble,
paint and found materials to create figures reflective of animation, popular culture, and even
classical heroic figurative
sculpture.
The material recalls
classical Greek
sculpture, while the style, and even the titles at times, refers to
classical Chinese landscape
painting.
Lord Frederic Leighton (1830 - 1896) combined opulently coloured
classical paintings with highly influential
sculptures.
Up until the late 19th century, most
painting and
sculpture followed the traditional principles of
Classical Realism, as taught in the great Academies of Europe.
What we call «Modern Art» lasted for an entire century and involved dozens of different art movements, embracing almost everything from pure abstraction to hyperrealism; from anti-art schools like Dada and Fluxus to
classical painting and
sculpture; from Art Nouveau to Bauhaus and Pop Art.
Besides regular exhibitions featuring photography,
painting,
sculpture and installations, Kronenboden also hosts readings,
classical concerts with leading international musicians and similar events.
To find out more about
painting and
sculpture from
Classical Antiquity, see the following resources:
all over the world, that allow visitors to explore the many dimensions of Modern and Contemporary Art including Museum - caliber
paintings,
sculptures and
classical photography, as well as works of an outsized scale and curated projects.
Also included will be devotional
sculptures and
paintings from the
classical religions of India that informed Gandhi's thinking (Hinduism, Jainism, Buddhism, Islam, and Christianity).
Together, the
paintings, bronze
sculptures, neons, embroideries, and works on paper in Stone Love frame Emin as a
classical artist on a perennial journey into the self within the context of intimate and personal relationships.
Robert Ryman's work explodes the
classical distinctions between art as object and as surface — between
sculpture and
painting, between structure and ornament — emphasizing instead the role that perception and context play in creating an aesthetic experience.
In past installations he has filled hundreds of vitrines with objects — food, kitschy toys, expensive china and jewels, tourist trinkets, movie paraphernalia,
classical sculpture, and rubbish — covered by white or black
paint, or gilded with gold leaf.
Among the works on display are David Hockney's season cycle, an international collection of
sculptures by artists from Eduardo Chillida to Henry Moore, masterpieces of
classical modernism from artists such as Pablo Picasso and Edvard Munch, breathtaking works of decorative art, and a selection of the Würth Collection's Old Masters, including one of the most significant
paintings of the 16th century, Hans Holbein the Younger's «The Madonna With the Family of Mayor Meyer».