For his solo exhibition with Chelsea» David Zwirner, Ming uses Francisco Goya «s Black Paintings as the starting point to explore a new form of
painted collage by abstracting the content and appropriating an existing narrative into a contemporary context.
Not exact matches
«Kim Haynes, a K - 12 teacher and freelance writer, directs students to make
collages that represent concepts, such as a biological life cycle,» writes Todd Finley (@finleyt); «Bates Middle School, in Annapolis, teaches velocity and acceleration in 8th grade science
by having students reflect on
paintings that depict battling ships being fired upon
by cannons.»
This could be done
by painting, drilling,
collaging, puncturing, filling, or
by any other creative manipulations to the ball to make a piece that will be exhibited on the «Ball Wall» and will be for sale for $ 100 to benefit The Arts Fund.
Featuring 60
paintings and
collages made between 1954 and 2013, the exhibition was monumental in both scope and effect:
by showing a less frequently seen side of Katz's work, it prompted the viewer to reconsider the artist's overall project, now well into its sixth decade.
The works include early drawings
by Sigmar Polke,
collage by Walead Beshty,
painting by Carroll Dunham and Peter Saul, alongside newer works
by Dana Schutz, Sue Williams, Michael Williams and Erik Parker and sculpture
by Aaron Curry, Liz Craft and Mike Kelley.
This exhibition seeks to redress this gap in the history of American art through an exploration of Schapiro's signature femmages, the term she coined to describe her distinctive hybrid of
painting and
collage inspired
by women's domestic arts and crafts and the feminist critique of the hierarchy of art and craft.
The selected group of artists manipulate fiber textiles
by creating
collages, sculptures,
paintings, and installations that go far beyond tradition.
Here a
collage made from dried leaves
by Josef Albers, an abstract textile
by Anni Albers and a marvelous early Ray Johnson
painting called «Calm Center» of nested colored squares — along with affectionate letters exchanged between all four colleagues — together help explain where Asawa's magic came from, and how it would spread.
Thomas Dane Gallery presents an exhibition of new works
by Venezuelan - born artist Arturo Herrera, whose practice combines found images and objects with drawing,
collage, sculpture and
paint.
The Contemporary Wing's Front Room Gallery will feature three immersive floor - to - ceiling Wall Works overlaid with
paintings,
collages, and silkscreens on Mylar
by the artist.
Upstairs this month, artist Bianca Beck presents a solo show of drawings, oil
paintings, reliefs and sculptures, and is accompanied downstairs
by the process - oriented photography and
collages of fellow artist and partner Josh Brand.
«Painterly Pasted Pictures» an exhibition of 20th century painters of
collage curated
by E. A. Carmean Jr. @ Freedman Art, New York, NY 2013 «Color & Edge» with Lauren Olitski Poster and Ann Walsh @ Sideshow Gallery, Brooklyn, NY 2012 «Extreme Possibilities: New Modernist Paradigms» The
Painting Center, NYC, NY curated
by Karen Wilkin 2009 «Direct Sculpture: A Dialogue in Polymers», Student Union Gallery, Univ. of Massachusetts Amherst, Amherst, MA 2006 «Greenberg in Syracuse; Then and Now», Company Gallery, ThINC, Syracuse NY 2005 «Studies in Abstraction: Lauren Olitski, Susan Roth, and Ann Walsh», curated
by Wendy S. Evans, Student Union Gallery, Univ. of Massachusetts, Amherst, 2005 «Rural Artists / Urban Sensibilities», C. W. White Gallery, Portland ME 2003 «The Clement Greenberg Collection», Joe & Emily Lowe Gallery, Syracuse, NY 2003 «Clement Greenberg, A Critic's Collection», Portland Art Museum, Portland, Oregon 2001 «The Mirvish Teaching Collection», Agnes Ethrington Gallery, Queens University, Kingston, Ont.
Whether appropriated
by some contemporary figurative painters or aligned with some sort of new figuration, where the painters «find everything to be a matter of images» (to quote Barry Schwabsky from the online catalogue for «A New Subjectivity»), Abstraction clearly and demonstratively engages with the problems of
painting (and
collage and sculpture) despite the surprising conservatism of Kerry James Marshall.
The exhibition surveys a broad range of inventive methods and materials employed
by Rivers over the course of his career, which includes intimate works of graphite,
collage, large - scale
paintings, life - size sculptures and foam - sculpted relief -
paintings.
Hill's approach to
painting — layering lines, shapes, and swathes of color — is informed
by traditions of
collage as well as digital artmaking tools.
Encompassing over 12,500 works made since 1900, the museum's collection includes works
by such artistic luminaries as Pablo Picasso, Marcel Duchamp, Henri Matisse, and Georgia O'Keeffe, as well as 33
paintings, drawings, and
collages by the acclaimed abstract - expressionist Robert Motherwell.
Journey from figuration to abstraction through a sequence of drawing,
collage, stenciling, and
painting in this afternoon studio workshop taught
by contemporary artist Yevgeniya Baras.
Spanning two floors of the 24 Grafton Street location in London, the exhibition will feature works that relate to the artist's ongoing series of «
collage sculptures» begun in 2016, characterized
by square steel tubing that has been crushed and bent into soft folds that belie their material construction, then
painted in a uniform color and variably combined with found pieces of scrap metal and a smooth, highly polished steel disk.
Galerie Protégé in New York City's Chelsea neighborhood is currently presenting Natural Selection, a group show featuring work
by 15 artists who present several
paintings,
collages, and other mixed media -LSB-...]
A squared circle, subdivided to suggest an approximation of the compositional matrix of his black
paintings, is ringed
by collaged illustrations of monsters and saints that shorthand some of the values embodied
by his photographic typologies.
Photo
by Victoria L. Valentine Bradford's
collage paintings are composed of multiple layers of found paper that create visually intriguing patterns in fabulous, unexpected palettes.
Combining
painting and
collage, Dole - Recio creates vibrant, abstract works that push the boundaries of
painting by incorporating the surface itself as the medium.
Another fascinating aspect of the decision — and
by fascinating, I mean obvious and totally in agreement with me — is the court's emphasis on the changes in size, format, and process between Cariou's book pages and Prince's giant inkjet /
collage /
paintings.
Kate Hoffman's Dream Home series, photographs taken from performative
collage collaborations, has a malleable quality that emphasizes the viewer's own socio - political leanings; Samira Yamin's intricate patterns of Islamic sacred geometries cut into TIME Magazine photos of war oscillate between greater ambiguity and flirting with the didactic depending on the density of the cuttings; Sandra de la Loza's photographs of Stoner Spots underscore the politics of leisure through the exploration of pot - safe spaces, with a subtext of the not - quite - yet absorbed
by development; Scott Short's «abstract»
paintings replicate multiple generations of photocopying through the prism of Walter Benjamin; and Suzanne Wright will exhibit a deftly humorous Étant donnés-esque
collage alongside mandala targets — each salves, in their respective forms, for our tumultuous zeitgeist.
Fitzpatrick begins each
collage by drawing or
painting central elements and then incorporating various found materials.
On view at the gallery are three new
collage -
paintings, built up piece
by piece with acrylic tesserae and casts in intriguing forms and colors.
Her
paintings, drawings, and mixed - media
collages are represented in the Boston area
by Mobilia Gallery in Cambridge, MA.
Poor Souls -
paintings and
collages by the German artist Werner Büttner, associate of Martin Kippenberger and Albert Oehlen, was shown in 2016 in New York, his first exhibition there since 1986 which showcased his dark but empathic humour.
Inspired
by jazz and his family's quilting traditions, since the 1980s Al Loving has been broadening the definition of modern
painting and drawing, experimenting with heavy paper and color to create three - dimensional
collages.
Curated
by Indira Cesarine, the exhibit will be on view from June 27 — August 5th and will include works of
painting, drawing, photography, printmaking, pottery, sculpture,
collage, mixed media and video.
Defined
by an earnest use of color and deft symbolism, his
paintings and
collages express modern sensibilities and blend European, American, and African art forms.
Many of the featured artworks are from the1950's and 60's including an important densely layered
collage from1955
by Lee Krasner which redeployed sections of discarded
paintings and drawings
by her husband Jackson Pollock in tandem with new design elements she added to her own studio scraps.
Inspired
by Melanie Smith's diverse use of collected objects in her artworks, this session will combine
collage and
paint to create abstract prints of make - believe settings.
Though, he worked in a variety of media and styles, including ink, oil, acrylic, video, and
collage, Davis is best known
by far for his acrylic
paintings (mostly on canvas) of colorful vertical stripes, which he began to
paint in 1958.
Arturo Herrera's commissioned, site - specific wall installation will join early drawings
by Sigmar Polke;
collage by Walead Beshty;
paintings by Carroll Dunham, Peter Saul, Dana Schutz, Sue Williams, Michael Williams and Erik Parker; and sculpture
by Aaron Curry, Liz Craft and Mike Kelley.
Virtually gone were fragile materials and unstable surfaces — the coffee, chocolate, feathers, blood, ashes and living plants that have been plaguing museum curators — though brilliantly executed exceptions, such as the
collaged paintings Egan Frantz builds up from toilet paper traversed
by blue -
painted bicycle treads at the Michael Jon Art Nova space, sold out.
These pages will serve as a canvas that will be
painted,
collaged and transformed in other ways
by Vazko.
Illuminated»; «Land, Sea, Air»; «Ghost Gems»; Esteban Vicente and
Collage»; «
Painting Horizons»; «Drawings
by Sculptors»; «Still Life in the Studio»; «Material World»; «William Merritt Chase: The Shinnecock Years» and «Face Value».
Gagosian Gallery is pleased to present an exhibition of new
paintings and related newsprint
collages by Richard Prince.
When dealing with an artist as subtle as Arturo Herrera, the manner of interpretation is
by nature complex, further complicated
by what at first seems like wildly varied and distinct bodies of work, each adopting the formal affectations of the medium at hand: architectural interventions,
collage, abstract
paintings, biomorphic abstractions, hybrid
paintings, photography, sculpture, mail art.
The collection includes many works acquired early in its artists» careers, among them:
collage by Kara Walker;
paintings by Mickalene Thomas; neons
by Tracey Emin, digital animation
by Jennifer Steinkamp;
paintings by Amy Sillman; sculpture
by Kiki Smith; wall relief
by Teresita Fernandez and woven trompe l'oeil
by Miami artist Frances Trombly, among others.
Paintings,
collage and more
by Cary Kestler will be on view.
Explosions of color are presented in the solo - exhibition of
collage paintings by Peter Plagens at Rule Gallery.
Paintings, reliefs and
collages such as the cubist - influenced Beach with Starfish (1993 - 34) chart his stylistic development from representational art through abstraction, while a display of selected works
by contemporaries including Alexander Calder and Jean Hélion helps illuminate Piper's role as a champion of international abstract art in Britain.
Accompanying the exhibition, this richly illustrated hardback exhibition catalogue is signed
by the artist and collates the American artist's most iconic
paintings, sculptures and
collages to thoroughly document decades of ground - breaking work from Jasper Johns.
He later invented his Texturologies — abstract
paintings which adapted the traditional Tyrolean technique used
by plasterers: Dubuffet covered his canvas in layers of tiny droplets of
paint, and combined it with materials including
collaged elements and sand.
There, there were a few memorable highlights, such as mirror
paintings by Michelangelo Pistoletto from the 1970s and 80s, shown
by the Repetto Gallery; striking portraits and still - lifes
by Wayne Thiebaud, shown
by Allan Stone Projects; small
paintings by Gerhard Richter and Alexej von Jawlensky in the Galerie Ludorff's booth; and Yayoi Kusama's glittering
collages, reminiscent of precious stones, shown
by Omer Tiroche Gallery.
Cafritz chose a
collage painting by Njideka Akunyili Crosby from her collection to grace the cover.
[4] In the late 1970s, she embarked on a series of
collage works, Eleven Ways to Use the Words to See (1976 - 1977), «this time using the medium to reflect directly upon her past,» [5]
by cutting up old drawings that she used as compositional elements in new
paintings, in ways similar to what she had done in the 1950s.
David Castillo Gallery is proud to present The Eye, The Vessel, and The Spell, new works
by Pepe Mar in sculpture,
collage,
painting, and installation for the artist's fourth solo show with the gallery.