Sentences with phrase «painted contrast lines»

«This handsome piece can be made to any size and if you're looking for a more decorative finish, hand painted contrast lines can be added to door and drawer fronts,» says Caroline Kimpton, Owner, Leporello.

Not exact matches

A beautiful painting has no mere repetition of color and line but presents sufficient contrast to give variety and charm without setting up an ugly conflict among these colors and lines.

By closely observing «La Miséreuse accroupie,» AGO's conservation department, now led in this project by senior conservator of paintings Sandra Webster - Cook, had observed distinct textures and contrasting underlying color that peaked through the crack lines and did not match the visible composition.

Instead of creating a seamless line with the built - in shelves the same white, we decided to add contrast and an additional layer of depth by painting them Benjamin Moore Black Satin.

Sadly, as well as the plethora of features and lines, the separate arches (that can be painted to match the body or in a contrasting colour), stuck - on rear wing and fussy lower body trim mean that the Urus's design doesn't quite have the same homogeny and crafted detail as other Lamborghinis.

Chrome roof rails, a deep character line that runs through the door handles, and 22 - inch wheels contrast with the unique «CrossOrange Metallic» paint.

The exterior is characterised by enlarged wheelarches and an integrated «duck tail» rear spoiler, and is painted in two - tone Azzurro California Blue with a contrasting black sill line up to the roof and rear louvre window.

If the first thing you think of with Lexus is a beige luxury sedan, then The Crafted Line may be a surprise, with stark powdery white paint with contrasting black door handles, along with red accents in the black interiors.

[104] It features special Sera Blue paint with a contrasting double aquamarine line running around the waist of the car.

It's exterior features a two - color, graduated paintwork: below the door handles a contrast is created with deep black metallic paint by a chestnut brown metallic color that runs in the background along the lines of the car to the rear.

This DB9 is loaded with: Navigation, heated seats, contrast stitching in yellow, AM wings embroidered in headrests in yellow, carbon fiber veneers, carbon fiber shift paddles, hand painted twin coach lines, umbrella in trunk, machine finish 20 spoke 20» wheels, calipers in yellow, front and rear parking sensors with rear camera, black convertible top and more.

The new, Crafted Line Edition adds a beautiful, aptly named Ultra White paint job and combines it with Obsidian Black contrasting door handles, side - mirrors, and a mesh grille.

The gloss carbon fibre contrasts with the Glacier White paint that all 300 cars will be finished in, and the inspiration of the Continental GT3 race car is highlighted by the use of two - tone green graphics that trace the two power lines to the side profile of the car — one leading backwards from the front wheel, the other tracing the shape of the Continental GT's iconic rear haunch.

The A1 Sportback is available in 12 exterior paint colours, 3 contrasting roof dome options, contrasting air vents and of course Audi exclusive and Audi exclusive line customisation packages.

I want to leave some areas of white for interest and contrast and I want to create lines to lead into the painting so it doesn't look «flat» or one dimensional.

The paintings don't rely on sculptural space, chiaroscuro or cubist space, (manipulations of light and dark contrasts) or on a horizon line.

The lyrical abstraction of these paintings is contrasted with smaller geometric abstract paintings, rigid in structure and form, but handmade, with deliberately imperfect and variably weighted lines, in an ironic and humorous way.

The painting explored Wittgenstein's idea of «kinship» among the yellows or blues, and «contrast,» most dramatically between the sculptural black lines (not a major color for Mait) and the veils of white.

Brilliant red paint and strong white line works like RW - 004 are contrasted with the more subtle hue combinations of the creamy white and wintery grey of WB - 101.

As viewers, we are treated to voyeuristic depictions of vivid patterns, contrasting against the brightly coloured umbrellas of commuters passing by, occasional scuffs and road markings cutting through the sharp painted lines.

The lines in three dimensions also contrast with the freer handling of paint and the unpredictable overall shape.

A master of crisp lines and contrasting chromatic planes, Herrera creates symmetry, asymmetry and an infinite variety of movement, rhythm and spatial tension across the canvas with the most unobtrusive application of paint.

This is a ham - fisted and direct way of achieving a kind of realness within a painting which sits in contrast to a line or form made of, say pencil, which is so self - consciously affect-less that it can ground a painting in its materiality — sometimes counter-acting what the dirt has done.

Bold and muscular brushstrokes contrast with the faint lines of a spray can and the rich texture of paint squeezed directly from the tube to the canvas.

A quiet gem I recommend paying special attention to is the work of Keltie Ferris, which will prompt you to check the prescription in your eye - ware, with its contrasting fuzzy edged and hard lined areas of paint.

The move towards a more hard - edge style of abstraction, the clear lines, high contrast of color and its various hues, along with the rejection of the tactile application of paint were seen as the dominant features of such movement [2].

Inscape — the Inner Nature of Things contrasts twelve artists» diverse approaches to expressing emotion through abstraction, ranging from basic forms combined with loose, expressive lines in paintings by Louisa Chase, Mary Heilmann, and Perle Fine; to pure abstract gesture that governs the work of Friedel Dzubas, John Ferren, Hans Hofmann, Raymond Parker, and Esteban Vicente.

This master of terse lines and contrasting chromatic planes finds the core of her painting within the formal simplicity and a striking sense of color.

Contino's early works are hard - edged geometric paintings (including shaped canvases) composed of thick lines and contrasting solid colors that divide the canvas and form intricate shapes.

But though straight lines quickly gave away to rather slack rhythms and large, free forms, it was not till about August 1963 that he fully recovered his balance and felt able to achieve a «simple» painting again in which the colour was properly dictating the form, and the forms were not ranging themselves in depth because the colour was acting like tone (that is, as contrasts of dark and light).

Applying pigments to his canvases using a palette knife, he began to saturate his paintings with expressive swathes of luminous color achieved through wide, rhythmical brushstrokes, which he then contrasted with raw, but graceful, lines that pulsated with emotion — a practice that he would continue to pursue for the remainder of his career.

His paintings are known to create a feel of architectural fascination, often making use of contrasting colors and shapes to draw the viewer in with a unique perspective that focuses on the placement of lines, shapes and color relative to each other.

Combining geometric patterns with free - flowing lines in the vein of Jackson Pollock, Gordon contrasts different modes of painting to great effect.

Among the show's other notable works is George Condo's Homage to Manet, 1985, an oil painting that references the work of the great impressionist painter, and which stands in stark contrast to Andy Warhol's exploration of colour and blurring of commercial and fine - art lines in Reflected (Purple, Red, Green and Yellow on Black), 1982 (fourth picture).

In one series of five large works, a flat layer painted in the fashion of wood grain is overlaid with a contrasting layer of built - up oil in perfect parallel lines.

Her paintings deal with thick layers and repentance that contrast with the rigidity of straight lines.

Paul Pagk's Minuit Fugue, a pink abstract painting is pretty much the definition of painterly surface effect; I really love the contrast between the large areas of thick glossy paint, and the crustiness that occurred as the paint approached the whiteish lines.

In contrast to the self contained power - figures, the walls are peppered with paintings on paper which, having a soft, velvety surface and flowing lines, evoke a vulnerable tenderness and exquisite painterly quality.

This display includes seven fanciful abstract paintings employing high contrast polygons and pathways, geometric shapes and fine lines suggesting trails on a map.

By contrast, Florida artist Lilian Garcia - Roig, whose work is at Thomas Deans Fine Art through March 31, applies her oil paint straight from the squeeze bottle (a tube would produce too thin a line) in order to reinvent plein - air landscape painting.

The work emphasizes the contrast between the abstract patterns of the painted lines and colors of the hulls, and the interplay of textures.

An absence of color, strong yet refined lines, and thoughtful choices in high contrast, dual - tone works came together to create a harmonious and stunningly beautiful collection of 20th and 21st - century painting and sculpture.

The geometric lines of the paint dominate the works, creating a striking contrast with the complex narrative beneath.

Distinct lines of continuity link this painting to the more abstract works of the late»30s, in which human forms give way to massive, bonelike shapes in dramatically contrasting colors.

After drawing the lines, Taniguchi paints each black brick individually, the bricks resisting the monochromatic with contrasting shades and sheens.

Like other camera - based systems, though, it's dependent on the contrast between the asphalt and the painted line.

If you want contrasting grout lines, you'll need to paint them in by hand.

Here, the clean lines of the painted wooden wall cladding provide a geometric contrast with the square floor tiles.

The owners have chosen industrial - style, copper - lined pendants in painted black to contrast with the traditional cabinets.

Instead of creating a seamless line with the built - in shelves the same white, we decided to add contrast and an additional layer of depth by painting them Benjamin Moore Black Satin.