Sentences with phrase «painted devil»

Either way, they had a painted devil on a stick to display to a scandal - hungry public....

But, like tiling or painting the devil is in the details - at the edges and at interruptions, which on roofing are penetrations.

Not exact matches

Today we celebrate the Easter Bunny dying for our sins, and with a wiggle of his nose banishing our sins in camouflage painted eggs and hiding them so that the devil won't find them.

do nt hug devils who drive around in a SUV with No 1 Christian Porn site and XXX church painted on it, and brag about sinning...

Yea, that devil guy on the paint can with the red suit, pointy horns and pitchfork is really nasty!

If you looked at how his teams play you could paint him as a devil - may - care, cavalier, high - stakes gambler.

All around us, they say, atmospheric currents tumble in cyclonic or anticyclonic patterns that remain hidden until a dust devil paints them brown.

Not long ago, what with the housing market on the fritz and certifiable capitalistic ruin staring down the face of America, not to mention stoke brokers being painted as the devils of the earth, it seemed a great time to revisit Oliver Stone's 1987 film «Wall Street,» the Michael Douglas starrer that put «greed is -LSB-...]

This was a wise move because it paints Francois as more of a guardian devil who pops up sporadically to either help or hinder Nick, rather than a constant presence where you start thinking, «Heeey, Nick is crazy.»

The Pecos River People painted the story of their world on the walls of limestone shelters along the Devils River and the Pecos.

American Pit Bull Terriers are easily one of the gentlest, lovable, and most trainable breeds in the world but in a community where media hype has painted them as the devil in disguise, you may not want to be constantly defended your choice in pet.

Some paint cats as mysterious, others put them in league with the devil.

Some myths paint cats as exotic and mysterious, others have cats in league with the devil.

Fast forward to present day Paris and a robbery and murder is committed to steal the very same painting that a priest claims to have evil powers from a curse that was forged by the devil himself.

In this oil painting of «Blaze & Whizz» I produced for a friend several years back, we wanted to capture the little devil in Whizz, who as a puppy was invariably into mischief, together with his long - suffering older brother Blaze, in an environment in their home that was entirely natural for them.

The paintings now at Tate Britain, No Woman No Cry and Blue Devils, they are my Eric Bristow - type attempts to hit the bullseye of things that were going on.»

Drawing from his interest in the supernatural, Hernan Bas's Occult Contemporary responds to the recent proliferation of the occult in mass media with a presentation of new paintings depicting a representation of the devil based on traditional texts and folklore.

Inspired by Baudelaire's musings on the devil, Bas draws connections between the dandies pictured in his paintings and the vice of boredom that Baudelaire describes in «The Generous Gambler.»

The title of the painting The Expulsion is a reference to Satan's fall from Heaven, and the piece comes complete with a visual depiction of the devil falling down through the sky.

HK Zamani's images in this series of new paintings grow out of or away from their predecessors — they are sometimes devils, then angels.

Since then the 48 - year - old, who has lived in Trinidad since 2005, has given the Tate three other works, the painting Blue Devils (2014), currently on show in Tate Britain's free collection displays, and two works on paper: Untitled (1998) and a work commemorating the life of the murdered south London teenager Stephen Lawrence, R.I.P. Stephen Lawrence 1974 - 1993 (2013).

Arckus, Anthony Leon (introduction), Pittsburgh International (catalogue), Carnegie Institute, Pittsburgh, 1970 Billam, Michael (introduction), John Hoyland, Prints & Monotypes 1979 - 1983 (catalogue), Waddington Graphics, London 1983 Bowness, Alan (introduction), Recent British Paintings (catalogue), Whitechapel Gallery, London, 1967 Brett, Guy, «John Hoyland» in X Bienal de São Paulo Gra - Bretanha 1969 (catalogue), British Council / Lund Humphries, London, 1969 Compton, Michael, «John Hoyland» in Contemporary Artists, St James's Press, London, 1989 Gooding, Mel, «John Hoyland», John Taylor / Lund Humphries, 1990; The Poetic Trace: Aspects of British Abstraction since 1945 (catalogue), Adelson Galleries, New York, 1992; John Hoyland in the 1960s (catalogue), Neville Keating Pictures Ltd, London, 2001 Harrison, Charles, «John Hoyland» in X São Paulo Biennale 1969 (catalogue), Brazil, 1969 Hoyland, John, «Hans Hofmann — An Appreciation» in Hans Hofmann: Late Paintings (catalogue), Tate Gallery, London, 1988 Hoyland, John, The Dialectics of Vision: Hoyland's Bali Paintings (catalogue), Theo Waddington, London 1995 John Hoyland (catalogue), Waddington Galleries, London 1973 John Hoyland (catalogue), Galeria Modulo, Lisbon, 1976 John Hoyland (catalogue), Waddington Galleries, London, 1981 John Hoyland (catalogue), Waddington Galleries, London 1985 John Hoyland: Paintings (catalogue) Waddington Galleries, London, 1969 John Hoyland: Paintings (catalogue), Waddington Galleries, London, 1970 John Hoyland: Recent paintings (catalogue), Waddington Galleries, London, 1971 Lambirth, Andrew, «John Hoyland: Scatter the Devils», Unicorn Press 2009 Lucie - Smith, Edward, British Painting and Sculpture 1960 - 1970 (catalogue), National Gallery of Art, Washington DC, 1970 Lynn, Elwyn, «Hoyland — Then and Now» in John Hoyland, Paintings Australia 1980 (catalogue), University Gallery, University of Melbourne, 1980 Lynton, Norbert, «British Art Today» in SmithsonPaintings (catalogue), Whitechapel Gallery, London, 1967 Brett, Guy, «John Hoyland» in X Bienal de São Paulo Gra - Bretanha 1969 (catalogue), British Council / Lund Humphries, London, 1969 Compton, Michael, «John Hoyland» in Contemporary Artists, St James's Press, London, 1989 Gooding, Mel, «John Hoyland», John Taylor / Lund Humphries, 1990; The Poetic Trace: Aspects of British Abstraction since 1945 (catalogue), Adelson Galleries, New York, 1992; John Hoyland in the 1960s (catalogue), Neville Keating Pictures Ltd, London, 2001 Harrison, Charles, «John Hoyland» in X São Paulo Biennale 1969 (catalogue), Brazil, 1969 Hoyland, John, «Hans Hofmann — An Appreciation» in Hans Hofmann: Late Paintings (catalogue), Tate Gallery, London, 1988 Hoyland, John, The Dialectics of Vision: Hoyland's Bali Paintings (catalogue), Theo Waddington, London 1995 John Hoyland (catalogue), Waddington Galleries, London 1973 John Hoyland (catalogue), Galeria Modulo, Lisbon, 1976 John Hoyland (catalogue), Waddington Galleries, London, 1981 John Hoyland (catalogue), Waddington Galleries, London 1985 John Hoyland: Paintings (catalogue) Waddington Galleries, London, 1969 John Hoyland: Paintings (catalogue), Waddington Galleries, London, 1970 John Hoyland: Recent paintings (catalogue), Waddington Galleries, London, 1971 Lambirth, Andrew, «John Hoyland: Scatter the Devils», Unicorn Press 2009 Lucie - Smith, Edward, British Painting and Sculpture 1960 - 1970 (catalogue), National Gallery of Art, Washington DC, 1970 Lynn, Elwyn, «Hoyland — Then and Now» in John Hoyland, Paintings Australia 1980 (catalogue), University Gallery, University of Melbourne, 1980 Lynton, Norbert, «British Art Today» in SmithsonPaintings (catalogue), Tate Gallery, London, 1988 Hoyland, John, The Dialectics of Vision: Hoyland's Bali Paintings (catalogue), Theo Waddington, London 1995 John Hoyland (catalogue), Waddington Galleries, London 1973 John Hoyland (catalogue), Galeria Modulo, Lisbon, 1976 John Hoyland (catalogue), Waddington Galleries, London, 1981 John Hoyland (catalogue), Waddington Galleries, London 1985 John Hoyland: Paintings (catalogue) Waddington Galleries, London, 1969 John Hoyland: Paintings (catalogue), Waddington Galleries, London, 1970 John Hoyland: Recent paintings (catalogue), Waddington Galleries, London, 1971 Lambirth, Andrew, «John Hoyland: Scatter the Devils», Unicorn Press 2009 Lucie - Smith, Edward, British Painting and Sculpture 1960 - 1970 (catalogue), National Gallery of Art, Washington DC, 1970 Lynn, Elwyn, «Hoyland — Then and Now» in John Hoyland, Paintings Australia 1980 (catalogue), University Gallery, University of Melbourne, 1980 Lynton, Norbert, «British Art Today» in SmithsonPaintings (catalogue), Theo Waddington, London 1995 John Hoyland (catalogue), Waddington Galleries, London 1973 John Hoyland (catalogue), Galeria Modulo, Lisbon, 1976 John Hoyland (catalogue), Waddington Galleries, London, 1981 John Hoyland (catalogue), Waddington Galleries, London 1985 John Hoyland: Paintings (catalogue) Waddington Galleries, London, 1969 John Hoyland: Paintings (catalogue), Waddington Galleries, London, 1970 John Hoyland: Recent paintings (catalogue), Waddington Galleries, London, 1971 Lambirth, Andrew, «John Hoyland: Scatter the Devils», Unicorn Press 2009 Lucie - Smith, Edward, British Painting and Sculpture 1960 - 1970 (catalogue), National Gallery of Art, Washington DC, 1970 Lynn, Elwyn, «Hoyland — Then and Now» in John Hoyland, Paintings Australia 1980 (catalogue), University Gallery, University of Melbourne, 1980 Lynton, Norbert, «British Art Today» in SmithsonPaintings (catalogue) Waddington Galleries, London, 1969 John Hoyland: Paintings (catalogue), Waddington Galleries, London, 1970 John Hoyland: Recent paintings (catalogue), Waddington Galleries, London, 1971 Lambirth, Andrew, «John Hoyland: Scatter the Devils», Unicorn Press 2009 Lucie - Smith, Edward, British Painting and Sculpture 1960 - 1970 (catalogue), National Gallery of Art, Washington DC, 1970 Lynn, Elwyn, «Hoyland — Then and Now» in John Hoyland, Paintings Australia 1980 (catalogue), University Gallery, University of Melbourne, 1980 Lynton, Norbert, «British Art Today» in SmithsonPaintings (catalogue), Waddington Galleries, London, 1970 John Hoyland: Recent paintings (catalogue), Waddington Galleries, London, 1971 Lambirth, Andrew, «John Hoyland: Scatter the Devils», Unicorn Press 2009 Lucie - Smith, Edward, British Painting and Sculpture 1960 - 1970 (catalogue), National Gallery of Art, Washington DC, 1970 Lynn, Elwyn, «Hoyland — Then and Now» in John Hoyland, Paintings Australia 1980 (catalogue), University Gallery, University of Melbourne, 1980 Lynton, Norbert, «British Art Today» in Smithsonpaintings (catalogue), Waddington Galleries, London, 1971 Lambirth, Andrew, «John Hoyland: Scatter the Devils», Unicorn Press 2009 Lucie - Smith, Edward, British Painting and Sculpture 1960 - 1970 (catalogue), National Gallery of Art, Washington DC, 1970 Lynn, Elwyn, «Hoyland — Then and Now» in John Hoyland, Paintings Australia 1980 (catalogue), University Gallery, University of Melbourne, 1980 Lynton, Norbert, «British Art Today» in SmithsonPaintings Australia 1980 (catalogue), University Gallery, University of Melbourne, 1980 Lynton, Norbert, «British Art Today» in Smithsonian, vol.

Opening Ceremony March 16, 2012 Hernan Bas at Lehmann Maupin By Sofia Cavallo ¬ What the devil are Hernan Bas» lush, painted magical landscapes, currently up at Lehmann Maupin gallery, all about?

The gallery states «drawing from his interest in the supernatural, Hernan Bas's Occult Contemporary responds to the recent proliferation of the occult in the mass media with a presentation of new paintings depicting a representation of the devil based on traditional texts and folklore.»

After relocating to Trinidad in 2005, Ofili began a series of blue paintings inspired by the Jab Jab or «blue devils» who participate in the Trinidad and Tobago Carnival, and the Expressionist group of German and Russian artists, Der Blaue Reiter.

An obsessed collector will buy the right painting from the devil.

Several paintings have a devil - may - care, jokey quality, as though the artist wished to thumb his nose at death.

The Cantor Arts Center is celebrating the arrival of Lucifer on campus (or at least, Jackson Pollock's painting of the same name) with an exhibition looking at the devil's changing face in art.

In person the painting have unflinching devil's - in the - details sort of beauty which verges on the colorfully tragic.

Yusaku Maezawa, a Japanese businessman, snapped up Basquiat's 1982 canvas depicting a horned devil's head with streams of red, green and black paint, according a person familiar.

Basquiat's previous record was achieved in 2016 when a 1982 painting of a horned devil sold at Christie's for $ 57.3 million (the fifth most expensive work of art sold at auction that year).

With imagery steeped in blood, containing devils, skeletons, death and murder, his paintings tell the stories of those who have passed, those left behind after one's passing, the mourners, the lovers, the hurt and the relieved.He has a solo exhibition We Bleed Black Blood When We Die Dark Deaths opening on October 3rd at Portland's Breeze Block Gallery.

Masquerading as yet another example of the least offensive, most intellectually bent paintings of the era, a Prince Hood is in fact a deadpan coronation of the devil - may - care American badass.

The scope of his genius included portraiture, landscape painting, mythological painting, realistic stories, symbolical representations, tragedy, comedy, satire, farce, men, gods, devils, witches, the seen and the unseen and as was the case with Shakespeare's extravagant genius - an occasional excursion into the obscene.

In this new series of paintings he presents his subjects as devils and points to those deemed to be devils in current affaires.

Translated as «photocopier work,» Sigmar Polke's «Photocopierarbeiten» series was made with the experimental use of a photocopier, resulting in warped, blurred and fragmented images that play devil's advocate to the celebrated artist's history of paint, pen and canvas.

Once, in his youthful years, Daphnis painted a vision of heaven and hell; but in those days his purgatory was as charming as his paradise, the devils a toy army.

Looking at «Blue Devils» and the other Blue Paintings made since Ofili moved from London to Trinidad, is akin to an experience had in the strange moments between sleep and waking; images arrive, are reconfigured, and disappear into darkness.

In choosing Blue Devils (2014) as the title of his ominous, dark new painting, Chris Ofili has disturbingly and deliciously subverted that famous Trinidadian Carnival reference, transposing it to the streets of London, Manchester or New York.

On one wall stands «Blue Devils» (2014), a new painting whose title refers to a troupe of ghoulish Carnival dancers from Paramin, Trinidad.

Signature, Seriality, Painting, Blain Southern, London Painting Now, Diagonal Building, Maag Areal, Zurich Documenta (13), Documenta, Kassel Remote Control, Institute of Contemporary Arts, London The devil's fidelity, Galerie Marian Goodman, Paris Abstract Possible: The Stockholm Synergies, Tensta Konsthall, Spanga

As is the modern way, RCA 2016 allows much of the detail (where the devil, of course, often resides) to be painted in by regulations.

The devil is not as black as he is painted; likewise, college resume writing is not as hard as it may seem.

These were not simply the moments when they first met non-Aborigines, these were the occasions when they did such things as ran screaming from the devil noise of Land Rovers, tried to use flour for body paint instead of food, put pants on backwards or, more laughably yet, slipped on dresses when they should have been putting on pants.