Sentences with phrase «painted dot patterns»

In such works, the retinal afterimage excited by colored lightbulbs incorporated into the glossy surface is reproduced by Clarkson as painted dot patterns in high - key colors.

Not exact matches

You can paint almost any patterns you like on your toenails like polka dots, French tips, animal prin →

Once the paint has dried, apply glue dots in a random pattern then sprinkle glitter over the eggs for a sparkling polka dot effect.

I decided to try something TOTALLY different than I usually do at home... I wanted to give the «bold patterns» AND «neons» trend a try and so I painted my nails with the Chills & Thrills color and then took the end of a bobby pin and put neon green polka dots on top of the blue with the Vices Versa color!

My apartment isn't exactly conducive to pumpkin carving, so I opted for a cleaner project and painted my pumpkin patch with some neon pink paint and my favorite patterns: stripes and polka dots!

Children may make Dot pattern or also color or paint or stick materials using their own ideas and teacher's guidance.

Pointillism, the term used with respect to the work of Seurat, is the practice of painting patterns of small, distinct dots of pure color next to each other.

A central figure on the New York avant - garde scene, Kusama was famous for her delicately patterned abstract canvases, soft furniture with phalluses, and happenings in which she painted naked participants with her now signature polka dots.

Contributed by Sharon Butler / Digital screens, halftone dot patterns, emoticons, and other typographic symbols comprise the imagery in Jacqueline Humphries's new series of large - scale paintings on view at Greene Naftali through June 20.

Well known for her use of dense patterns of polka dots and nets, as well as her intense, large - scale environments, Kusama works in a variety of media, including painting, drawing, sculpture, film, performance, and immersive installation.

Parabolic spiral dot patterns are meticulously painted on an amorphous color field where vivid hues with intricate concentric elements dominate the compositions.

He is not alone either in assuming multiple guises — like Richard Prince with his stale jokes and the Marlboro man, Robert Gober with industrial sinks and pretend newspaper bundles, Jeff Koons with a ceramic poodle and an ad for rum, Josephine Pryde with a cute kid and otherwise identical auto bodies disfigured by splashes of paint, or Liz Deschenes with green screens lit from within and an unsteady pattern of white dots.

The rich texture, suggestiveness and reserve of Mulligan's photographs connect them to a small gray fiber piece by Sheila Hicks and Margaret Lee's sculpture and painting rendered in a black and white polka dot pattern.

An enduring feature of Kusama's unique art is the intricate lattice of paint that covers the surface of her Infinity Net canvases, the negative spaces between the individual loops of these all - over patterns emerging as delicate polka dots.

Hilariously gorgeous, even garish, these colorful, highly tactile works combine oil and enamel, are dense with dots, patterns and sartorial finery and suggest an artist thrilled to be painting again.

Polke's works during these years were mainly «Rasterbilder» (paintings that mimic printing): Polke appropriated publicity images from newspapers and magazines, enlarging them and hand painting them onto a canvas, dot by dot, creating an abstract pattern.

So, in an attempt to somehow deal with the harsh circumstances of life, Kusama began painting the aforementioned visions — the pieces consisted of dots and patterns she as a child saw all around her.

The patterns in these brightly colored works include passages of Net - painting, but also numerous mutations: ellipses, eyes, dots, and daubed lines whose patterns resemble enlarged finger prints.

The painting's entire surface is covered with a pattern of tiny red and green - blue dots, applied with a stamp and then painstakingly touched up by hand.

HARMONY KORINE — Yes, these line paintings are based and looped, like a trance or an obsessive teenager doodling on the back of a notebook, trying to find some magic pattern, a stoner pattern, melted and finding forms, connecting dots.

New paintings displayed alongside these immersive rooms continue an enduring preoccupation with multiplying polka dots and dense scalloped «infinity net» patterns — Kusama's obsessive repetition of these forms on canvas, which she has described as a form of active self - obliteration, responds to hallucinations first experienced in childhood.

The work is covered in shimmering pigment, which changes with light and includes both a pattern of raster dots, and scattered hand - painted spots — a motif which has defined Sigmar Polke's work.

Also on view are Wolniak's «tablets» — flat surfaces covered in plaster and painted with water - based pigments in palettes reminiscent of Hawaiian shirts, then carved into with elaborate linear patterns made up of circles, dots, scratches and swooshes.

Stephen Maine's paintings utilize a Luddite methodology that mimics and critiques the patterns of higher - tech dot printing processes while Amalia Piccinini coats her canvases in skeins of dark stains with accretions of paint, forming a self - consciously imperfect and mottled texture.

Cheyney Thompson, «Birdwings and Chambered Shells» at Andrew Kreps Gallery Cheyney Thompson's sixth solo painting show at this gallery — with its systemized colored dots and dashes arranged in patterns that are just beyond the grasp of cognition but scintillate the eye, the mind, and mingle with processes that feel primary and ever - changing — made me want to marry one of these paintings.

When speaking about her process, «My paintings are constructed using a rule - based system to generate a series of interwoven layers of meticulous repeating patterns of dots, dashes, and grids in highly saturated, vibrant and illusory colors.

Although his works may look as if they are made by a machine, Lichtenstein would begin by painting through a perforated metal screen to make the regular pattern of dots, like those used to form areas of colour in magazine pictures.

MS. LARSEN: And I always went over to the County Museum and thought — you know, those paintings that have a lot of, like, dots and linear patterns and --

In Bellicose Binary, pictured here, at lease one layer is intricately painted with a skin of minute dots that bring to mind Ben - Day patterns or Matrix-esque waterfall s of binary code.

Polke's trademarks are all here: the painstakingly rendered benday dots; the resin - soaked translucent fabrics which bring the stretchers» underlying cruciforms to the surface of the image; the substitution of two or three garishly patterned fabrics for canvas; the carefree ectoplasmic, ejaculatory paint trails; the disjunctive combinations of imagery drawn from current affairs, histories and fables.

Through a controlled painting process, she turns portraits or still lifes into graphic schemes, applying a «skin» of irregular pattern — herringbone, fluid grids, or polka dots — in contrasting or complementary colors.

She paints polka dots works to represent fabric and the patterns of our lives.

In the early to mid»80s she began sewing strips of canvas together, approximating circular biomorphic shapes, loading up her paintings with color and dense layers of punched paper dots, collage elements, and decorative bits — but she never identified with the Pattern and Decoration movement.

, Two small, pulsating paintings from 1964 feature dotted dots, or small dotted circles, in earthy tones; their patterns suggest game boards, electrical systems and peasant textiles.

Painted segments seem almost applied with a printing block, dots or harlequin - like rhombus patterns seemingly stamped, and individual color fields that reveal no trace of a brushstroke and seem to be generated by a printing machine.

The three - color aquatint print, created during her first collaboration with Wingate Studio, employs larger patterns and blocks of color than the Jane's well - known microscopic dots of oil paint, allowing the viewer a sense of the structure behind her meaningfully configured compositions.

An abstract painter working in acrylics, Barbara Takenaga is known for her swirling, dot - based paintings of saturated color and undulating patterns.

Thomas Downing, like Anthony Caro, was a great explorer of forms and movement, and this untitled painting on canvas of repeat dot irregular patterns is historically a fascinating picture when you consider it was executed prior to 1960, over forty years before Yayoi Kusuma's overall dot paintings and Damien Hirst's recent massive spot paintings.

For her recent series «I Saw the Future and It Reminded Me of You,» she focused on pattern making; each painting, of one or two girls, was copiously dotted with tiny flowers.

Ofili's paintings are intensely laboured, with intricate details of dots of acrylic and oil paint, collaged images, glitter and map pins, forming vast patterns sunk into layers of glossy resin.

In the late 1990s he began to draw directly on the surface of personal photographs, covering the images with intricate patterns of strokes and dots or applying splashes of paint and ink.

Some of the cities shown in these maps overlap with those dotting the Silk Route series, a set of nine intricately detailed paintings of historic maps overlaid with diverse collage elements — from ominous fighter planes to cheerful cartoon characters to textile patterns that evoke ancient weavers and traders.

Painted with enamel and later brought into focus by overlaying a ben - day dot pattern, they show close - up portraits of faces, both male and female, servicing erect penises.

The final segement of the exhibition will showcase some of the artist's most innovative late works such as his hologram of rock star Alice Cooper and the 1958 painting «The Sistine Madonna,» which predates Pop Art by superimposing the image of the Virgin and Child onto a giant photograph of the Pope's ear, which is composed of a benday dot pattern.

She seems to have found her groove again by the 1990s, focusing more on pure design and color with large - scale paintings such as «Yellow Trees,» black - and - white dot paintings like «Revived Soul» and the green and black patterned «Weeds.»

Planes of pattern and color are distinctively animated, albeit by the pattern of polka - dots on a figure's shirt or the articulated circles of bubble wrap that secure a painting.

Well known for her use of dense patterns of polka dots and nets, as well as her intense, large - scale environments, Yayoi Kusama works in a variety of media, including painting, drawing, sculpture, film, performance, and immersive installation.

A recent study, for example, used paintings to investigate evolving eating habits — of interest to Dot Earth because consumption patterns contribute to the challenges facing a world with rising human numbers and appetites.

The modelers approach is analogous to looking at a pointillist painting from 6 inches — they simply can't see the wood for the trees or the pattern for the dots.

There is a defined plastic trim around the edges that resembles brushed metal, it's painted with a dot pattern that sits beneath the glass on the face and hyperglaze finish on the rear, and the physical Home button with a capacitive Menu and Back buttons on the left and right, respectively, are present.