Then you take a step closer, and the image gives way to texture —
painted dots like beads that shape their figure's faces, fingers, Afros, breasts, or penis.
Not exact matches
I
like it when the
paint is thick enough for each
dot to turn into a visible fingerprint with an interesting structure and when I can easily see how the flowers made by my younger child are smaller than the ones made by my oldest because of the different sizes of fingers.
You can
paint almost any patterns you
like on your toenails
like polka
dots, French tips, animal prin →
The only thing I didn't
like was that the
dots seemed to be
painted on instead of part of the actual fabric.
After the gold polkadots were complete I place the gold glitter
paint over the gold polka
dots to give it some sort of sparkle or sheen
like the original Kate Spade Keds have.
Like when it hurts to think about selling the house, she tells herself how that bad feeling is just one
dot in the giant Seurat
painting of our lives.»
The show featured
paintings in which she started to develop two of her signature motifs: infinity nets (a series of small circles, linked
like a net) and polka
dots.
In other works,
like Jennifer Bartlett's Swimming Pool (Early 1970s), the grid (silkscreened onto the ground of the steel plate) intrinsically spaces and allocates the site in which she
paints her
dots as a kind of means to an end.
But in relation to contemporaries
like Roy Lichtenstein, Polke's Benday
dots,
painted by hand, were messy and inchoate.
Some
paintings employ even larger
dots interspersed with images,
like a mixed - media work from 1971 in which he
painted characters in milky, semitransparent white on strips of flowered fabrics.
Sort of
like the drawing of a Catholic soul we had to study in grade school — all white but
dotted with venial sins
like measles on a Robert Wyman
painting.
In these
paintings the palette is earthy, the black layered on brown and ochre shades, but even in a work
like Black Moves (1964), the dark tones are animated by contrast with a small triangle of red, and some delicate small
dotting of yellow.
He is not alone either in assuming multiple guises —
like Richard Prince with his stale jokes and the Marlboro man, Robert Gober with industrial sinks and pretend newspaper bundles, Jeff Koons with a ceramic poodle and an ad for rum, Josephine Pryde with a cute kid and otherwise identical auto bodies disfigured by splashes of
paint, or Liz Deschenes with green screens lit from within and an unsteady pattern of white
dots.
At Bloomberg, Martin Gayford writes that it's a bit
like seeing a whole display made up of nothing but Damien Hirst's
dot paintings: instantly attractive and numbingly repetitive.
In this new group, clusters of
dots infiltrate the whole territory of the
painting like color - coded information gone dysfunctional.
I always
liked the idea of people filling in the gaps between one
painting and another — trying to find connections or subconsciously forming relationships — joining up the
dots.
A 1995 work, so cartoon -
like that you almost expect a caption, is mostly a big, tilting expanse of bare canvas — a floor — extending toward a far - off green wall
dotted with numerous tiny
paintings.
Other than that, the
paintings look
like they were made by someone who really
likes swooshes,
dots, and stripes, but doesn't know what to do with them.
They were soon followed by her installations made from found objects covered with stuffed, sometimes
dotted phalluses, to which she soon added mirrors, and by the well - known orgy -
like Happenings (and their films) whose participants were
painted with
dots.
The artist transports the viewer to this holistic in - between - stage by reformulating the constituents of
painting as similar quintessential dualities: flat surface versus deep space, precision versus ambiguity, material versus ethereal, the grid -
like composition of brightly colored
dots versus animated, formative fields of homochromatic hues.
The
paintings in Sea Legs look
like vibrant abstractions but are in fact made up of thousands of
dots, methodically applied according to complex numerical systems.
From the psychedelically primordial My Forsaken Love, in which biomorphs traverse a black - fringed molten - pink ground, to the strata -
like composition of Standing on the Riverbank of My Hometown I Shed Tears, a canvas filled with sedimentary layers of cell -
like dots, eyes and extravagantly decorated lashes, the
paintings generate new motifs and arrangements of forms while continuing a lifelong preoccupation with the mysteries of the physical and metaphysical, the tangible and ineffable - the space where seeing and feeling intersect.
HARMONY KORINE — Yes, these line
paintings are based and looped,
like a trance or an obsessive teenager doodling on the back of a notebook, trying to find some magic pattern, a stoner pattern, melted and finding forms, connecting
dots.
Ofili began to garner attention in the mid-1990s with his intricately constructed works, combining bead -
like dots of
paint, informed in part by cave
paintings in Zimbabwe, with collaged images from popular media, and elephant dung.
The cream - colored surface of the work has several very intriguing circular bas - reliefs as well as a boldly
painted diagonal element in the center the top of which intersects with a row of gray
dots that escalate slightly in size and parallel a large iron rod whose curved tone,
like a cane handle, rises above the top of the four large panels.
Ruscha began his famous series of word
paintings in the 1960s, depicting various views of the Hollywood sign and the logos of studios
like 20th Century Fox, but also roadside views
like the Standard Oil stations
dotting L.A.'s freeways.
I really
liked paintings with
dots.
He has rightly been regarded as a consummately perceptual painter — the interaction of the
dots covering his canvases makes the most out of a very limited palette — but what struck me about his oil
paintings in particular was how tactile they felt, with the illusion of space seeming to change,
like the surface of a mosaic, as you move from side to front to side.
The surfaces are hard, flint -
like, with the array of colored
dots creating a palpable sense of space — not the shallow Cubist space of Abstract Expressionism or the aerial space that defines Color Field
painting — but a gravelly surface riddled with innumerable pits and ridges that's at once dazzling and forbidding.
Breuning's 2011 Metro Pictures show «The Art Freaks,» which depicted nudes
painted to look
like artworks, included a polka -
dotted nude, after Hirst.
Although his works may look as if they are made by a machine, Lichtenstein would begin by
painting through a perforated metal screen to make the regular pattern of
dots,
like those used to form areas of colour in magazine pictures.
Sam Gilliam's takes a more immersive Rothkoesque approach in April 4, a tribute to Martin Luther King created a year after his assassination, staining and knotting the canvas to create wash -
like veils of muted colour
dotted with clots of crimson, which «may suggest bloodstains» the texts argue — though the
painting doesn't hit quite the note of transcendence it aspires to.
MS. LARSEN: And I always went over to the County Museum and thought — you know, those
paintings that have a lot of,
like,
dots and linear patterns and --
The works, which often show a density of cut and
painted circles
like confetti, refer to Pindell's childhood experience of segregation: in the 1950s she noticed her glass at a root beer stand was
painted with a red
dot to indicate «for coloureds only».
Her early abstract pictures, their surfaces sprinkled with glitter and caked with punched - out, confetti -
like paper
dots, were some of the most beautiful
paintings of the 1970s.
Like in Ward's work, these villages are made up of what the fishermen can find — old oil barrels
dotting the shore and brightly
painted, recycled plywood shacks.
Since then her works have influenced British painters
like Thérèse Oulton and Rosa Lee, and Hirst's
dot paintings.
He's great on wet
paint, especially in his descriptions of Albert Oehlen's brushwork --» grids of
dots, and passages of fluid, slashing brush marks «bundled»
like kindling... veils, which are often made from dirty turps and some interesting, jewelescent earth tones, give the
paintings the feeling of being seen from inside a sock.»
Works
like the large series of 3D acrylic - and - Masonite
paintings of trees shadowed by their own grids follow Georges Seurat and Roy Lichtenstein's investigation of the role of the
dot in
painting, and prefigure the binary codes of contemporary digital photography.
This room is
like a missing link: the nailheads are
dots, carefully arranged into grids on the
paintings.
Those who don't have someone
like Powell to connect the
dots can still enjoy the
paintings, however.
Painted segments seem almost applied with a printing block,
dots or harlequin -
like rhombus patterns seemingly stamped, and individual color fields that reveal no trace of a brushstroke and seem to be generated by a printing machine.
Rafferty has created a theatrical event in the upstairs and downstairs of the still - new Uffner galleries with floor - to - ceiling curtains
dotted with pink - and - purple flies; blob -
like paintings (of people, a wall, a noose) and inkjet prints layered on top of each other, flattened behind plexi to give the appearance of multi-dimensional depth; all adorned with the tiniest of hardware,
like screws, that have been attached to the surface of her works.
In the 1990s the previous decade coalesced into the «village»
paintings — small house -
like mounds, on horizon lines, in landscapes
dotted with pictographs.
Thomas Downing,
like Anthony Caro, was a great explorer of forms and movement, and this untitled
painting on canvas of repeat
dot irregular patterns is historically a fascinating picture when you consider it was executed prior to 1960, over forty years before Yayoi Kusuma's overall
dot paintings and Damien Hirst's recent massive spot
paintings.
Using the fine point of a bamboo stick, Pwerle
paints masses of minute, individual
dots that float, cloud -
like, on a colored ground, shifting and vibrating within an indeterminate spatial plane, to depict the Bush Plum Dreaming narrative.
Some of the
paintings, I worried, resembled an over-iced child's birthday cake — the spatters of white, yellow, blue and green
like hundreds and thousands and the congealed
dots of thick oil
paint like Smarties.»
Like Roy Lichtenstein, Polke hand -
painted fields of
dots, and he rendered them with blurs and smudges, evoking the skids and glitches in Warhol's
paintings.
You can see this put to tremendous effect in a work
like Spaceshit (1995) with its planetary shapes formed of tiny
dots, each semi-transparent so that the
painting acquires spacey depths.
The artworks explode with energy as his obsessively
painted white
dots rise over his photographic canvases
like clouds of smoke.