Sentences with phrase «painted effect print»

The pants have a panelled detail at the back and also feature a contrast hand painted effect print across the front and the front and back lower leg.

Not exact matches

Filed Under: arts and crafts for kids Tagged With: cards, fish, hand print, hand print cards, rainbow paint effect Cerys Parker

As most people close to me know, I love everything marble, and this abstract splatter paint print gives the same organic effect without it being too literal.

Leather Jacket Esme Jacket Suede Jacket Latice Collar Web - oxidized necklace Tri-stand oxidized necklace Stripped metallic sweater Animal print sweater Stripped angora - blend sweater worn - effect jeans distressed jeans paint - splash jeans Snow bootie Studded shoe Black wedge shoe Admit it... the best thing of -LSB-...]

Much of his work explores print and newspaper collaging effects with painting.

She achieves this visual effect by creating a layered visual — a digitally printed photograph based on paper or linen, merged with painted acrylics on layers of transparent silk.

In the first main gallery, eight large paintings fail to advance Koons's fantastic dream of producing a handmade two - dimensional surface so intensely, intricately fashioned that all signs of human life disappear, leaving the effect of a man - made inkjet print or a nonvirtual JPEG.

A rising star represented by the talent - spotting dealers David Kordansky (in Los Angeles) and Anton Kern (in New York), Jonas Wood creates his visually punchy portraits and still lifes by taking copious photographs of the scene he wants to depict and then cuts and pasts the results together for a Cubistic collage effect — and then he painstakingly transfers these compositions into paintings, drawings, or prints.

Selections from Albers's own writings, including classic texts such as «On My Painting,» «Color» and «On My Homage to the Square,» mingle with essays by well - known Albers scholars Nicholas Fox Weber («Minimal Means, Maximum Effect») and Jeannette Redensek («On Josef Albers» Painting Materials and Techniques»); meditations by Norwegian artist Dag Erik Elgin («Preparing for Painting to Happen»), Eva Diaz («Jailbreaking Geometric Abstraction,») and Doug Ashford («Dear Josef»); and a collage sequence by Andrea Geyer that pays homage to Albers's prints.

He utilized his sewing machine prowess to eye - popping effect in post-minimalist paintings, prints, constructions and installations that bent every rule in the book.

Group Island Press: Recent Prints, Mildred Lane Kemper Art Museum, St. Louis, MO, 2018 Thinking Through Art, Middlebury College Museum of Art, Middlebury, VT, 2018 Sunrise, Sunset, Emerson Dorsch Gallery, Miami, FL, 2017 The Unhomely, Denny Gallery, New York, NY, 2017 Women Painting, Miami Dade College, Kendall Gallery, Miami, FL, 2017 New Faces, Different Places, Central Features Contemporary Art, Albuquerque, NM 2017 The Home Show, form & concept, Santa Fe, NM, 2016 Girls Who Dance in Dissonance, Wayside, Los Angeles, CA, 2016 Surface Area: Selections from the Permanent Collection, Studio Museum in Harlem, New York, NY, 2016 Self - Proliferation, Girls» Club, curated by Micaela Giovannotti, Fort Lauderdale, FL, 2016 Faces and Vases, Royal NoneSuch Gallery, Oakland, CA, 2016 Visions Into Infinite Archives, SOMArts Cultural Center, curated by Black Salt Collective, San Francisco, CA, 2016 Summer Art Faculty Exhibition, Schick Art Gallery, Skidmore College, Saratoga Springs, NY, 2015 Paula Wilson & Jovencio de la Paz, Saugatuck Center for the Arts, Saugatuck, MI, 2015 Perception Isn't Always Reality, Kranzberg Arts Center, St. Louis, MO, 2015 DRAW: Mapping Madness, Inside — Out Art Museum, curated by Tomas Vu, Beijing, China, 2014 - 2015 Lake Effect, Saugatuck Center for the Arts, curated by Mike Andrews, Saugatuck, MI, 2014 I Am The Magic Hand, Sikkema Jenkins & Co, Organized by Josephine Halvorson, New York, NY, 2013 Sanctify, Vincent Price Museum, Los Angeles, CA, 2013 The Bearden Project, Studio Museum in Harlem, New York, NY, 2012 Configured, Benrimon Contemporary, Curated By Teka Selman, New York, NY 2012 Art by Choice, Mississippi Museum of Fine Art, Jackson, MS, 2011 The February Show, Ogilvy & Mather, New York, NY, 2011 Art on Paper: The 41st Exhibition, Weatherspoon Art Museum, Greensboro, NC, 2010 Defrosted: A Life of Walt Disney, Postmasters Gallery, New York, NY, 2010 41st Collectors Show, Arkansas Art Center, Little Rock, AK, 2009 - 2010 Carrizozo Artist's Show, Gallery 408, Carrizozo, NM, 2009 - 2010 While We Were Away, Sragow Gallery, New York, NY, 2009 A Decade of Contemporary American Printmaking: 1999 - 2009, Tsingha University, Beijing, China, 2009 Collected.

Stella emphasized the «object - ness» of his art by creating shaped paintings and by including slight three - dimensional effects in his prints.

Parallels with mainstream Pop art are also visible in Polke's paintings which imitate the dotted effect of commercial printing techniques.

In fact Brown heightened the effects of the original, altered its perspective and flattened his paint surface almost like a print.

The Swiss artist Urs Fischer, known mostly for his sculpture, has also made editioned «paintings» — laser prints of untitled landscapes or interiors that achieve a nearly abstract, cracked - mirror effect with uneven bands of red, white, or black that the artist adds by hand, using a fine paintbrush or felt - tipped marker.

Selections from Albers» own writings, including classic texts such as «On My Painting,» «Color» and «On My Homage to the Square,» mingle with essays by well - known Albers scholars Nicholas Fox Weber («Minimal Means, Maximum Effect») and Jeannette Redensek («On Josef Albers» Painting Materials and Techniques»); meditations by Norwegian artist Dag Erik Elgin («Preparing for Painting to Happen»), Eva Diaz («Jailbreaking Geometric Abstraction») and Doug Ashford («Dear Josef»); and a collage sequence by Andrea Geyer that pays homage to Albers» prints.

His constructions in the show are painted and printed on multiple layers of plexiglass, so that the optical effects are not just seemingly dimension but actually so.

Features that once drew their meaning by seemingly not being his, now seem to be almost compulsive traits: we imagine Polke still obsessing over minute printing errors, over the aleatory stretched effects made by moving an image while it is being photocopied, over the bacterial and toxic - looking residues brought about by mixing resins and paints with foreign substances.

Rather than drawing attention to the process of creating Abstract Expressionist works through impasto paint and visible brush marks, Lichtenstein imitated the effects of mechanical printing through a stencil process, thick black outlining and his striking hand - painted Benday dots.

In some paintings the brushstrokes generate an extraordinary sense of movement, whereas in others they create a sculptural effect, as if the painting had been generated through 3D printing.

Used for centuries to create tonal effects in engravings and other prints, the crosshatch first appeared in Johns's work in an untitled 1972 painting.

However, Quinn's real contribution to Irish art over the past 12 years has been his mixed - media «technology» painting, in which he incorporates Printed Circuit Boards or PCBs (the ultimate hi - tech icons) into his compositions, in order to reference the revolutionary effect of computers on our daily lives.

The optical effects explored by Graves in the paintings and prints with the black ground came from her study of color under Josef Albers at Yale in the 1960s and his important course on the Interaction of Color.

Comprising more than 40 paintings and a related group of drawings, prints and other Dalí ephemera, «Salvador Dalí: The Late Work» will also explore the artist's enduring fascination with science, optical effects and illusionism as well as his connections to such artists of the 1960s and 1970s as Andy Warhol, Roy Lichtenstein and Willem de Kooning.

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A little pattern is all you need — tie dye, tile prints and ikat — or, be brave and try an ombre paint effect in tonal blues for a feature wall with a difference.

Retro geometrics, farmyards scenes, random effects inspired by Nature, all with their trademark surface print style and beautiful rich paint colours.

Featuring an all over paint effect design of tropical flora and fauna, with coordinating bedding accessories, and printed onto a 200 thread count, cotton sateen, add a touch of flamboyant glamour to your bedroom!