Sentences with phrase «painted fabric works»

A similar visual sleight is apparent in Chris Duncan's sun bleached and painted fabric works.

The show creates visual surprises and harmonies between the artists» two different approaches to art making: sculptures by Ernesto Burgos and painted fabric works by Chris Duncan.

I'm glad painting their fabric worked out for them... and I'm extremely jealous.

Not exact matches

Purchased plain white T - shirt of good quality (in grandma's size and toddler size) Different colors of fabric paint Old plastic containers Flat work surface covered in newspaper

I knew I'd be working with a tealish - green print, so I decided to go with an orangey - red fabric paint to tie in holiday colors ever so slightly.

These kurtas logos can be made by fabric paint, embroidery, bead or stone work, or stickers or applique will also be fine.

Thanks Laura:) I have had a bit of practice working on fabric as years and years ago I painted jean jackets and jeans and sold them.

The fabrics are beautiful and the Waverly chalk paint was wonderful to work with.

I've been wanting to chalk paint a Little sofa i have, i just don't know if this chalk paint recipe would work on fabric.

I combined it with a green fabric for the top portion added some sequins, painted details and zari lace work and ahoy, there was my top.

If you try to cover dark fabric with white paint it just won't work.

In the master bedroom, a work on paper by Neo Rauch above a Bond Street bed by Ralph Lauren Home upholstered in Profilia fabric by Zimmer + Rhode; the narrow painting is by David Reed, and the throw, cable - knit pillows, and wallpaper are all by Ralph Lauren Home

I would hate to put all that work into the project (I'm rehupolstering the seats with an indoor / outdoor fabric) to find out later that the paint just doesn't hold up.

Since this piece is newly finished I can't say how it'll hold up long - term, but Annie Sloan Chalk Paint works great when painting over fabric (with a little water sprayed on - no water on the leather though).

Methods and techniques of working with fabric, such as dyeing, sewing, batik, tie - dye, appliques, weaving, quilting, block printing, iron - on printing, screenprinting, and direct dye painting.

As far as work done, at this point I've only returned to have the sealer paint / fabric protector / rust package attended to and I was very happy with how it proceeded.

Methods and techniques of working with fabric, such as dyeing, sewing, batik, tie - dye, appliques, weaving, quilting, block printing, iron - on printing, screenprinting, and direct dye painting.

James Panero reviews six New York shows: Keith A. Smith: The Fabric Works: 1964 — 1980 at Bruce Silverstein (through June 6), Karen Schwartz: Down the Rabbit Hole at Life on Mars Gallery (through May 31), Mel Bernstine at McKenzie Fine Art (through May 3), Graham Nickson: Spectrum at Betty Cuningham Gallery (through May 22), Louise P. Sloane: Recent Paintings at Andre Zarre Gallery (through May 9), and Arts in Bushwick: Making History at Storefront Ten Eyck, Brooklyn (through May 10).

She works primarily on a sewing machine, but she also uses heat and paint to alter the fabrics.

Along with selected works by Toni Tully, including watercolors, fabric, and paintings, the show will feature works by her daughter, Rebecca Tully Fulmer, as well as the following prominent artists who had close professional relationships with Tully: Sara Garden Armstrong, Catherine Cabaniss, Carol Cooper, Carolyn Goldsmith, Beverly Erdreich, Scott Fuller, Betty Kent (deceased), Scott Stephens, Cumbee Tyndal, Ellen de Mello Weiland (deceased), and Maralyn Wilson.

This show features the L.A. based artist latest works — roughly hewn and comprised of paintings, cardboard collages, fabric collages, tapestries, ceramics, a mobile, and sculptures in metal, urethane and fabric.

Nevertheless, works like Gates of Paradise (1980) and her large Heartland (1985), a heart - shaped fabric and acrylic collage made with fabric flowers scattered over cascades of interlocking painted polygons adapted from Islamic decoration, have a considerable visual impact.

Many of the paintings in the exhibition utilize this fabric as their starting point, and over which she has continued to paint to create new works.

American painter Mark Bradford has moved away from paint itself and uses materials such as liquefied paper in his work, material that «has something to do with the social fabric of the times we live in, and not just to do with the history of art.»

Working with woodcut, sculpture, video and performance, Büttner also produces contemplative, abstract fabric «paintings» made from heavy - duty material of workers» uniforms.

Historical counterpoint for such work can be found in the practice of Patrick Saytour, which, while wildly diverse, includes experiments with painting on oilcloth and other domestic fabrics: Ceysson & Bénétière (F10) offer a solo presentation for the curious.

Revisiting manifestations of the black square and tracing its evolution over time to a more layered and frayed entity are a new suite of paintings by Ellen Gallagher riffing off of Kazimir Malevich's Black Square on a White Ground (1915), mixed media works by Turiya Magadlela, a bound fabric wall sculpture by Laura Lima, and Jonathas de Andrade's photographic iterations of the black square, which use plastic tarp to reference the movement of land occupation and the square form as a historic reference to capitalism.

Spanning acrylic and oil paintings, gouache and paper collages, patchworks made from fabrics and paint, silkscreens, and colored pencil drawings, this show brings together an expansive group of two - dimensional works to explore the relationship between painting and drawing.

This event has been organized in conjunction with The Barnes Foundation's exhibition Yinka Shonibare MBE: Magic Ladders.Nigerian - born, London - based Yinka Shonibare's first major Philadelphia exhibition since his artist residency at the Fabric Workshop and Museum in 2004 includes works of sculpture, photography, painting, and installation, with a focus on themes of education, enlightenment, and opportunity.

Here and throughout the works in the exhibition, Currin captures the tones and textures of real life with acute sensitivity — using multiple layers of paint to evoke patterned fabrics, translucent flesh, or the lustre of porcelain or ripe fruit.

Polly Apfelbaum's highly intricate fabric installations — works she describes as «fallen paintings», range from mandalic sunbursts to riotous spills and Pop - inspired gardens.

Some paintings employ even larger dots interspersed with images, like a mixed - media work from 1971 in which he painted characters in milky, semitransparent white on strips of flowered fabrics.

The trends seen at this year's opening night were intriguing — tons of fabric and textile - based work, like Verena Dengler's embroidered canvases at Thomas Duncan and Laure Provost's spectacular tapestry at MOT International; a pull towards representative painting, like Marcel van Eeden's cake painting at Clint Roenisch or Louise Bonnet's»60s - style oil paintings of peculiar sad - sacks at Mier Gallery; and any abstract work to be found was very multicolored, like William J. O'Brien's trippy plant - like paintings at Shane Campbell and Stanley Whitney's vibrant grids at Team Gallery.

During artist Vadis Turner's residency at Materials for the Arts, she created an entirely new body of work called Storm Systems, an exhibition of abstract paintings made from ribbon and fabric.

Creating what she calls «fallen paintings,» many of her works are shown on the floor using vibrant hand - dyed fabrics.

Other artists have sought to renew the formalist mantra of painting as object, either by painting on three - dimensional household objects or by working with the similarities between painting and plain old fabric design, as in clothing or folk quilting.

The exhibition brings together over 100 works, including several large - scale illustrated books by Kiefer (b. 1945) made in homage to Rodin (1840 — 1917) from materials like plaster; a series of large paintings titled Cathedral Towers; and vitrines filled with assorted objects including molds, dried plants, stones, and pieces of fabric.

SC: In my studio I have a collection of plastics, fabrics, beads, paint and other decor that I'll respond to as I'm working on a surface.

At once an abstract painting (or two), a figure, a squeegeed monoprint on fabric, a found object, a memory, a sculpture, this work has numerous points of entry.

With 53 of the show's artists - almost as many as Bonami included in his entire biennial - her overstuffed fraction included numerous women working in abstract painting or fabric, notably a knockout Sheila Hicks tower that was, hands down, the best work in the show (Pillar of Inquiry / Supple Column, 2013 - 14).

The rough, luxury fabric and thread, thickly coated with gestures of resin, oil and plastilina seen in Vaugh Spann's work create painting as sculpture and evoke a sense of weathered sensuality.

The artist's new work continues her use of found fabrics adding to it fabrics from Africa and elsewhere, coupled with mixed paint applications and photo transfers.

An assortment of media including painting, fabric work and installation by artists Palma Blank, Amanda Browder, Paul Corio, Jean Alexander Frater, Ben McNutt, Norm Paris and Derrick Velasquez will attempt to navigate the questions surrounding the «Rules of the Game.»

She works with dyed fabrics, various paints and uses sketches to map out what she will work on next.

The edition relates to a series of works by Zhao, titled A Painting of Thought, which layer thick acrylic paint on fabric in an attempt to de-construct rational logic and to make viewers wary of conceptual habits.

A stretched canvas forms the work's primary structure; loosely applied paint, punctuated by an isolated cluster of thick, frenetic paint strokes, consolidates multiple layers of paper and fabric fragments, concealing much of the surface.

Akunyili Crosby's works are multilayered both in their materials (she uses paint, charcoal, pencils, fabric, paper transfers, and collage) and in their meaning — she explores questions of cultural identity, relationships, and geography through portraiture, interior space, and objects.

The artists» work comprises mixed media paintings, collage, and pieced fabric on stretchers.

Organized in close coordination with the artist, the exhibition brings together nearly 350 works that span the breadth of his career, featuring paintings, fabric works, multiples, installations, documentation, photography, and ephemera created between 1987 and the present day.

In the 1960s Inokuma began to paint works based on imagined aerial views of cities, reducing three dimensional topography to two dimensional patterns which at once suggest the energy and visual complexity of the urban fabric yet remain completely abstract.