Sentences with phrase «painted field»

Just before that I was making combine pieces using wood and stone in relationship to a white painted field.
I'm still painting the field around the shapes, using negative space to create the image.
Miami - based artist Erin Parish paints fields of colorful abstract forms, creating atmospheric and liminal spaces to be experienced intuitively and physically.
On the one hand, Hubbard, who is younger (1975), composes painting fields with amorphous shapes that highlight the depth and the surface of the canvas.
Utilizing a number of different supports including canvas or linen, fiberboard and marble dust panel, Olson plays with the notion of surface and framing as constructs in his work, at times, employing handmade frames and thick borders of unpainted surface around a central painted field that act as both a physical edge to the painting and call attention to its nature as both an image and an object.
Color Recipes for Painted Furniture and More presents 40 new projects and paint inspirations by Annie Sloan, one of the world's foremost experts in the decorative painting field who helped spark a painted furniture revolution.
In his «Eccentric Polygon» series, from 1965 and «66, he embraces asymmetry and bold color, creating forms delineated by painted fields and by the edges of the canvas.
A tribute to Jayne Cortez (1934 - 2012)-- poet, performer and wife of the sculptor Melvin Edwards — is a smoldering red and black paint field implanted with circular forms that suggest both CDs — Mr. Cortez recorded with a band called the Firespitters — and life preservers.
Compositions featuring small painted fields built to create round targets or crisp rectangles continue in this new body of work.
Last year, Phillips auction house sued a Chinese businessman and collector Zhang Chang for his refusal to honor a guarantee of $ 24 million in a 2016 sale on a 1963 Gerhard Richter painting, Dusenjager, and in 2016, Christie's filed a $ 32 million lawsuit against collector Jose Mugrabi for not paying for a 1981 painting The Field Next to the Other Road by Jean - Michel Basquiat.
The conjunction of mirrored tiles with matter - of - fact paint fields results in a similar bind — you can see yourself and your surroundings reflected in the tiles or look at the paint on the painting's surface, but you can not see both at the same time.
Jackson Pollock's experiments culminated in the famous «drip» paintings, Mark Rothko painted fields of atmospheric color on monumental canvases, and Louise Nevelson's tabletop sculptures collaged from found pieces of wood metamorphosed first into wall sculptures and finally into total environments.
The No paintings are square, symmetrical compositions of finely differentiated, spectrally exact complementary colors, arranged around a central square of neutral gray created by the complements» mix and equivalent to the color of the overall painting field.
Like Roy Lichtenstein, Polke hand - painted fields of dots, and he rendered them with blurs and smudges, evoking the skids and glitches in Warhol's paintings.
Theresa Cheek of Art's the Answer has long been a supporter of the decorative painting field, being an incredible decorative artist herself.
The Red Corn Poppy fields are in full bloom, painting the fields with the most vibrant red you can imagine!
He will be missed by everyone in our athletic department - from the people that worked in his office to the people that painted the fields.
I grilled him on every imaginable nuance of playing tight end, clear down to, «What do you do to set up a skinny post if you're aligned out wide on the painted field numbers?
Subjecting the canvas to a range of painted actions and erasures upon it, Humphries tests the limits of painting, always interested in synthesizing physical and psychological space onto the painted field.
Like Scully, he sees a painted field as alternately mass and light, but never with the illusion of stone.
The painted fields may overlap or not, without disturbing his signature.
A fine lightness is even more vivid in reproduction, where the painted fields let in white from the page or screen.
In a monograph on the series, anthropologist Néstor García Canclini described these collaborative works as «documenting insignificant things that are neither productive nor startling, all within deliberately unremarkable contexts... [where] one can scarcely tell where it happens within the painting field, the realm of performance or the interface between advertising and art.»
In several works here, he exposes the underlying material by pushing the painted field into one corner or another.
If you compare art in 1815, when John Constable was painting fields and mill ponds, and 1915, when the Italian futurists were hailing mechanised war, you would have called modernism a step back in attitudes to the natural world.
Sarmento is well - known for his thickly impastoed, textured paintings where the paint field forms a ground from which he teases out his imagery in graphite, reversing the traditional basis of painting.
Touch (1999) resembles a fingerprint whose whorls are limned in dust, while several other paintings explicitly recall the warp and weft of finely woven gauze as the marks seem to float like mist over the painting field.
Using dark blues, bright whites, and occasionally high - key colors, the artist creates outstanding letter - like forms that push forward with a slight pulsation, especially depending on the quality of the light that illuminates it, while the painted field as a whole changes under different viewing conditions.
The painted fields of some works become a delicate surface of exquisitely rendered brush strokes, with all of the shimmering complexity of a silk tapestry.
Following this, if we steady our gaze, taking in the entirety of the painted field as a relative totality, the divisions between forms gradually fade away as the painting darkens into a single, monochromatic plane of color.
Emily Noelle Lambert's work explores dimensionality and space within the painting field.
His work combines painting and stippling with the deconstruction of vintage and popular media (books, magazines, etc.), collaging these pieces by layering them upon a painted field, constructing a stage filled with inventions of imagination.
Here, painted fields and figures reveal teams of mixed races, nationalities and religions, many symbolically reconfigured as single - team, single - goal tables.
To let color be its own narrative through its combination and by the palpability of painted fields
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