Sentences with phrase «painted film posters»

Born in Ciudad Bolivar, Venezuela, in 1923, Jesús Rafael Soto began his artistic career painting film posters for local movie theaters as a teenager.

Not exact matches

The artists chosen by von Heyl span a period from a 1928 drawing by Isobel Steele MacKinnon, a Chicago painter who studied in Munich with Hans Hofmann, to a 1968 frottage by Dominick Di Meo, a recent assemblage by Wuppertal - based musician / artist Peter Brötzmann, film posters by Josiah McElheny, a new painting by Molly Zuckerman - Hartung, and much more.

The artist's large scale canvases and painting installations are punctuated by movements like those of film credits, the urban environ of advertising and posters, or the frenetic energy of pop - up ads.

LONDON - Presenting works made between 2008 and 2017 in various media, including sculpture, painting, film, installation, photograms and posters, the exhibition asserts McElheny's view that «reconstructing history» can be a creative process itself and that aesthetics are always political.

The exhibition features film clips, paintings, photographs, posters and documents, many of which are drawn from Figueroa's archive and the Televisa Foundation collections.

This exhibition explores the social and cultural impact of these vessels and showcases over 250 objects, including paintings, sculpture, and ship models, alongside objects from shipyards, wall panels, furniture, fashion, textiles, photographs, posters and film.

Renoir: Father and Son / Painting and Cinema brings together over 120 works, including paintings, films, drawings, ceramics, costumes, photographs, and posters — many never before shown in the US — for an illuminating exploration of Pierre - Auguste's role in his son's oeuvre and the relationship between painting andPainting and Cinema brings together over 120 works, including paintings, films, drawings, ceramics, costumes, photographs, and posters — many never before shown in the US — for an illuminating exploration of Pierre - Auguste's role in his son's oeuvre and the relationship between painting andpainting and cinema.

A «magpie of culture,» according to Blazwick, Doig runs a film club in his studio with artist Che Lovelace, and he not only selects and screens the films — usually independent fare — but also paints the poster most weeks.

The exhibit is huge — 140 objects — including paintings, drawings, photographs, film clips, posters, cartoons, even artifacts from old Coney Island attractions.

Doig not only selects and screens the films; he also paints the poster advertising the week's film.

The exhibition features American artists for whom Blake was an important inspiration and includes more than 130 paintings, prints, drawings, photographs, films, and posters, as well as original Blake prints and illuminated books from collections throughout the United States.

The exhibition will feature American artists for whom Blake was an important inspiration and will include more than 130 paintings, prints, drawings, photographs, films, and posters, as well as original Blake prints and illuminated books from collections throughout the United States.

That's why some of my recent paintings are flat on the wall, like film posters.

Creed likes to paint layers of rectangles in bright colours that always make me think of arthouse cinema posters for some legendary 1970s film.

Paintings, sculptures, scale - models, furniture, posters, films, typographical designs and magazines illustrate the lively international world of art in which various disciplines became increasingly more interwoven.

Photography, sculpture, film, posters and porcelain will be featured alongside paintings.

Nineteen works have been acquired that highlight key moments in Brimfield's career, from collaborative films created for past performances and meticulously drawn and painted posters for imaginary erotic magazines about Henry Moore and Barbara Hepworth, to five photographs recreating moments in the life of Jackson Pollock from the perspective of the canvas, a filmed music hall performance starring a fictional raconteur, and posters anticipating her proposed 2015 exhibition at The Hepworth Wakefield.

The dazzling catalogue, published by Yale University Press, highlights more than 200 images from Coney Island's history, including paintings, drawings, photographs, prints, posters, film stills, architectural artifacts, and carousel animals.

The film is presented as part of an immersive installation on MoMA's 3rd floor Elaine Dannheiser Project space, an expansive gallery painted to match Syms» signature [The Color] purple (see martinesyms.com), and equipped with a series of movie poster - sized photographs that transform into moving image works with the addition of a site - specific augmented reality app called WYDRN (ie.

Through paintings, costume and set designs, posters, photographs, film clips and theater ephemera this exhibition brings to light an exhilarating but fleeting moment in the cultural history of the Soviet Union when innovative visual artists joined forces with avant - garde playwrights, actors, and theatrical producers.

Joseph Nechvatal has channeled an early interest in political, non-violent activism into artistic production: drawings, paintings, murals, political cartoons, videotapes, prints, posters, books, super-8 films, and designs for industrial materials, most of which offer commentary on strategic arms build - ups and the prospect of nuclear war.

paintings, sculptures, drawings, prints, photographs, architectural models and drawings, and design objects as well as some 22,000 films, videos, and media works, film stills, scripts, posters and historical documents.

Coney Island features more than 140 objects — paintings, drawings, photographs, prints, posters, architectural artifacts, and carousel animals — supplemented by ephemera and film clips.

In addition to the paintings, sculptures, drawings and environments, viewers will encounter posters, letters, cards, and invitations that relate to Kusama's early exhibitions and events — including her first solo show, which took place in Seattle — a slideshow of Kusama's performances as well as an interview with the artist filmed on the occasion of this exhibition.

The artist will transform the gallery into a video - rental store, complete with hand - painted DVDs and movie posters from the artist's created universe of fictitious films.

The Crystal Land is divided into three sections: a series of wall reliefs (Crystal Landscape Paintings) inspired by the artist Robert Smithson; a film, including a «glass cinema» and movie posters (The Light Club of Vizcaya: A Women's Picture) inspired by the writer Paul Scheerbart; and a large - sacle installation (Island Universe) inspired by the physicist Andrei Linde.

The show features works in various media including sculpture, painting, film, installation, photograms and posters.

The gallery's London location has a show running through April 23 devoted to a late cycle of paintings that Mr. Jones developed from a 1975 film poster commission.

Renoir: Father and Son / Painting and Cinema brings together over 120 works — including paintings, drawings, ceramics, films, costumes, photographs, and posters — for an illuminating exploration of Pierre - Auguste's role in his son's oeuvre and the relationship between painting andPainting and Cinema brings together over 120 works — including paintings, drawings, ceramics, films, costumes, photographs, and posters — for an illuminating exploration of Pierre - Auguste's role in his son's oeuvre and the relationship between painting andpainting and cinema.

Works included in the exhibition range from film posters painted by Peter Doig for his weekly film club in Trinidad, a video projection, Ligne de Foi, 1991, by James Coleman, Polaroid photographs by film director Andrey Tarkovsky, which were selected by Dominique Gonzalez - Foerster for their poetic representation of landscape, photographs presenting an example of early self - cinema by Victorian photographer Lady Clementina Hawarden and the screening of Michael Powell and Emeric Pressburger's iconic The Red Shoes, 1948.

Fluxus Preview, organized by Mr. Cherix in 2009 with MoMA's Fluxus Consulting Curator Jon Hendricks, celebrated this important gift with a special installation of posters, newspapers, Fluxus editions, films, and photographs in the Museum's galleries for painting and sculpture.

Mark Bradford transforms maps, blueprints, and everyday materials — including merchant posters, flyers, and advertisements — into large - scale paintings, installations, and sculptures using a range of media such as collage, decoupage, film, and photography.

Beginning with early and ending with quite recent works — from the publication Gedruckte und ungedruckte Poster (Printed and Unprinted Posters, 2003 — 2008) and the sequence of poster and PowerPoint paintings (2010 ---RRB-, Vier Vorschläge zur Veränderung von Modern (Four Proposals for Changing Modern, 2007 ---RRB-, and Frieze (CMYK)(2007) to Filmed Film Trailer (2008)-- the exhibition at Schirn for the first time juxtaposes various of Riedel's work series to form a new installation, which offers an insight into the artist's manifold production mePoster (Printed and Unprinted Posters, 2003 — 2008) and the sequence of poster and PowerPoint paintings (2010 ---RRB-, Vier Vorschläge zur Veränderung von Modern (Four Proposals for Changing Modern, 2007 ---RRB-, and Frieze (CMYK)(2007) to Filmed Film Trailer (2008)-- the exhibition at Schirn for the first time juxtaposes various of Riedel's work series to form a new installation, which offers an insight into the artist's manifold production meposter and PowerPoint paintings (2010 ---RRB-, Vier Vorschläge zur Veränderung von Modern (Four Proposals for Changing Modern, 2007 ---RRB-, and Frieze (CMYK)(2007) to Filmed Film Trailer (2008)-- the exhibition at Schirn for the first time juxtaposes various of Riedel's work series to form a new installation, which offers an insight into the artist's manifold production methods.

Klara Lidén: The Myth of Progress 12 October — 19 January 2014 IMMA presents the first solo exhibition in Ireland by Swedish - born artist Klara Lidén, featuring a selection of her Poster Paintings, accompanied by a film work Der Mythos des Fortschritts (Moonwalk)[The myth of progress (Moonwalk)-RSB-(2008) and a selection of recent and new c - prints, one of which has been taken in Dublin and is presented for the first time at IMMA.

Hundreds of never - before - exhibited drawings, paintings, sculptures, and sketchbooks will be joined by a selection of domestic and international film posters from his feature films, accompanied by music specifically composed for the exhibition by Burton's longtime collaborator Danny Elfman.

Filtering by price ($ 100 to $ 500) and size (large) produced a wide selection, from limited - edition prints like a poster of Wes Anderson's «The Grand Budapest Hotel» by Robotic Ewe, recreated using the film script ($ 210), to acrylic paintings like «Amazonia,» a bright abstract by Rashna Hackett, inspired by rain forest parrots ($ 490).

The suit shown in the photo differs from both the original suit depicted in the mid-credits scene from Ant - Man (pictured below) and Andy Park's painted poster for the film, so it's uncertain whether this will indeed be the Wasp's final costume or some alternate version of her outfit for the film.