Sentences with phrase «painted film telling»

Good Deed Entertainment has launched a theatrical trailer for the upcoming release of the film Loving Vincent, the very special hand - painted film telling the story of famed Dutch artist Vincent van Gogh.

Not exact matches

Stories We Tell explores the elusive nature of truth and memory, but at its core is a deeply personal film about how our narratives shape and define us as individuals and families, all interconnecting to paint a profound, funny and poignant picture of the larger human story.

Some films simply tell a story, whilst others paint a powerful portrait of a world the audience may not have otherwise seen.

We were told that we didn't have the budget to do miniatures, he was like, «Listen Michael, go and buy six 3D printers and I've got 10 3D printers in the art department, and we'll just print all the miniatures in the film, and then we'll get the scenic artists who are already on the payroll to paint them for us.»

The film explores the life and controversial death of the Dutch Post-Impressionist painter Vincent Van Gogh, told by his paintings and by the characters that inhabit them, and features a cast that includes Douglas Booth, Jerome Flynn, Saoirse Ronan, Helen -LSB-...]

The film is sometimes painted as cynical and manipulative, but with one exception (the overwrought scene when Elliot tells E.T. that he loves him) it is actually Spielberg's most sincere and heartfelt film.

The film brings the paintings of Vincent van Gogh to life to tell his remarkable story.

At one point during Julie Taymor's exquisite film, FRIDA, Diego Rivera tells Frida Kahlo that while he can only paint what he sees, she paints from the heart.

The film features art hand - painted by artists in the style of Vincent Van Gogh to tell his story.

Set to the backdrop of the Detroit race riots, the film's opening sequences paint a striking picture of a city in violent chaos, but its broad scope soon gives way to a more focused telling of police brutality against a small group of youths.

Can you tell me which one of them will also be great to film videos (for tutorials, painting demonstration and social media)?

«I filmed the painting with a Canon 550D camera using a macro lens,» Blanchard told The Creators Project.

Beginning with Robert Rauschenberg and Robert Whitman's 1966 Experiments in Art and Technology (E.A.T.) with Bell Laboratories engineers, and including new and rarely seen multimedia works, film, painting, sculpture, photography and drawings by over 70 artists such as Cory Arcangel, Roy Ascott, Jeremy Bailey, Judith Barry, Trevor Paglen, Nam June Paik, Ryan Trecartin and Ulla Wiggen, this publication tells the story of a global visual culture.

Also don't miss the extraordinary, intensely personal paintings, drawings and photographs of nonagenarian Geta Brãtescu in Romania, as well as the film by Teresa Hubbard and Alexander Birchler in the Swiss Pavilion which tells the heart - wrenching story of Flora Mayo, long - forgotten American artist and lover of Alberto Giacometti, through the voice of her now aged son.

The foundation of her recent animation film is to integrate the paintings of her female characters into motion and tell stories.

In his film Shirley: Visions of Reality, Austrian filmmaker, architect and experimental artist Gustav Deutsch recreates 13 of Edward Hopper's paintings, bringing them to life by telling the story of a woman whose thoughts, emotions and contemplations give us a glimpse of a fascinating era in American history.

There had been what he called «a tragic depreciation» in the nuts and bolts of the artist's profession, particularly drawing and painting - partly caused by the false assumption that photography and film told the greatest truth.

[3] He also organised such shows as the first John Baldessari European Retrospective toured to the Serpentine Gallery, London and onwards onto a European tour; [3] a Bruce McLean film commission; [3] «Sublime: Manchester Music and Design»; Edward Allington; [3] Jochen Gerz; [3] Annette Messager: Telling Tales»; [3] Rita Donagh Retrospective; Paul Seawright: Sectarian Murders and «Unveiled: Possibilities in Abstract Painting» exhibitions.

Here's what they will tell us: for abstract painting look elsewhere (narrative rules in this biennial); fashion — meets — art doesn't rate; LA, a city whose artistic vitality the curators see as ascendant, does; slipshod facture's out; the real world's not, just unwelcome in unmediated, text — based versions; performance figures in the planning; and film and video will «be selected from the point of view of two curators of contemporary art.»

They tell stories in the manner of surrealists like Remedios Varo or Leonora Carrington, to whom Heffernan has been compared.4 Furthermore, such ambiguous narratives more closely parallel the postmodern work of Cindy Sherman's untitled film stills or Kara Walker's silhouettes, than the clear and didactic narratives of history painting.

This is where art — whether paintings, dance, song, film or other forms of creative story telling — can play such an important role.