Sentences with phrase «painted films of»

They evoke hot glass, connecting the paintings to silicon computer chips and to boiling liquid in laboratory beakers, as well as the hand - painted films of Stan Brakhage.
Set into a painted film of white gloss, opalescent hues of the butterflies» gossamer wings produce the effect of a Gothic stained - glass rose window.

Not exact matches

If people saw enough movies and slide films and paintings and photographs of oil and oilmen perhaps they would begin to understand (and like) the industry.
Pollock, whose documentary, «Strange Fruit,» premiered at the South by Southwest Festival on Saturday, claims the new security tape featured in the film points to a cover - up of evidence on the part of Ferguson police, and a false narrative painted about Brown by city officials.
While Canipre's film - noir website paints the company as the scourge of pirates, the truth is murkier.
Many representations of the annunciation in painting, literature and film, while emphasizing Mary's faithfulness, have lingered over the fear and questioning hinted at in Luke.
The film paints very clearly the life of the priest in stark relief to the world's perception of what a priest is, all while allowing Fr.
A third film, The Law and the Prophets (McGraw - Hill Text Films, 1970; 51 min., 2 reels, color), not only offers a good summary of the Old Testament but also demonstrates the influence of the Bible on Western art, for, it shows great works of painting and sculpture inspired by the Bible.
In England, the leading center has been in Cambridge, where Jeremy Begbie's project on theology through the arts in the Centre for Advanced Religious and Theological Studies has sponsored a range of publications, performances and educational initiatives, and is due to culminate in September 2000 with an arts festival embracing new film, drama, sculpture, music, painting and poetry.
Canadian Rodney Graham has won deep respect for the rigorously intellectual quality of his art, which ranges through photography, film, video, music, sculpture, painting, and writing.
Part of musical performance involves narcissism, just as some part of writing or acting or painting or sculpting or making film is deeply self - absorbed, but we don't condemn musicians or artists for daring to put their creations out in public for people to see.
To test their design, the researchers applied the battery paints on ceramic bathroom tiles, glass, a flexible transparency film, stainless steel and the side of a beer stein.
The door, just uphill from the Albuquerque Seismological Laboratory, leads into a cave that looks like the villain's lair in a James Bond film: the uneven stone walls painted white, an array of shiny instruments strewn about.
Over the next few weeks, the team will take more samples for carbon dating, make more sketches and take photographs and film of the paintings.
With thin film technology the bedrock of microchip and microstructure manufacturing, the pioneering research offers a significant advance — potential applications range from thin film coatings for paint and wound care to 3D printing, micro-casting and micro-fluidics.
The Upside Down Mushroom Room appears through February 20 in Ecstasy, an exhibit at the Museum of Contemporary Art, Los Angeles, in which 30 artists explore altered modes of perception via painting, sculpture, film, video, and photography.
Looking to the other work done at and to support the Green Bank Observatory, the accomplishments of the past year include: hosting more than 2,000 visitors to view the solar eclipse, painting 84,000 square feet of the GBT, hosting 900 visitors at our annual open house (and launching 150 rockets in two hours that same day), releasing our new visitor reservations system, and hosting more than 30 film and news organizations.
I remember well when I used to spray paint cars for a living many years ago, how easily a stell car door panel would develop a fine film of rust even within hours!
Personal or Handmade Touches - Handmade invitations (made by ourselves)- Handmade place settings (made by ourselves)- Handmade Guest Book (drop frame — guests signed a wooden heart, and dropped them into a frame)(made by ourselves)- Framed pictures for table names (made by ourselves, and named after cars from Harry's favourite film)- Personalised cake topper and cupcake decoration (cake topper from Ebay, and cake made by my Aunt)- Handmade bridesmaid's posies (made by my mum)- Personalised and hand painted wedding shoes (for Bride)(done by Beautiful Moments)- Personalised champagne glasses for Bride and Groom to use for toast (bought as a present by my sister and her family)- Ushers were bought cufflinks to wear that reflected their personal interests - Bridesmaids were given personalised flat shoes to wear in the evening (personalised by me)- Handmade bridesmaids dresses - Flowers and buttonholes, and bouquet all made unique, with my bouquet including charms with pictures of my grandfathers on them.
For example, in the film, Riggs is painted as a sexist, sure, but a harmless one who was mostly a product of his era.
Paris is my favorite city, so my short film was walking hand in hand along the Seine River with my lover on a sunny morning on our way to the Musee» D'Orsay to view Impressionist paintings, followed by lunch at a sidewalk cafe, and a walk back to the hotel for a late afternoon of making love.
An engrossing video game can place you into the moment more so than any film, song, painting, or piece of literature.
Days of Heaven, which brought Malick the best director award at Cannes in 1979 and is arguably his finest film, is being reissued in a new print that does justice to Néstor Almendros's magnificent cinematography drawing on the paintings of Winslow Homer, Andrew Wyeth, Edward Hopper and (in one scene of a religious ceremony in wheat fields) Jean - François Millet.
The aforementioned opening shots of Snape look more like Impressionist paintings than a scene from a kiddie film.
Just as Jackson Pollock stretched the definition of painting and broke away from previous conventions, Malick is challenging the mainstream notion which defines film and more importantly, he offers a comfort to our suffering.
The Maestro compares film making to painting because of the interplay of color and light.
The film, which might be semi-autobiographical and certainly influenced by Cassavetes» style, consists of a number of sketches painting a picture of the working class characters and their limited ambitions, and their resignation that their station in life is fixed by destiny.
Do yourself a favor by ignoring the film's trailers and onslaught of ad spots that inadvertently paint Megamind as just another tighted candidate looking for a free ride.
Mr. Nicholson pops his eyes, sneers, laughs maniacally and, in the film's liveliest sequence, sings and dances his way through the Gotham City museum of art, happily defacing the paintings.
Cooper and his director of photography Masanobu Takayanagi (who also worked on the filmmaker's last two movies) paint a visually striking but harsh and brutal portrait of the scenery here, placing an emphasis on long shots of desolate landscapes and closeups of human anguish in order to create the film's dismal mood.
Definitely harsh, it ran rings, and painted a masterpiece over Transformers Revenge of the Fallen, the worst film possibly ever.
The Games are a way of punishing constituents for a nearly century - old uprising, though haunting propaganda films paint them as honorable sacrifice.
This moody, elegiac film has universally been acclaimed as a cinematographic masterpiece, from the talents of Cuban - born European Nestor Almendros (and «additional photography» by Haskell Wexler), with naturally - lit, sweeping, 70 mm images of crystal clarity and scope, and artfully composed scenes reminiscent of Andrew Wyeth paintings.
Beauvois films the women toiling in the Limousin sun for extended periods of time throughout the film, painstakingly painting the picture in the viewers» minds of how hard it is to actually tend to a farm 24/7 without modern technology.
Given that some of Mary's creative team worked on some of those films, it's less a matter of copying Ghibli's style than extending it, but as swoony as some of its deftly painted vistas can be, it's decidedly lacking the shock of the new.
iInstead of a buoyant, imaginative superhero movie on the order of Sam Raimi's «Spider - Man» films or Bryan Singer's «Superman Returns,» we get a lumbering, paint - by - numbers origin story.
Like the (far superior) recent Russian film «Elena,» Child's Pose paints a compelling portrait of post-Soviet capitalism in all its uncorked appetites, its brash cronyism and graft, its pretensions, its clueless philistinism.
Gillespie, working from a script by Steven Rogers, does an effective job of painting a somewhat less - than - flattering portrayal of the protagonist's hard - scrabble existence, with the strength of the film's opening stretch standing in sharp contrast to a middling midsection that grows less and less interesting as time progresses.
Stories We Tell explores the elusive nature of truth and memory, but at its core is a deeply personal film about how our narratives shape and define us as individuals and families, all interconnecting to paint a profound, funny and poignant picture of the larger human story.
This relationship forms the core of Michael Pearce's clammily compelling debut feature, which paints a very different picture of Channel Island life to that other film set on Guernsey involving books and potato peel pies.
Rather than the typical inciting incident of a film's typical narrative structure, Yang's screenplay builds its story organically, painting a portrait of flawed, tender humans.
There is also a dismaying laziness to the film's use of Mexico as a suppurating cradle of the occult, with its painted skull ornaments and flapping leaflets for Día de Muertos processions cropping up in every other shot.
Cinematographer Ryan Samul (2014's «Cold in July») holds a shot for maximum dread, whether it's on the smiley face spray - painted on a mailbox or the swing of a swing set, but also pleasingly employs technical flourishes, like zooms, that help differentiate it from the jittery style and often subtle framing in Bryan Bertino's original film.
The film tries to paint in shades of gray with vague criticisms of the war on drugs, but the absurdity of its he - man Everyman plot ends up turning its moral palette a muddy brown.
Not only does this film resurrect old Cold War red menace paranoia to paint the villainous Decepticons as Commies, but it also evokes a lot of contemporary xenophobia towards a vague notion of what lies in the Middle East.
Faust is a tragedy drawn in magnificent images like paintings in light and shadow and is one of the most breathtakingly beautiful of Murnau's German films.
Even when the film drags, it is pretty to look at, and many of the artfully constructed shots can stand alone as paintings.
The opening credits feature a baby's fingertip reaching out to touch the title of the film, just like the famous Sistine Chapel painting of God and Adam brushing fingertips (the image becomes even more confrontational when it's repeated, with Darwin touching the finger of an orangutan).
Paying a homage to classic paintings and classic television acting, this film is one of the best of the 90's.
With the exception of a brief Earthly pit stop, Waititi sets his film in the stranger, candy - colored corners of Marvel's cosmos, where the action is pummeling but gleeful and Jeff Goldblum, playing a minor antagonist, wears floppy sandals and a blue painted - on goatee.
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