Sentences with phrase «painted gallery floor»

For the artist's first exhibition at Team Gallery, Schulze presents new paintings alongside painted and found objects like lamps, tables, chairs, carpets, and curtains, accompanied by a hand - painted gallery floor.

Not exact matches

The moody paint couldn't be more perfect with all the gold frames, and the floor to ceiling gallery wall is really stunning!

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Modern artworks created especially for the hotel by locally born artist Marco Lanza have been added to the ground - floor entrance hall, the gallery and the lounge bar, depicting details of original paintings of Caterina de» Medici that now hang in the Uffizi Ggallery and the lounge bar, depicting details of original paintings of Caterina de» Medici that now hang in the Uffizi GalleryGallery.

Painting our coast for 40 years, Jeffrey exhibits year - round in this spacious second floor gallery right in the center of Cannon Beach.

Painting our coast for 40 years, Jeffrey exhibits year - round in this spacious second floor gallery right in the center of...

That tone was set at the opening night's performances: Lee Mingwei's durational performance Our Labyrinth (2015), for which a dancer swept the floors of the galleries with a mixture of grains, purifying a path for visitors; Aki Sasamoto's Delicate Cycle (2016), which included such domestic objects as washing machines and bundles of clothing; and Olivier de Sagazan's Transfiguration (2016), in which de Sagazan used clay, paint, and hair to transform himself into a shamanistic figure.

The roots of Zhang's new abstract strategy, which made its debut at Hauser & Wirth in Zurich in 2016, may be found in the artist's «Space Paintings,» environmental installations in which he covers the ceilings, floors, and walls of a gallery with abstract patterns that alter one's sense of space.

Viewed within the modern monastic space of the Paul Kasmin Gallery, with its cool white walls, polished floors, and concrete ceiling, the visceral earth tones and frantic forms of Lee Krasner's «Umber Paintings» emerge as fields of boundless energy.

The inaugural exhibition in 1992 took place at Hauser & Wirth's first gallery, located in the first - floor apartment of an Art Deco villa in the heart of Zurich; it united mobiles and gouaches by Alexander Calder with sculptures and paintings by Joan Miró.

Four giant paintings run from one inch above the gallery floor to within one inch of the top of the 14 - foot walls.

SPANNING THREE GALLERY FLOORS, Chris Ofili's exhibition at the New Museum doesn't hold back, presenting his greatest hits and new works, fabulous canvases that refute any notion that painting is dead.

Now, «Crossing» and other monumental paintings will be on display in Tower 49's lobby and 24th floor galleries.

The John Moores Painting Prize winner 2014, Rose Wylie, 82 is the subject of a major new exhibition at Turner Contemporary's ground floor Sunley Gallery, where they will be exhibiting a group of paintings and works on paper.

The Contemporary Wing's Front Room Gallery will feature three immersive floor - to - ceiling Wall Works overlaid with paintings, collages, and silkscreens on Mylar by the artist.

Upon entering the exhibition, the viewer passes through a threshold of a floor to ceiling installation of paint, images and process and into a gallery of walls painted bands of the color spectrum that dissolves to white.

A case in point is the current exhibition of painting and installation by the artist Franklin Evans where a physical copy of Painting as Modelsits up front and center on the gallery floor while material unleashed from the book orbits about thpainting and installation by the artist Franklin Evans where a physical copy of Painting as Modelsits up front and center on the gallery floor while material unleashed from the book orbits about thPainting as Modelsits up front and center on the gallery floor while material unleashed from the book orbits about the space.

Two recently restored paintings exemplifying the glory of Veronese's art on view in the second - floor Frederick Stafford Gallery through September 3.

Advancing her constant search into new territories of abstraction and the possibilities of painting, Cain will transform the gallery with her first monumental floor painting that will cover and activate the entire 2,500 square foot exhibition space.

P.S. 1 Contemporary Art Center presents David Reed Paintings: Motion Pictures in its first floor drawing and painting galleries from June 20 through August 29, 1999.

The display will include works that span his long and productive career, from the figurative paintings of the 1940s to the Perspex square reliefs he made in his later years, which will be displayed across the ground floor of the gallery.

Maysles fills the gallery with floor - to - ceiling versions of the iconic paintings, in both positive and negative renditions.

In more traditional gallery spaces, Martin has blurred the distinction between the art object and the viewer, placing paintings on floors, ceilings, and displayed among household objects.»

The other was a college friend, back when painting meant geometric abstraction and the only Ashcan School was a mound of dirt on a gallery floor, maybe with some mirrors and torn rubber thrown in for good measure.

The exhibition features a single seven - foot painting that hangs on the gallery's main floor.

Pictures & Scripts, the title of the current London show, comprises twenty new paintings spanning the gallery's two floor areas.

The exhibition rewards a bit of work at the gallery, such as climbing the stairs toward the second floor for a better view in the stairwell of Blue Blush, a horizontal work that reads more as a still life than the figural suggestion of the vertical paintings.

Exhibited across two floors of the gallery, the paintings here range in scale from the tablet - sized Boardwalk Barter a reminiscence from the artist's earlier years selling his work in Venice, California, to one of his signature, immersive flower - like explosions, which can be read as either the conceptual origin or the end point of all other work.

EXHIBITION Mark Bradford @ Hirshhorn Museum, Washington, D.C. (November 2017): Los Angeles - based artist Mark Bradford will take full advantage of the unique cylindrical structure of the Hirshhorn Museum and Sculpture Garden in Washington, D.C., installing a suite of site - specific paintings on the second floor of the Smithsonian museum where the work will occupy the entire circumference of the curved galleries.

In addition to her paintings, there will also be a display of prints in the 3rd Floor Gallery.

Spanning the gallery's entire ground floor, Joo's exhibition encompasses a body of new «caloric tray paintings,» as described by the artist himself, influenced by an older series, The Saltiness of Greatness, produced back in 1992.

She is standing on the cement floor of Night Gallery in South Downtown L.A., surrounded by «The Progress of Love,» her new show of paintings.

Off - site galleries offered strong artist - is - present showings: at Central Fine on Normandy Drive, airbrushed paintings by Hubert Bush; at Emerson Dorsch, Back On Earth, hatched by Miami locals, Hugo Montoya and Brandon Opalka; at Locust Projects Daniel Arsham's fierce intervention into the gallery floor, 25 feet wide and up to 3 feet deep, filled with artefacts from the recent past (a bashed - up guitar, a push - button telephone, radios, blown tyres — painstakingly recreated in concentric circles of volcanic ash, crystal and steel, and all sourced from eBay.

Over the course of the exhibition, the blank white space of the New Museum's Fourth Floor gallery will be transformed through the gradual accumulation of drawings and paintings by Museum visitors and a wide array of invited community organizations.

In this overdue exhibition, Toroni has cunningly hung twenty - five square paintings from 1987, each one marked with fourteen orange strokes, at the height of the gallery's mezzanine: in the main space, the canvases are a tick below eye level, while in the upper space they're propped against the wall, as they rest on the floor.

For this conversation, Yiadom - Boakye and Gioni will discuss her distinct oeuvre — including the seventeen new works she debuts in this exhibition, within a painted environment she specially conceived for the Fourth Floor Gallery.

He went over to the painting on the gallery wall and, with a deft flick of the forefinger, consigned the offending fleck to the history of the Hayward floor.

Revisiting an idea he first employed in his late - seventies project «128 Photographs of a Painting», he divided the work's surface into two vertical sections, then halved those halves, and so on, he had each work printed to his desired scale, so that we might contemplate what have become remarkable horizontal, rhythmic fields of fine lines, oscillating with vibrations of color, the largest of which stretches over ten meters, as seen on the gallery's first floor.

At one point as I tried to get more information about a floor sculpture that resampled broken glass, and a set of blue paintings with some subtle white abstract elements on them, the gallery director couldn't even tell me about the work.

For Sarah Cain and Ryan Wallace, it means extending the painted object to the gallery walls and floors.

Faculty Show, Second Floor Gallery Bingyi's paintings often depict solitary people and animals lost in vast landscapes.

-- 02.11.2014 5th floor, Gallery of Contemporary Art Two closely related exhibitions — Merike Estna's solo project and an international group exhibition — both deal with expanding the genre - related boundaries of painting.

AT THE REAR OF RYAN LEE GALLERY in New York, a 1966 painting by Emma Amos casually sits on the floor leaning against the wall between works by other gallery aGALLERY in New York, a 1966 painting by Emma Amos casually sits on the floor leaning against the wall between works by other gallery agallery artists.

In further conversation with the architecture of the gallery and wall painting, she will unveil a site - specific floor piece made out of carpet based on the original designs of the Visual Arts Building.

Twelve feet tall multicolor trees, an octagon geometric shape and freestanding painted campers are installed on the gallery floor to produce a deep focus space.

Most significantly, it presents three gallery floors of amazing paintings that demonstrate his comfort with subjects and concepts both high and low and his deft ability to push his work in new directions.

My own gallery in Boston has been taken over by the great Franklin Evans, who is presenting new paintings in the context of a floor to ceiling installation.

In May 2014, the Foundation placed a choice selection of Resnick paintings on display in Mana's first and sixth floor galleries.

We encourage you to visit our new galleries for the Arts of Korea on the 2nd Floor of the Museum to see a special exhibition of Dansaekwa paintings, including additional works by Lee Ufan.

The exhibition starts dramatically in the lobby with Jim Lambie's striped floor, all sharp lines and acute angles, continues into the sixth - floor lobby where a Donald Judd painted aluminum sculpture dominates, and opens into the special exhibitions gallery, where you are greeted by a horizontal painting, installed up high, by Marcel Duchamp.