Sentences with phrase «painted glass pieces»

An unconventional but winsome composition in Suzanne Kasler's master bedroom includes a vintage Georges Braque poster (an Avignon flea market find) and a pair of reverse - painted glass pieces from the Murano glass factory in Venice

Not exact matches

Pingback: Transform an old glass container into a beautiful piece using gold spray paint From Evija with Love

You try on your favorite pieces while having a magician trying out your luck, and after a glass of Champagne you decide it's time to have your portrait painted.

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The truck was disassembled and painted in pieces a tasteful Charcoal Mist Gray and then re-assembled with all new bolts, cab mounts, seals, rubbers, chrome trim and all new smoked glass.

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- character creation lets you choose skin color, face, eye color and haircut - later in the game you can get glasses, pants, shoes and other stuff - start off by meeting Tom Nook and his posse of Happy Home employees - this includes Lyle the Otter and Digby the Dog, who give advice and help to keep the game moving forward - Lottie the Otter is Lyle's niece and handles the front desk in the game - she welcomes you every time you boot up the game and tells you what to do next - gameplay starts off with placing furniture, but quickly evolves into something more - place a house on the world map and cycle through seasons to see what you like - house can modified with different roofs, doors, colors and more - every animal unlocks new furniture for you to use - completing a lot of requests is vital to getting a lot of content - characters will react to everything that you place and remove in the house - three pieces of furniture must be in or outside of the house and these need to implemented into the final design - if you don't follow this rule, your animal customer will not approve - add wallpaper, carpets, lamps, signs, music covers, paintings and much more - by completing special objectives in the office, which you pay for with Play Coins, you can even expand the feature set - set background sounds, choose curtains, change up furniture, display fossils and get a bigger variety of fish and paintings.

His use of color is amazing; he creates pieces that look like they were painted instead of mouth - blown from hot glass.

Though the two shows have some pieces in common, including Richter's seminal paintings of the terrorist Baader - Meinhof group, the Tate offers a view of less well - known works on paper and glass sculpture, along with more recent pieces like 2005's «September,» Richter's depiction of the 9/11 attacks, and 2000's «Lilies,» shown here.

There are pieces by Jeff Koons, Richard Prince, Sarah Lucas and, of course, several spin and spot paintings, and steel and glass medicine cabinets by the man himself.

The exhibition consists important bodies of new «Strip», «Flow» and «Doppelgrau» paintings, the show will also include a large glass sculpture and a selection of key earlier pieces that help the viewer to understand his course in the art world.

In addition to the new works in the show, Richter has punctuated and augmented the exhibition with a selection of paintings on canvas, glass and photographs made over the last 15 years — including his «Abstraktes Bild» and «Farben» paintings — which inform and re-contextualize his more recent pieces.

The energy that imbues these pieces is infectious, and necessarily so: the viewer participates in the work by physically moving around the gallery: circling the glass sculptures to watch them sparkle from all angles; gazing up and peering down; approaching the paintings and inspecting them from sniffing distance, to reveal the secret symbols that construct their artful chaos.

One of the first pieces the viewer encounters is a painting of the sea by Daniel G. Baird, a two - sided picture encased in a glass vitrine.

In addition to paintings, Beaucage has created enamel on iron pieces that where fired at 1450 ° F; fusing glass to metal.

Whether you're drawn here by painting, sculpture, ceramics, fiber, glass, or pieces that defy easy description, you know you're seeing — and buying — work that isn't like anything else, perhaps not even other works by the very same artist.

Opening: «Sarah Braman: You Are Everything» at Mitchell - Innes & Nash New York - based artist Sarah Braman makes quirky sculptures by marrying found objects, constructed elements of colored glass and Plexi and oddly shaped pieces of plywood bearing brightly colored acrylics and spray paints.

Stella has an essential place in the Glass House's collection overall, with additional works currently stored, but not currently on view, in the Painting Gallery and several pieces on display in the adjacent Sculpture Gallery, all of which range from the 1960s to the 1990s.

The exhibition consisting of his multi-medium pieces includes within it's range films that polke made, a performance that was made for West German television in 1972 and paintings that are comprised of soot on glass that have never been shown before in the United States.

Showing the artist's stained - glass pieces and paintings, Clarke's solo exhibition runs in conjunction with «A Strong Sweet Smell Of Incense», a group exhibition curated by Clarke at 6 Burlington Gardens celebrating the seminal Swinging London art dealer who was both -LSB-...]

Working in stainless steel, glass, copper, stone or paint on plaster, he employs subtle illusionistic devices, instigating a play of depth that remains consistent from piece to piece.

These works include her richly layered wax paintings and poured latex and polyurethane foam sculptures of the late 1960s and early»70s; innovative videos, installations, and «knots» from the 1970s; metalized, pleated wall pieces of the 1980s and»90s; and pieces in a variety of other mediums, such as glass, ceramics, photography, or cast polyurethane, as in the case of the monumental The Graces (2003 — 05).

Highlights included Cherry and Martin's solo booth of new Amanda Ross - Ho canvas works, Jack Shainman's elaborate wall of Nick Cave soundsuits (as well as El Anatsui's intricate aluminum works), Roberts & Tilton's gorgeous Wiley painting, Deitch Projects» glass Barry McGee wall piece, Charim Galerie's solo booth of Valie Export works and hilger Contemporary's luscious Massimo Vitali photograph.

Consisting of over 40 works, with important bodies of new «Strip», «Flow» and «Doppelgrau» paintings, the show will also include a large glass sculpture and a selection of key earlier pieces.

Upon closer inspection, the viewer realizes that the painting is an image of a glass shattering into pieces, with its blue liquid spilling out.

Made in Murano, the piece layers colourless glass onto a painted black surface that darkens every viewer's reflection and encourages them to reflect on race, beauty, and identity.

Made of layers of paper dipped in water and ink, chunks of plaster, glass and crystal shards and pieces of rock and quartz, Harnischfeger's wall works bristle with the taut energy borne of multiple materials situated over and against each other: built up, carved into and painted over.

Opening at Yorkshire Sculpture Park in late May, this solo presentation will showcase an extraordinary group of paintings and works on paper, indoor pieces made from plaster, silver, gold, marble, glass and coal, and outdoor sculptures in stainless steel and bronze.

Looking ahead to the second phase of the renovation, she reveals, «Jean - Michel will be showing his monumental sculptures, some paintings and smaller glass pieces here in November.»

In the course of his career he has adopted many styles: he has produced abstract as well as photorealistic paintings, photographs, mirrors and glass pieces.

The first perhaps marked a satisfactory conclusion to the inward logic of the monochrome and took the form of two sculptural pieces made of panes of glass and painted grey on one side, Richter's second breakthrough of 1977 was the development of a substantial number of colourful abstract works he described simply as «Abstraktes Bild».

Here, she discusses her glass piece Runners Up, 2014 — 16, in the context of her twenty - five years of painting.

Another Close piece, a haunting, photorealistic painting of composer Philip Glass, hangs at the top of the spindled stairs.

The painting had hung in the De Soles» house for about six years, behind expensive glass casing and rigged to an alarm system; in the courtroom, it was handled roughly, like a piece of cardboard.

Gregory writes: «Wax paintings, plate paintings, works on paper, sculpture and works on novel materials like Kabuki screens are held together through conversation the pieces have with each other, rather than through a linearly progressive motif... Four massive plate «landscapes»... operate like a 3D movie, where one's presence before them in person is like the glasses one uses to see such a film.

4/5 + 2 AP Frank Stella Untitled, 1959 Enamel on canvas board 17 3/4 x 11 3/4 inches Collection of Bill and Sheila Lambert Dan Flavin «monument» for V. Tatlin, 1967 cool white fluorescent light 96 x 28 x 5 inches Robert Morris Untitled, 1976 - 1980 Felt with metal grommets 96 x 85 x 20 inches Back Gallery Richard Serra Untitled, 1975 Paintstick on paper 37 3/8 x 49 5/8 inches Private collection, Switzerland Ad Reinhardt Black Painting, 1960 - 1966 Oil on canvas 60 x 60 inches Tony Smith New Piece, 1966 Welded bronze, chemically treated black 20 3/4 x 43 1/2 x 42 inches Jo Baer Untitled, 1972 Oil on canvas 72 x 72 inches Second Floor (left to right) Rotunda Agnes Martin Untitled, 1965 Black ink on paper 11 x 11 inches David Hammons Untitled (Basketball Drawing), 2006/7 Dirt on paper, wood frame, asphalt Overall: 120 1/2 x 100 x 27 inches Robert Indiana Love, 1966 - 1999 Stainless steel 36 x 36 x 18 inches Front Gallery Andy Warhol Ambulance Disaster, c. 1963 Silkscreen ink on paper 40 x 30 inches Anselm Reyle Untitled, 2006 Mixed media on canvas, acrylic box 92 x 78 1/2 inches Mark Grotjahn Untitled (White Butterfly), 2002 Acrylic on canvas 30 x 30 inches Sol LeWitt Progressive Structure, 1997 Painted wood 49 1/4 x 49 1/4 x 49 1/4 inches Agnes Martin Untitled, 1960 Oil and ink on linen 12 x 12 inches Liza Lou Comfort Blanket, 2005 Cotton and glass beads 29 1/2 x 53 1/8 inches Private collection, New York Günter Uecker Gegenstroemung II, 1965 Nails on canvas, painted with white color 32 1/4 x 32 1/4 x 2 3/4Painted wood 49 1/4 x 49 1/4 x 49 1/4 inches Agnes Martin Untitled, 1960 Oil and ink on linen 12 x 12 inches Liza Lou Comfort Blanket, 2005 Cotton and glass beads 29 1/2 x 53 1/8 inches Private collection, New York Günter Uecker Gegenstroemung II, 1965 Nails on canvas, painted with white color 32 1/4 x 32 1/4 x 2 3/4painted with white color 32 1/4 x 32 1/4 x 2 3/4 inches

New York - based artist Sarah Braman makes quirky sculptures by marrying found objects, constructed elements of colored glass and Plexi and oddly shaped pieces of plywood bearing brightly colored acrylics and spray paints.

Two main exhibition galleries were filled with monumental altar pieces, life - size portraits, some of the earliest still - life paintings in Europe, full - length carved and painted wooden sculptures of Spanish saints and more than 50 pieces of Spanish glass and ceramics.

For that piece I hung three paintings against the glass window with mirrors installed on a wall a couple of feet behind them.

Othoniel's exhibition features a fountain in a blue grotto, wall and floor pieces of mirrored glass bricks, tornado sculptures made of chrome painted aluminium beads, and suspended glass beads knots, among others.

When she became interested in glass and translucency in painting — or when the watercolor medium and techniques couldn't support her vision for a piece — she took a workshop in glasswork.

As one walks around the piece, the woman comes into full - view through the different layers of painted glass, her knowing stare conveying her history and asserting her place within the viewer's attention.

Together with a series of paintings and wall drawings, Creed specifically created Work No. 1343 where every single piece of cutlery, glass, chair and table was different and brought together a mix of the mass - produced and hand - crafted, from classic antiques to contemporary design from all around the world.

There are a few names we already know, guaranteeing weight: Nayland Blake (disconcerting wall pieces made with glass beads, buttons, feathers, and sequins), Louise Bourgeois (two tapestry and aluminum heads), Leonardo Drew (a beautiful wall of cases containing cast - paper objects), Glenn Ligon (a Warholian silkscreen painting of Malcolm X), Vik Muniz (a photo of a chocolate - syrup drawing of Cassius Clay), Roxy Paine (a startling mushroom wallpiece) and Fred Tomaselli (splendiferous collages).

Ms. Herrera, who has shoulder - length white hair and wire - rim glasses and was wearing a black cardigan sweater, held up a small, rectangular piece of painted vellum and compared it to the larger version of the same work, one done on paper, which was hanging on the wall of her large, floor - through home and studio on East 19th Street.

Gerhard Richter is a German artist who has produced abstract as well as photorealistic paintings as well as photographs and glass pieces.

She brings in miniature sculptural elements alongside her painting practice: In her piece Housefly, a painting on wasli is surrounded by tiny glass bottles filled with varnish and covered in cloth.

As is the case with most of his pieces, a sculptural commitment to painting is evident in his use of glass window frames.

His production can be roughly grouped into three areas: paintings, cabinet sculptures and the glass tank pieces.