He starting
painting his subjects upside down, as in the Forest on its Head (1969, Ludwig Museum).
Not exact matches
Disrupting the
painted subject both visually and symbolically, Baselitz repeatedly portrays himself
upside down, wearing a cap marked «ZERO» (the name of his
paint supplier).
He is perhaps best known for his iconic
upside - down
paintings, in which the artist inverts the
subject matter in order to highlight the artifice of
painting.
If Baselitz is known for one thing, it is for his decision in 1969 to flip his
paintings upside down, so that his
subjects appear inverted.
Donnelly writes: «In Das Negativ, Baselitz
paints from photographic negatives, resulting in a necessarily dark palette, with
subjects obscured in their reversed portrayals — a step beyond the artist's usual practice of
painting his figures
upside down.
His well - known
upside - down
paintings signal his supreme
subject: the genre of art itself.
He started producing
paintings with the
subjects painted upside down, in accordance with the idea that the
subject is less important than the
paint itself.