Not exact matches
It further looks at Leonardo's example and how he developed this linear perspective but then continues with the development
of chair - scuro (light to dark shading) and their oil
paint blending to continue developing the
illusion of reality on a flat surface in their Still life
paintings.
Here's Patrick Heron's take on it: But the secret
of good
painting —
of whatever age or school, I am tempted to say — lies in the adjustment
of an inescapable dualism: on the one hand there is the
illusion, indeed the sensation,
of depth; and on the other there is the physical
reality of the flat picture - surface.
Vista was one
of the first
paintings in which Smith began to explore the relation between two and three dimensions,
painting and sculpture,
illusion and
reality.
His meticulously
painted sculptures
of vegetables and the human figure are notable because they create an uncanny
illusion of reality.
All the works are optically dynamic and by their play between
reality of paint,
illusion in the eye and
reality of idea in the mind, force attention both to the surface and to the idea.
He painstakingly constructed his pictures from countless little blurry squares and dabs
of paint, producing an enhanced tension between the concrete substance
of the
paint on the canvas and the spacious and luminous
illusion of reality the work projected.
Over the coming decades, he continued to challenge the boundaries
of aesthetic space, creating
paintings that presented three - dimensional
reality as a tactile, objective thing rather than an
illusion.
From the Renaissance on, a
painting was considered a window onto the world, through which one saw an
illusion of reality.
As a result, I intend to tie a
reality constructed and modeled from representations and the virtual world
of pictorial
illusion with the physical interactive space created by the
painting's materials and hypnotic conditions.
Palazzolo's play
of illusion suggests memory, longing, distances, and loss, yet is tempered by reminders
of a present physical
reality such as the yardstick and
paint, seen as simply
paint.
«The tromp l'oeil, I'm interested in, the whole idea
of an
illusion, that is subverting itself and actually calling your attention back to what's real about it, it's
reality of the actual
paint in front
of you.
Francis Tucker was mentor and friend to both
of us, schooling us in the science and technology
of painting to create an
illusion of reality by understanding materials.
-LSB-...] you can't look at Warhol's Marilyn in the same way that you look at a
painting by Rembrandt or Titian because Warhol isn't interested in any
of the things those artists were — the representation
of material
reality, the exploration
of character, or the creation
of pictorial
illusion.
Most
paintings are underscored by a layer
of graphite upon which she applies oil
paint, which make them radiate a strange light through which the image gets a sort
of frozen light quality, in a nearly monumental way... they balance between the fictional, the
illusion and the
reality of the day dream.
Operating between the line
of reality, fantasy and
illusion is William Leavitt's
painting Skyline S.F. (2009), an ostensibly simple narrative
painting depicting the city's skyline in afternoon light.
In both his sculptures and his
paintings, Artschwager explores the ambiguities
of perception, particularly the differences and similarities between
reality and artistic
illusion.
(Mahwah)-- Ramapo College instructor Margaret Murphy — whose
paintings explore the blurred boundaries between
reality and
illusion — will exhibit 10 watercolor
paintings in a one - woman show at Ramapo College
of New Jersey's George T. Potter Library Galleries April 8 - June 14.
In a catalog essay on my recent
paintings, Carmen Machado, author
of Her Body and Other Parties: Stories, wrote «Deborah Zlotsky's
paintings are, at their essence, a convergence:
of Renaissance images and pop art,
of the past and present,
of science fiction and
reality,
of physicality and
illusion.»