Sentences with phrase «painted in a traditional style»

While painted in a traditional style reminiscent of Rembrandt and Titian, Kuo's works deviate from this history through his choice of imagery, combining signifiers of American culture with elements appropriated from film and photography.

It is painted in a traditional style that creates an illusion of depth and distance.

[14] Gwen John's early paintings such as Portrait of Mrs. Atkinson, Young Woman with a Violin, and Interior with Figures are intimist works painted in a traditional style characterised by subdued colour and transparent glazes.

An exhibition of Nihonga, contemporary Japanese paintings in the traditional style, goes on exhibition Sept. 27 in the Japanese American Cultural and Community Center's Doizaki Gallery.

Not exact matches

The small face is hand - painted in the traditional Käthe Kruse style and the hair is made of kanekalon hair.

The ISDD Black Forest Chalet - Style Cuckoo Clock combines painted details in a rustic style with traditional mechanical Regula cuckoo clock moveStyle Cuckoo Clock combines painted details in a rustic style with traditional mechanical Regula cuckoo clock movestyle with traditional mechanical Regula cuckoo clock movement.

Although the designer updated the floor plan, he remained true to the 1920s and»30s feel of the house, furnishing it with traditional raised - panel - style cabinets in taupe - painted and natural - ash finishes.

Performances also featured style icons such as Kylie Minogue, whose outfit was inspired by the traditional cockney pearly man, whilst Jessi J dazzled in an Aztec patterned dress accessorized with patriotic Union Jack painted nails, and Cheryl Cole got it totally wrong in a floor sweeping wet look dress and caked on eye makeup.

Augusta is known primarily as a portrait artist who works with oil paints and pastels in both traditional and impressionistic styles.

The JCW concept was decked out in traditional John Cooper Works style, and that meant an exclusive color scheme with red color accents over «Bright Highways» gray paint, and 18 - inch light alloy wheels.

I'll take the base Rosso paint job for traditional Alfa Romeo style at no cost, but throw in $ 500 for the 19 - inch five hole aluminum wheels.

Most of her work is painted in oils in chiaroscuro and traditional classic style, still life and landscape, kitchen art paintings, fruit and more Frequency about 1 post per week.

They have rooms for guests in traditional wood buildings with tatami mats, painted sliding doors, and Japanese - style beds, and including elaborate dinners and breakfasts served in your room.

Learn to play a traditional instrument, spend some time painting in the Balinese style, try a Balinese dance or get creative with one of the local crafts like mask making, silver - smithing, wood carving or making offerings.

Many will work in the traditional method of plein - aire painting, while others will sculpt, create and photograph in their own unique styles.

Built in Balinese village style, each bungalow is decorated with traditional Balinese painting from the village of Ubud.

With its colonial - style houses (each painted in a different color), wrought - iron balconies, and flowering plants, the hotel resembles a traditional Antiguan scene.

Sudamala Suites & Villas offers elegant five - star accommodation on the namesake Jalan Sudamala in the southern area of Sanur, a half - hour transfer from the Ngurah Rai International Airport in Tuban and only 15 minutes drive east from Balis provincial capital of Denpasar.While not a beachfront hotel, Sudamala is minutes away to Mertasari Beach, one of Sanurs quieter coasts.A number of laid - back cafes and restaurants line the streets connecting Sudamala, and you can enjoy leisurely cycling trips along the quiet streets and the beach footpaths.The great traditional Balinese inspired villas and suites offer a homey feel with Balis iconic Kamasan style paintings and fine fabrics used throughout its decor.

Third visit during the full day ubud tours is visit Batuan village to see process making the traditional painting and see their collection, Batuan village is always become magnet for those like the fine art, the style of traditional painting in Batuan were often dark, crowded representations of either legendary scenes or themes from daily life, freakish animal monsters, and witches accosted people.

Puri Raja Hotel in Legian features modern minimalist nature, a contemporary basis with Balinese styling in the form of carvings and traditional «Batik» patterned bedding and Paintings.

Most of her work is painted in oils in chiaroscuro and traditional classic style, still life and landscape, kitchen art paintings, fruit and more Frequency about 1 post per week.

Developed by Climax Studios in collaboration with Ubisoft Montreal, Assassin's Creed Chronicles brings the thrill of being a Master Assassin to 2.5 D. Brought to life by fusing the essence of Chinese 16th - century traditional brush strokes with more contemporary impressionistic styles, Shao Jun's adventure will immerse players in a living painting as they traverse undetected across China's historical landmarks.

Aboudia — Light & Dark, the third exhibition in the Light & Dark series, presents the vivid paintings and collages of Aboudia, which blend traditional African and modern Western art with graffiti - style mark making.

With a traditional style akin to Baroque and Rococo portraiture and pastoral scenes, Borremans» paintings reside in an uncomfortable place — one that is best understood through introspection rather than imposed rationale.

Painted in his masterful, traditional style, the 11 × 11 ft. self - portrait with his husband transports viewers to the transcendent, erotically charged beach scene.

Inokuma, 1902 — 1993, along with artists such as Kenzo Okada, Yayoi Kusama, Minoru Kawabata, and Atsuko Tanaka — currently exhibiting at the Grey Art Gallery — who showed extensively in the United States and Europe, synthesized the flat, decorative, and suggestive style of traditional Japanese painting with Western abstraction in ways which were recognized at the time as international, innovative, and influential.

Originally trained in traditional Japanese Nihonga and Western - style Yoga painting, by the time Shiraga joined Gutai he had begun to experiment with oils, spreading thick impasto across the canvas using his fingers, hands and feet.

In paintings like Girl with a White Dog (1951 - 52), [119] Freud put the pictorial language of traditional European painting in the service of an anti-romantic, confrontational style of portraiture that stripped bare the sitter's social facadIn paintings like Girl with a White Dog (1951 - 52), [119] Freud put the pictorial language of traditional European painting in the service of an anti-romantic, confrontational style of portraiture that stripped bare the sitter's social facadin the service of an anti-romantic, confrontational style of portraiture that stripped bare the sitter's social facade.

Combining traditional painting techniques with contemporary design, illustrative styles and animation, Barton evokes femininity in both form and spirit.

Utilizing found objects to create an otherworldly yet traditionally based format, the image of a large female figure and its smaller companions are done in the style of traditional Indian painting, while delicate fabrics interweave amongst images that swirl and stream within and outside the two wooden panels — thus making it engaging and contemplative to look at.

In Germany, the Műlheimer Freiheit group, which Dokoupil briefly was part of, explored the contemporary expression of traditional figurative styles in intensely colourful paintings, whose roots could be found in Dada and SurrealisIn Germany, the Műlheimer Freiheit group, which Dokoupil briefly was part of, explored the contemporary expression of traditional figurative styles in intensely colourful paintings, whose roots could be found in Dada and Surrealisin intensely colourful paintings, whose roots could be found in Dada and Surrealisin Dada and Surrealism.

Botanica: New Paintings, which takes place from June 26 — July 26, showcases LewAllen stalwart John Fincher as he turns away from his close - up explorations of cactus pads, tree limbs, and other Southwestern details to paint in a more traditional botanical style.

On view in the Museum's eighth - floor Hurst Family Galleries from January 27th, 2017 to May 14th, 2017, the show unites the different styles of the authors in order to explore how innovative and expressive painting is and to touch upon how the medium suddenly came to represent an important intersection between new ways of seeing and seemingly traditional way of making art.

Born in London and of Ghanaian descent, Lynette Yiadom - Boakye has achieved widespread acclaim for her open - ended figurative paintings depicting a cast of fictitious personae, and brimming with sly allusions to more traditional styles of portraiture.

Our award is open worldwide to all visual artists, including but not limited to those working in traditional styles, ie., painting, drawing, printmaking, mixed media, sculpture, glass, installation, or with digital / new media, photography and film / video.

Combining traditional painting techniques with contemporary design and illustrative styles, Barton's paintings are simultaneously unnerving in their otherworldly depictions of the figure and charming in their intense ornamentation.

Our award is open worldwide to all visual artists, including but not limited to those working in traditional styles, ie., painting, drawing, printmaking, mixed media, sculpture, glass, or with digital / new media, installation, photography and film / video.

The conventional narrative applied to Turner holds that the artist emerged from his roots in traditional landscape painting with a new style, suffusing form in light to create fields of color verging on abstraction, hence his connection with Modernism.

After that, he started painting in a more traditional style and became a respected teacher of academic art.

In 1998, Sherpa immigrated to California, where he taught traditional thangka painting at various Buddhist Centers until he began to explore his own style, reimagining tantric motifs, symbols, colors and gestures placed in resolutely contemporary compositionIn 1998, Sherpa immigrated to California, where he taught traditional thangka painting at various Buddhist Centers until he began to explore his own style, reimagining tantric motifs, symbols, colors and gestures placed in resolutely contemporary compositionin resolutely contemporary compositions.

The artist developed a style in her large - scale works that challenges a traditional linear art history; these works were influenced by a wide range of images from different cultures, including techniques from Persian miniature painting, studies on the female body and subjectivities, and science fiction.

Although Morris Louis participated in the Siqueiros Workshop, he nonetheless continued painting in a figurative style and using traditional mediums like gouache and oil paint for another decade.

In traditional Ruby style, the show spans various media — paintings, bronze sculptures, collages, ceramics and a mobile.

She studied traditional Japanese - style «Nihonga» painting early on but came of age as a boundary - pushing, feminist artist in New York's avant - garde scene in the»60s.

In an exhibition at New York's Leo Castelli gallery, he unveiled a series of paintings, «Landscapes in the Chinese Style,» which eschewed irony in favor of delicate, wispy «impressions» of traditional Chinese landscape paintingIn an exhibition at New York's Leo Castelli gallery, he unveiled a series of paintings, «Landscapes in the Chinese Style,» which eschewed irony in favor of delicate, wispy «impressions» of traditional Chinese landscape paintingin the Chinese Style,» which eschewed irony in favor of delicate, wispy «impressions» of traditional Chinese landscape paintingin favor of delicate, wispy «impressions» of traditional Chinese landscape paintings.

In a 1996 exhibition at New York City's Leo Castelli gallery, Lichtenstein unveiled a series of paintings, «Landscapes in the Chinese Style,» which consisted of delicate «impressions» of traditional Chinese landscape paintingIn a 1996 exhibition at New York City's Leo Castelli gallery, Lichtenstein unveiled a series of paintings, «Landscapes in the Chinese Style,» which consisted of delicate «impressions» of traditional Chinese landscape paintingin the Chinese Style,» which consisted of delicate «impressions» of traditional Chinese landscape paintings.

Although he worked in a modern style, the subjects of his work were often traditional, such as portraits, still life, landscapes and genre paintings.

However, the trend to consider those paintings and techniques from the past as traditional Japanese, in comparison with the new styles imported from overseas, has continued.

Some of the paintings shown in this volume provide insight into China's current cultural, social, and political climate while drawing on methods and styles of traditional Chinese art — delicate and intricate ink painting, calligraphy, etc..

Selected Exhibitions 2009 Zenith Gallery, Washington, DC, For Real, group exhibit 2008 Zenith Gallery, Washington, DC, What Remains: The American Landscape Portfolio Edition, solo exhibit Zenith Gallery, Washington, DC, Trees of Life, 30th Anniversary Show, group exhibit 2007 Zenith Gallery, Washington, DC, What Remains: The American Landscape, solo exhibit 2006 Zenith Gallery, Washington, DC, 28th Anniversary Exhibition, group exhibit 2005 Zenith Gallery, Washington, DC, Into the Minds of Nine, group exhibit Zenith Gallery, Washington, DC, La vie quotidienne: Scenes from Paris to Provence, solo exhibit Francesca Anderson Fine Art, Portraits North, Lexington, MA, 22nd Annual Portrait Show 2004 Land Trust of Virginia, Middleburg, VA, Vanishing Landscapes 2004, group exhibit Parker Gallery, Washington, DC, Beyond Brittany: 1977 - 1979, group exhibit Francesca Anderson Fine Art, Portraits North, Lexington, MA, 21st Annual Portrait Show Zenith Gallery, Washington, DC, Zenith Style: Art & Craft for Home & Office, group exhibit Zenith Gallery, Washington, DC, This Land is Your Land, This Land is My Land, group exhibit 2003 Bermuda National Gallery, Hamilton, Bermuda, Inside & Out, House & Home, group exhibit Zenith Gallery, Washington, DC, Near and Far: Recent Landscape Paintings, solo exhibit Francesca Anderson Fine Art, Portraits North, Lexington, MA, 20th Annual Portrait Show 2002 Land Trust of Virginia, Middleburg, VA, Vanishing Landscapes Zenith Gallery, Washington, DC, The Dog Days of Summer Zenith Gallery, Washington, DC, New Artists... New Space, Summer Show 2002 2002 Hilligoss Galleries, Chicago, IL, Oil Painters of America, Eleventh Annual National Juried Exhibition of Traditional Oils Francesca Anderson Fine Art, Portraits North, Lexington, MA, 19th Annual Portrait Show 2001 National Park Academy of the Arts, Jackson Hole, WY, Arts for the Parks Top 100 Tour Northern Virginia Fine Arts Association, Alexandria, VA, Contemporary Realism: A Survey of Washington Area Artists Zantman Art Galleries, Palm Desert, CA, Oil Painters of America, Tenth Annual National Juried Exhibition of Traditional Oils Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape Francesca Anderson Fine Art, Portraits North, Lexington, MA, 18th Annual Portrait Show 2000 National Park Academy of the Arts, Jackson Hole, WY, Arts for the Parks Top 100 Tour Rock Creek Gallery, Washington, DC, Studio 310 Reunion Francesca Anderson Fine Art, Portraits North, Lexington, MA, 17th Annual Portrait Show Spectrum Gallery, Washington, DC, Spectrum Plus Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape Zenith Gallery, Washington, DC, Zenith Gallery at 22 1999 National Park Academy of the Arts, Jackson Hole, WY, Arts for the Parks Top 100 Tour, recipient of the Steven L. Aschenbrenner Collector's Award Zenith Gallery, Washington, DC, New Works for the Millenium Francesca Anderson Fine Art, Portraits North, Lexington, MA, 16th Annual Portrait Show Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape 1998 Byrne Gallery, Middleburg, VA, Lightmotifs, solo exhibit Mystic Maritime Gallery, Mystic, CT, 19th Annual International Marine Art Exhibition Francesca Anderson Fine Art, Portraits North, Lexington, MA, 15th Annual Portrait Show Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape 1997 Arts Club of Washington, Washington DC, Luminous Journeys, solo exhibit Ballantyne & Douglass Fine Art Gallery, Cannon Beach, OR, featured artist The Artists» Museum, Washington, DC Francesca Anderson Fine Art, Portraits North, Lexington, MA, 14th Annual Portrait Show Morgan Peyton Fine Arts, Charleston, WVA, Journeys through the Virginias, solo exhibit Dimock Gallery, George Washington University, Washington, DC, faculty exhibit Howard / Mandville Gallery, Edmonds, WA, Paintings of the American Landscape 1996 Howard / Mandville Gallery, Kirkland, WA, Pleasures of the Garden Francesca Anderson Fine Art, Portraits North, Lexington, MA, 13th Annual Portrait Show Howard / Mandville Gallery, Edmonds, WA, 2nd Annual Paintings of the American Landscape Gallery 4, Alexandria, VA, Landscapes Cudahy Gallery, Richmond, VA, 15th Anniversary Celebration Charles County Community College, La Plata, MD, Landscapes, solo exhibit 1995 Cudahy Gallery, Richmond, VA, Landscapes 1994 Hollis Taggart Gallery, Washington, DC, Portraits Montgomery County College, Rockville, MD, George Washington Faculty Exhibit DeMatteis Gallery, Annapolis MD, The Figure Fine Arts Gallery, Georgetown University, Washington, DC, Portraiture, co-curator 1993 Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1992 Fine Arts Gallery, Georgetown University, Washington, DC, faculty exhibit Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1991 Fine Arts Gallery, Georgetown University, Washington, DC Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1989 Plum Gallery, Kensington, MD, Capital Image 1989 Cudahy Gallery, Richmond, VA, National Portrait Exhibit Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1988 Fine Arts Gallery, Georgetown University, Washington, DC, Images of Georgetown, A Bicentennial Celebration 1986 Dimock Gallery, George Washington University, Washington, DC, Alumni Juried Exhibition 1985 Gallery 4, Alexandria, VA, Washington Landscapes Plum Gallery, Kensington, MD, The Capitol Image Today 1985 The Times Journal Co., Springfield, VA, In and Around Washington 1984 St. Petersburg Historical Society, St. Petersburg, FL 1984 Dimock Gallery, George Washington University, Washington, DC, Alumni Juried Exhibition Strathmore Hall, Rockville, MD, Metro Art Fairfax County Council of the Arts, Fairfax, VA, juried exhibit curated by Michael Botwinick, director, Corcoran Gallery of Art, Washington, DC World Bank Art Society, Washington, DC 1983 Arlington Arts Center, Arlington, VA, Areawide Painting Exhibition, juried by Frederick Brandt, curator, Virginia Museum of Fine Arts, Richmond, VA American Artists Professional League, New York, NY, Juried Grand National Exhibition Twentieth Century Gallery, Williamsburg, VA