Sentences with phrase «painted in oil became»

Not exact matches

But, in using it I noticed it seemed to oxidize [become somewhat hard like «paint»] much more than, say, olive oil.

St Muncie, IN About Blog Oil painting sales, commissions, techniques & free art instruction videos from an award winning artist Bill Inman who shares with you the secrets to become a professional artist.

Designed as a private villa before becoming a boutique hotel, it feels like staying in someone's very elegant home, from the stately home feel of the lobby with its oil painting and wrought iron staircase, to the welcoming sitting room.

Animals have become unlikely companions — wild Horses painted deftly with tonal accents or ducks rendered in pastel colors — with an enigmatic sense of drama, we experience the great theatre played out in oil on canvas.

I became interested in how each painting held unique properties before the oil paint was even added.

Rhoades took the various iconographies and key themes and adapted them to a modern day aesthetic in his theatrical installation, with the baptismal font of the painting becoming a Jacuzzi and the medium (oil paint) reconfigured through the use of motor oil in the work.

«I studied oil painting, but somehow I became fond of three - dimensional art, ceramic sculptures in particular,» he explains.

Marion will continue to draw and paint with oil glazes in the Project Space daily as it becomes her studio for one week.

And in the 1970's, his style became more fluid and contemplative, as can be seen in the work... Whose Name Was Written in Water (1975), in which the use of paint diluted with oil yielded longer and more gestural brushstrokes.

The paintings, works on paper, mixed - media collages, and photographs feature a number of purchases, including Audrey Flack's large oil and acrylic canvas, World War II (Vanitas); two elaborate mixed - media collages by Mickalene Thomas; textile artist Sonya Clark's Unraveling; photographs of performance artist Cassils» Becoming an Image; photographs related to Leah Modigliani's Morris Gallery exhibition The City in her Desolation; and works on paper by Fernando Orellana.

Frankenthaler became well known through her large, almost 10 - feet - wide oil painting, Mountains and Sea, made in 1952.

Often beginning with a charcoal drawing, and gradually building up layers in oil or tempera, Reyes paints blocks of color that appear photorealistic when seen from a distance, but become more abstract and gestural upon closer inspection.

During this project I also became interested in the possibilities of recycling oil paintings by peeling the paint off of its canvas and using the resulting chips for other projects.

In 1951, Pepi became one of the lucky group of painters who worked under Hofmann, whose sophisticated influence is vividly on display not only in the oil paintings but in the delightful watercolors, which have Hofmann's wind - blown spontaneity (such as the dramatic nightscape 1206In 1951, Pepi became one of the lucky group of painters who worked under Hofmann, whose sophisticated influence is vividly on display not only in the oil paintings but in the delightful watercolors, which have Hofmann's wind - blown spontaneity (such as the dramatic nightscape 1206in the oil paintings but in the delightful watercolors, which have Hofmann's wind - blown spontaneity (such as the dramatic nightscape 1206in the delightful watercolors, which have Hofmann's wind - blown spontaneity (such as the dramatic nightscape 1206).

Her lifetime dream to paint her vision in oil paintings became a reality.

Yet Monkman's «trickery» only becomes clear on closer inspection: these grand panoramas, painted in acrylic not oil, are populated with cavorting «cowboys and indians».

In college I spent a whole lot of money on expensive oil paints and canvases and then became afraid to use them because they were so expensive.

There are several works in copper, so textural they become three - dimensional, a video, and «digital paintings» of dye on polyester — but hardly any oil, acrylic or... Read More

In 1970, she switched from oils to household oil enamels and painted frequently on Masonite; her surfaces became flat and her palette brighter.

As Colen progressed in the series, painting several iterations of the same animated frame, the image became successively less coalescent, the rendering more individuated and further from the idea of the perfectly blended oil painting.

He attends the university from fall 1952 until spring 1954, learning oil painting, egg tempera, and Renaissance underpainting from painter Cameron Booth.1 Booth — who had studied with the painter Hans Hofmann and taught at the Art Students League, New York, in the mid-1940s — becomes Rosenquist's mentor.

Similarly, in Cricket Painting (Paragrand)(2006 - 12) oil paint is laid on the canvas in acid hues of orange, green and blue, the surface flecked in places with splashes of paint, so that action of the image — a girl lobbing a cricket ball that hangs in the centre of the canvas like a white, full moon towards a boy waiting at a wicket — becomes secondary; a compliment to the dynamism and energy of the colours» relationship.

A silicone - and - wax oil puddle by Virgile Ittah and Kai Yoda becomes a lonely island, a familiar childhood cartoon slits and sketches across the picture plane until it is barely recognizable in a piece by Antoine Donzeaud, «[a] memory is cast in a foggy figure on the brink of evaporation» in Henry Chapman series of abstract paintings.

In 1625, Baroque painter Peter Paul Rubens wrote that he was creating an oil sketch of the Three Graces using opalescent gray and warm brown hues — «en grisaille et non couleurs» — thus giving name to the practice of intentional chromatic reduction in painting and sculpture that has become an enduring paradigm of artistic practice to the present daIn 1625, Baroque painter Peter Paul Rubens wrote that he was creating an oil sketch of the Three Graces using opalescent gray and warm brown hues — «en grisaille et non couleurs» — thus giving name to the practice of intentional chromatic reduction in painting and sculpture that has become an enduring paradigm of artistic practice to the present dain painting and sculpture that has become an enduring paradigm of artistic practice to the present day.

When the War ended, he turned his attention to abstract art in the form of oil painting, becoming associated with Art Informel, Tachisme and Lyrical Abstraction.

A SIMPLE PULSATION Oil on linen 2011 Louise Fishman paints planes in space with a rough hand that really become someth...

The real subject becomes the substance and surface of oil paint, the variety of its applications, and the ways in which it can be used to celebrate life.

Among Ligon's own contributions to «Encounters and Collisions» were several works with texts that employ the first - person pronoun: In Untitled (I am drawn to sleaze...), 1985, the parenthetical phrase has been handwritten across an expanse of juicy oil pigment; in Untitled (I Lost My Voice I Found My Voice), 1991, the text was repeatedly stenciled in oil stick onto a gessoed white ground until it became illegible; in Study for Condition Report, 2000, annotations identifying damage and wear are made on a photocopy of a photograph of a painting reprising the famous protest signs declaring I AM A MAIn Untitled (I am drawn to sleaze...), 1985, the parenthetical phrase has been handwritten across an expanse of juicy oil pigment; in Untitled (I Lost My Voice I Found My Voice), 1991, the text was repeatedly stenciled in oil stick onto a gessoed white ground until it became illegible; in Study for Condition Report, 2000, annotations identifying damage and wear are made on a photocopy of a photograph of a painting reprising the famous protest signs declaring I AM A MAin Untitled (I Lost My Voice I Found My Voice), 1991, the text was repeatedly stenciled in oil stick onto a gessoed white ground until it became illegible; in Study for Condition Report, 2000, annotations identifying damage and wear are made on a photocopy of a photograph of a painting reprising the famous protest signs declaring I AM A MAin oil stick onto a gessoed white ground until it became illegible; in Study for Condition Report, 2000, annotations identifying damage and wear are made on a photocopy of a photograph of a painting reprising the famous protest signs declaring I AM A MAin Study for Condition Report, 2000, annotations identifying damage and wear are made on a photocopy of a photograph of a painting reprising the famous protest signs declaring I AM A MAN.

St Muncie, IN About Blog Oil painting sales, commissions, techniques & free art instruction videos from an award winning artist Bill Inman who shares with you the secrets to become a professional artist.

St Muncie, IN About Blog Oil painting sales, commissions, techniques & free art instruction videos from an award winning artist Bill Inman who shares with you the secrets to become a professional artist.