[5] He did not limit himself to two - dimensional surfaces, but created dynamic,
painted installations which surround the viewer.
This idea ties together all the exhibitions, whether it's Stop.Look.Listen, which is asking you as a viewer to become an active, rather than a passive witness to temporal works of art; or Joanne Tod's
painting installation which is a memorial witnessing of what's taking place in Afghanistan; or Robert Hengeveld's slowly forming salt pile, which you have to spend vast amount of time with in order to see it actually take place.
Not exact matches
There are no permanent exhibitions, but artists from around the world descend on the gallery to show works,
which range from film, photography and
paintings to sculpture and sound
installations.
The base kit can be yours for $ 22,768 ($ 29,500),
which includes
painting and
installation.
Adrian doesn't understand why Monroe's highly literal works like Pushpin Stuck in Wall (2008) and Light Bulb Turning On and Off (2008)--
which suggests Martin Creed's 2001 Turner Prize - winning
installation, The Lights Going On and Off — are shown prominently in the gallery while his brother's
paintings are relegated to a back room.
Installation view of «Jeff Koons: Gazing Ball
Paintings,»
which was on view at Gagosian from November 9 to December 23, 2015.
Kessler writes that the exhibition «is not only about a group of Mark Rothko
paintings done at the peak of his career, but it's also about an ingenious restoration technique — a way to restore the color of these faded murals via non-invasive digital projections... The exhibition features a much - damaged five - panel mural that Rothko was commissioned to make in 1961 - 62 for the penthouse dining room of Harvard University's Holyoke Center... 38 studies for the murals... And, presented here for the first time, a sixth [undamaged] mural
which was
painted for the commission and held in reserve until Rothko decided
which five
paintings he wanted for the final
installation.»
The show features new
paintings, a multimedia
installation as well as a major work in the lobby
which features a map of HIV diagnoses in the United States as of 2009.
The other has been as a fine artist,
which has seen his
installation art, sculpture,
painting and photography exhibited at galleries and museums around the world.
The roots of Zhang's new abstract strategy,
which made its debut at Hauser & Wirth in Zurich in 2016, may be found in the artist's «Space
Paintings,» environmental
installations in
which he covers the ceilings, floors, and walls of a gallery with abstract patterns that alter one's sense of space.
A pioneer of
installation art since the 1970s, Pfaff synthesizes sculpture,
painting, and architecture into dynamic environments, in
which space expands and collapses, fluctuating between the two - and three - dimensional achieving lightness and explosive energy.
And yet she has never stopped producing bold, propulsive work that spans
painting, sculpture, fashion, and
installation, such as her mirrored infinity rooms,
which surely reflect the cosmos of Kusama's own imaginings.
The
installation features panels on
which political organizations are handwritten in black lettering against gold
paint.
The exhibition
which opened on Sunday at Shanghai's contemporary art museum features over 300
paintings, photographs, screen prints, drawings, 3 - D
installations and sculptures including iconic works such -LSB-...]
The exhibition features
paintings — a language in
which light plays an essential role — as well as sculptural investigations and
installations that use optical and luminous elements, like mirrors and light bulbs.
The core of this exhibition will be a selection from her signature Liz Taylor Series of
paintings, and an
installation which incorporates the film stills comprising the source material for this ongoing series.
Subtle, unsettling investigations into the ways in
which objects can be transformed by context — and the construction of the context itself — are the hallmarks of Carissa Rodriguez's photos,
paintings, videos, and
installations.
Singling out the season's most tweet - worthy, opening night acolytes tracking our Black Art Matters moment orbited Lars Fisk's satirical softballs at Marlborough Chelsea, lined up outside Hauser Wirth for Rashid Johnson's black soap, shea butter and horticultural
installations that comment obliquely on cleansed grime and forced growth, and crowded into Jack Shainman's galleries for Meleko Mokgosi's large - scale, text - supported
paintings which illustrate the interrelationship between southern African liberation movements and communism, offset by «lerato», the Setswana word for love.
In a unique style that is both sensory and utopian, Kusama's work —
which spans
paintings, performances, room - size presentations, sculptural
installations, literary works, films, fashion, design, and interventions within existing architectural structures — possesses a highly personal character, yet one that has connected profoundly with large audiences around the globe.
This catalogue is published in conjunction with the exhibition «Anonymous: Contemporary Tibetan Art» at Samuel Dorsky Museum in New Paltz
which features over 50 works of
painting, sculpture,
installation and video art by 27 Tibetan artists.
Why do you think we have such a rich panorama of precedence from Duchamp, who brilliantly summarized nearly every avenue of the visual arts in «Etant donne:...»,
which merged
painting, sculpture,
installation, viewer participation, perspective, voyeur, high craftsmanship, shoddy behind the scenes facade construction, performance... it goes on.
His work spans a range of media including photography,
painting, sculpture,
installation and use of the ready - made to create assemblages from everyday found objects such as books, ceramics, TV sets and other house - hold goods and paraphernalia,
which Liu Wei transforms into sculptural objects and
installations of eloquent complexity.
The European
installation culminates in a display of the
paintings that provoked the most bewilderment and notoriety in 1913: Cubist works by Picabia and Gleizes, along with Duchamp's «Nude Descending a Staircase (No. 2),»
which prompted its famous description by one critic as «an explosion in a shingle factory.»
Renowned art curator, historian, and Artistic Director of the Serpentine Galleries, Hans Ulrich Obrist, will be in conversation with American artist Dan Colen on «Sweet Liberty», Colen's first major solo show in London,
which surveys the entirety of the artist's career to date and also features new
paintings and large - scale
installations.
Concurrent to this exhibition, at Lehmann Maupin Gallery in Soho, Winters will be exhibiting Set Diagram, a new series of 60
paintings for
which the architect Rem Koolhaas has designed a site - specific
installation.
The diverse meanings placed on the horizon —
which includes a symbol of longing, containment or desire — radiate across the additional works in the exhibition that include
painting, sculpture, drawing, video, and
installation.
Ranging from text to
installation,
painting, sculpture, performance and sound, the selection presents some of Lisson's leading artists, of both the past and present — beginning with monumental works such as one of Dan Graham's large - scale glass - and - steel pavilions, entitled Two Vs Entrance - Way (2016),
which reflects and refracts visitors and its Brutalist architectural surroundings.
The
installation,
which consists of ten
paintings and a single sculpture, will be on view at MASS MoCA beginning February 17, 2018, with a members» reception on March 24.
Paintings, sculpture, mixed media works and
installations dominate the exhibition,
which also includes some of the period's most compelling photography.
SHINIQUE SMITH: Wonder and Rainbows @ Frist Center for the Visual Arts Nashville Evocative of her own experiences, observations and values, Shinique Smith «s highly expressive
paintings, sculptures, and
installations often incorporate personal possessions
which she believes «can inspire memories and shape our experience and identity.»
Composed of 25 works,
which include
paintings, sculpture, prints, works with paper, and
installations, the exhibition explores a range of issues that have occupied Grabner since she started her creative career, such as the history of
painting in relation to the present, the relationship of centre to periphery, the significance of routine in life and in art, and the integration of work into family life and vice versa.
The first solo show in an Italian museum of Chinese artist Ding Yi will propose a journey of about forty
paintings and drawings, a sculpture and an
installation that requires the interaction of visitors,
which aims to bring the public closer to the man considered to be the most important abstract painter in contemporary China, by presenting his complex artistic practice and evolution from the nineties to the present day to the public.
Presented to the public for the first time, these works include large - scale mural and
installations, sculptures,
paintings and sketches,
which aim to reveal essential paradoxes in international relations, political theory and religious worship.
Works central to this exhibition include the theatrical setting A Fashionable Marriage, through
which visitors can walk; 40 small
paintings comprising Inside the Invisible, seen for the first time in the UK; and The Feast Wagons, an
installation of handcarts.
Rachel Feinstein's idiosyncratic oeuvre is diverse in mediums and influences; while she works primarily in sculpture, the artist's
paintings, drawings, and
installations are equally important vehicles through
which themes of femininity, beauty, and literature are explored.
One of the gallery» soutstanding features is a ceiling height of nearly 12 feet
which will allow Lambert to stage large scale exhibitions of
painting,
installation and sculpture.
The Museum's small - format, highly - detailed canvas,
which evinces a strange perspective, was the springboard for Eliav to create a sprawling
installation of twenty large - scale
paintings that will completely fill the exhibition space, each work conveying parts of the scene from a different perspective and in a different
painting mode.
It will spotlight the artist's unique contribution to the narrative of Brazilian Conceptualism and reveal her wide - ranging, interdisciplinary practice
which merges
painting, photography, film, sculpture,
installation, collaborative actions, and participatory events.
See Without Seeing and Know Without Knowing is an
installation of ethereal
paintings that considers that we, as living beings, are energy bodies made up of small, moving particles,
which exist without edges or boundaries.
Architect David Adjaye serves as the lead designer for the museum
which will include an important collection of visual art —
paintings, sculpture, works on paper,
installations, photography, and digital media — by and about African Americans.
It consists of four kinds of objects: your paper weavings,
which you display on horizontal pedestals; inkjet print of textile patterns; enamel
paintings, and — smack in the middle of the exhibition — an
installation of your Oyster # 9 (2014)-- a giant, round
painting mounted on what look like several dustbin lids welded together.
At both locations, you may notice people giving these
paintings the kind of time that is expended more frequently on contemporary works in video, performance and
installation,
which require it.
Continuing an anthropomorphic sensibility begun in her dart
paintings, Feu à volonté featured two works, Homage to Bob Rauschenberg and Tir de Jasper Johns (both 1961),
which Saint Phalle gifted as individual «portraits» to her friends after inviting them to execute the shootings prior to
installation.25 Reviewing the show for the New York Herald Tribune, John Ashbery noted the general significance of her intervention, writing, «[She] has invented a new kind of
painting that must be finished by the spectator [emphasis mine] with the aid of the rifle bullets fired at the canvas.»
The Institute of Contemporary Art, London is now hosting Woodman's first solo show in the UK,
which features her recent forays into
painting and mixed - media
installations — evidence that even at 85, she is still searching for new ways to express herself.
Also on view will be the rarely seen
installation Profondeurs Vertes (2006),
which uses images from well - known American
paintings to comment on fear and memory.
This rich and dramatic retrospective,
which features
paintings, assemblages, photographs, films, multimedia
installations, and performance documentation, first appeared at the Museum der Moderne in Salzburg in 2015, and will travel to MoMA PS1 in New York this autumn (22 October — 1 February 2018).
Following that is the very popular and much anticipated annual group exhibition «The Summer Show,»
which opens June 17 and features more than 40 works in various media — including
painting, sculpture, works on paper, photography, video and
installation — by gallery and guest artists.
Jessica Stockholder talks about her work,
which combines
painting, sculpture,
installation and langu...
She says, «The gothic ambience of the crumbling
paint and weathered pews in the dimly lit building added a private solemnity to Young's
installation,
which was strikingly different from the interactive bustle of the other works [in Black Radical Brooklyn].»
Alternating sculpture — the medium in
which he develops a broader spectrum, ranging from small three - dimensional creations to large - sized
installations and hybrid objects — with photography, drawing, and mural
painting, Irazu's work addresses the problems that occur in the relationships established between our bodies, objects, images, and spaces.