Sentences with phrase «painted landscapes primarily»

Auerbach has painted landscapes primarily of north London and particularly Camden Town, where he has been living and working for the past sixty years.

Not exact matches

Working primarily in oil on canvas, my paintings are essentially abstract in form and are emotionally connected to the landscape that surrounds us.

Though Alex Katz is known primarily for his large, sparsely detailed portrait paintings, «This Is Now» offered a compelling look at his landscapes.

Appel became known primarily for her paint - soaked brush strokes on large canvases that sought to recreate the energy, color and immediacy of the landscapes.

Although Diebenkorn made his living primarily as an art teacher, his Ocean Park series of 135 paintings done over 18 years depicting variations of light on the landscape was widely critically acclaimed.

Lehmann Maupin has gathered primarily new works by three Californian women spanning two generations, making for a booth featuring monochromatic paintings by the Light & Space Movement artist Mary Corse, labor - and identity - focused sculptures from Liza Lou, and a spread of photographs examining American life and landscape by Catherine Opie.

He paints portraits primarily, but also figurative works, landscapes, and still - lifes.

Durand, who worked primarily as an engraver and an occasional portraitist in the 1820s, pursued landscape painting in earnest by the mid-1830s.

Eilshemius primarily painted figures and landscapes, turning to moonlit cityscapes and more mystical subject matter during the 1910s.

Known primarily as a landscape painter, David Deutsch's latest paintings are representational, abstract, wildly painterly and idiosyncratic.

His sculptural works in particular attest to a profound interest in landscapes, whether natural or architectural, and their ability to capture light relates them to a genre primarily associated with painting and photography.

Heavily - pigmented color links works by newcomer Mary Daunt and John Little, though Daunt's paintings are primarily straightforward landscapes and still lifes, while Little's are steeped in his unique and abstract gestural language.

The bequest was primarily paintings of landscapes by popular artists of the time.

Where Freeman primarily critiques literature, the current exhibition at PMCA, curated by artist and participant Constance Mallinson, offers a powerful challenge to Burke's gendered investigation through the visual arts, in the form of landscape painting.

In the late eighteenth and early nineteenth centuries, American artists primarily painted landscapes and portraits in a realistic style.

Though primarily photography, A Green and Pleasant Land includes film, painting and sculpture by over 50 artists, illustrating the various concerns and approaches to landscape pursued by artists from the 1970s to now.

Balthus was primarily interested in figurative painting, although he did paint some landscapes.

Although Inness was dedicated to representing nature through painted landscapes, he was primarily concerned with the physiology of vision and how memory forms conventional ways of seeing.

What to see at the Aargauer Kunsthaus The Kunsthaus is primarily devoted to Swiss art from 18th century to the present, paying a special attention to the work of Caspar Wolf, Johann Heinrich Füssli and Arnold Böcklin; its comprehensive collection includes artworks belonging to various styles: landscape painting, early Modernism, Swiss expressionism, post-war abstract art and contemporary art; the concrete art section is also particularly remarkable, with notable works by Max Bill, Sophie Taeuber - Arp and Hans Arp, among others.

Working primarily with landscape imagery, Siqueland utilizes oils, inks and watercolours, playing on the active relationship between the conditions in which a painting is made and the «what» it depicts.

Delvaux's early paintings were primarily naturalistic landscapes and between 1920 and 1925 he completed about 80 such compositions.

Though he is primarily based in New York City, where he has painted numerous cityscapes and urban scenes such as his series of four paintings, entitled «Four Spots Along a Razor - Wire Fence», [4] Downes has traveled widely, creating a significant number of landscape paintings on site in Maine and Texas, of subjects including the harbor of Portland, Maine and the Donald Judd structures in Marfa, Texas.

Native subject matter and a similarly narrow color range, primarily ochres and greenish browns, were prevalent during the 1630s and early 1640s, a period known as the tonal phase of Dutch landscape painting.

The great flowering of English landscape paintings came during the first half of the 19th century, primarily in the work of two masters, John Constable and J.M.W. Turner.

Camille Corot, French painter, noted primarily for his landscapes, who inspired and to some extent anticipated the landscape painting of the Impressionists.

A southwestern desert landscape painting by Dan Garrett, who is primarily known for his sculptures of Native American subjects.

Concentrating primarily on landscape and still life painting, Cox uses soft, quiet northern light to create a radiance and tranquility through intuitive rendering of form and color.

awards research enabling grant $ 7500.00, university of north texas, 2010 junior faculty fellowship $ 5000.00, university of north texas, 2010 purchase award, 1st national bank, columbia, mo 2008 fellowship, vermont studio artist colony, vt 2000 jessie rickly award, st. louis artist guild, st. louis, mo 1996 graduate fellowship, university of washington, seattle, wa 1990 national fine art award, binney and smith, usa 1988 bibliography • light and depth at bruno david by ivy cooper, special to the beacon november 11, 2008 • laura beard, catalog, bruno david gallery, essay by charles schwall, november 2008 • fresh paint, fresh faces, inaugural columbia invitational, courtesy of jason pollen by ladan nikravan vox magazine, october 9, 2008 • comments and reviews of visual art, st. louis: open studios tour by rob miller 2008 • perception / abstraction, laura beard aeling and gary passanise, by megan peters, the review, 2007 • varied show of bold abstracts revels in the joy of paint by teresa callahan, west end word, october 2004 • contemporary moves by sydney norton, west end word, october 2004 • laura beard aeling - winterkill at the st. louis ethical society by jeff daniels, art critic of the st. louis post dispatch, february 23, 2003 • something for everyone, by kate hackmen, kansas city star, june 29, 2001 «fresh raises expectations for the new», by caprice stapley of the review, july 2001, vol 3, # 9 • abstraction for the sensory overload by ben shockey, the review, 2001 • driven to abstraction by robin trafton, kansas city star, march 30, 2001 • landscape go in all directions by jeff daniels, art critic of the st. louis post dispatch, july 9, 2000 • this just in... painting still alive by jeff daniels, art critic of the st. louis post dispatch, summer 2000 • excavations: new paintings by laura beard aeling by jeff daniels, art critic of the st. louis post dispatch, mar. 19, 2000 • new american paintings volume 23, 1999 (national distribution) •: surreptitions by jeff daniels, art critic for st. louis post dispatch, april 1998 • extirpate by jeff daniels, art critic of st. louis post dispatch, december 17, 1997 • extirpate by eddie silva, art critic of the river front times, december 1997 • route 66 brings real art to life by Stephen weeks, the independent, september, 22, 1992 • artist converge for route 66 revisited exhibit by stephen weeks, the independent, gallup, nm, september 18, 1992 • route 66 art show a must see at red mesa by gaye brown, the gallup gazette, 1992 • primarily paint at the laguna gloria art museum laguna gloria art museum, 1990

washington university faculty exhibition, st. louis, mo 2003 philip slein contemporary art, invitational group exhibition, st. louis, mo sherry leedy contemporary art, invitational group exhibition, kansas city, mo st. louis art museum, «change of space», film by laura beard and d. jansky 2002 museum of contemporary art, «art cache», invitational group exhibit, st. louis, mo left bank gallery, «this is an image», collaborative exhibition with ann rast, st. louis, mo springfield museum of art, water color usa, national juried exhibition, springfield, mo sherry leedy contemporary art, invitational group exhibition, kansas city, mo 2000 inform, invitational group exhibition, lemp brewery, st. louis, mo des lee gallery, «landscape», invitational group exhibition, curator: philip slein, st. louis, mo 1999 new american paintings, volume 22, national juried exhibition in print springfield museum of art, water color usa, national juried exhibition, springfield, mo sherry leedy contemporary art, invitational group exhibition, kansas city, mo 1998 r. duane reed gallery, invitational group exhibition, st. louis, mo leedy voulkos gallery, invitational group exhibition, kansas city, mo 1997 erector square gallery, international women's exhibition, new haven, connecticut art loft gallery, «extirpate» with andy milner, heather Bennett, st. louis, mo courthouse gallery, national juried exhibition, woodstock, il 1996 forum of contemporary art, «stations of the cross» group exhibit, st. louis, mo 1993 laguna gloria museum of art, «primarily paint», curator: peter doroshenko, austin, tx artist's lofts gallery, national group exhibition, galveston, tx wayland babtist gallery, national group exhibition, wayland, tx mcallen international museum, national group exhibition, mcallen, tx firehouse gallery, national group exhibition, del rio, tx red mesa art center, national group exhibition, gallup, nm 1990 henry art gallery, mfa thesis exhibition, seattle, wa 1990

His sculptures in particular attest to a profound interest in landscapes, whether natural or architectural, and their ability to capture light relates them to a genre primarily associated with painting and photography.