Sentences with phrase «painted numerous works»

During the 1970s he painted numerous works that used as a point of departure the reinterpretation of the decorative effects of traditional Japanese painting.

Not exact matches

Before taking up film directing, he exhibited his paintings in a number of one - man and group shows, made numerous music videos (for, amongst others, Zucchero, Stéphane Eicher, Princesse Erika) and worked for several record companies (Virgin, EMI, Sony, Polygram).
Mirren is typically sterling in painting Eileen's ire and loss and shame, but she's done comparable work in numerous, better films, so why bother to seek her out here?
Open studio showing new works of three artists featuring large scale abstract paintings by local educator Mike Irwin, contemporary abstract still life paintings by Jeanne Dentzel, and printmaking, assemblage and conceptual riddles in his numerous works on paper by local educator and arts activist Dug Uyesaka.
Her paintings have been purchased by numerous private collectors, and several are displayed at the Radcliffe Institute for Advanced Study at Harvard University where she works as senior graphic designer.
A graduate of Pratt Institute (BFA in Painting) and Parsons School of Design (MFA), Cake's works have been exhibited at numerous galleries and exhibitions, including a solo show at The Untitled Space in July 2015, «Allegories Of The Held,» as well as public works such as The Gateway Project's Mural in Newark Penn Station «Cast the Burden and the Light Will Impress».
His paintings, sculptures, and works on paper have been the subject of numerous exhibitions: The Stedelijk Museum, Amsterdam, 1982; Tate Gallery, London, 1982; Whitechapel Gallery, London, 1987; Kunsthalle Düsseldorf, Düsseldorf, 1987; Centre Georges Pompidou, Paris, 1987; Whitney Museum of American Art, New York, 1987; San Francisco Museum of Modern Art, San Francisco, 1987; Museum of Fine Arts, Houston, 1987; Musée d'Art Contemporain, Nîmes, 1989; Staatliche Graphische Sammlung, Munich, 1989; Palais des Beaux - Arts, Brussels, 1989; Fruitmarket Gallery, Edinburgh, 1989; Museum of Contemporary Art, Chicago, 1989; Museo de Arte Contemporáneo, Monterrey, 1994; Fundació Joan Miró, Barcelona, 1995; Galleria d'Arte Moderna di Bologna, Bologna, 1996; Schirn Kunsthalle, Frankfurt / Main, 2004; Museo Nacional Centro de Arte Reina Sofía, Madrid, 2004; Rotonda della Besana, Milan, 2007; Tabakalera, Donostia - San Sebastián, 2007; Museo di Capodimonte, Naples, 2009; The Art Gallery of Ontario, Toronto, 2010; Museo Correr, Piazza San Marco, Venice, 2011; J.F. Willumsens Museum, Frederikssund, 2013; The Brant Foundation Art Study Center, Greenwich, 2013; Dallas Contemporary, Dallas, 2014; Gagosian Gallery, New York, 2014; Dairy Art Centre, London, 2014; Museu de Arte de São Paulo, São Paulo, 2014, NSU Art Museum Fort Lauderdale, Fort Lauderdale, 2014; University of Michigan Museum of Art, Ann Arbor, 2015; Almine Rech Gallery, Paris, 2015; Vito Schnabel Gallery, St. Moritz, 2016; Blum & Poe, LA, 2016; and Aspen Art Museum, Aspen, 2016.
The numerous works made in response to Herman Melville's 1851 novel Moby - Dick, in painting, sculpture, architecture and printmaking, explore idea and form in a most exciting manner, describing the difference of once having discussed «abstraction and representation... Now we have new opportunities for «synthesis».»
Miriam Schapiro is the recipient of six honorary doctorates and has been the subject of numerous doctoral and master's degree dissertations and she has been honored with painting retrospectives, a thirty - year works on paper retrospective, numerous one - person exhibitions and has been included in hundreds of group exhibitions throughout the world.
She has exhibited her paintings widely in both solo and group exhibitions since the late 1960's, and her work is represented in numerous public, corporate and private collections, including The Museum of Modern Art, The Metropolitan Museum of Art, The Whitney Museum, in NYC, The Dallas Museum of Art, TX, The Albright Knox Museum, Buffalo.
The work of Michael Mazur has been featured in numerous solo and group painting, print, and drawing exhibitions, nationally and internationally, since 1958.
It features texts by Elena Geuna and Guy Tosatto and reproduces over 85 works, including photographs and sculptures, along with numerous paintings.
Her work has been exhibited in numerous national and international institutions, including Artspace (New Haven, CT), DIVA International Video Art Fair (Miami, FL), City of Nanjing Art Center for Painting and Sculptures (China), CAMAC Centre D'art (France), Media Art Festival at the Armenian Center for Contemporary Experimental Art (Armenia).
At once an abstract painting (or two), a figure, a squeegeed monoprint on fabric, a found object, a memory, a sculpture, this work has numerous points of entry.
With 53 of the show's artists - almost as many as Bonami included in his entire biennial - her overstuffed fraction included numerous women working in abstract painting or fabric, notably a knockout Sheila Hicks tower that was, hands down, the best work in the show (Pillar of Inquiry / Supple Column, 2013 - 14).
Among these works are early small - scale, monochrome India ink paintings; numerous paintings from the 1990s when the artist introduced color to his work; and a group of rare, large - scale paintings.
Her work as been included in numerous exhibitions including «Made For More» at Chime and Co. in Los Angeles, «Painting's Edge» at the Riverside Art Museum and «Snapshot,» at the Contemporary Museum in Baltimore, Maryland.
His extraordinary breadth of work — photography, paintings, prints, artist's books, and videos — has been celebrated internationally in numerous solo exhibitions, including the 2009 — 10 retrospective John Baldessari: Pure Beauty, co-organized by LACMA.
Smith is the recipient of numerous awards and residencies including, most recently, Skowhegan School of Painting & Sculpture (2015); the Virginia A. Myers Fellowship at the University of Iowa (2015), A.I.R. Gallery Fellowship, Brooklyn, NY (2014); and the Fine Arts Work Center, Provincetown, MA (2013, 2014).
Galerie Templon (Paris, Brussels) selling very well on preview day — have already sold an Omar Ba painting and 5 drawings in the price range of 30,000 euros + An Iván Navarro work which sold for 125,000 USD + numerous works in the Prune Nourry SOLO booth sold very well already in the preview day in the price range of 18,000 - 38,000 USD.
Her work also contains numerous arthistorical references that range from Abstract Expressionism to Minimalism, encompassing in particular Jackson Pollock's drip paintings and Morris Louis's poured paint technique.
From his precisely gridded works of the 1970s to the three - dimensional panels of the 1980s and his now celebrated Wall of Light paintings from the 1990s, this volume gathers the entire oeuvre of the artist, whose work is held in numerous public collections including the Metropolitan Museum of Art, MoMA, and Solomon R. Guggenheim Museum, New York; the National Gallery of Art, Corcoran Gallery of Art, and Hirshhorn Museum and Sculpture Garden, Washington, DC; Modern Art Museum of Fort Worth, Texas; and the Tate, London.
Suggestive of numerous binary relationships that are central concepts to Chinese painting, her works are in conversation with both painterly history and the greater world.
In addition to Top Honors, the awards include Best Representational Painting, Best Abstract Painting, Best Sculpture, Best Work on Paper, Best Mixed Media, Best Photograph, and numerous Honorable Mention citations, along with the $ 250 Catherine and Theo Hios Landscape Award and the Best New Member Artist presented to one artist who is new to the members exhibition or who has not entered in the past five years.
She exhibited work in the 43rd Biennial of Contemporary Painting at the Corcoran Gallery of Art, in Washington, D.C. and numerous group shows throughout the U.S.. She's been the recipient of two National Endowment for the Arts grants, fellowships to Yaddo, the Fine Arts Work Center in Provincetown, the Millay Colony, the Peter S. Reed Foundation Grant, a Hand Hollow Foundation Fellowship and scholarships to the New York Studio School, the Skowhegan School, and the Yale Norfolk Progwork in the 43rd Biennial of Contemporary Painting at the Corcoran Gallery of Art, in Washington, D.C. and numerous group shows throughout the U.S.. She's been the recipient of two National Endowment for the Arts grants, fellowships to Yaddo, the Fine Arts Work Center in Provincetown, the Millay Colony, the Peter S. Reed Foundation Grant, a Hand Hollow Foundation Fellowship and scholarships to the New York Studio School, the Skowhegan School, and the Yale Norfolk ProgWork Center in Provincetown, the Millay Colony, the Peter S. Reed Foundation Grant, a Hand Hollow Foundation Fellowship and scholarships to the New York Studio School, the Skowhegan School, and the Yale Norfolk Program.
He has been the subject of numerous retrospectives, including William Wegman: Paintings, Drawings, Photographs, Videotapes (Abrams) in 1990, a 20 - year survey of his work presented at the Kunstmuseum Lucerne as well as shows at the ICA London, the Stedelijk Museum, the Frankfurt Kunstverein, the Centre Pompidou, the ICA Boston, the Whitney Museum, and the Contemporary Arts Museum in Houston.
They are working in different techniques, especially painting, photography and installation and have had numerous gallery and museum exhibitions in both Europe and the USA.
His paintings, sculptures, and works on paper have been the subject of numerous retrospective exhibitions: Tate Gallery, London, 1982; Whitechapel Gallery, London, 1987; Centre Georges Pompidou, Paris, 1987; Kunsthalle Dusseldorf, Dusseldorf, 1987; Whitney Museum of American Art, New York, 1987; San Francisco Museum of Modern Art, San Francisco, 1987; Museum of Fine Arts, Houston, 1987; Palais des Beaux - Arts, Brussels, 1989; Fruitmarket Gallery, Edinburgh, 1989; Museum of Contemporary Art, Chicago, 1989; Museo de Arte Contemporáneo, Monterrey, 1994; Galleria d'Arte Moderna di Bologna, Bologna, 1996; The Art Gallery of Ontario, Toronto, 2010; Museo Correr, Piazza San Marco, Venice, 2011; J.F. Willumsens Museum, Frederikssund,
James has received numerous accolades and fellowships, most notably from Skowhegan School of Painting and Sculpture in New York, The Bemis Center for Contemporary Arts in Nebraska, Lighthouse Works in New York, Abrons Art Center in New York and Socrates Sculpture Park in Long Island City.
The exhibition brings together paintings, sculptures, and works on paper done in numerous variations of a color that Johns has consistently turned to over five decades.
His paintings, sculptures, drawings, and prints have been the subject of numerous solo and major group exhibitions and his work is represented in many museums, as well as prestigious private and corporate collections, including The Metropolitan Museum of Art, The Whitney Museum of American Art, The Museum of Modern Art in New York City, The Museum of Contemporary Art in Los Angeles, St. Louis Art Museum, Louisiana Museum of Art in Denmark, Musèe Beaubourg in Paris, and The Paine Weber Collection.
Having studied painting at Syracuse University and the School of the Art Institute of Chicago, his work is included in the collections of numerous museums, among them the Museum of Modern Art, New York, the San Francisco Museum of Modern Art, the Museum of Fine Arts, Boston, and the Addison Gallery of American Art, Andover.
Fischl's paintings, sculptures, drawings and prints have been the subject of numerous solo and major group exhibitions and his work is represented in many museums, as well as prestigious private and corporate collections, including The Metropolitan Museum of Art, The Whitney Museum of American Art, The Museum of Modem Art in New York City, The Museum of Contemporary Art in Los Angeles, St. Louis Art Museum, Louisiana Museum of Art in Denmark, Musée Beaubourg in Paris, The Paine Weber Collection, and many others.
The subject of numerous international shows and much critical acclaim, these pieces signal the apotheosis of Sutcliffe's late style, emphasizing his movement away from figuration into the collaged geometricism of his works on paper and the dense gestural abstraction of his paintings.
Freilicher was included in the Whitney Biennials of 1955 (the painting annual, as it was then known), 1972, and 1995, and her work is included in numerous museum collections, including the Museum of Modern Art, the Metropolitan Museum of Art, and the Whitney Museum of American Art.
Along with his watercolours, Roberts showed works on canvas, particularly self - portraits and images of his first wife Marian, who would be the subject of numerous nude and clothed figure paintings.
Like much of Akunyili Crosby's work, this piece is wrought on paper, its painted image scored by numerous photo transfers that dissolve the painting's surface even as its muscular linearity and bold colors work toward compositional unity.
Hughes has received numerous accolades and residencies, most notably from the Atlantic Center for the Arts Residency in New Smyrna Beach, Florida, Working Artist Project at MOCA, Georgia and Skowhegan School of Painting and Sculpture.
Following this series Diebenkorn painted a group of still liv s, another of figurative works, and numerous cityscapes.
Through the exhibition Energy / Experimentation: Black Artists and Abstraction, 1964 — 1980 (2006)-- which highlighted numerous black artists working in abstract painting or sculpture — and her scholarly work on African American conceptualists, Jones has prompted a reevaluation of the view that African American art of the period was predominantly figurative or representational.
Her work has been exhibited extensively and her paintings are included in numerous private and public collections.
His work has been included in numerous group exhibitions, including Blues for Smoke, Museum of Contemporary Art, Los Angeles (2012); the Whitney Biennial, Whitney Museum of American Art, New York (2008); the California Biennial, Orange County Museum of Art (2008); Philosophy of Time Travel, Studio Museum in Harlem, New York (2007); Ordinary Culture: Heikes / Helms / McMillian, Walker Art Center, Minneapolis (2006); Painting in Tongues, Museum of Contemporary Art, Los Angeles (2006).
His work is represented by Reynolds Gallery in Richmond, Virginia, and his paintings are in numerous public, corporate, and private collections.
The Los Angeles exhibition at the Kohn Gallery will include his now famous painting of a meat dress (made popular by Lady Gaga), Incarnation, 2009, along with numerous other smaller paintings and works on paper.
The versatile artist, who worked in sculpture, painting and printmaking, taught and inspired numerous British artists including Barbara Hepworth, Henry Moore and Eileen Agar.
A 1995 work, so cartoon - like that you almost expect a caption, is mostly a big, tilting expanse of bare canvas — a floor — extending toward a far - off green wall dotted with numerous tiny paintings.
In recognition for her work to strengthen and promote education and the arts in Latin America, Mrs. Cisneros has received numerous awards which include, among others: the Great Cross of the Civil Order of Alfonso X the wise, Spain; the Leone d'Oro di San Marco, Venice; the Cross of the Legion of Honor, Republic of France; the Americas Society's Gold Medal; the Gertrude Vanderbilt Whitney Award for Outstanding Patronage of the Arts, Skowhegan School of Painting and Sculpture, Maine; the Iris Foundation Award, Bard Graduate Center: Decorative Arts, Design History, Material Culture, New York and an Honoris Causa Degree in Fine Arts, from Wheaton College, Massachusetts.
For his seventh solo show here (excluding numerous group exhibits), Nugent presents a diverse breadth of new paintings and works on paper and veneer.
Barker co-curated Women on the Fence (Mothership Festival, Desert Hot Springs: 2016) and her work has been featured in numerous publications such as New American Paintings and The Harvard Divinity Bulletin.
Paintings, photographs and video works taken from numerous public and private collections worldwide, from the earliest, rarely exhibited photographs of her mother to the commissioned SMASH video, aim to reaffirm the importance of her vision, as part of the 10th anniversary celebrations of the Elizabeth A. Sackler Center for Feminist Art.
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