Constable often
painted oil sketches outdoors, as he was very concerned with the elements of sky, light, and atmosphere.
Not exact matches
Her canvases were precious possessions to her family:
oil paintings of Degas» ballerinas,
sketches of an old tree swing in the backyard, of still life and country life.
About Blog Authored by Cathy Gatland -
Sketching, watercolours,
oil painting,
sketch and travel journals, a hotchpotch of what's on my right brain right now.
Gallerie Silo: Opening reception for Works on Paper, a collection of charcoal, pencil, pastel,
oil paint and ink
sketches and doodles journaling artist Michael Armour's growth over the past few years.
, a collection of charcoal, pencil, pastel,
oil paint and ink
sketches and doodles journaling artist Michael Armour's growth over the past few years.
Tina's beautiful
oil paintings and
sketches showcase the beaches of Ventura, capturing the dreamy blues and greens of the ocean, sandy beaches, and soulful surfers.
About Blog Authored by Cathy Gatland -
Sketching, watercolours,
oil painting,
sketch and travel journals, a hotchpotch of what's on my right brain right now.
Chalk & Vermilion Fine Arts has loaned two
oil paintings — La Dialectique appliquée and Les Grands rendez - vous — and a 1950
sketch by renowned Belgian surrealist René Magritte to «The Pleasure Principle,» a traveling exhibition that just completed a run at the Albertina Museum in Vienna.
I don't know what's «industry standard practice» for fine art galleries these days, regarding pricing works on paper vs. works on canvas, but my suspicion is that the reason for the * historical * difference between the two is that works on paper are perceived to be less «serious» (after all, watercolor started out as a quick way for
oil painters to
sketch out drafts), and less long - lasting (historically, a lot of watercolors were fugitive, and tended to fade with time, unlike varnished
oil paintings).
3D digital artwork that is oftentimes mistaken as
oil paintings,
oil paintings,
sketches, etc..
It tracks Elaine de Kooning's development as a first - rate, innovative portraitist through variously sized drawings, figure studies, trial
sketches and small
paintings across five decades, with each room dramatically highlighting the best of her large - scale
oil paintings, some never exhibited publicly until now.
To make one of his large works, Katz
paints a small
oil sketch of a subject on a masonite board; the sitting might take an hour and a half.
Published on the occasion of her first exhibition at David Zwirner in fall of 2010, this beautifully designed and produced catalogue — with a text by noted curator and art historian Joachim Pissarro — features Suzan Frecon's most recent large - scale
oil paintings, along with newly commissioned color photography of exhibition and studio installation views, as well as the artist's notebooks and
sketches.
He makes
paintings by going to public spaces around L.A., like the beach or the Americana mall, and quickly
sketching what he sees there — tanners lounging in swimwear, dog - walkers, picknickers, etc. — on an iPad, then goes back to his studio and simply
paints these scenes on canvas in acrylic, airbrush, and
oil sticks that he melts on his stovetop.
Bill Scott will be exhibiting a
painting in Loaded Brush: The Oil Sketch and the Philadelphia School of Painting at Philadelphia Academy of the Fine Arts from September 23, 2017 to Febraury
painting in Loaded Brush: The
Oil Sketch and the Philadelphia School of
Painting at Philadelphia Academy of the Fine Arts from September 23, 2017 to Febraury
Painting at Philadelphia Academy of the Fine Arts from September 23, 2017 to Febraury 4, 2018.
This new type of
painting grew out of the
sketches that she did on the chalkboards in a disused closed primary school with
oil pastel.
A permanent Tate Britain collection it includes the Turner Bequest (which itself includes all works left in Turner's studio upon his death), comprising 300
oil paintings and many thousands of
sketches, watercolours and 300 sketchbooks.
Make breakthroughs in
oil painting, watercolor, pastel, or urban
sketching.
Drawn from major public and private collections in the United States, the
paintings are accompanied by more than one hundred beautifully fluid studies in various media: drawings,
oil sketches, sculptures, digital composites, photographs, and prints — many never previously seen by the public.
Here, an artist mixes
paints with a palette knife while holding his brushes as he makes a preliminary
oil sketch on his canvas based on the drawings spread out near his feet.
The small
oil sketches in this exhibition originate in his practice of
painting directly outdoors.
British artist Celia Hempton (at Southard Reid) has forgone her usual fascination with genitalia to produce a dashing
oil sketch of the head and torso of a man called Jochen, while the Finnish artist Anna Tuori's exuberant
painting It's All Now You See (on Galerie Anhava's stand) is a particularly captivating jeu d'esprit.
Adrienne has been exhibiting
oil paintings,
sketches and printmaking since 1999 and is represented by Red Hill Gallery in Brisbane and Unsettled Gallery in Las Cruces, New Mexico.
Jean - Charles de Castelbajac, Yves Droite Yves Gauche, Diptych, 2008,
Oil on canvas This event takes place at
Sketch, 9 Conduit Street, London, W1S 2XG Paradise Row is delighted to invite you to our second all - singing, all - dancing, award - winning, salon extravaganza... An all star cast for the evening: A display of selected
paintings by Jean - Charles de Castelbajac, A -LSB-...]
But how many blew up what might seem
oil sketches to the size of history
painting?
His early
oil sketches,
painted outdoors and characterized by their bright colors, fluid brushstrokes, and prioritization of the expression of mood and atmosphere over topographical details, greatly influenced the Impressionists.
With no prior
sketching or planned outcome, Huen's large - scale
oil paintings are derived from observation of his own life, portraying quotidian experiences.
In fact, Katz recalls that the
painting was based on
oil sketches he made in the afternoon, although the title leaves the time of day ambiguous.»
While I do all my
oil paintings in the studio, I do work from pastel
sketches that are done en plein air.
Reminiscent of the Picasso series, which included fifteen
oil paintings and several hundred
sketches, Davila's cut - outs are presented in thirteen variations.
There were many surprising passes: Lot 87 was a thunderbolt design of fluorescent tubes by Dan Flavin that was one of his finest works in that it was an appropriate concept; Lots 122 and 130, large and excellent
paintings by Sandro Chia (b. 1946); Lots 203 and 205, a good
painting and a superb sculpture by Nancy Graves (1940 - 1995); Lot 223, a good gouache on paper by Sam Francis (1923 - 1994); Lot 242, a very good wood and paper collage by Louise Nevelson (1899 - 1988); Lots 279, 281A, 293, and 309, works by Andy Warhol, and Lot 299, «Fast Sketch Still Life With Abstract Painting,» a 60 by 90 inch oil on cut - out aluminum by Tom Wesselman (b. 1931), show
painting and a superb sculpture by Nancy Graves (1940 - 1995); Lot 223, a good gouache on paper by Sam Francis (1923 - 1994); Lot 242, a very good wood and paper collage by Louise Nevelson (1899 - 1988); Lots 279, 281A, 293, and 309, works by Andy Warhol, and Lot 299, «Fast
Sketch Still Life With Abstract
Painting,» a 60 by 90 inch oil on cut - out aluminum by Tom Wesselman (b. 1931), show
Painting,» a 60 by 90 inch
oil on cut - out aluminum by Tom Wesselman (b. 1931), shown below.
Meanwhile, Sorolla paid special attention to how he exhibited his
oil sketches and «color notes» and gave both Sargent and William Merritt Chase studies for his important 1899
painting Sad Inheritance!.
Included were various groups of
sketches, watercolours on wood and
oil paintings of everything from intimate portraits of family members and scenes of the Red Army engaged in historic battles, to sites along the route of the Long March, which took place in the mid-1930s, and local figures and landscapes in Tibet.
As striking in their way as any of Church's major
paintings are his small
oil studies and
sketches, many executed wholly or partly in the field and several in the studio as designs for the major works.
Alongside the ninety - five - year old volume, which Jung worked on from 1914 - 1930, the Hammer Museum will present a number of
oil, chalk, and tempera
paintings and preparatory
sketches related to the Red Book, and other original manuscripts, including the Black Books, which contain ideas and fantasies leading up to the Red Book.
Particularly notable: a small
sketch made with
oil crayon in 1953 (Sand, Sea & Sky), revealed as inspiration for two 1958
paintings that also picture three - part seascapes depicting the horizon, ocean, and shore.
Wullschlager writes that the show consists of «100 drawings,
paintings and
oil sketches found at his home after his death in 1976, and displayed for the first time.
The Philadelphia
Sketch Club presents The 155th Exhibition of Small
Oil Paintings, a group exhibition of work featuring «small» scale oil wo
Oil Paintings, a group exhibition of work featuring «small» scale
oil wo
oil work.
He enlarged his initial
sketches as photostats, traced them on gessoed panel, and completed an
oil painting with a thinned color as if it were a watercolor.
And do not overlook: The Pierpont Morgan Library's show of recent accessions from the unparalleled Thaw Collection of Master Drawings and
Oil Sketches (through Jan. 19); «The Written Image: Japanese Calligraphy and
Painting From the Sylvan Barnet and William Burto Collection» at the Metropolitan Museum of Art (through March 2); «The Quilts of Gee's Bend» at the Whitney Museum of American Art (through March 9).
Encompassing eight canvases depicting ships at port, Kyriazatis builds up
oil paint in textured layers, drawing upon gestural plein air
sketches that he makes on his travels around European harbours.
Small
oil paintings such as this one are
sketched from life and often intended to be scaled up into larger works, but their economic execution and visible brushstrokes reveal an intimate side to his practice.
The Edinburgh exhibition serves as a Trinidad retrospective for Doig, with a score of large
paintings, supplemented by
oil sketches and other studies.
A talented draughtsman and former student of Arshile Gorky, Burkhardt thought
painting must have careful drawing as its basis: He always
sketched in pencil, pastels, or ink before building up his heavily layered, fleshy surfaces in
oil.
In 2002, the National Gallery mounted a comprehensive retrospective of Thomson's work that included more than 140
oil sketches,
paintings and designs, as well as work by his contemporaries.
• English Sporting
Paintings o Henry Thomas Alken (English, 1785 - 1851), four works from the series A Steeplechase at Market Harborough, Leicestershire, ca. 1840 - 50,
oil on panel, each 10 × 14»: The First Fence; Taking a Brook; Bad Fall at a Paling Fence; and Coming up to the Finish o Sir Edwin Landseer (English, 1802 — 1873), A Terrier on a Step,
oil on canvas, 7 ⅛ × 8 ⅛» o Sir Alfred J. Munnings (English, 1878 — 1959): Study of the Pytchley Bitch, 1928,
oil on panel, 16 × 16»; Pilot, one of Freeman's Hunters, Pytchley, Brixworth, 1928,
oil on board, 16 × 8 1/4» • European
Paintings o Kees van Dongen (Dutch, 1877 - 1968), Haystacks, n.d., (possibly ca. 1904 - 05),
oil on canvas, 19 ⅝ x 25 1/2» o Raoul Dufy (French, 1877 - 1953), L'Atelier au bouquet, 1942,
oil on canvas, 25 ⅝ × 31 ⅞» o Paul Gauguin (French, 1848 - 1903), Still Life with Bowl, ca. 1889,
oil on canvas, 8 x 12 ⅜» o Vincent van Gogh (Dutch, 1835 - 1890), Daisies, Arles, 1888,
oil on canvas, 13 x 16 1/2» o Camille Pissarro (French, 1830 - 1903), The «Royal Palace» at the Hermitage, Pontoise, 1879,
oil on canvas, 21 ⅜ x 25 ⅞» o Rene Princeteau (French, 1843 - 1914), Le Tilbury,
oil on canvas, 15 ⅞ x 22 ⅛» o Georges Seurat (French, 1859 - 1891), Houses and Garden, ca. 1882,
oil on canvas, 11 x 18 1/2» o Henri de Toulouse - Lautrec (French, 1864 - 1901), Norfdac, 1881,
oil on panel, 9 1/4 x 5 ⅝» • European Drawings o Leon Bakst (Russian, 1866 - 1924), La Chasse, pencil and watercolor on paper, sight: 12 ⅛ x 18 ⅝» o Eugène Boudin (French, 1824 - 1898), recto: Deux Bretonnes en costume, verso: untitled graphite and watercolor
sketch, 10 1/2 x 8 ⅛» o Alexandre - Gabriel Decamps (French, 1803 - 1860), Studies of Hounds, black chalk on grey paper, 6 3/4 x 10 ⅞» o Georges Seurat, Enfant à l'echarpe, black conte crayon, sight: 6 1/2 x 4» o Henri de Toulouse - Lautrec, Le depart, pen and ink and pencil, sight: 6 x 9 3/4»
The work that was inspired and to an extent created in Vermont, from pencil
sketches executed en plein air, fresh watercolors based on these
sketches and
painted while in Vermont, and many major
oil paintings drawn from these sources and typically completed during the winter months in his New York studio, is celebrated in Milton Avery's Vermont.
His sporadic black moods seem to be expressed in the stormy atmosphere and restless brushwork of his
paintings during these years, for example Hadleigh Castle (1829; Paul Mellon Center for British Art, New Haven) and the dramatic preparatory
oil sketch for that picture (c. 1829; The Tate Gallery, London).
This exhibition of more than 60 works includes
oil paintings, charcoal drawings, and pen - and - watercolor
sketches that convey the breadth and strength of Slinkard's short - lived artistic development.
Sir Peter Paul Rubens»
oil on wood panel
painting was a preparatory
sketch for designs he later
painted on ceiling canvasses at Banqueting House in Whitehall between 1628 and 1630.