Sentences with phrase «painted oil sketches»

Constable often painted oil sketches outdoors, as he was very concerned with the elements of sky, light, and atmosphere.

Not exact matches

Her canvases were precious possessions to her family: oil paintings of Degas» ballerinas, sketches of an old tree swing in the backyard, of still life and country life.
About Blog Authored by Cathy Gatland - Sketching, watercolours, oil painting, sketch and travel journals, a hotchpotch of what's on my right brain right now.
Gallerie Silo: Opening reception for Works on Paper, a collection of charcoal, pencil, pastel, oil paint and ink sketches and doodles journaling artist Michael Armour's growth over the past few years.
, a collection of charcoal, pencil, pastel, oil paint and ink sketches and doodles journaling artist Michael Armour's growth over the past few years.
Tina's beautiful oil paintings and sketches showcase the beaches of Ventura, capturing the dreamy blues and greens of the ocean, sandy beaches, and soulful surfers.
About Blog Authored by Cathy Gatland - Sketching, watercolours, oil painting, sketch and travel journals, a hotchpotch of what's on my right brain right now.
Chalk & Vermilion Fine Arts has loaned two oil paintings — La Dialectique appliquée and Les Grands rendez - vous — and a 1950 sketch by renowned Belgian surrealist René Magritte to «The Pleasure Principle,» a traveling exhibition that just completed a run at the Albertina Museum in Vienna.
I don't know what's «industry standard practice» for fine art galleries these days, regarding pricing works on paper vs. works on canvas, but my suspicion is that the reason for the * historical * difference between the two is that works on paper are perceived to be less «serious» (after all, watercolor started out as a quick way for oil painters to sketch out drafts), and less long - lasting (historically, a lot of watercolors were fugitive, and tended to fade with time, unlike varnished oil paintings).
3D digital artwork that is oftentimes mistaken as oil paintings, oil paintings, sketches, etc..
It tracks Elaine de Kooning's development as a first - rate, innovative portraitist through variously sized drawings, figure studies, trial sketches and small paintings across five decades, with each room dramatically highlighting the best of her large - scale oil paintings, some never exhibited publicly until now.
To make one of his large works, Katz paints a small oil sketch of a subject on a masonite board; the sitting might take an hour and a half.
Published on the occasion of her first exhibition at David Zwirner in fall of 2010, this beautifully designed and produced catalogue — with a text by noted curator and art historian Joachim Pissarro — features Suzan Frecon's most recent large - scale oil paintings, along with newly commissioned color photography of exhibition and studio installation views, as well as the artist's notebooks and sketches.
He makes paintings by going to public spaces around L.A., like the beach or the Americana mall, and quickly sketching what he sees there — tanners lounging in swimwear, dog - walkers, picknickers, etc. — on an iPad, then goes back to his studio and simply paints these scenes on canvas in acrylic, airbrush, and oil sticks that he melts on his stovetop.
Bill Scott will be exhibiting a painting in Loaded Brush: The Oil Sketch and the Philadelphia School of Painting at Philadelphia Academy of the Fine Arts from September 23, 2017 to Febraury painting in Loaded Brush: The Oil Sketch and the Philadelphia School of Painting at Philadelphia Academy of the Fine Arts from September 23, 2017 to Febraury Painting at Philadelphia Academy of the Fine Arts from September 23, 2017 to Febraury 4, 2018.
This new type of painting grew out of the sketches that she did on the chalkboards in a disused closed primary school with oil pastel.
A permanent Tate Britain collection it includes the Turner Bequest (which itself includes all works left in Turner's studio upon his death), comprising 300 oil paintings and many thousands of sketches, watercolours and 300 sketchbooks.
Make breakthroughs in oil painting, watercolor, pastel, or urban sketching.
Drawn from major public and private collections in the United States, the paintings are accompanied by more than one hundred beautifully fluid studies in various media: drawings, oil sketches, sculptures, digital composites, photographs, and prints — many never previously seen by the public.
Here, an artist mixes paints with a palette knife while holding his brushes as he makes a preliminary oil sketch on his canvas based on the drawings spread out near his feet.
The small oil sketches in this exhibition originate in his practice of painting directly outdoors.
British artist Celia Hempton (at Southard Reid) has forgone her usual fascination with genitalia to produce a dashing oil sketch of the head and torso of a man called Jochen, while the Finnish artist Anna Tuori's exuberant painting It's All Now You See (on Galerie Anhava's stand) is a particularly captivating jeu d'esprit.
Adrienne has been exhibiting oil paintings, sketches and printmaking since 1999 and is represented by Red Hill Gallery in Brisbane and Unsettled Gallery in Las Cruces, New Mexico.
Jean - Charles de Castelbajac, Yves Droite Yves Gauche, Diptych, 2008, Oil on canvas This event takes place at Sketch, 9 Conduit Street, London, W1S 2XG Paradise Row is delighted to invite you to our second all - singing, all - dancing, award - winning, salon extravaganza... An all star cast for the evening: A display of selected paintings by Jean - Charles de Castelbajac, A -LSB-...]
But how many blew up what might seem oil sketches to the size of history painting?
His early oil sketches, painted outdoors and characterized by their bright colors, fluid brushstrokes, and prioritization of the expression of mood and atmosphere over topographical details, greatly influenced the Impressionists.
With no prior sketching or planned outcome, Huen's large - scale oil paintings are derived from observation of his own life, portraying quotidian experiences.
In fact, Katz recalls that the painting was based on oil sketches he made in the afternoon, although the title leaves the time of day ambiguous.»
While I do all my oil paintings in the studio, I do work from pastel sketches that are done en plein air.
Reminiscent of the Picasso series, which included fifteen oil paintings and several hundred sketches, Davila's cut - outs are presented in thirteen variations.
There were many surprising passes: Lot 87 was a thunderbolt design of fluorescent tubes by Dan Flavin that was one of his finest works in that it was an appropriate concept; Lots 122 and 130, large and excellent paintings by Sandro Chia (b. 1946); Lots 203 and 205, a good painting and a superb sculpture by Nancy Graves (1940 - 1995); Lot 223, a good gouache on paper by Sam Francis (1923 - 1994); Lot 242, a very good wood and paper collage by Louise Nevelson (1899 - 1988); Lots 279, 281A, 293, and 309, works by Andy Warhol, and Lot 299, «Fast Sketch Still Life With Abstract Painting,» a 60 by 90 inch oil on cut - out aluminum by Tom Wesselman (b. 1931), showpainting and a superb sculpture by Nancy Graves (1940 - 1995); Lot 223, a good gouache on paper by Sam Francis (1923 - 1994); Lot 242, a very good wood and paper collage by Louise Nevelson (1899 - 1988); Lots 279, 281A, 293, and 309, works by Andy Warhol, and Lot 299, «Fast Sketch Still Life With Abstract Painting,» a 60 by 90 inch oil on cut - out aluminum by Tom Wesselman (b. 1931), showPainting,» a 60 by 90 inch oil on cut - out aluminum by Tom Wesselman (b. 1931), shown below.
Meanwhile, Sorolla paid special attention to how he exhibited his oil sketches and «color notes» and gave both Sargent and William Merritt Chase studies for his important 1899 painting Sad Inheritance!.
Included were various groups of sketches, watercolours on wood and oil paintings of everything from intimate portraits of family members and scenes of the Red Army engaged in historic battles, to sites along the route of the Long March, which took place in the mid-1930s, and local figures and landscapes in Tibet.
As striking in their way as any of Church's major paintings are his small oil studies and sketches, many executed wholly or partly in the field and several in the studio as designs for the major works.
Alongside the ninety - five - year old volume, which Jung worked on from 1914 - 1930, the Hammer Museum will present a number of oil, chalk, and tempera paintings and preparatory sketches related to the Red Book, and other original manuscripts, including the Black Books, which contain ideas and fantasies leading up to the Red Book.
Particularly notable: a small sketch made with oil crayon in 1953 (Sand, Sea & Sky), revealed as inspiration for two 1958 paintings that also picture three - part seascapes depicting the horizon, ocean, and shore.
Wullschlager writes that the show consists of «100 drawings, paintings and oil sketches found at his home after his death in 1976, and displayed for the first time.
The Philadelphia Sketch Club presents The 155th Exhibition of Small Oil Paintings, a group exhibition of work featuring «small» scale oil woOil Paintings, a group exhibition of work featuring «small» scale oil wooil work.
He enlarged his initial sketches as photostats, traced them on gessoed panel, and completed an oil painting with a thinned color as if it were a watercolor.
And do not overlook: The Pierpont Morgan Library's show of recent accessions from the unparalleled Thaw Collection of Master Drawings and Oil Sketches (through Jan. 19); «The Written Image: Japanese Calligraphy and Painting From the Sylvan Barnet and William Burto Collection» at the Metropolitan Museum of Art (through March 2); «The Quilts of Gee's Bend» at the Whitney Museum of American Art (through March 9).
Encompassing eight canvases depicting ships at port, Kyriazatis builds up oil paint in textured layers, drawing upon gestural plein air sketches that he makes on his travels around European harbours.
Small oil paintings such as this one are sketched from life and often intended to be scaled up into larger works, but their economic execution and visible brushstrokes reveal an intimate side to his practice.
The Edinburgh exhibition serves as a Trinidad retrospective for Doig, with a score of large paintings, supplemented by oil sketches and other studies.
A talented draughtsman and former student of Arshile Gorky, Burkhardt thought painting must have careful drawing as its basis: He always sketched in pencil, pastels, or ink before building up his heavily layered, fleshy surfaces in oil.
In 2002, the National Gallery mounted a comprehensive retrospective of Thomson's work that included more than 140 oil sketches, paintings and designs, as well as work by his contemporaries.
• English Sporting Paintings o Henry Thomas Alken (English, 1785 - 1851), four works from the series A Steeplechase at Market Harborough, Leicestershire, ca. 1840 - 50, oil on panel, each 10 × 14»: The First Fence; Taking a Brook; Bad Fall at a Paling Fence; and Coming up to the Finish o Sir Edwin Landseer (English, 1802 — 1873), A Terrier on a Step, oil on canvas, 7 ⅛ × 8 ⅛» o Sir Alfred J. Munnings (English, 1878 — 1959): Study of the Pytchley Bitch, 1928, oil on panel, 16 × 16»; Pilot, one of Freeman's Hunters, Pytchley, Brixworth, 1928, oil on board, 16 × 8 1/4» • European Paintings o Kees van Dongen (Dutch, 1877 - 1968), Haystacks, n.d., (possibly ca. 1904 - 05), oil on canvas, 19 ⅝ x 25 1/2» o Raoul Dufy (French, 1877 - 1953), L'Atelier au bouquet, 1942, oil on canvas, 25 ⅝ × 31 ⅞» o Paul Gauguin (French, 1848 - 1903), Still Life with Bowl, ca. 1889, oil on canvas, 8 x 12 ⅜» o Vincent van Gogh (Dutch, 1835 - 1890), Daisies, Arles, 1888, oil on canvas, 13 x 16 1/2» o Camille Pissarro (French, 1830 - 1903), The «Royal Palace» at the Hermitage, Pontoise, 1879, oil on canvas, 21 ⅜ x 25 ⅞» o Rene Princeteau (French, 1843 - 1914), Le Tilbury, oil on canvas, 15 ⅞ x 22 ⅛» o Georges Seurat (French, 1859 - 1891), Houses and Garden, ca. 1882, oil on canvas, 11 x 18 1/2» o Henri de Toulouse - Lautrec (French, 1864 - 1901), Norfdac, 1881, oil on panel, 9 1/4 x 5 ⅝» • European Drawings o Leon Bakst (Russian, 1866 - 1924), La Chasse, pencil and watercolor on paper, sight: 12 ⅛ x 18 ⅝» o Eugène Boudin (French, 1824 - 1898), recto: Deux Bretonnes en costume, verso: untitled graphite and watercolor sketch, 10 1/2 x 8 ⅛» o Alexandre - Gabriel Decamps (French, 1803 - 1860), Studies of Hounds, black chalk on grey paper, 6 3/4 x 10 ⅞» o Georges Seurat, Enfant à l'echarpe, black conte crayon, sight: 6 1/2 x 4» o Henri de Toulouse - Lautrec, Le depart, pen and ink and pencil, sight: 6 x 9 3/4»
The work that was inspired and to an extent created in Vermont, from pencil sketches executed en plein air, fresh watercolors based on these sketches and painted while in Vermont, and many major oil paintings drawn from these sources and typically completed during the winter months in his New York studio, is celebrated in Milton Avery's Vermont.
His sporadic black moods seem to be expressed in the stormy atmosphere and restless brushwork of his paintings during these years, for example Hadleigh Castle (1829; Paul Mellon Center for British Art, New Haven) and the dramatic preparatory oil sketch for that picture (c. 1829; The Tate Gallery, London).
This exhibition of more than 60 works includes oil paintings, charcoal drawings, and pen - and - watercolor sketches that convey the breadth and strength of Slinkard's short - lived artistic development.
Sir Peter Paul Rubens» oil on wood panel painting was a preparatory sketch for designs he later painted on ceiling canvasses at Banqueting House in Whitehall between 1628 and 1630.
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