Sentences with phrase «painted over a few times»

Not exact matches

After a few times of this, Wendy realized that as I talked about my painting, I'd run my hand over it pretty much constantly.
I had to go over it a few times because the black paint needed multiple coats since it's a dark color on a bright white.
I have used milk paint quite a few times over the years but not lately... I think you have inspired me to try another project using it!
Hi Diane, I'm doing an old antique bed room suite it's been in the family over 50 years and then some I want to make it right as is have around five pieces to do what do you think I should use and steps I should take should I sand then primer and use pop with a satin or flat paint the bedroom suit will be used so I also want it to hold up years to come,, I'm really having a hard time as it a high dollar bedroom set as we have seen a few just like sell it at estate sells,,, thanks for any info..
Over a 48Â hour period with a few screen - on moments for checking progress (and a 10 minute in - use period as my daughter grabbed it to use a paint program) Â I measured 46 % fall in battery usage of which 5 % was due to screen - on time.
I wondered if when it came time to repaint, they just evacuated the illage, covered the roads and had a plane fly over and dump a few tons of white paint over it.
Over the last decade there have been a very few exhibitions that have attempted to explore this history from a New York perspective («High Times Hard Times: New York Painting 1967 - 1975» in 2007, «Conceptual Abstraction» in 2012, my own «Reinventing Abstraction» in 2013), and if there have been any books on the subject, I haven't yet seen them.
There are scores of other recent examples of secret art — shows of paintings by Wade Guyton and Stephen Prina that appear suddenly, announced to only a select group, each year for a single day at Friedrich Petzel Gallery (most recently in March); a two - person show last summer at the Untitled gallery with a rear wall that, when pushed, swiveled and, like a James Bond - style hidden - door bookcase, opened onto a prodigious group show; the recent obsession over Kraftwerk's über - secret studio in Germany in advance of the group's MoMA retrospective; the hidden rooms and trap doors in Swedish artist Klara Lidén's shows (there's one in her current New Museum retrospective); and a drawing by David Hammons at MoMA that was covered with a cloth and unveiled only a few minutes a week by appointment at select times.
Frequently regarded as Asia's leading female artist, Lee talks to Time Out ahead of the inaugural exhibition of Lehmann Maupin's Hong Kong gallery, which showcases a selection of pieces she's made over the past few years, including several sculptural works, a number of drawings and two new «painted sculptures».
Taking the time to read over placards, standing before the paintings, and stealing a few moments to meditate on the work truly enriched the experience for me.
Although she had been interested in modern and tribal art, by the time I started going to school in the mid-1940's she had fallen in love with the Hudson River School of landscape painters of the 19th Century whose paintings were auctioned off for a few dollars, literally, then at the various auction houses where we spent most Saturdays on University Place like Kalisky and Gabay and Lawners, and the nearby Astor over on Broadway.
Nowadays, I seem to finish paintings two or three times over the course of a few months, slowly making more and more extreme «final» decisions as I go.
Just a few days before installing the exhibit High Times, Hard Times: New York Paintings 1967 — 1975, which features over 40 significant works by 30 artists and will be on view at the National Academy Museum from February 15 until April 22, 2007, curator Katy Siegel welcomed David Reed, who serves as the exhibit's advisor, and the Rail's Publisher Phong Bui to her home in Boerum Hill to discuss the work and artists included in this broad survey of experimental abstract painting.
As in the past, he works on his canvases flat, spreading out the paint with the aid of spatulas or scrapers over a base of wet rabbit - skin glue, the drying time of which determines the duration of the piece's execution — a few hours at most.
She goes over the surface of each painting three times: first she makes a series of horizontal lines a few inches apart, alternating blue and black crayon.
She goes over the surface of each painting three times: first she makes a series of horizontal lines a few inches apart,
I assume everything is porous enough so there won't be an issue with the oil bonding, but as stated above the first of these paintings are just a few years old, so no idea how they will hold up over time.
I had to go over it a few times because the black paint needed multiple coats since it's a dark color on a bright white.
The paneling has been painted quite a few times over the years and it still works for us.
In our old house, I redid that powder room (a few times) and still had over a half gallon of paint left.
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