Not exact matches
After a
few times of this, Wendy realized that as I talked about my
painting, I'd run my hand
over it pretty much constantly.
I had to go
over it a
few times because the black
paint needed multiple coats since it's a dark color on a bright white.
I have used milk
paint quite a
few times over the years but not lately... I think you have inspired me to try another project using it!
Hi Diane, I'm doing an old antique bed room suite it's been in the family
over 50 years and then some I want to make it right as is have around five pieces to do what do you think I should use and steps I should take should I sand then primer and use pop with a satin or flat
paint the bedroom suit will be used so I also want it to hold up years to come,, I'm really having a hard
time as it a high dollar bedroom set as we have seen a
few just like sell it at estate sells,,, thanks for any info..
Over a 48Â hour period with a
few screen - on moments for checking progress (and a 10 minute in - use period as my daughter grabbed it to use a
paint program) Â I measured 46 % fall in battery usage of which 5 % was due to screen - on
time.
I wondered if when it came
time to repaint, they just evacuated the illage, covered the roads and had a plane fly
over and dump a
few tons of white
paint over it.
Over the last decade there have been a very
few exhibitions that have attempted to explore this history from a New York perspective («High
Times Hard
Times: New York
Painting 1967 - 1975» in 2007, «Conceptual Abstraction» in 2012, my own «Reinventing Abstraction» in 2013), and if there have been any books on the subject, I haven't yet seen them.
There are scores of other recent examples of secret art — shows of
paintings by Wade Guyton and Stephen Prina that appear suddenly, announced to only a select group, each year for a single day at Friedrich Petzel Gallery (most recently in March); a two - person show last summer at the Untitled gallery with a rear wall that, when pushed, swiveled and, like a James Bond - style hidden - door bookcase, opened onto a prodigious group show; the recent obsession
over Kraftwerk's über - secret studio in Germany in advance of the group's MoMA retrospective; the hidden rooms and trap doors in Swedish artist Klara Lidén's shows (there's one in her current New Museum retrospective); and a drawing by David Hammons at MoMA that was covered with a cloth and unveiled only a
few minutes a week by appointment at select
times.
Frequently regarded as Asia's leading female artist, Lee talks to
Time Out ahead of the inaugural exhibition of Lehmann Maupin's Hong Kong gallery, which showcases a selection of pieces she's made
over the past
few years, including several sculptural works, a number of drawings and two new «
painted sculptures».
Taking the
time to read
over placards, standing before the
paintings, and stealing a
few moments to meditate on the work truly enriched the experience for me.
Although she had been interested in modern and tribal art, by the
time I started going to school in the mid-1940's she had fallen in love with the Hudson River School of landscape painters of the 19th Century whose
paintings were auctioned off for a
few dollars, literally, then at the various auction houses where we spent most Saturdays on University Place like Kalisky and Gabay and Lawners, and the nearby Astor
over on Broadway.
Nowadays, I seem to finish
paintings two or three
times over the course of a
few months, slowly making more and more extreme «final» decisions as I go.
Just a
few days before installing the exhibit High
Times, Hard
Times: New York
Paintings 1967 — 1975, which features
over 40 significant works by 30 artists and will be on view at the National Academy Museum from February 15 until April 22, 2007, curator Katy Siegel welcomed David Reed, who serves as the exhibit's advisor, and the Rail's Publisher Phong Bui to her home in Boerum Hill to discuss the work and artists included in this broad survey of experimental abstract
painting.
As in the past, he works on his canvases flat, spreading out the
paint with the aid of spatulas or scrapers
over a base of wet rabbit - skin glue, the drying
time of which determines the duration of the piece's execution — a
few hours at most.
She goes
over the surface of each
painting three
times: first she makes a series of horizontal lines a
few inches apart, alternating blue and black crayon.
She goes
over the surface of each
painting three
times: first she makes a series of horizontal lines a
few inches apart,
I assume everything is porous enough so there won't be an issue with the oil bonding, but as stated above the first of these
paintings are just a
few years old, so no idea how they will hold up
over time.
I had to go
over it a
few times because the black
paint needed multiple coats since it's a dark color on a bright white.
The paneling has been
painted quite a
few times over the years and it still works for us.
In our old house, I redid that powder room (a
few times) and still had
over a half gallon of
paint left.