Sentences with phrase «painted panels titled»

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This Gorgeous 2017 FORD FUSION SE will come with a Clear title with a (PREVIOUS) moderate rear end damage / It is fully fixed now and ready for the road... We removed and replaced rear left quarter panel, rear bumper assembly (OEM PARTS) and painted them to blend with the rest of the panels for a CLEAN job done indeed / / CHECK WITH YOUR LOCAL FORD DEALER FOR THE REMAINDER OF THE FACTORY WARRANTY AND IT»S CONDITIONS....

«Saturn Paintings refers to series of large, carved, and painted plywood panels,» Zansky explains, «and is thus a particularly apt title for a series engaging with a cosmic scale which exceeds our comprehension and representation.

In the Secession's main gallery, the American artist R. H. Quaytman has developed a frieze comprising twenty - two paintings on wood panels titled An Evening.

The UNSEEN portion, in the Project Room, features six paintings on panels, titled M80s.

The 2017 work that gave the show its title was a wooden panel covered in white automotive paint with an iron bar jammed through it.

The exhibition's title, With Curve, is inspired by Innes» newest series of paintings made on large - scale, asymmetric aluminum panels.

This group tackles many challenges including, project management, title - wall construction and installation, signature panel fabrication and install, patching and painting walls, modular wall set up, blocking the walls for art installations, shipping and receiving of artworks, condition reporting, conservation of artworks, art installation, gallery seating building and placement, lighting, labels, and a host of other details to make the galleries shine and complement the artworks.

Bradford has titled select paintings after phrases in the speech bubbles of his found comic panels — «Tonight....

A heroic example is the three - panel painting titled Triptych (Q3 - 75 # 1)(1975).

Diebenkorn's paintings, whether landscape or abstract, nearly all refer to place in their titles, so the headings for the gallery wall panels follow suit, tying the artist firmly to geographical location.

[8] During a 2015 panel discussion titled «Painting and the Legacy of Feminism» at Maccarone Gallery, Semmel stated «I would like to get away from the basic declaration of why there are no great women artists.

He made multi-panel paintings without any stylistic coherence and in which each panel took a different title.

Titled STUDIO PAINTINGS, the exhibition is comprised of small - scale oils on panel inspired by the artist's cramped workspace, which he portrays in minute detail, and from an often vertiginous point of view.

Faruqee applies and scrapes multiple, carefully computed layers of paint on linen - covered panels that result in «rainbows» and «bruises», as the show title suggests.

The centre of the show «4900 Colors» make up a recent panel painting with the same title.

The suave, white - suited man named Steve in Barkley L. Hendricks's 1976 painting of that name, radiates every bit as much star - power as Elvis Presley does in a double - panel Warhol homage, and he's treated with a lot more respect than is the busty, grinning title figure in Willem de Kooning's «Woman and Bicycle» from the early 1950s.

There are several new acquisitions that incorporate light, such as Vernon Fisher's The Coriolis Effect, 1987 for which the green glow of a spiraling florescent tube sitting above the panel surface suggests the painting's title and offers an ominous presence that enhances the narrative text.

The title referred to then three - year - old Isis, whom she was thinking about while she made the works — fourteen paintings, two black and white wall drawings, hanging Plexiglas panels, a video, and a figurative neon - tube sculpture.

The painting structure is derived from a 2008 diptych of the same title, each panel of which includes a columnar grid formation, with one line emphasized in each cube.

Displayed in the manner of white paint on a black chalkboard using Simmons's signature «erasure technique,» each panel extends a list of film titles, embedding decontextualized information into the museum's interior.

In his second exhibition with the gallery, Limbus, James Cullinane chose the Latin root of limbo for the title of this exhibition of 19 new paintings on panel.

He helped set the movement in motion with an oil and wax - on - panel painting titled «Synecdoche,» or a part standing for a whole.

Dodd has her ninth solo exhibition, titled New Panel Paintings, at the Alexandre Gallery in midtown Manhattan.