Sentences with phrase «painted paper cut»

Henri Matisse (1869 -1964) Blue Nude (I) 1952 Gouache painted paper cut - outs on paper on canvas 106.30 x 78.00 cm Foundation Beyeler, Riehen / Basel Photo: Robert Bayer, Basel © Succession Henri Matisse / DACS 2013 Tate highlights for the 2014 programme will include major exhibitions from: Henri Matisse, Piet Mondrian, JMW Turner, Richard Hamilton and Kazimir Malevich.

Henri Matisse, Nu bleu I, 1952, Gouache painted paper cut - outs on paper on canvas, 106.3 x 78.0 cm Fondation Beyeler, Riehen / Basel, Beyeler Collection © Succession Henri Matisse / ProLitteris, Zurich / photo: Robert Bayer

Not exact matches

we also cloth bag and try to use paper bags if we need more (which i cut when we get home and use them for paint paper so they are reused too)

For jewellery, there's Kirstin Stride (hand - drawn and - painted birds turned into earrings and brooches), Frilly Industries (laser - cut wooden brooches from Birmingham - based duo Kirsty Hillyer and Adrienne Frances, who will be bringing «a Bust - inspired range of feminist STUFF» to our summer do) and Kayleigh O'Mara (acrylic laser - cut jewellery — plus a complementary range of cards and paper goods — currently riffing on a sea theme).

Keep discarded paper and a few old newspapers and magazines for building, folding, weaving, cutting, collaging, painting, etc..

Old buttondown shirts make great smocks when worn backward with the sleeves cut off, plastic sheeting under the modeling clay construction site can protect the rug, and large sheets of butcher paper over the crafts table can prevent an encrusted layer of multicolored paints or glue.

Step 6 Cut out paper wings from pink cardstock and use white glue or double sided tape to attach onto the painted flamingos.

She loves helping to glue, cut out paper shapes, and paint anything she can get her hands on.

You could also use plain blue construction paper and let them go crazy with the puffy paint and then cut them into cloud shapes later or leave the paper as is.

small tin buckets easy to find at paint supply stores small cardboard paint buckets also at paint supply stores; paint or cover with paper chinese food boxes most craft stores have these in a variety of colors plain paper sack with a drawing or stickers on the front and tied with a ribbon or a cardstock header stapling the bag closed plastic beach buckets check the dollar store for the best price terra cotta flower pots perfect for a garden theme; the kids can paint these for a party craft too fabric or felt bags with or without a drawstring large tin cans of course, make sure the edges are not sharp mini canvas totes bought or homemade cardboard boxes such as a cereal box, cut down and covered with paper or painted; add a ribbon, string or wire handle baskets lots of inexpensive ones available at thrift stores popcorn boxes available at party supply stores Helpful Tips:

Your child can practice cutting, painting and working with shapes with this awesome paper plate shapes yarn activity.

I decanted 6 coloured paints into the plastic cake container and cut out 3 butterfly shapes by folding the paper in half drawing half a butterfly and then cutting it out.

I did find a pretty easy solution to make DIY die - cut stencils for painted wood signs using printer paper, spray adhesive, and contact paper.

While your paint is drying cut out two bunny ears from your pink and white cardstock paper.

This year since Cash is a bit older and more aware of what's going on, I wanted to let him really play around in the paint, so I simply cut out an decorative egg «stencil» from a piece of cardstock, and taped in onto another piece of cardstock, then just applied small dots of non-toxic fingerpaint in fun spring colors to each paper, and put it all out on a washable blanket for Cash to explore and play.

-- Cricut Explore cutting machine — Cricut cutting mat — freezer paper or Cricut vinyl — pillow cover, to create a cover see the instructions HERE — iron & ironing surface — white acrylic paint — round foam pouncer brush or 1 ″ foam paintbrush

Pastel and Gold Painted Flower Pots by Happy Go Lucky / Spring Chick Wreath by Fynes Designs / Simple Bunny Garland by Lil Mrs Tori / DIY: Peek - A-Boo Bunny Bag by Minted Strawberry / Pom Pom Tail Easter Bunny Printable by TitiCrafty / Easter Bible Verse Printable by A Cup Full of Sass / Felt Bunny Pouch for Easter Treats by Do Small Things with Love / Gold & Watercolor Geometric Bunny Art by Spool and Spoon / Moss and Twine Wrapped Easter Bunny by The Southern Couture / Spring Keychains by The DIY Dreamer / Cross Canvas by Vintage Gwen / DIY Ribbon Bunny Easter Wreath by Sweet Tea & Saving Grace / Floral Chalkboard Easter Prints by Dawn Nicole / Quilted Easter Decor by Nap - Time Creations / Crochet Egg Garland by 4 You With Love / Easter Bunny K - Cup Sleeves with Free Cut File by Pitter and Glink / Paper Easter Baskets by Crafting in the Rain

While my paint was drying, I placed the letters onto the back side of my scrapbook paper, traced around them and very carefully cut them out.

Students might paint a paper plate orange and then cut and paste the life - cycle pictures in order on the plate.

Paper bag crafts are great for developing fine motor skills such as: folding, coloring, painting, gluing, cutting, listening and following directions.

Christmas Gift Bag Template Craft has paper bag templates with cute pictures on them for kids to color, paint or embellish and then just cut, fold and paste to make their very own gift bag.

«If I'm blending, having them paint or cut or do this kind of thing, cut paper and make pictures that relate to letter sounds and word patterns?

If she was painting, or cutting paper, or making little containers from cardboard (she's always creating something) I'd sit near her and read the stories to her and show the pictures.

She then painted several subjects, cut them out, arranged the cut outs on paper and made a copy of that image, to give a textured effect.

For those not familiar with Monty Python's animation, think South Park, Salad Fingers or Apollo Gauntlet, where you have flat, paper - like, cut - out 2D images — taking figures from old paintings and animating them.

In all of the works, the articulation of each form — whether a paint - streaked surface or carefully cut out paper — describes a particular phenomena of time and motion, while giving concreteness and permanence to fleeting traces of human action.

In her narrative works on paper, detailed drawings and paintings come off as quirky, cutting and humorous.

Appel's new series of paintings begin as primary arrangements: cut - out paper forms referencing the portholes of Jean Prouvé's Maison Tropicale are combined with Appel's own photographs of fragments of his previous works, landscapes, and images of Paolo Soleri's Arcosanti.

TOP IMAGE: ALMA WOODSEY THOMAS (American, 1891 — 1978), «Untitled,» circa 1968 (synthetic polymer paint and pressure - sensitive tape on cut - and - stapled paper), 19 1/8 × 51 1/2 inches.

In the biggest, most dizzying painting, she lays foundation with meandering blue, flat and sliced like the remains of a cut - paper project, and inundates it with drips, swipes, and scrawls, each section offering a new tension.

The best paper for my painting process is d'Arches 140 lb cold press, in full sheets, elephant size or larger pieces cut from rolls.

Each painting comes together from myriad adjustments in the application of paint and tonality, and the artist's cut paper pieces are constructed from hundreds of indivudually cut and colored shards of paper.

Underneath her vibrant layers of oil paint, cut and torn pieces of heavy white drawing paper cover a rectangular panel.

At first the installation appears to be large pieces of scrap material and paper that have been cut, clumsily painted and tacked to the wall in three over-sized sections.

This artist's book, which features many paper changes, gatefolds and a die - cut cover, brings the reader through Sikander's practice, which now embraces various media, from drawing and painting to animation.

In each work — a cut sheet from an artist's drawing pad mounted on its cardboard backing — he employs gestures with paint, graphite, line, or the shadow of the paper on its cardboard ground that resonate with his expanded notion of drawing.

Acrylic, bleach, enamel, latex, and paper collage on cut, draped, and sewn cloth and canvas; oil and spray paint on two leaning canvases; found objects.

Bringing together a selection of recent cut - out paper figures, mixed media works on paper, collage paintings in beehive frames, a large - scale painted sailcloth and hand - painted texts on the gallery wall, the exhibition will showcase Anna Boghiguian's raw and expressionistic oeuvre that explores economics, philosophy, literature and myth.

Left: Andrew Bick, Mirror Variant Drawing # 1, 2011 -12, acrylic charcoal, digital print, spray paint and watercolour on cut paper, 135 x 135 cm.

While Morley's paintings invite the viewer to reflect upon the conflicts that have shaped humanity since time immemorial, they also echo the artist's personal experiences as a child during the Second World War, his cultural affinity with both England and America, and his lifelong fascination with models, from the plastic Air - fix kits of his youth to the paper cut - out varieties.

1995 Pasted Paper: Collage in the 20th Century, Louis Stern Fine Arts, Los Angeles, CA 25 Years: An Exhibition of Selected Works, Margo Leavin Gallery, Los Angeles, CA Between Reality and Abstraction: California Art at the End of the Century, Art Museum of South Texas, Corpus Christi, TX 1994 Balls, World Cup USA 1994, Newspace, Los Angeles, CA Twentieth — Century Drawings, Los Angeles County Museum of Art, Los Angeles, CA In Plain Sight: Abstract Painting in Los Angeles, Blue Star Art Space, San Antonio, TX Paintings of the 80's, RosamundFelsen Gallery, Los Angeles, CA Fractured Identity: Cut and Paste, Julie Saul Gallery, New York pen & ink, Santa Barbara Contemporary Arts Forum, Santa Barbara, CA Fawbush Gallery, New York Very Visual Dialogue, Personal Journeys in Abstract Painting, Rancho Santiago College Gallery, Santa Ana, CA

Quint Contemporary Art (QCA) is pleased to present ROY MCMAKIN: Some Drawings and a Table, a solo exhibition by Roy McMakin and WORKS ON PAPER II: Work by Peter Alexander, Mel Bochner, Kelsey Brookes, Manny Farber, Thomas Glassford, Frederick Hammersley, Joseph Huppert and Ryan McGinness, a group exhibition of artist studies, acrylic painting, zippers, cuts, collage and prints.

Towards the end of 2013 he started making collages using this painted paper, cutting and ripping it and then gluing it down.

2017 Cabbages and Kings, Maddox Arts, London Contemporary Abstract Prints, Clifford Chance, London Touchstone, APT Gallery, London Creekside Eleven, Zillah Bell Gallery, Thirsk (curator) A Funny Thing Happened on the Way to the Future, Brodrick Gallery, Hull Painting & Structure, The Kennington Residency, London Nine Painters, Syson Gallery, Nottingham Fully Awake, blip blip blip Gallery, Leeds Counterpoints, Eagle Gallery, London Women Artists: Power and Presence, University of Chichester Steal the Show, Glasgow Open House Festival Nine Painters, Syson Gallery, Nottingham Abstract, Paper Gallery, Manchester Abstract, New Adelphi Gallery, University of Salford 2016 Modern Mirror, Bread and Jam IV, London Cuts, Shapes, Scrapes and Breaks, Seventeen, London We Are The Dead, Kirk Hopper Fine Art, Dallas, Texas Juxtaposition, Zilla Bell Gallery, Thirsk, Yorkshire.

Diverse as ever, McLean's select exhibition contains two mixed media works; presented on the ground floor of the gallery, the Untitled paintings are comprised of dense, black organic shapes that veer to the abstraction on neutral backgrounds, adorned with daubs of coloured paper that on some sides have been hastily cut and others impatiently ripped, a nod to the rebellious humour of McLean who's body of oeuvre comprises witty sculptures made of rubbish and even his own body.

© Nicola Moss «Heritage ecology - In the mosaic», 2015 Hand cut papers, synthetic polymer paint,... https://t.co/bz962u5XND

In his late sixties, when ill health first prevented Matisse from painting, he began to cut into painted paper with scissors to make drafts for a number of commissions.

Also included in «Big Spaces and Large Planes» are: the loosely graphic paintings of Cathy Fiorelli who shares studio space with eleven other artists at the Middletown Pendleton Art Center; the perceptive works on femininity of Pattie Byron from West Chester; the Kente Cloth - inspired art quilts by Miami University - educated Linda Kramer; the mixed media of Oxford's Maureen Nimis with her cut paper and photographic work; the small works by Catalog & Slavic Librarian at Miami University, Russian - born Masha Misco; and the jewel - like small photographs of Denver - born Cincinnati resident Brian Luman whose exploration of urban crevices is fueled by his skateboard and camera.

Image: Molly Zuckerman - Hartung, Adulterate, 2013, acrylic, bleach, enamel, latex, and paper collage on cut, draped, and sewn cloth and canvas; oil and spray paint on two leaning canvases; found objects, 95 x 167 x 12 inches (hanging)

CDM: The six commissioned works range from a trompe - l'oeil wall painting by Mary Temple and diorama by Mark Dion to a cut - paper installation by Anonda Bell and animation by Marina Zurkow.