Sentences with phrase «painted print series»

Not exact matches

There are more than a dozen works on view in Trump's apartment, including a series of prints by conceptual artist John Baldessari, a massive work by art - market juggernaut Christopher Wool, a small piece by the up - and - coming artist Will Boone, prints by photographer Mariah Robertson, and a small, colorful abstract painting by the young art - world star Alex Da Corte.

The World Series logo was painted on the field at Fenway, and the New York Post printed an editorial (accidentally, in 200,000 copies of Friday's paper) lamenting the Yankees» loss to the Red Sox.

Skinner's appraisal experts regularly appear on the PBS - TV series, Antiques Roadshow, and its specialty departments include American Furniture & Decorative Arts, American & European Paintings & Prints, European Furniture & Decorative Arts, 20th Century Design, Fine Ceramics, Fine Jewelry, Couture, Fine Musical Instruments, Asian Works of Art, Fine Wines, Rare Books & Manuscripts, Science & Technology, Oriental Rugs & Carpets, American Indian & Ethnographic Art, Fine Judaica, Antique Motor Vehicles, Toys, Dolls & Collectibles, and Discovery.

In addition, the game features a series of panorama paintings by Joakim Olofsson, who also made the title poster (which can actually be ordered as a nifty giant 6000 × 7200 print here).

Streisand appears in a string of tightly cropped, screen - printed profiles, and in a series of paintings, called «My Elvis,» which portray the diva multiplied on canvas in her cross-dressing Yentl garb.

Burgundy Landscape Standing (Fragment Series)(detail) 2015 Acrylic paint, archival prints, stainless steel, stone, branch, ceramic, thread, enamel 58 x 24 x 7 inches; 147.3 x 61 x 17.8 cm

Sunset Standing (Fragment Series) 2015 Acrylic paint, archival prints, stainless steel, stone 52 1/2 x 14 1/2 x 7 inches 133.4 x 36.8 x 17.8 cm 52 1/2 x 14 1/2 x 7 inches; 133.4 x 36.8 x 17.8 cm

Sanejouand also created a 1964 series of two - dimensional painting surrogates in which store - bought printed fabric, linoleum flooring, plastic sheeting and stray items like ping - pong nets are attached to stretchers recycled from the abstract paintings that he no longer wished to make.

1992 Joan Mitchell: New Prints, Bobbie Greenfield Fine Art, Venice, California (September 11 — October 10) Joan Mitchell, Le Fonds Régional d'Art Contemporain (FRAC) de Haute - Normandie & l'Association des Amis du Château d'Etalan, Château d'Etalan, Saint - Maurice - d'Etelan, France (July 16 — August 31) Joan Mitchell, Galerie Jean Fournier, Paris (June 3 — July 14) Joan Mitchell: Trees & Other Paintings, 1960 to 1990, Laura Carpenter Fine Art, Santa Fe, New Mexico (May 2 — June 6) Joan Mitchell: Pastel, Whitney Museum of American Art, New York (March 19 — June 21) Joan Mitchell: Recent Lithographs, Susan Sheehan Gallery, New York (March 17 — March 28) Joan Mitchell: Sunflowers and Trees Series, Tyler Graphics, Mt. Kisco, New York (opened March 7)

The exhibition showcases more than 80 paintings, prints, and drawings spanning the two decades Diebenkorn dedicated to this series.

In the years since then, he has worked consistently in series, pioneering new approaches to form, color, narrative, and abstraction with innovative paintings, prints, sculptures, and architectural installations.

Lost Image Standing (Fragment Series) 2015 Acrylic paint, archival prints, string, stainless steel, stone, wood, clamps 72 1/2 x 109 x 41 inches; 184.2 x 276.9 x 104.1 cm

This will be the artist's first solo gallery exhibition in New York and will present a new series of politically inspired works that will include paintings, sculptures and prints.

For instance, as of 1972, he works on a series of prints inspired by famous nude paintings and prints by artists such as Willem de Kooning and Amedeo Modigliani.

Mazur's mother dies; travels to San Francisco to work at the Experimental Workshop on a series of silk monotype screens (colorplate); solo exhibitions: Michael Mazur: Paintings, Prints, Drawings, Monotypes, 1962 - 1988, Macalester College, St. Paul, Minnesota; Joe Fawbush Gallery, New York.

Examples from his major series over the years (including body prints, found object assemblages, basketball chandeliers, basketball drawings, Kool - Aid drawings, and tarp paintings) will be featured and a fully illustrated catalog authored by Kellie Jones, a professor of art history and archeology at Columbia University, will accompany the exhibition.

Shepherd's interest in both traditional color theory models and value - based painting is apparent in her «triangle suit» series made with precisely cut screen prints.

On view are prints, mostly from the last 15 years, some unique oil paintings on wood from the Small Paintings series and cupaintings on wood from the Small Paintings series and cuPaintings series and cut - outs.

The show features the collections of three Judith Leiber collectors in the main gallery and Gerson Leiber paintings and prints from his Fashion Series in the painting gallery.

«We are really excited to be working with the Arts Council Collection to include several important pieces, particularly the Cavafy series of prints and the major painting from his Royal College days, We Two Boys Together Clinging (1961).»

Esopus 23 presents specially - commissioned projects exclusive to this issue including a series of images printed on translucent and metallic stocks by Marilyn Minter, a portfolio of die - cut works by Mickalene Thomas, a collection of images and documentation by Jody Wood relating to her ongoing «Beauty in Transition» series, a new series of paintings by Stefan Kürten; drawings by Karo Akpokiere dealing with the challenges of living and working between Berlin and Lagos, and a series of abstract photographic «landscapes» created in the darkroom by master black - and - white printer Chuck Kelton.

The Six Paintings series will be complemented by a selection of prints made from his Dots Pastilles drawings (1970 — 71), which present early iterations of the use of dots as a graphic technique.

In one series, for example, Richter painted meticulous renditions of photographs, including blurred elements, faithfully portraying and emphasizing the concealed aspects of the original print.

In works like the Time Life Nature Series and Pawtuckaway, Glovinski breaks with conventional approaches to landscape painting — instead of painting plein air vistas, she locates landscape «once removed» (i.e, the topography and design of trail maps, and landscape images printed on book covers) and re-creates these objects to mimic the original.

New American Paintings magazine is a juried exhibition - in - print, and the largest series of artist competitions in the United States.

Subjects covered in this exhibition include the Indian Views (1971), evoking scenes glimpsed through the windows of railway carriages, three very large prints Delhi, Heat and In India (2012), and the Indian Waves series of 1990 - 91 which were painted onto sheets of handmade Indian paper.

The artwork of Edgar Heap of Birds includes multidisciplinary forms of public art messages, large - scale drawings, Neuf Series acrylic paintings, prints, works in glass, and monumental porcelain enamel on steel outdoor sculpture.

Taking direction from architect and theosophist Claude Bragdon's treatise on drawing four - dimensional patterns on a two - dimensional plane, Ms. Auerbach presents a series of glass sculptures and a sculpture consisting of 3D - printed parts, along with large - scale acrylic paintings created with custom - made tools and a new group of her coveted Weave paintings.

Josef Albers is best known for the hundreds of paintings and prints from his series Homage to the Square, which explores the interaction of colors within a composition of three or four nested squares.

Patrick is well known for his large, high key colour canvases in acrylic, often in series and in a vertical format, but he also works on a smaller scale on paper, continually experimenting with small groups of paintings, acrylics on paper, collage, studies for larger paintings or prints, groups of etchings, silkscreen prints and woodcuts.

Showing the artist's growth as a painter and his continuing interest in uniting painting and photography to test new strategies of figuration, the series, which debuted in London earlier this year, actually includes photos that the artist took himself and ink - jet printed onto the canvas (along with some photos he didn't).

At 18th Street, Wood created a series of inkjet print, which combined digital photographs with text and her own painted images.

During his mature career, Fairhurst started to make a series of silkscreen prints called Underdone / Overdone Paintings, most of which were made in the year of 1998.

American Epics: Thomas Hart Benton and Hollywood, a series of paintings, lithographs and prints from the early 1920s through the 1940s, will be on display at the Amon Carter Museum of American Art Feb 6.

That is because the titanic success of LOVE, which grew out of an early 1961 painting titled 4 - Star Love and evolved into a beloved series of prints and sculptures, cast the rest of his extensive career's worth of work in shadow.

The acquisitions include: Benny Andrews (1930 2006), Mississippi River Bank (Trail of Tears Series), 2005; McArthur Binion (b. 1946), DNA: Black Painting: IV, 2015; Jeffrey Gibson (b. 1972), Sharecropper, 2015; Titus Kaphar (b. 1976), Darker Than Cotton, 2018; Glenn Ligon (b. 1960) Condition Report, 2000; Deborah Luster (b. 1951), six gelatin silver prints from the series One Big Self: Prisoners of Louisiana, 1999 2001; Toyin Ojih Odutola (b. 1985), The Engagement, 2015; Noah Saterstrom (b. 1974), Road to Shubuta, 2016; and Hank Willis Thomas (b. 1976), Flying Geese,Series), 2005; McArthur Binion (b. 1946), DNA: Black Painting: IV, 2015; Jeffrey Gibson (b. 1972), Sharecropper, 2015; Titus Kaphar (b. 1976), Darker Than Cotton, 2018; Glenn Ligon (b. 1960) Condition Report, 2000; Deborah Luster (b. 1951), six gelatin silver prints from the series One Big Self: Prisoners of Louisiana, 1999 2001; Toyin Ojih Odutola (b. 1985), The Engagement, 2015; Noah Saterstrom (b. 1974), Road to Shubuta, 2016; and Hank Willis Thomas (b. 1976), Flying Geese,series One Big Self: Prisoners of Louisiana, 1999 2001; Toyin Ojih Odutola (b. 1985), The Engagement, 2015; Noah Saterstrom (b. 1974), Road to Shubuta, 2016; and Hank Willis Thomas (b. 1976), Flying Geese, 2012.

During World War II, Benton created a series of eight anti-Nazi, anti-fascist paintings which were picked up by the U.S. Government and disseminated as prints.

In 1968, he created the «V» series of lithographs, which included the print Quathlamba I. Following a solo exhibition at the Museum of Modern Art in 1970, Stella began working in three dimensions, adding relief elements to paintings, which could almost be considered wall - mounted sculptures.

The prints and the paintings of the Exotic Bird Series were developed concurrently.

Although these prints were the first to emerge from a metal - relief series, they are perhaps more directly related to the affiliated small - scale, flat, mixed - media paintings that incorporated graph - pattern backgrounds.

The exhibition will include three variations of Thought - Forms: an intact copy of the book's first edition published in Adyar; a complete series of framed prints from the first edition; and Danish artist Lea Porsager's gouache paintings inspired by Thought - Forms.

The Exotic Bird Series marks the first instance of an active merging of lithography and screen printing, the use of glitterflex, (paralelling similar textures in the paintings), and the adoption of liquid tusche to create lithographic washes.

After his recent protracted lawsuit and subsequent ruling against him for his appropriated use of images from his Canal Zone series — where he «creatively transformed» photographs of Rastafarians from an in - print book into paintings — you'd think that he'd shy away from such gestures.

Other artists who will be included in this exhibition are Dan Flavin (sculpture installations and drawings), Joe Goode (paintings from the Torn Sky series), Donald Judd (a single stack, wood blocks and woodcut prints), Sol LeWitt (sculpture and drawings), Robert Mangold (paintings), John McCracken (sculpture), John McLaughlin (paintings), Cy Twombly (drawings), and Agnes Martin (works on paper).

In the decade - long series, The Waves, from the 1980s, and in the subsequent series Moby Dick, C - Relief, Stella conjured his own wildly abstract imagery to create sculpture, paintings, prints, and reliefs.

Previous artists were the Scottish painter Peter Doig, who created «Siegfried + Poster Project»; the New York artist Julie Mehretu, whose exhibition was called «Notations After the Ring»; and Elizabeth Peyton, whose series of paintings, drawings and prints based on many of Wagner's mythical characters not only filled the gallery but also various spots throughout the opera house.

«So over the past eight years, I've made an ongoing series of paintings and color intaglio prints loosely based on these, including the painting «The Fourth Cherry Tree» (2012) and the color print «The Cherry Tree III» (2015).

The series of prints Tales of Genji I — VI (1998) was created in the nineteenth - century tradition of Japanese ukiyo - e (scenes of the floating world), in which the artist creates the initial painting, and woodcarvers and printers make the final print.

Taylor De Cordoba is pleased to present last night, after the lights went out, we fell, a new group of paintings and a series of printed woodblocks by Los Angeles based artist, Frohawk Two Feathers.

The o.t.v. (f.b.) print is based off of a series of the artist's drawings and paintings that reference images from Japanese prints.